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Posts Tagged ‘accra’

Photo: BBC
BBC
Africa’s Sophie Ikenye visits a fish farm in Kenya.

The BBC recently called my attention to a surprising new trend in Africa: Young people, who used to flock to urban office jobs and spurn farming, are beginning to see the attractive side of a return to the land.

Sophie Ikenye writes, “Six years ago Emmanuel Koranteng, 33, gave up his job as an accountant in the US and bought a one-way ticket to Ghana. He now has a successful business growing pineapples in a village one-and-a-half hours away from the capital, Accra. He says that even when he was far away from the farm, it was always in his thoughts.

“Across the continent, Dimakatso Nono, 34, also left her job in finance … and moved from Johannesburg to manage her father’s 2,000 acre farm three hours away in Free State Province. She says she wanted to make an impact. …

” ‘At the beginning, we were not sure about what the animals were doing and where they were in the fields, so for me it was important to ensure that every single day, every activity that we do is recorded.’

“Life on the farm has not been easy. … Both young farmers have found it difficult to get funding for equipment. For this reason, Mr Koranteng has decided to stay small.

” ‘If you are small and you don’t have funding, don’t try to do anything big. It’s all about being able to manage and produce quality because if you produce quality, it sells itself,’ he says.

“But there is to be made money in farming. A World Bank report from 2013 estimates that Africa’s farmers and agribusinesses could create a trillion-dollar food market by 2030 if they were able to access to more capital, electricity and better technology.

” ‘Agriculture has a bright future in Africa,’ says Harvard University technology expert Calestous Juma. And it also means making the finished product, rather than just growing crops and selling them. ‘The focus should be … from farm to fork, not just production,’ he says.”

Check out one farming entrepreneur’s approach here.

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I enjoyed this cheery article at Roads and Kingdoms/Slate on a family in Ghana who will design whatever kind of coffin is requested — like the potato chip coffin below.

Reporter Akinyi Ochieng describes seeing “coffins of all shapes and colors: a chili pepper, a cat, a scorpion. …

“Founded in the 1950s by Seth Kane Kwei, this is thought to be the oldest coffin shop specializing in abebuu adekai: proverb boxes.

“In the last 50 years, these fantasy coffins have become one of Ghana’s most unique cultural exports. The curious tradition of burying people in coffins shaped like everything from lobsters to busty women is primarily practiced in Accra and has spawned over 10 workshops in the capital city. Almost all of these are owned by former apprentices of Kane Kwei, who died in 1992. …

“The coffins intended for burial are made from a soft wood and cost about $700. The ones considered works of art and bound for homes and galleries, are made from mahogany. Those can sell for as much as $3,000. …

“ ‘When I started working, people used to call me a coffin maker or a carpenter,’ says [one family member]. ‘Over the years, I’ve become more actively engaged in the design process from start to finish. I think that’s what really helped me transcend just being a carpenter to being a true artist with a vision.’ ”

More from Akinyi Ochieng here. See some finished coffins, too.

Photo: Theophilus Mensah 
Design plans for an upcoming piece.

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The uncle of my co-worker from Ghana is a very fine photographer who chronicled much of the last days of colonialism and the beginning of independence in his native land.

Another colleague was reading an article about the uncle’s new book in the Washington Post and thought, “Could they be related?” They are.

Nicole Crowder wrote at the Post, “In 1957, after over a century of colonization, Ghana gained independence from Britain. Just 30 years prior, in 1929, photographer James Barnor was born in the country’s capital Accra — then the Gold Coast colony — and over the course of a career that spanned more than six decades would become one of Ghana’s leading and most well-known photographers.

“Throughout the 1950s and 1960s, Barnor created a definitive portfolio of street and studio portraiture depicting societies in transition: images of a burgeoning sub-Saharan African nation moving toward independence, and a European capital city becoming a multicultural metropolis.

“Ghana in the 1950s was experiencing a radiance of post-colonization as well as its ‘heyday of Highlife,’ a fusion of traditional African rhythms, Latin calypso and jazz influences that would soon spread across Ghana’s borders to West Africa and beyond. … Barnor captured all of this energy, playing at once artist, director, photographer and technician, by offering a well-rounded portrait of Ghanian life from many walks of life.

“On Oct. 8, Autograph ABP and the gallery Clementine de la Feronniere [released] the book ‘Ever Young‘ showcasing Barnor’s extensive archive, followed by a corresponding photo exhibition in Paris through Nov. 21.”

More at the Washington Post.

Photo: James Barnor/Autograph, ABP
Nigerian Superman, Old Polo Ground, Accra, 1957–58.

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