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Posts Tagged ‘ageing’

Photo: David Levene/The Guardian.
A man engages with Laure Prouvost’s art installation ‘Above Front Tears Oui Float’ at the Nasjonalmuseet, Oslo, Norway. 

I can’t get enough of emerging research on what activities are good for your brain. It’s interesting that so many of the studies focus on the role of art.

As Denis Campbell wrote at the Guardian in May, “Singing, painting or visiting a gallery or museum helps people age more slowly, according to the latest study to link taking an active interest in art and culture with improved health. The findings are the first to show that both participating in arts activities and attending events, such as viewing an exhibition, lead to people staying biologically younger.

“ ‘These results demonstrate the health impact of the arts at a biological level. They provide evidence for arts and cultural engagement to be recognised as a health-promoting behavior in a similar way to exercise,’ said Prof Daisy Fancourt, the lead author of the research and the head of the social biobehavioral research group at University College London.

“However, slower ageing does not necessarily mean someone will live longer. … Previous studies have suggested a link between arts engagement and longer lifespan, but much more research would be needed to establish potential causal effects on longevity.

“[A new test] showed that those who undertook an arts activity at least once a week were on average a year younger biologically than those who rarely engaged in such pursuits. Those who exercised once a week were only six months younger by that measure.

“The benefit the arts confer on the pace at which people age is so dramatic that it is comparable to the difference between smokers and those who have given up smoking, the researchers say. …

“Said Dr Feifei Bu, a senior author and also a UCL academic, ‘This builds on a growing body of evidence about the health impact of the arts, with arts activities being shown to reduce stress, lower inflammation and improve cardiovascular disease risk, just as exercise is known to do.’

“The results, published in the journal Innovation in Aging, are based on blood test and survey response data from 3,556 adults taking part in the UK Household Longitudinal Study. It uses blood samples to estimate people’s biological age and the pace at which they are ageing.

“Participants were asked how often over the last year they had taken part in singing, dancing, painting, photography or crafting, or had attended an art exhibition or event, visited a heritage site such as a monument or historic building or park, or been to a museum, library or archive. …

“Evidence is emerging that the arts can improve both mental and physical health. In 2019 the World Health Organization published a report, by Fancourt and Saoirse Finn, which highlighted initiatives such as playing music to patients before surgery and using the arts with people with dementia. In the latest study, the middle-aged and older adults aged 40 or above received the biggest boost to the pace at which they aged as a result of taking part in the arts.

“ ‘Across the arts sector we have known for a long time that getting creative yields extraordinary benefits for our health, and this latest research adds a vital new piece to the puzzle, proving that arts and culture can even slow down the biological clock,’ said Mark Ball, the artistic director of the Southbank Centre, a multi-arts venue in London.

“The Southbank complex was born in 1951 out of the Festival of Britain. Its description as ‘a tonic for the nation’ was not a coincidence, Ball said. ‘It was an explicit recognition that, after the destruction and gloom of the second world war, the country needed to be convened through the arts to find a sense of optimism and healing. That sentiment is enduring and is needed now, more than ever.’ ”

More at the Guardian, here.

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Being around kids can be good for old folks.

As my friends and I discuss whether or not to sign up for senior communities, one big worry is not seeing children very often. Not necessarily just children in our own families, but the kids that are in the neighborhood or that we pass on our walks or our trips to the the library and shops. Many of us don’t want to be somewhere with no sidewalks to a town, where you can feel a bit normal.

Eleanor Laise at MarketWatch recently reported on a trend that aims to deal with that issue.

She writes, “It’s a warm spring Monday in Easthampton, Mass., and from the front porch of her townhome in the Treehouse intergenerational community, Sue Brow can see several neighbors’ well-kept gardens in bloom. Brow, 60, has helped plant the garden of one neighbor who was ill, and she’s pitching in to grow tomatoes on another neighbor’s patio. Later in the afternoon, residents gather to play games in a communal building. Brow’s 16-year-old son helps take out the older neighbors’ trash, and in their living room sits a birdhouse he just painted at a community celebration attended by residents and friends ranging in age from three to 83. 

“In her four years living at Treehouse, a community designed to bring together seniors with families who are fostering or adopting children, Brow … raised her adopted son with the help of dozens of fellow residents who live within a few minutes’ walk along the horseshoe-shaped street that forms the neighborhood’s backbone. ‘I don’t know what I would have done’ without that [says] Brow. …

“As America enters an era of unprecedented age diversity, new designs for intergenerational communities are taking shape across the country, intentionally weaving together the lives of older and younger residents and breaking down barriers that have segregated elders in traditional senior housing.

“In these new communities, octogenarians can help 8-year-olds with their math homework after school, residents of all ages can prepare and eat meals together, and neighbors can take turns caring for a sick resident who might otherwise wind up in a nursing home. 

“[The] communities often feature smaller, age-friendly dwellings tightly clustered around shared green spaces. Many include community gardens and common buildings where older and younger residents can work and play side by side.

“The trend is not so much a new idea as the resurrection of a very old one. ‘Multiple generations living close by and looking out for each other is possibly the oldest of all human ideas,’ says Dr. Bill Thomas, a geriatrician who last year announced the launch of new, intergenerational Kallimos Communities. …

“In addition to Kallimos, which plans to open its first community in Loveland, Colo., next year, other intergenerational communities in the works include Regenerative Communities, spearheaded by hospitality entrepreneur Chip Conley; Agrihood, designed around an urban farm in Santa Clara, Calif.; and 4300 San Pablo, an Emeryville, Calif., community designed for seniors and young adults who are aging out of the foster care system. …

“These communities are springing up at a time when COVID-19 has spotlighted the pivotal role they can play in society, aging experts say. During the pandemic, it was ‘truly heartbreaking and horrifying how all these ways we’ve separated people — including by age — left us ill-prepared to deal with a crisis of this magnitude,’ says Marc Freedman, president and CEO of Encore.org, a nonprofit focused on intergenerational connection. 

“Isolation proved devastating not only for seniors in locked-down facilities but also younger people stuck taking Zoom classes in their bedrooms, says Bob Kramer, cofounder and strategic adviser for the National Investment Center for Seniors Housing and Care. Now, when he teaches college students about the impact of isolation, he says, ‘for the first time, 22-year-olds I’m speaking to can empathize with what I’m talking about.’ …  

“Intergenerational communities reflect efforts ‘not just to remake housing but to reinvent the notion of what a family is,’ Freedman says. Those efforts come as the U.S. reaches a new milestone in age diversity, with the population roughly evenly distributed across chronological ages through the mid-70s, according to a recent study from the Stanford Center on Longevity. … ‘The demography of America is changing faster than the financiers and developers of housing are willing to change,’ Thomas says. Housing that was developed for a much younger population, he says, is ‘increasingly out of sync with who we really are.’ “

More at MarketWatch, here. No firewall.

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Photo: NeuroscienceNews.
Latinos aged 55 and older who participated in Latin dance classes for eight months showed significant improvement in working memory over their peers who did not partake in Latin dance.

When I expressed worry about signs of aging, my scientist brother chided me for not being more upbeat, saying, “The brain can look like Swiss cheese and one can still have a happy hour, or more maybe, left.”

He was right. Today’s article on the virtues of dance for older people underscores that point and suggests that for some, dance can even reverse decline.

NeuroscienceNews describes a recent study from the University of Illinois.

“Latinos age 55 and over who participated in a culturally relevant Latin dance program for eight months significantly improved their working memory compared with peers in the control group who attended health education workshops, according to the study’s lead author, Susan Aguiñaga, a professor of kinesiology and community health at the University of Illinois Urbana-Champaign.

Working memory – the ability to temporarily keep a small amount of information in mind while performing other cognitive tasks – is integral to planning, organizing and decision-making in everyday life.

“The dance program used in the study, Balance and Activity in Latinos, Addressing Mobility in Older Adults – or BAILAMOS – showed promise at enticing older Latinos to become more physically active and help stave off age-related cognitive decline, Aguiñaga said.

“ ‘Dance can be cognitively challenging,’ Aguiñaga said. ‘When you’re learning new steps, you have to learn how to combine them into sequences. And as the lessons progress over time, you must recall the steps you learned in a previous class to add on additional movements.’

“BAILAMOS was co-created by study co-author David X. Marquez, a professor of kinesiology and nutrition, and the director of the Exercise and Psychology Lab at the University of Illinois Chicago; and Miguel Mendez, the creator and owner of the Dance Academy for Salsa.

“BAILAMOS incorporates four types of Latin dance styles: merengue, salsa, bachata and cha cha cha, said Aguiñaga, who has worked with the program since its inception when she was a graduate student at the U. of I. Chicago.

“ ‘It’s an appealing type of physical modality,’ she said. ‘Older Latinos are drawn to Latin dance because most of them grew up with it in some way.’

“Latin dance can evoke positive emotions that prompt listeners to participate, increasing levels of physical activity in a population that tends to be sedentary, according to the study, published in the journal Frontiers in Aging Neuroscience.

“More than 330 Spanish-speaking Latino adults who were middle-aged or older were recruited for the study, primarily through community outreach in local churches. Participants were randomly assigned to either the dance group or the control group, which met once a week for two-hour health education classes that covered topics such as nutrition, diabetes and stress reduction.

“Participants in the BAILAMOS groups met twice weekly for the dance sessions, taught by a professional instructor for the first four months and later by a ‘program champion’ – an outstanding participant in each group who displayed enthusiasm and leadership qualities.

“The program’s champions were selected and trained by the instructor to lead the sessions during the four-month maintenance phase.

“Over the different waves of the four-year study, the dance lessons were held at 12 different locations across Chicago, such as neighborhood senior centers and churches that were familiar and easily accessible to participants, Aguiñaga said.

“Participants’ working memory – along with their episodic memory and executive function – was assessed with a set of seven neuropsychological tests before the intervention began, when it concluded after four months and again at the end of the maintenance phase.

“Participants also completed questionnaires that assessed the number of minutes per week they engaged in light, moderate and vigorous physical activity through tasks associated with their employment, leisure activities, household maintenance and other activities. …

“As with a small pilot study of BAILAMOS conducted previously, the current study found no differences in any of the cognitive measures between the dance participants and their counterparts in the health education group at four months. However, after eight months, people in the dance group performed significantly better on tests that assessed their working memory.

“ ‘That’s probably one of the most important findings – we saw cognitive changes after eight months, where participants themselves had been leading the dance classes during the maintenance phase,’ Aguiñaga said. ‘All of our previous studies were three or four months long. The take-home message here is we need longer programs to show effects.

“ ‘But to make these programs sustainable and create a culture of health, we also need to empower participants to conduct these activities themselves and make them their own.’ “

The open-access study, “Latin Dance and Working Memory: The Mediating Effects of Physical Activity Among Middle-Aged and Older Latinos,” by Susan Aguiñaga et al appears in Frontiers in Aging Neuroscience.

This really intrigues me. Even though I have no Latin background, music like salsa makes me want to dance, too. I suppose if I were in a research study, though, I’d probably need doo-wop to trigger a primordial urge to leap out of my chair.

More at NeuroscienceNews, here.

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I liked this story about a 91-year-old artist having his first solo show. John sent it to me. I hope the Arlington Advocate leaves it up for a while. (I know that all the profiles I wrote for the newspaper chain of which the Advocate is a part — and all my theater reviews — are long gone.)

A solo exhibition called ‘Umberto Centofante: A Life’s Work” was featured at the Arlington Center for the Arts (ACA) until last week and highlighted 40 years of still lifes, portraits and landscapes.

Heather Beasley Doyle writes, “When Umberto Centofante tells a story about his life or talks about his art, a distinct, almost palpable energy underscores his words. His eyes light up, his body springs lightly and a hearty laugh punctuates his paragraphs. …

“Centofante’s life began in Pontecorvo, Italy, where he grew up on his family’s farm. When he was eight years old, he says, his teacher gave him a sketchbook to take home with him.

“ ‘All of a sudden some ideas came into my head,’ Centofante recalled, and he filled the book with drawings of farm life. …

“The drawings earned him a prize and the opportunity to receive professional art instruction — a chance he had to pass up so he could help work the farm. Eventually, Centofante became a police officer and worked in Rome. After World War Two ended, he emigrated from Italy, bound for the Boston area and a job as a truck mechanic at Garwood Industries in Brighton he secured with help from an uncle who lived in Milton. Centofante had never been a mechanic, but he learned with the same intuition that had enabled him to fill the sketchbook.

“Centofante is ‘self-taught in everything,’ including painting, according to the oldest of his four children, Elaine Gleason. …

“In the Gibbs Gallery, Centofante’s paintings of boats ferrying passengers through white-capped brilliant blue seas share space with glowing, color-soaked portraits of children and exacting, nearly monochromatic nature scenes such as ‘High Moon.’ …

“Centofante says he never sketches out a project ahead of time — that he spends more time thinking and planning a painting than setting paint to canvas.

“ ‘I don’t design; I just start. I find the resolution very quickly,’ he explained. …

“Asked why he paints, he replied simply: ‘It makes me feel good.’ ”

Read more of the story at the Arlington Advocate.

Photo: Arlington.Wicked.Local.com

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“JR,” a French street artist, has created a series of murals called “The Wrinkles of the City.”

The wrinkles are the intriguing faces of older people, often pictured on crumbling edifices. Kevin Harnett writes about them at the Sunday Globe, here.

“JR, a Frenchman whose real name is unknown, has become an international art celebrity thanks to his work flyposting oversized black-and-white photographs, often portraits of ordinary people’s faces, to the sides of buildings in cities around the world. …

“JR’s series ‘The Wrinkles of the City,’ which he began in Cartagena, Spain, has also appeared in Los Angeles and Shanghai. More recently he and collaborator José Parlá took to Havana, where they bedecked the old communist capital with the faces of dozens of Cuban Revolution survivors wearing expressions of deep-creased sanguinity. ‘The Wrinkles of the City, Havana, Cuba’ has been adapted for display at the Bryce Wolkowitz Gallery in New York City.” The show may be seen until July 12.

Street art in Cuba by JR

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My husband, who has made a lot of business trips to Japan (and also has been reading my posts about 100-year-old workers), pointed me to something interesting at the Japan Times.

Jiji writes, “A business project focused on selling decorative leaves for use in Japanese cuisine is attracting overseas attention to Kamikatsu, a mountain town in Tokushima Prefecture. …

“The [Irodori, or bright colors] project, which succeeded in commercializing colored leaves grown in local mountains and fields and now claims members from nearly 200 farms, has become a vital industry in Kamikatsu, which has a population of less than 2,000. …

“The average age of the farmers involved in the project is 70, and many are women. Some earn more than 10 million [yen, more than $100,000] a year from the business.

“Irodori members use tablet computers to check for updated information on orders. The leaves are grown in their own mountains and fields, then distributed to markets across Japan via an agricultural cooperative. …

“According to the Japan International Cooperation Agency, which promotes international visits to Kamikatsu, the response to its English DVD on the Irodori project was huge. It has been translated into Bengali, Spanish and French.

“Tomoji Yokoishi, 54, who came up with the Irodori idea and is president of the managing company, said perceptional shifts are responsible for its success.

“The project turned regular leaves into a valuable resource and turned its elderly into a workforce, Yokoishi explained.”

I’m guessing that the phrase “for use in Japanese cuisine” doesn’t mean anyone eats the leaves. They are probably used to decorate tables where Japanese cuisine is served. Do you think?

Read the Japan Times article, here.

Art: Elaine Richards, 1994 7″ X 10″ Watercolor Collection B. Riff

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John recently alerted me to a PBS News Hour interview that my brother’s friend Paul Solman conducted with Rosa Finnegan, an enthusiastic 100-year-old worker. That reminded me that I had purchased the September 3 issue of the Christian Science Monitor Weekly largely because that lovely lady was on the cover.

The lead article had an intriguing title and blurb: “The silver-collar economy — More companies are hiring people 65 and older because they believe they are reliable and productive, while the seniors themselves need and want to work. But is the trend squeezing out young people?”

It interested me because I’m an older worker who is not tired of working. I don’t know if all young people feel squeezed out, but just yesterday, a young employee asked a friend of mine, “Are you thinking of retirement? You’ve been here a long time.” My friend made a polite rejoinder about loving the work and the people and not making any plans to leave.

She has many productive years ahead of her.

Mark Trumbull writes of Rosa Finnegan that she “has plenty of similarities with other wage-earning Americans. She hitches rides in with a co-worker, likes to joke around with colleagues, and feels very grateful to have her job. At the end of the day, she’s ready to sink into a cushy chair at home.

“But Mrs. Finnegan is also a trailblazer. She offers striking proof that employment and productive activity need not end when the so-called retirement years arrive. Let’s put it this way: Where many people now nearing retirement can recall Sputnik, civil rights protests, or the pitching wizardry of Sandy Koufax, she mentions memories of gas-lit streets, the spread of telephones, and working at a rubber plant during World War II.

“Having passed her 100th birthday this year, Finnegan is still working at a needle factory in [Needham, Mass.], helping to make and package the stainless-steel products in custom batches. Yes, she walks a bit more slowly now than many of her co-workers. But Rosa, as they all call her, still has willing hands and a nimble mind. And she has no desire to leave her job.

” ‘I’d rather be here than almost anywhere,’ she says. ‘You feel like you’re still a worthwhile person, even though you’re old – [you’re] not sitting in a rocking chair.’ ”

Read the whole delightful story here. And check out the Solman interview and his video clip, here.

And to all who say U.S. manufacturing is dead, I will just point out that there is a needle factory in Needham.

Photograph: Melanie Stetson Freeman / The Christian Science Monitor
Rosa Finnegan works on a needle at Vita Needle in Needham, Mass.

 

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