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Photo: Katherine Taylor for the Boston Globe
Eureka Ensemble, whose mission is to nurture social change, launched a Women’s Chorus that welcomes women experiencing severe poverty and homelessness.

How does one write a headline for a story like this? It’s not exactly about music giving homeless people hope. It’s more that focusing on music — music performed for you and music you make — activates a positive side of who you are. It’s that positive things can lead to other positive things.

During the 2018 Christmas season, there was quite a bit of comfort and joy being spread by music in the Greater Boston homeless community. Zoë Madonna wrote about it at the Boston Globe.

“The CASPAR homeless shelter, a low-slung brick building, crouches on Albany Street in Cambridge. When percussionist Jennie Dorris wheels her marimba through the front door, half of a large central room has been cleared, and a line of grizzled men sits at a long row of tables, watching. An enthusiastic older man in a Boston Strong T-shirt marches up, introducing himself as Danny. ‘Finally, the marimba’s here!’ he exclaims, grinning. ‘I wait all year for this.’…

” ‘What compels me is to take music where it’s needed and treat everyone with respect,’ says founder Julie Leven, a violinist. This year, its eighth, Shelter Music Boston has mounted scores of concerts in shelters throughout the Greater Boston area, including a full schedule in the days leading up to Christmas.

“It’s not the only music group focusing on the homeless around Boston. Eureka Ensemble, whose mission is to nurture social change, launched a Women’s Chorus that welcomes women experiencing severe poverty and homelessness. …

“Eureka’s most ambitious project, according to cofounder and conductor Kristo Kondakci, was a commissioned composition, Stephanie Ann Boyd’s ‘Sheltering Voices.’ Auditions for choral fellowships for women were held at Pine Street Inn and Women’s Lunch Place, says Kondakci, a recent graduate of New England Conservatory who has worked with the homeless since his student days at Boston College High School. Around 15 took part.

“Carrie Jaynes and Rottisha Mewborn are friends who met at Pine Street Inn. When they saw the audition sign-up sheet, they were initially skeptical, they say — they’re used to well-meaning outsiders putting in a few hours and then disappearing. But they went to the audition in March, in a room where the heater was going haywire. To cool it down, Kondakci threw open the door of a nearby freezer.

“And that, Mewborn says, put them at ease. … As Eureka Fellows, Jaynes and Mewborn rehearsed weekly with Kondakci, learning ‘Sheltering Voices.’ They were never treated as anything less than important and independent, they say.

“ ‘We became so desensitized at Pine Street that we forgot how we can be treated like a normal person,’ says Jaynes. At the rehearsals, she says, ‘we knew that we were in this together. We knew that we were all right . . . we could be human again. We could show emotion and not be judged if we cried, or laughed, or showed a softer side of us.’ …

“Shelter staff say that after Shelter Music Boston concerts, the atmosphere is more peaceful, and nights are more restful, notes Leven, who also plays with Handel and Haydn Society and the Boston Pops Esplanade Orchestra. …

“As for the Eureka fellowships, Jaynes and Mewborn say their experiences were powerful. ‘Having Kristo say “We’ll get you there no matter what” built up our trust and our safety,’ Mewborn says. Because Pine Street Inn has a daily lottery, she explains, she never knows if she’ll have a bed to sleep in each night. There’s little in her life she can truly count on. ‘So just having this little safety — even if things are going crazy out here, we can get there — it’s amazing.’ ”

More here.

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