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Posts Tagged ‘disability’

Today there are increasing numbers of opportunities for people with disabilities to enjoy the benefits of activities that others take for granted.

Eva Clifford writes at Women & Girls Hub about one intriguing example: ballet for the blind.

“In a third-floor dance studio, Lorena Nieva begins teaching her ballet class. Every weekend Nieva, the international coordinator of Psicoballet, travels 80 miles (130km) from her home in Puebla to give lessons to a group of girls from Casa Rosa de la Torre, a home for blind children run by nuns. Aged between nine and 22, all of the girls in Nieva’s class are completely blind or partially sighted.

“As the music plays, Nieva guides the girls, steering their movements with the sound of her voice and a gentle push with her hand. While the first half of the lesson is spent rehearsing a dance routine, the second half is devoted to improvisation. Breaking from the rigidity and strictness of conventional ballet training, Nieva brings in objects to inspire movement and games, such as fabric sheets, elastic ribbons and chairs.

“ ‘Dance cannot be reduced to a single sense,’ says Nieva. ‘It has to come from the whole body – from its limitations, too.’

“Founded on the belief that dance is ingrained in our biological roots, Psicoballet was created in 1973 by Cuban psychologist Georgina Fariñas Garcia … Teachers and advocates say Psicoballet, like most forms of dance, improves balance, posture and mobility, while also boosting self-esteem and reducing anxiety and depression. …

“ ‘I really enjoy discovering new ways of teaching, as it forces me to get out of my comfort zone,’ says Nieva, who has instructed people of all ages and various disabilities, but says teaching the blind girls has so far been the most rewarding. ‘I am keen to see that the girls have fun in the lessons, and that what is learned does not just stay in class, but it also enriches their everyday lives.’

“For many of the girls, that’s exactly what Nieva’s teaching does. ‘It has helped me a lot,’ says Itary, 15. ‘I feel I have improved my way of coexisting. Before, I was very aggressive, I walked a little weirdly and crashed up against everything, and this is not the way to be. Everything has to be done in a smooth way. To dance is to express with my movements what is within me.’ ” More here.

I found the article at the Huffington Post, which had reposted it.

Photo: Eva Clifford
Four girls who suffer from blindness wait to be called out for their first dance in Chiapas southern Mexico.

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I wouldn’t call them role models, but they have done things in their older years that have given me food for thought.

This week, we heard that Diane Rehm, who has hosted a popular talk show for 37 years despite a speaking disability, will be retiring after the presidential election. She is currently 79.

Jimmy Carter’s mother (remember Miss Lillian?) joined the Peace Corps around the time he became president. She went to India.

My mother ran for Congress in her early 70s.

My friend Dorothy kept going to her editing job in her late 70s. In her late 80s,  she was asked by her former boss to edit a book. (This time she declined politely, reminding him he now knew how to identify a dangling participle.)

Just putting it out there.

Photo: National Endowment for the Humanities
Diane Rehm, popular talk show host for 37 years, plans to retire after the election.

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John recently reminded me about an organization started in Boston to help people with disabilities or experiencing homelessness to create and sell their art.

The Miami Herald is one of many outlets that have picked up the story.

Brittany Chandani writes, “When Harvard graduate Liz Powers received a grant for social work, she decided to help homeless or disabled artists by sharing their artwork with the Boston community.

“When Powers realized there wasn’t a professional marketplace to sell their works, she organized an annual art show. Customers, however, wanted more than a yearly show, leading Powers and her brother, Spencer, to develop ArtLifting.com, an online marketplace devoted to selling artworks created by homeless or disabled artists. ArtLifting, a project incubated at the Harvard Innovation Lab, selects artists from nonprofits and homeless shelters across the country; it curates their art to highlight the top pieces from each artist. …

“Upon finding an Instagram tag #ArtTherapy, Spencer contacted David McCauley of Rise Up Gallery in Wynwood [FL], who simultaneously contacted Spencer upon seeing his Instagram page for ArtLifting. The serendipitous moment made the perfect partnership. …

“McCauley, an artist who broke his C6 vertebrae in a diving accident, moved from New Jersey to Miami to establish Rise Up Gallery, a branch of the nonprofit foundation he created in New Jersey after his accident. The pop-up gallery exhibits quarterly at various locations. McCauley also conducts free art therapy workshops at Jackson Rehabilitation Hospital. …

“ArtLifting now features three Florida artists on its website: David McCauley, Laurie Kammer and Elizabeth D’Angelo. ”

More about the artists here. See art that is for purchase at ArtLifting, here.

Photo: Marsha Halper/Miami Herald Staff
David McCauley, a mixed-media artist and the founder of Rise Up Gallery, smooths the edge of one of his new artworks at ArtCenter / South Florida in Miami Beach. Rise Up Gallery is a nonprofit organization that provides free art therapy workshops.

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A NY Times article I saved from November 24, 2009, remains as inspirational as when I first read it.

In “Learning His Body, Learning to Dance,” Neil Genzlinger writes that “Gregg Mozgala, a 31-year-old actor with cerebral palsy, had 12 years of physical therapy while he was growing up. But in the last eight months, a determined choreographer with an unconventional résumé has done what all those therapists could not: She has dramatically changed the way Mr. Mozgala walks.

“In the process, she has changed his view of himself and of his possibilities.
Mr. Mozgala and the choreographer, Tamar Rogoff, have been working since last winter on a dance piece called ‘Diagnosis of a Faun.’ It is to have its premiere on Dec. 3 at La MaMa Annex in the East Village, but the more important work of art may be what Ms. Rogoff has done to transform Mr. Mozgala’s body.

“ ‘ I have felt things that I felt were completely closed off to me for the last 30 years,’ he said. ‘The amount of sensation that comes through the work has been totally unexpected and is really quite wonderful.’ ”

Choreographer Rogoff saw Mozgala perform the role of Romeo in a production by Theater Breaking through Barriers in March 2008 and knew she wanted to create a dance piece for him.

“Originally, [Ms. Rogoff] envisioned a simple study, maybe 10 minutes long. Mr. Mozgala’s expectations when he agreed to the project were equally narrow: he said that he thought that she would either merely create a dance that made use of the physical abilities he already had or, after seeing his limitations, tell him, ‘Thanks but no thanks.’ ”

It turned out that their expectations were way too narrow. Read more.

Photograph by Andrea Mohin at The New York Times shows Gregg Mozgala rehearsing with Emily Pope-Blackman.

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