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Photo: Bohdan Lozytsky.
Ukraine was veteran Dmytro Melnik works with the EnterDJ system, as part of rehabilitation from trauma. 

Several of us who for a few months helped out Ukrainian journalists with social media in English befriended Vitali, who lives with his wife and little girl in Rivne and does charitable work for displaced Ukrainian women and children. We were always relieved that Vitali had not yet been called up by the army.

That changed in December, not long after Rivne, too, began suffering from Russian bombing. We worry about him because of the obvious dangers of conflict — and the PTSD some soldiers experience when they get home. I hope he never needs an intervention like the one in today’s article.

Darcie Imbert tells Guardian readers about a worthy music therapy program — EnterDJ at the Superhumans center near Lviv.

“In Ukraine, sound carries a different weight: the cautionary blurt of sirens, Shahed drones humming overhead, the concussive thwack of air defense interception and the subsequent explosion. But as well as the sounds of war, which continue three and a half years into Russia’s full-scale invasion, music still plays, clubs remain open during the day (closing well before the midnight curfew), and electronic dance music remains an intrinsic part of many Ukrainian lives. …

“The rehabilitative power of dance music is most evident at the Superhumans center, near Lviv in the west of Ukraine. Here, the most critically war-wounded are treated with prosthetics and reconstructive surgery, and psychological support is given to children and adults affected by the war. And within the range of treatment is music therapy.

“Howard Buffett, the son of Warren Buffett and one of the center’s chief funders, suggested forming a Superhumans band, so the center teamed up with music charity Victory Beats, which was set up one year into the war to provide veterans with relaxation and a nonverbal outlet for emotional expression.

“ ‘We were working with a 25-year-old soldier with severe brain damage and limited use of his hand,’ the charity’s founder, Volodymyr Nedohoda, remembers. ‘We started with a [sound-based] relaxation session designed to calm the nervous system, but stopped almost immediately because the low frequency triggered pain. When he started to feel better, he asked for a DJ console.’

“Having witnessed the efficacy of electronic music as therapy firsthand, Nedohoda and Vlad Fisun – a DJ and former editor-in-chief of Playboy Ukraine – partnered to create the EnterDJ program, which teaches veterans the basics of mixing. All that users require is a laptop, headphones and an internet connection; some tune in from home, others show up to a dedicated space in the Superhumans center. …

“Speaking with the same stoicism that underpins most of my conversations with Ukrainians, another veteran, Oleksandr, tells me about the incident that led him to Superhumans and EnterDJ. ‘I was serving in Poltava when a missile destroyed my leg,’ he says. ‘I remember everything about it. The blast, phoning my commander to say I was alive, realizing I’d have to drive an automatic car, worrying about the blood in my car after the evacuation.’ He laughs at the absurdity, and continues. ‘In hospital, I lost nearly all my blood and had to be resuscitated. I woke up knowing my leg was gone, but thankful the rest of my body and brain were OK. That’s most important.’

“For Oleksandr, EnterDJ became a daily routine, ‘to get some good moments if the day was hard, or to celebrate if I gained something in rehabilitation.’ Within six months, he was performing alongside the Lviv Philharmonic Orchestra, using a Midi controller to layer sounds over a composition written with British composer Nigel Osborne.

“Oleksandr had started off using singing bowls in a sound therapy session. … Before being fitted with a prosthetic leg, EnterDJ ‘helped distract me from the trauma and rehabbing,’ he says, holding his kind gaze steady. … ‘We have composed ambient music for therapeutic purposes; I added electronic effects to live classical instruments. The audience relaxed deeply; some even fell asleep. So we met our goal!’ …

“Roman Cherkas, who served in the Third Tank brigade in eastern Ukraine, has gravitated towards drum’n’bass. He joined the EnterDJ program after months of surgeries, prosthetics and rehabilitation at the centre, after losing both of his lower limbs in a mortar strike. He speaks to me on a call from his home, ready with a drum’n’bass mix. ‘Right now, I still don’t feel mobile, I can’t move around normally. Music has become energy for me, life energy,’ he says. …

“After six months in the program, Roman performed in Lviv at a showcase by one of the world’s leading drum’n’bass labels, Hospital Records. He speaks slowly and thoughtfully about how music shifts his headspace. He becomes completely absorbed by it, sometimes sitting in his chair mixing for six-hour stretches. ‘I tried working with psychologists but it didn’t work for me. You have to consciously switch your brain on and imagine lifting your legs, which is very difficult. With music, it’s the opposite, it switches my mind automatically and makes me feel better.’ ”

More at the Guardian, here.

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Photo: Mary McCoy.
Mary McCoy, the longest-serving female radio DJ on the globe, according to Guinness World Records, has no interest in retirement. 

If you are lucky enough to have a job that lights up your life, why would you ever retire? That’s the thinking of the woman featured in today’s story.

Ramon Antonio Vargas reports at the Guardian, “Mary McCoy has broken her neck, had multiple bouts with Covid-19 and grieved the deaths of two husbands. But none of that could get the 85-year-old off the airwaves she has been on for more than 70 years. The transition from vinyl to purely digital control panels was no match either.

“ ‘I have seen it all,’ the radio presenter from Texas told the Guardian, weeks before the end of her 72nd year in her role. ‘And you know what? I don’t plan on stopping anytime soon.’

Guinness World Records has confirmed McCoy as the longest-serving female radio disc jockey. She passed Maruja Venegas Salinas of Peru, who died in 2015 during her 70th year as a host.

“Such recognition has given McCoy and her loved ones the occasion to reflect on a remarkable journey. It began with a childhood dream of breaking into the entertainment business – dreamed even as she and her family briefly lived in a tent without running water or electricity. …

“ ‘She’s been through adversity, she’s been through pain, and she keeps going,’ said her longtime co-host, Larry Galla. …

“McCoy was born on a farm in east Texas. Her family soon climbed into their Ford Model A and moved about 200 miles south-west to Conroe. There, about 40 miles north of Houston, life was lived without frills.

“McCoy took breaks from life in the tent by learning how to yodel. She joked that her father probably wanted to strangle her but she became quite skilled. When she was 11, she signed up for a talent show at a local theater. Performing the Patsy Montana yodeling classic ‘I Want to Be a Cowboy’s Sweetheart,’ she won.

“The manager of a new radio station, KMCO, learned of the performance and called her school, inviting her to a recorded audition. McCoy borrowed a guitar she said was ‘three times’ as big as her, took a bus ride and performed. The manager asked if she knew enough songs to play a 15-minute program.

“McCoy said she did, so they recorded a show. McCoy recalls crying when she heard herself on the air. She ‘thought it was the worst thing I’d ever heard – I thought I’d never go back and my career had ended.’ But the manager called back and said KMCO had picked up a sponsor for her program, which would go out on Saturdays.

“McCoy was delighted. Eventually, she convinced the manager to let her host a show. She simply played 78 rpm records by the country artists to whom she listened. That was where the McCoy everyone in her community now knows began to take shape.

“She had on fabled singer-songwriters including Jim Reeves, Hank Locklin and Sonny James. She toured, sang and played the guitar with artists like James and Slim Whitman. She landed a spot on the Louisiana Hayride tour, which came to Conroe in 1955.

On that stop, she performed alongside a rising musician named Elvis Presley.

“Other episodes in McCoy’s career could fill a book with ease. One of her favorites came in 1965, when she performed as a last-minute substitute at a prison rodeo. After she and Roy Acuff sang, organizers let loose some bulls. It was part of the show but it scared her. McCoy tried to climb out of the rodeo ring but couldn’t because the dress she performed in was too tight. She asked some clowns to help her up. She remembers them hugging and even trying to kiss her, smudging her with their face paint. …

“In 2013, she suffered a fall. Doctors diagnosed a fractured neck, performed an eight-hour surgery and sent her home to rest on a hospital-grade bed, wearing an elaborate head brace she said made her look ‘like Frankenstein.’

“By then, 78 rpm records had given way to 45rpms and in turn CDs, before everything ultimately went digital. McCoy said she had minimal understanding of the technology that now runs her industry, but knew she could co-host her show from home if she had to. So she did, with help from colleagues at the station now known as K-Star.

“A similar plan let her stay on the air each of three times she has caught Covid-19.

“ ‘That shows you how much I love this,’ McCoy said.

“She was inducted to the Texas country hall of fame in 2010. In Conroe in 2014, she was added to a wall of local legends. Images since added to the mural include Roy Harris, a boxer who challenged Floyd Patterson for the world heavyweight championship, and the Pulitzer-winning historian Annette Gordon-Reed.

“To see if McCoy had a shot at the Guinness World Records, K-Star enlisted the help of McCoy’s youngest of four daughters, Kim Colette Stout. Beginning last year, Stout gathered photographs, newspaper articles and social security payment records, all to establish that her mother’s career began way back when at KMCO, the station whose nickname, ‘Kim-Coe,’ inspired Stout’s first and middle names. …

“Stout submitted the materials to Guinness. It eventually sent an email back.

“It said: ‘Your mother is now the world record-holder.’

“Stout said she once tried to coax McCoy, her ‘momma,’ to retire. She’s now glad she didn’t succeed. … ‘She’d be lost if she came home and she wasn’t going to work every morning.’ ”

More at the Guardian, here.

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When we were little, my brother had a turntable in a brightly colored “juke box” that lit up and flashed. All the kids came to hear his records. If only he had known he could become a child DJ!

Lynsey Chutel has a story about one in South Africa.

“At first it seems like a fluke – a two-year-old playing with the knobs and buttons of a sophisticated music system. Yet the pint size boy is in control of the beat of the bass-heavy house music. He is South Africa’s youngest disc jokey, DJ AJ. …

“Orarilwe Hlongwane is still learning to put together words but the toddler is already able to select and play music from a laptop and has become a viral phenomenon on South Africa’s social media. …

“His mother, Refiloe Marumo, credits his father’s decision to buy an iPad for his unborn son. Glen Hlongwane planned to download educational apps.”

Read what happened instead.

Photo: Associated Press

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