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Posts Tagged ‘hill top farm’

I was not surprised to note in the Beatrix Potter biography I’m reading that although Potter worked hard to get rid of rat infestations in her Hill Top Farm house, she had a soft spot for rats. An artist who could draw all sorts of bugs and wildlife with meticulous care, she kept a pet rat as part of her menagerie and even wrote an indulgent story about Samuel Whiskers.

Rats turn out to be good for other things, too: for example, saving people from land mines.

Michael Sullivan writes at National Public Radio (NPR), “It’s 5:45 in the morning, and in a training field outside Siem Reap, home of Angkor Wat, Cambodia’s demining rats are already hard at work. Their noses are close to the wet grass, darting from side to side, as they try to detect explosives buried just beneath the ground.

“Each rat is responsible for clearing a 200-square-meter (239-square-yard) patch of land. Their Cambodian supervisor, Hulsok Heng, says they’re good at it.

“T ‘hey are very good,’ he says. ‘You see this 200 square meters? They clear in only 30 minutes or 35 minutes. If you compare that to a deminer, maybe two days or three days. The deminer will pick up all the fragmentation, the metal in the ground, but the rat picks up only the smell of TNT.’ …

“These are not kitchen rats, but African giant pouched rats, also known as Gambian pouched rats, about 2 feet long from head to tail. Their eyesight is terrible. But their sense of smell is extraordinary. The rats can detect the presence of TNT in amounts starting at 29 grams (about 1 ounce).

“A Belgian nonprofit called Apopo began harnessing the rodents’ olfactory prowess 15 years ago. (The group also trains rats to detect tuberculosis). The organization set up a breeding program and training center in Tanzania and began deploying rats to post-conflict countries, first to Mozambique and Angola. Apopo’s Cambodia program began in April, in partnership with the Cambodian Mine Action Center.

” ‘The idea was very strange,’ says operations coordinator Theap Bunthourn. ‘Cambodian people kill rats, don’t like rats. But they’re cost-efficient, they’re easy to transport, they’re easy to train, and they don’t set off the mines because they’re too light.’ ”

Gosh, they detect TB, too? Who knew?

Read more at NPR, here.

Photo: Michael Sullivan for NPR
Victoria, a 2-year-old rat, sniffs for TNT, sticking her nose high in the air to indicate she’s found some. She is able to detect the presence of TNT at a distance of approximately half a yard.

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There was more to Beatrix Potter than Flopsy, Mopsy, and Cottontail. Her meticulous drawings of flora and fauna made serious contributions to the science of the day.

Maria Popova at Brain Pickings shares Potter’s mushroom drawings and more.

“At a time when women had no right to vote and virtually no access to higher education, very rarely owned property and were themselves considered the property of their husbands, Potter became a commercially successful writer and artist, using the royalties from her books to purchase her famed Hill Top Farm, where she lived simply and with great love for the land for the remaining four decades of her life. …

“Linda Lear’s altogether magnificent Beatrix Potter: A Life in Nature (public library) — [is] by far the best book on Potter and one of the finest biographies ever written, Lear’s prose itself a supreme work of art.

“A formal scientific education was virtually inaccessible to women, except for the rare Ada Lovelace or Maria Mitchell, and membership in scientific societies was strictly reserved for men. But Potter’s scientific work was exceptional in that she deliberately tried to penetrate the very institutions that dismissed women’s scientific labor solely on the basis of gender. …

“By her early twenties, Potter had developed a keen interest in mycology and began producing incredibly beautiful drawings of fungi, collecting mushroom specimens herself and mounting them for careful observation under the microscope. … Lear writes:

Beatrix’s interest in drawing and painting mushrooms, or fungi, began as a passion for painting beautiful specimens wherever she found them. She never saw art and science as mutually exclusive activities, but recorded what she saw in nature primarily to evoke an aesthetic response. She was drawn to fungi first by their ephemeral fairy qualities and then by the variety of their shape and colour and the challenge they posed to watercolour techniques. Unlike insects or shells or even fossils, fungi also guaranteed an autumn foray into fields and forests, where she could go in her pony cart without being encumbered by family or heavy equipment.

More here.

Art: Beatrix Potter
Flammulina velutipes (Armitt Museum and Library)

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