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Posts Tagged ‘Hinterlands’

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Photos: Museum of Contemporary Art Detroit (MOCAD)
Visitors to the Sidewalk Festival enjoy a µTopian Dinner with Hinterlands performers outside the Mobile Homestead.

Kristina and I were discussing the other day all the different kinds of yoga that are popping up. Suzanne’s friend Liz tried goat yoga. Kristina had heard of knitting yoga and laughter yoga.

Similarly, it seems like I’m constantly hearing about new ways of extending the boundaries of theater. In this story from Hyperallergic, sharing food with audiences in person and through Skype is the focus.

As Sarah Rose Sharp writes, artists are practiced “in finding ways to forge interpersonal connections through gesture, metaphor, and performance — or sometimes just by inviting people to dinner.

“ ‘Food is so interesting, because it evokes memory, and it’s a multi-sensory experience,’ said Liza Beilby, in an interview with Hyperallergic during preparations for one in a series of µTopian Dinners, staged by Detroit-based experimental theater ensemble The Hinterlands and co-produced with Poetic Societies, a performance lab fostering cross-cultural and poetic connections. …

“Since 2017, the group has been staging permutations of the µTopian Dinners as a subset of a larger work, The Enemy of My Enemy, a hybrid, digital-live performance project that simultaneously links performers and audiences in the US and so-called ‘enemy’ nations of China, Russia, and Iran. …

“The Hinterlands views the µTopian Dinner projects as a kind of a laboratory to investigate the cultural values that are reinforced through eating, meals, and cooking. [In August], µTopian Dinners took literally to the streets, as the ensemble presented a four-part performance and rotating series of events, during the homegrown and wildly popular Sidewalk Festival of Performing Arts. …

“[The group] — as well as their foreign counterparts tuning in from Moscow, Bejing, and Tehran — operated out of the modular traveling unit from Mike Kelley’s Mobile Homestead, which is permanently housed at the [Museum of Contemporary Art], making one of the rare forays into the farther-flung Detroit neighborhoods for which it was expressly designed. …

“Artist and designer Yi Zhou, who runs a studio out of Beijing called Body Memory, met The Hinterlands during her 2016 residency at Popps Packing, and the ensemble has visited her twice over the last two years, touring with their previous show, The Radicalization Process, and other performances.

“ ‘In between the first year that we went and the second year that we went, she and a bunch of friends who are designers and architects started this group called TGIS,’ said Beilby. ‘It’s a Sunday brunch in this little courtyard at the studio of one of the members, and they invite people to come and have brunch, and then there’s a lecture, or talk, or conversation, which are themed.’ During the Sidewalk performance, Hinterlands Skyped into the beginning of the brunch taking place in Bejing. …

“ ‘It’s like translation, in a way. You’re trying to contextualize something for the people where you are, that’s meaningful, and then express something about the people here to another group. … It’s an interesting way to try to bridge two spaces or times or peoples, through sensory experiences that aren’t just talking.’ …

“One could call it a new medium, enabled by the tools of our increasingly interconnected world, or one might consider it the mission of any meal undertaken by people who begin as strangers, and perhaps leave with a better understanding of each other.”

More here.

Mike Kelley’s Mobile Homestead traveling unit at the Sidewalk Festival for the Performing Arts in Detroit.

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