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Posts Tagged ‘minnesota state fair’

Photo: Carlos Gonzalez/The Minnesota Star Tribune.
Crop art by Amy and Steve Saupe at the Minnesota State Fair, inspired by Magritte’s 1929 work, the “Treachery of Images.”

Crop art uses seeds and other agricultural produce to create “paintings.” In Minnesota, crop artists take the work very seriously and spend many painstaking hours on it.

At the Minnesota Star Tribune, Alicia Eler writes that in September, the Minneapolis Institute of Art opened its first juried exhibition of crop art from the State Fair. The works shown at “Cream of the Crop” were inspired by artists like Hokusai, Magritte, Chagall, and van Gogh.

“MIA director and president Katie Luber, associate curator of European art Galina Olmsted, and associate curator of global and contemporary art Leslie Ureña made the selections in two categories: best interpretation of an artwork at MIA and best interpretation of a Minnesota landmark, story or figure. …

“ ‘Crop art engages with this really rich tradition of mosaic and beadwork and embroidery that exists in all cultures in perpetuity,’ Olmsted said. … ‘But then it’s this hyperlocal Minnesota form.’ …

“Amy and Steve Saupe’s the ‘Treachery of a Pronto Pup’ won best interpretation of an artwork at MIA. The father-daughter team has been making seed art since 2017.

” ‘I loved it because it’s an art history in-joke ― you have to know the Magritte painting to get it ― and then it’s also this specifically Minnesota State Fair in-joke,’ Olmsted said. … ‘The way the artists built up the background … you can tell was this real attention to detail.’ …

“Honorable mentions include ‘Vincent Van Grow Olive Trees’ by Jill Osiecki, ‘All the Eternal Love I Have for the Crop Art’ by Jill Moe (a reference to Yayoi Kusama), ‘Under the Wave off Kanagawa’ by Amanda Cashman … and ‘Crop Art study of Alice Neel’s “Christy White, 1958” ‘ by Ursula Murray Husted.

” ‘Reimagining van Gogh’s Olive Trees through the textures and natural colors of seeds has been such a joy and to see that creation displayed in one of the nation’s finest museums is truly a dream come true,’ artist Osiecki of Eagan said of her entry that earned an honorable mention. …

“Crop artist Jeanne Morales’ ‘My Chagall Dream’ won for best interpretation of an artwork at MIA. The artist referenced the flying woman, a motif in Chagall’s paintings, and in Morales’ artwork, it flies over Minneapolis.

“ ‘It’s my love letter to the Twin Cities,’ said Morales of Longfellow. ‘All the places I chose are places of community gathering points.’

“Marc Chagall is her favorite artist. She first saw his work in Paris, and she appreciated his whimsical paintings and the way figures in his paintings often float above their towns.

“ ‘We just thought that was a really creative take and required a deep dive into art history but was also really carefully and beautifully done and impressive,’ Olmsted said.

“Honorable mentions include ‘Goat’ by Annmarie Geniusz, ‘Broken Pinky, Unbroken Justice’ by Juventino Meza, ‘Star Gazing’ by Nancy Rzeszutek and ‘Old Dutch and Top the Tater’ by Kaela Reinardy.

“Meza, who curated the exhibition ‘Seeds of Justice’ in April, used crop art to honor former Minnesota State Supreme Court justice Alan Page. Meza was a recipient of a Page Education Foundation Scholarship as an undocumented high school student and it helped him pay for college.

“ ‘It feels incredible to be recognized with this honorable mention,’ Meza of Minneapolis said. ‘Crop art has become a way for me to tell stories that connect my personal journey with broader struggles for justice.’

“In 2004, MIA hosted a crop art exhibition of work by Minnesota legend Lillian Colton. The current exhibition marks the first juried crop art exhibition with work from the Minnesota State Fair’s crop art show.”

More at the Strib, here. (You can get a limited free subscription to the paper by providing your email, but if you’re often interested in the Twin Cities, a paid subscription is like a donation to freedom of the press in Minnesota.)

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Photo: Deb Nystrom.
The Minnesota State Fair crowns a “Princess Kay of the Milky Way” every year, and for 50 years, Linda Christensen has been sculpting her head in butter.

OK, no laughing. A regular attraction of the Minnesota State Fair, which I visited when I lived in Minneapolis, is one that celebrates the dairy industry. It includes a pageant to select the year’s Princess Kay of the Milky Way. And for 50 years, Princess Kay and her attendants have had their heads sculpted in butter by Linda Christensen.

Cathy Free writes at the Washington Post, “Photos and paintings can be lovely, but if you really want to impress, get your likeness chiseled into a 90-pound block of butter.

“Every year at the Minnesota State Fair, a dozen young dairy pageant finalists are sculpted live as part of a spectacle, a tradition that dates back to 1965. The butter busts began as a way to bring attention to Minnesota’s dairy industry and have remained a draw since, as thousands of visitors show up every August to watch the painstaking artistry while a winner is named Princess Kay of the Milky Way.

“ ‘It would be hard to find a person in Minnesota who doesn’t know about Princess Kay of the Milky Way,’ said sculptor Linda Christensen, 79, about the contest naming a state dairy ambassador.

“For almost 50 years, Christensen has been the principal artist to create the busts. She uses a kitchen knife she calls ‘Old Faithful’ to carve the faces into salted butter. Each one takes about six hours.

“Now, after churning out more than 500 princess butter heads over nearly five decades, Christensen has decided to retire her knife. She turned her last 90-pound block into a creamy masterpiece at the fairgrounds last month from her glass-enclosed studio.

‘You learn to get used to working in a rotating glass booth with everyone watching you,’ she said. ‘You have to bundle up, because the temperature is set at 39 degrees. There probably aren’t a lot of artists who’d like to work with cold butter, but I really enjoyed it.’ …

“State fairs in Iowa and Illinois are famous for showcasing cows crafted from butter, but Christensen said she doesn’t know other artists who regularly sculpt the likenesses of live dairy models year after year. She said she admires the women she sculpts, most of whom come from dairy farming families.

“ ‘As kids, they knew what it was like to get up at 4:30 to help with the farm chores before catching the bus to school,’ she said. ‘They’re tough.’ …

“The Princess Kay of the Milky Way contest is not based on looks. It is a goodwill ambassador program focused on leadership skills and ‘promoting the goodness of dairy products,’ according to the Minnesota Dairy Princess Handbook. … The princess is selected based on how well judges think she will promote Minnesota’s dairy industry at trade shows and community events. Women who live or work on dairy farms are encouraged to compete in county contests every year, with the finalists advancing to the Minnesota State Fair.

“The top dozen ended up in Christensen’s see-through butter booth as she chiseled their likenesses into edible works of art.

“The princess is selected based on how well judges think she will promote Minnesota’s dairy industry at trade shows and community events. Women who live or work on dairy farms are encouraged to compete in county contests every year, with the finalists advancing to the Minnesota State Fair. …

“Christensen began the niche portraits in 1972 when the American Dairy Association of Minnesota (now known as Midwest Dairy) was looking for a new artist to make giant princess butter heads at the state fairgrounds in Falcon Heights, outside of St. Paul.

“Christensen had recently graduated from the Minneapolis College of Art and Design and was recommended by one of her instructors to make sculptures of the pageant’s finalists. Christensen worked as an art teacher at the time, but she thought two weeks of butter sculpting would be a fun way to make extra money, she said. She didn’t imagine she’d remain for nearly 50 years. …

“The Princess Kay of the Milky Way pageant — named in the 1950s by the winner of a public contest — wouldn’t have been the same without Christensen’s sculpting talent, said Molly Pelzer, the CEO of Midwest Dairy.

“ ‘Linda’s butter sculptures have helped solidify [the pageant’s] iconic place in Minnesota culture,’ she said.

“Past winners have included Kristi Pettis Osterlund, who in 1996 was crowned as the 43rd Princess Kay of the Milky Way. She took her butter bust home to Winthrop, Minn., where it was kept frozen in a meat locker until the last month of her reign. She then decided to melt down her likeness and serve it to her community to slather on corn on the cob. …

“She and her mother fired up the largest slow-cooker they could find, cut the butter head into big chunks and melted it one batch at a time, she said.

“ ‘I remember cringing when my mom took a butcher knife to the head,’ she said. ‘That was a little emotional for me. But it was such a fun and memorable party. I’ll bet we easily had six or seven quarts of melted butter.’

“Donna Schmidt Moenning, a Princess Kay finalist in 1980, opted for a different approach. Moenning shared the back half of her butter bust with friends and neighbors in Marietta, Minn., for baking projects. But then she froze the face portion. It’s still sitting in her deep freeze, next to the pork chops, she said.” More at the Post, here.

And at CBS, here, you can see three sisters posing with the butter sculptures they have preserved. Jeni Haler says, “We’re a generation of butter heads. My mom was a butter head. And I have two older sisters that were also butter heads.”

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Whatever works.

Curator Scott Stulen pays attention to what attracts people. At the avant garde Walker Museum in Minneapolis, he actually tapped the popularity of cat videos — and created a mini sensation.

Now at the Indianapolis Museum of Art, Stulen is curator of the visitor experience.

Writes David Lindquist at the Indy Star, “Newly hired as the first-ever curator of audience experiences and performance at the Indianapolis Museum of Art, Stulen’s assignment is to attract people to the museum’s galleries as well as 100 Acres art and nature park, Tobias Theater, outdoor amphitheater and Lilly House and gardens.

“He comes from the Walker Art Center in Minneapolis, where his track record includes the surprise success of the Internet Cat Video Festival, which brought 10,000 people together in a field in 2012 and then 11,000 paying customers at the 2013 Minnesota State Fair. …

“The cat video festival debuted at Open Field, a space adjacent to the Walker where Stulen co-developed projects with the museum, independent artists and the public.

“ ‘We had the ability to do more experimental programs that didn’t make as much sense inside the museum, and had a lot more creative freedom,’ he said.” More here.

2013 Internet Cat Video Festival at the Minnesota State Fair.

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