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Photo: Navy Yard Garden & Art, Inc.
Gillie and Marc’s “The Wild Table of Love,” part of their “Wildlife Wonders” collection.

There’s a new outdoor art exhibit in Boston that seems like it might be worth a special trip. It entails impressive bronze sculptures of animals from rhinos to octopuses. In its way, it conveys messages about conservation and human coexistence.

Solon Kelleher reports at WBUR, “There’s a new 36-foot-long octopus on display in Boston as of this week. It’s made of bronze and weighs nearly 8 tons.

“You’ll find the massive octopus on Dry Dock 2 at the Charlestown Naval Shipyard, as if it climbed out of the water by the USS Constitution Museum to meet a few land animal friends. A different wild animal sits on each of its hefty tentacles. … The piece is called ‘The Arms of Friendship.’

“It’s one of three fantastical wildlife sculptures installed in Charlestown, on view for the next two years. The name of the collection is ‘Wildlife Wonders’ by activists and artists Gillie and Marc, a duo known for public art displays of animals around the globe. This particular installation is organized by the Boston nonprofit Navy Yard Garden & Art, Inc.

“  ‘The term that we gave is a “Bridge of Joy” to connect Charlestown — which is divided by the Tobin Bridge,’ said Robin DiGiammarino, president of Navy Yard Garden & Art. …

“There’s another statue a short walk down 5th Street underneath the Tobin Bridge. That one is called ‘The Wild Table of Love,’ and it features about a dozen wild animals sitting at a table together as if to share a meal. Two empty chairs function as an invitation for passersby to pose with the sculptures. The third is located closer to the water in the Charlestown Naval Shipyard Park. It portrays a figure with the head of a rabbit and the body of a human attempting to get a hippo to try something new. That work is aptly named ‘The Hippo Was Hungry to Try New Things with Rabbitwoman.’

“DiGiammarino said the group collaborated with the Charlestown Coalition and several of its partner organizations — including Turn it Around, Charlestown Trauma Team, Institute of Health Professions, Harvard-Kent Elementary School and the National Parks Service — to review proposals of four different art installations. “’The one that had the most votes was Gillie and Marc,’ said DiGiammarino. …

“Although the scenes are out of this world, DiGiammarino imagines the ways visitors can see themselves in these statues. ‘ There are different animals sitting at the table with all different food in front of them, and those animals in the wild would not get along,’ she said. ‘But here they are having a meal together.’ …

“Navy Yard Garden & Art plans to announce events and curated offerings around these statues, including an augmented reality workshop with local tech company Hoverlay and a photo contest with a grand prize of a Gillie and Marc mini octopus statue.” More at WBUR, here.

Other amazing photos are here. And the artists’ website, here, has additional pictures and background information.

It reads in part, “British and Australian artists, Gillie and Marc … are redefining what public art should be, spreading messages of love, equality, and conservation around the world. …

“The artists are best known for their beloved characters, Rabbitwoman and Dogman, who tell the autobiographical tale of two opposites coming together to become best friends and soul mates. As unlikely animal kingdom companions, the Rabbit and the Dog stand for diversity and acceptance through love. Gillie and Marc believe art is a powerful platform for change. Their art is multi-disciplinary, paying homage to the importance of togetherness, as well as the magnificence of the natural world, and the necessity of preserving it. …

“Gillie grew up in Zambia and realized her love for art by sketching all the wonderful wildlife that surrounded her, falling in love with the captivating creatures with each drawing she created. Tragically, she saw an elephant brutally shot one day. This had a profound impact on her as a young child and from then on she vowed to dedicate her life and work to protecting Earth’s innocent animals. While in his twenties, Marc fell in love with conservation on a trip to Tanzania to see the chimpanzees. …

“Finding an extra special place within the hearts of the artists are rhinos. This love affair began during a project memorializing a black rhino and her calf who mysteriously died in a Zoo in Australia. The artists were heartbroken by this tragedy and wanted to create an artwork that would not only remember the rhinos but also raise awareness about conservation. This sparked a fire that led to the duo learning all they could about rhinos, trying to find a way to give a voice to the voiceless, and help people to understand the urgency for the conservation of these beautiful animals. …

“Their unique approach to contemporary conservation has generated unprecedented awareness and funds to protect some of the world’s most endangered animals. Most recently they unveiled ‘A Wild Life for Wildlife’ in NYC, featuring the world’s longest interactive wildlife tandem bicycle; ‘Love the Last March’ at Gardens by the Bay in Singapore, showcasing a 200-meter wildlife-saving sculpture; and ‘A Wild Life for Wildlife’ in London, featuring nine magnificent interactive sculptures displayed along the Thames in the heart of the city.”

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Asakiyume put me on to this offer from the nautical museum in Mystic, Connecticut. They have just finished restoring a whaling ship, and the public is invited to apply for the role of stowaway on its first trip.

Now, as we all know, stowaways stow themselves away in secret, against the wishes of the boat’s owners, but the museum has decided to put a new spin on an old concept.

Here’s what the Providence Journal reports: “Mystic Seaport is looking for a stowaway for its restored 19th century whaling ship. Whoever is hired will sail with the Charles W. Morgan ship next summer on visits to ports across New England. The stowaway will receive a stipend and will share the experience through videos and blog posts.

“The museum in Mystic has spent four years restoring the ship that was built in 1841. The Morgan’s last voyage ended in 1921 and is the world’s only surviving wooden whaling ship.

“The ship … will sail with a mission to raise awareness of the importance of protecting the oceans and its species.” More here.

Kind of counterintuitive to use a whaling ship to promote preserving the ocean and its creatures, but I guess no one is going to hunt any whales. Good thing, too. I read Moby You-Know-Who finally in 2010, and I wouldn’t recommend the life aboard ship.

Stowaway entries must be submitted via e-mail to stowaway@mysticseaport.org by 5 p.m. Eastern Standard Time on February 18, 2014. I like the idea that the stowaway is expected to blog about the trip. S/he just better not be prone to seasickness.

Update 5/11/14: Read here how the whaling ship restoration benefited from special timber stored upright in saltwater at Charlestown Navy Yard in Mass. and rediscovered during the construction of Spaulding Rehab.

Photo: Bob Breidenbach/The Providence Journal
Matthew Barnes of Mystic Seaport examines the billet head on the bow of the whaling ship Charles W. Morgan.

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