Photo: BBC.
During lockdown, set designer Stuart Marshall started making models of Belfast’s lost theatrical world. Above is his model of the Hippodrome.
No one wants to go back to the pandemic’s lockdown, but enough time has passed for people to feel a little nostalgia for the creative projects some folks undertook during that dark time. I remember a guy in Boston who encouraged artists to send him miniatures of their work, which he would then display on his popular website. Refresh your memory of that here.
Jake Wood at the BBC reported in March on an exhibit in Northern Ireland that had its beginnings when a set designer was stuck at home.
“Miniature models of Belfast’s lost theatres created by set designer Stuart Marshall are bringing the city’s vibrant theatre history back into the the limelight. They are part of an exhibition at Ulster University for the Children’s Festival.
“Mr Marshall told BBC News NI that … ‘Children appreciate the miniature dolls house type model making, adults appreciate the skill that goes into making them, and older people who may remember when some of these places still stood. …
” ‘I started working on a model of the Grand Opera House as part of the heritage exhibition and through doing that got interested in looking at all the other theatres that aren’t about anymore. …
” ‘The Hippodrome was the most complicated and detailed one I’ve made; it took me around six weeks to make.’
“He said he mostly works from old photographs, but it can be hard to get enough accurate detail because ‘with a black and white photograph that you can’t move around, it’s basically static.’
“When photographs of the old theatres are not available or poor quality, Mr Marshall refers to old newspaper articles which sometimes have written descriptions of what materials the theatre was built from and how it appeared.
“Opening in the early 1870s, the Alhambra was Belfast’s first music hall and was a ‘real spit on the floor type joint,’ according to Mr Marshall. ‘In the early days, the Alhambra was more of a variety house, and I’ve heard that it wasn’t the most enticing establishment, quite a rowdy place.’ …
“A typical bill from the early days of the Alhambra shows performances which ‘would nowadays be contentious’ included events such as a minstrel show and a Japanese troupe. …
“To adapt to the evolution of mass entertainment, the Alhambra converted to a full-time cinema house in 1936. Between the late 1800s and its closure in 1959, the Alhambra suffered four separate fires.
“The Theatre Royal was Belfast’s original high-end theatre, opening in the late 1700s with a capacity of just over 1,000. The building was demolished and rebuilt a number of times.
” ‘As these places go, they kept getting burnt down or demolished and rebuilt again – there’s always a renewal aspect to them.’
“The Theatre Royal was to be Belfast’s ‘higher class establishment,’ which in the end became ‘a mixed-use building of shops and place called the “boom boom room,” which was like a dance hall upstairs. …
” ‘Now, there’s a little Starbucks in the corner where the building stood,’ he added.
“Not to be mistaken for the pub and music hall on Botanic Avenue, the Empire Theatre was situated on Victoria Square and opened to the public in 1894. …
“While it did adapt to the growing popularity of cinema, the Empire ‘stayed true to theatre for all of its life,’ Mr Marshall said.
“The Hippodrome was ‘more fiddly.’ … There aren’t too many quality photographs of the Hippodrome, so he ‘had to use his judgment’ when designing the model in terms of color scheme and scale.
“Coming quite late, the ‘Hippodrome was was built in 1907 originally with a cinema in mind’ as to take full advantage of the advent of modern cinema and growing popularity of picture shows.
” ‘And then there was the Ritz,’ which opened in 1938. The Ritz was, according to Mr Marshall, ‘a giant cinema more or less, but it called itself the Ritz Theatre.’ However, it did produce shows as part of the night’s entertainment.
” ‘They would have a brass band, dancers or a ballet, and then a film at the end. It also did huge concerts, people like the Stones, The Beatles and Billy Connolly all performed at the Ritz during their time,’ he added. …
“The Ritz was damaged by bombs hidden in the seats and the theatre’s interior and roof was destroyed in 1977.” More at the BBC Northern Ireland, here.
Did you do a particularly creative project during lockdown? Of, course, many of us kept on blogging away, but we would have done that anyway.
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