Art: Diana Beltrán Herrera
The artist makes birds and other wildlife from paper and in recent years has started to use her art to support nonprofits fighting for the environment.
Although it is not new for artists to celebrate nature — a compulsion dating at least to prehistoric cave paintings — there’s a new sense of urgency in the era of global warming.
In a 2018 article in the New York Times, for example, 12 artists described how the crisis is influencing their work.
Here artist Xavier Cortada explains to the Times why he made a work showing residential street numbers underwater. “In response to South Florida’s vulnerability to rising sea levels, the village of Pinecrest, Florida will encourage its 6,000 households to install an ‘Underwater HOA [Homeowner Association]’ yard sign (similar to the 18- by 24-inch ‘Home for Sale’ yard signs used by realtors) on their front lawns during the first week of December. I numbered each yard sign from 0 to 17 feet (the municipality’s land elevation range) to show how many feet of melted glacial water must rise before a particular property is underwater.” Oy.
Art: Xavier Cortada
This painted sign is a marker that someone can plant in their yard showing that the property would be underwater with a sea-level rise of five feet.
Meanwhile, the fascinating website This Is Colossal has for some years been following the amazing paper creations of Diana Beltrán Herrera as she expands from birds she knows to environments she has never seen to helping nonprofits battle climate change.
Grace Ebert writes, “In 2012, Bristol-based artist Diana Beltrán Herrera [began] sculpting impeccably layered paper birds and other wildlife as a way to record her surroundings. Her lifelike pieces continuously have captured nature’s finely detailed and minuscule elements, like the fibrous texture of feathers and the veins running through leaves.
“Today, the artist has expanded the practice to include exotic species and environments she’s never seen up close, developing her paper techniques to express the more nuanced details of the shapes and textures she studies in biology books. Now focusing on the structural elements of fungi, fruit, and florals, Beltrán Herrera shares with Colossal:
‘Paper as a medium for documentation allows me to register and create notions and ideas of subjects that I have not experienced in real life but that I can experience when a sculpture is completed. I like this approach because it is not harmful, and through my work, I can show and tell my viewers about the things I have been learning, of the importance of nature just by researching and making it myself.’
“Much of her work centers on conservation efforts and environmental justice. For example, a recent commission by Greenpeace UK bolstered the organization’s Plastic Free Rivers campaign. ‘I am constantly looking for more subjects that are relevant to the times we are living in, so that through my work I can communicate important information that can educate or just make things more visible.’ …
“Her hope is to merge graphic and digital design with her paper pieces, potentially adding in animation, as well. Ultimately, her goal is to dive into larger projects. ‘I don’t see my work as something I want to know how to make and stay safe, but as a challenge, that will always allow me to wonder how to execute and create things that were never made with paper,’ she says.” More.
Other Colossal articles on the artist’s work can be found here. Follow her on Instagram, @dianabeltranherrera.
A musical composition created from climate-change data is another example of using an art to raise consciousness about the current state of the natural world. From the website Science News for Students.
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