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Photo: Dave Koz.
Dave Koz and the Summer Horns perform on their summer 2025 tour. A video of their impromptu, in-flight performance went viral.

When I was in high school, Cousin Bob dated Ellen, a girl I knew who was good friends with Liza Minnelli. This was back when Minnelli was best known as the daughter of Judy Garland and not in her own right.

Well, Liza was already a good singer, and Ellen sang exactly like Ethel Merman. She was a little tiny thing, and it was amazing to hear that booming voice come out of her.

One day, the two of these girls were traveling together, and their plane was badly delayed. So Liza and Ellen started singing to entertain the other passengers, and it got in the paper that Judy Garland’s daughter had done this.

I think that’s the only story I know that’s similar to the one in this post, but probably you know of others.

Kelly McCarthy reported at ABC in August, “No one likes being stuck on an airplane longer than absolutely necessary, so when a famous jazz group aboard an Alaska Airlines flight was asked to help lift the spirits of their fellow severely delayed passengers with a live musical interlude, they happily busted out horns and played the unlikely venue.

“In a now-viral video, Dave Koz and the Summer Horns performed their rendition of Stevie Wonder’s ‘You Haven’t Done Nothing’ in an impromptu concert amidst a slew of delays, diversions and timed-out staff en route from St. Louis to their next tour stop in Seattle.

“The moment took place in the wee hours early [in the] morning on the tarmac after their flight was diverted to Boise, Idaho, the namesake saxophonist told Good Morning America. That’s when Koz said most people were ‘at their breaking point’ and ‘this wonderful flight attendant’ stepped in to see if their group would want to provide some in-flight entertainment.

” ‘Charlene was like, “Can you guys play?” ‘ fellow saxophonist Marcus Anderson added. ‘We end up getting our instruments out and everyone’s excited and all these phones are coming out — we’re just thinking about giving people a great concert on an airplane.’

“They selected a song from their show set list and played it with as many of the 16 band members who had carried on equipment. …

” ‘People were clapping. It was great vibes. It was great energy,’ Anderson said, adding that little kids recorded the video and were already watching it back in their seats after they concluded.

” ‘We got the video content from people, and I said, “Hey, Dave, I’m going to post it and share it.” By the time we get off the plane — it was trailing close to maybe 200,000 views,’ Anderson explained of the initial explosion in social media interest. …

” ‘We were just taking a moment trying to make lemonade with lemons, and it tasted very good,’ Anderson, whom Koz called ‘the future of the saxophone,’ said. ‘We brought the concert to all those incredible passengers, not just on stage, but on the plane as well.’

“Koz said he’s ‘never played on a plane’ before that, whereas Anderson once performed a solo version of ‘America the Beautiful’ on Fourth of July. …

” ‘This really taps into everybody’s sort of frustration right now of traveling in the United States, where you feel so out of control, and this feeling of like you just don’t know what to do,’ Koz explained. ‘We were able to sort of channel that energy and turn the vibe completely.’

“In 40 years of the music industry, this moment reminded Koz that he’s still ‘humbled by the power of music to change a mood.’ “

More at ABC, here.

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Photo: Camilla Forte.
Nikkie Bauer sticks social distancing reminders for spectators onto the window of Chicago’s Reckless Records, where she performs her window play.

This story reminds me of being a kid. I had a passion for theater and many impractical ambitions. For instance, I was certain that if I put together a production of “Snow White and Rose Red” from the Brothers Grimm, my friends and I would be welcomed to perform it before a movie at the Lafayette Theatre. The grownups laughed.

In today’s article, frustrated theater people who persevered made surprising things happen.

Camilla Forte writes at American Theatre, “When the pandemic shut down live theatre in March of 2020, the ensemble members behind Chicago’s Stop Motion Plant were in the middle of producing a performance commissioned by Theatre Evolve. With the stages shut down and their play canceled, they found themselves having to pivot.

“As the world adapted to a new reality, the group began meeting virtually to discuss the possibility of producing and performing live theatre in a way that would keep both the performers and the audience safe. Eventually, inspired by Macy’s dioramas [and] Chicago performers who put on ‘porch concerts’ throughout the summer, the concept for Window Plays was born.

“Presented as a ‘walking tour with theatrical displays,’ and running Feb. 19-21, the performance was not a traditional narrative play, but rather a collection of six short individual vignettes performed within the storefronts of six separate businesses in Chicago’s Andersonville neighborhood.

In order to secure each storefront venue, members of Stop Motion Plant went door to door to explain the concept to shop owners.

“After receiving what they described as overwhelming support, the group landed on performing out of the Neo-Futurist Theater, Rattleback Records, Enjoy, Women and Children First, *Play, and Raygun.

“Each two- to five-minute play was acted out on a loop for an hour in its storefront window, allowing audience members to cycle between performances in a way that encouraged social distancing while making the experience accessible to a fairly large number of people. …

“Ensemble member Kevin Michael Wesson … drew on his puppetry background when determining the music and scale for his window play, Badvice. During his two-minute performance, Wesson asked audience members increasingly personal questions through the phone while pressing his hand against theirs through a pane of glass sanitized after every act. After the interaction concluded, he bestowed attendees with an envelope with three pieces of advice —two good and one bad — as a parting gift. …

“[Perry] Hunt placed a cardboard cutout of herself herself behind a screen and illuminated the cutout from behind. She then Facetimed her audience, convincing them the person they were speaking to on the phone was the person whose silhouette they could see in the window, only to reveal she was never actually there. …

“Although the performances were a revival of live theatre, the actors still had to grapple with the challenges of a virtual format throughout the six months it took them to put together the piece. …

“Despite the challenges this format presented, some ensemble members found the innovations born from working around these challenges refreshing. Hunt, for instance, found that working within a more limited format allowed her the freedom to think about theatre in more abstract ways, with this experience being something that will influence her work beyond the pandemic.

“ ‘I think it’s given me permission and space to think about more innovative ways that I can produce art,’ Hunt said. ‘This project has pushed me to be challenged and make challenging things.’ “

More at American Theatre, here.

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