Feeds:
Posts
Comments

Posts Tagged ‘studio 360’

Spontaneous Iranian Theater

Posted in Uncategorized, tagged , , , , , , , , , , , , , , , , , , on March 18, 2014| Leave a Comment »

One thinks of Iran as repressive, and having watched the doomed 2009 revolution unfold on twitter, I believe it is. But Iranian theater people seem to be managing to squeeze in some fun.

I blogged before about the Tehran production in a taxi, here. Now Studio 360 has a story on what might be called extreme improvisation. I take that back. There’s a script. But the actor doesn’t get to see it in advance.

“Actors face stage fright all the time,” says Studio 360, a radio show. “But consider this scenario: you show up to perform a one-person show, and you’ve never seen the script. You don’t know what it’s about because you promised not to do any research. It’s your first performance, and the only one you’ll ever have. The theater’s artistic director hands you a fat manila envelope with a script. And go.

“Also, the audience will decide whether you drink a glass of water that appears to have been poisoned.

“This is the premise of White Rabbit, Red Rabbit, by Iranian playwright Nassim Soleimanpour. ‘I did not know what was in front of me inside that envelope,’ says actor Gwydion Suilebhan. ‘What if this script is going to require that I disrobe? Or insult my mother? Or be rude or self-debasing?’ …

“Soleimanpour pulls his strings from afar, because — although the play has been performed in Toronto, Berlin, San Francisco, Brisbane, Edinburgh, London, and now Washington, DC — he really is in a cage. He doesn’t have a passport and can’t leave Iran, so he has never seen his play performed. ‘Nassim has given up the kind of control that is customary for playwrights,’ says Suilebhan, of working with actors and directors to realize the play. ‘At the same time, because he has put all of these restrictions on how it is to be performed, he has seized certain kinds of control that playwrights normally do not have. So he is literally embodying the ideas of control and submission and manipulation that he’s baked into his script.’ ” More.

Photo of Iranian playwright Nassim Soleimanpour found at the HuffingtonPost

Read Full Post »

Culture Shock 100 Years Ago

Posted in Uncategorized, tagged , , , , , , , , , , , , , on December 28, 2013| 4 Comments »

Today the public radio program Studio 360 featured a shortened version of a wonderful WNYC documentary about the year 1913. That was the year Stravinsky’s The Rite of Spring was only one of many “shocking” arts events to usher in the modern age.

From the Studio 360 website: “What a year was 1913! In an exhibition in a New York Armory, American viewers confronted Cubism and abstraction for the first time. In Vienna, the audience at a concert of atonal music by Schoenberg and others broke out into a near-riot. And in Paris, Stravinsky and Nijinsky’s new ballet The Rite of Spring burst on stage with inflammatory results.

“Culture Shock 1913 tells the stories behind these and other groundbreaking events that year, and goes back to consider what led to this mad, Modernist moment.

” ‘I think in a lot of ways it was just the beginning of a century just of absolute chaos and nightmare, and as so often, the artists heard it and reflected it first,’ notes the critic Tim Page.

“WNYC’s Sara Fishko speaks with thinkers, authors, musicians, art curators, and historians about this unsettling era of sweeping change — and the not-so-subtle ways in which it mirrors our own uncertain age.

“This Studio 360 episode is an abridged version of a one-hour documentary Sara Fishko produced for WNYC.” More here.

I liked how the documentary explains that the shock was derived from artists not wanting to master and perfect what was done in the past or to replicate nature but rather to be different and to focus on structure, taking things apart and putting back again differently. Artists themselves organized the Armory Show, not curators or galleries. They went to Europe, where change was erupting like crazy, and they brought back art never seen in conservative America.

A key takeaway was that when we see something really new we often think it is ugly, as people thought the Eiffel Tower ugly. But once they look and look some more, they begin to like it.

That helps me think about some of the art Asakiyume and I saw yesterday at the Worcester Museum of Art. It sure looked ugly to me, but it’s a good idea to keep an open mind. Asakiyume sets a good example in that department.

(My mother was born in 1913. Perhaps something was in the air that year that can explain her rebellious nature.)

Photograph taken by spDuchamp/flickr
Marcel Duchamp’s NudeDescending a Staircase, No. 2, was featured in the landmark Armory Show and outraged most visitors because she wasn’t reclining like traditional nudes and she was in motion and it was hard to see her.

Read Full Post »

« Newer Posts