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Posts Tagged ‘subway’

Those of us who go to work on the commuter rail or on the subway (the T) have a love-hate relationship with our public transportation system. Probably more love than hate since we forgive everything, always reminding ourselves how much more we would hate sitting in road traffic listening to the same news headlines repeated multiple times. We just make sure to carry a book and snacks in case of train breakdowns.

Take tonight. When I got down to the platform, the numbers of commuters seemed ominous. Even more ominous was the recorded message that kept telling us our train was “arriving” even though we know it never says “arriving” more than once for any train.

My boss said, “Don’t you have the option of taking the commuter rail from North Station?” Good point. I set off on foot, caught a number 4 bus, and landed at North Station in reasonable time, but for a later train.

The country badly needs good mass transit, and I think focusing on cars, gas, and roads is misguided. We riders get mad at the T and often complain about how it spends its money, but man, it sure is old and beat up! It’s held together with string — and the efforts of people who work all night on repairs to try to get the system functioning by 5:30 a.m. every day.

Now the T has made a 45-minute documentary on its night-time moles. If you don’t have time for the whole documentary, here’s a taste.

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We went downtown to have lunch at the Whitney Museum with friends and to take in the Real/Surreal exhibit.

Favorite artists like Charles Sheeler, Mardsen Hartley, and Grant Wood were featured. I liked the eerie emptiness of Edward Hopper’s “Seventh Avenue” and the anxious denizens of George Tooker’s subway world.

Sounds unnerving, but in surfacing the alienation, I think the artists make one feel the possibility of getting a grip on it.

Afterward, we walked up Madison, stopping at a gallery in the Carlyle Hotel that was showing Magritte works, some for sale.

I have always liked Magritte, with his bowler-hatted men blocked by giant green apples and his nighttime streets overarched by daytime skies. And I especially like him because once in a workshop, I directed a Tom Stoppard one-act play inspired by him, After Magritte. It was the best fun!

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This morning at Porter Square, none of the escalators were working. As I walked down the long staircase into the subway, I heard music. That is not unusual. We commuters often get to hear a busker or a group of musicians at Porter Square, some of them truly outstanding. Today as I descended I thought I heard opera.

It was indeed opera. Baritone Wesley Ray Thomas had set up his boom box and was performing “It Was You” from Verdi’s “Masked Ball.” When I say “performing,” I mean that not only was he singing beautifully but acting. Very emotional. I waited for a train to go by so I could hear the whole piece.

I asked for Thomas’s card, which gives his MySpace site, but when I poked around on YouTube, I found much more.

It turns out that not only is Thomas an opera singer, but being partly American Indian, he participates in the singing at PowWows and other traditional events.

I highly recommend this six-minute video. (The subway location shown is Porter Square.)

8/1/14 Update: Read new Globe story on what the opera guy has had to overcome in life, here.

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