Posts Tagged ‘unfinished story’


Photo: Rik Pierce/Concord Players
The 2002 cast of Little Women at the Concord Players. Katie Lynch, standing, played Jo (the author’s alter ego). Jan Turnquist, front left, is in real life the director of Louisa May Alcott’s home, Orchard House, in Concord, Massachusetts.

In the town where I have lived nearly four decades, we get a lot of tourists. One of the main attractions is the home of the Little Women author, Louisa May Alcott. Her book remains popular worldwide. Many movie adaptations have been made. I have friends from Japan who were beyond thrilled to see Alcott’s home because of a popular Japanese television series. And at the theater that Alcott helped to set up, Little Women productions have been staged every ten years for generations. I even helped to cast one production.

Needless to say, I couldn’t resist Hillel Italie’s recent story for the Associated Press about an unfinished bit of Alcott juvenalia.

The current issue of Strand Magazine will give readers the chance to discover an obscure and unfinished Louisa May Alcott work of fiction, and to provide a conclusion themselves.

“Alcott’s ‘Aunt Nellie’s Diary’ has rarely been seen since she drafted what may have been a novel or novella, and set it aside, as a teenager in the late 1840s. The 9,000 word fragment is narrated by the 40-year-old title character, and follows her observations as a romantic triangle appears to unfold among her orphaned, fair-haired niece Annie Ellerton, Annie’s dark-haired friend Isabel Loving and the visiting Edward Clifford, ‘a tall, noble-looking’ young man with a complicated past.

Strand managing editor Andrew Gulli found a reference to the manuscript during an online search of Alcott’s archives, stored at Harvard University’s Houghton Library. ‘Aunt Nellie’s Diary’ appears in the Strand’s spring issue, delayed until now because of the coronavirus. …

“ ‘What struck me was the maturity of the work,’ says Gulli … ‘Here was Alcott, who was on the cusp of adulthood, creating a complex work, where her main character is a single woman in her 40s, who defies many of the stereotypes of how women were portrayed in mid-19th century America.

“Because ‘Aunt Nellie’s Diary’ ends with various storylines unresolved, Gulli is inviting readers to complete the narrative. ‘…

“Alcott scholar Daniel Shealy says that ‘Aunt Nellie’s Diary’ reflects what the author called her sentimental phase, her early immersion in such British authors as Charles Dickens and Sir Walter Scott.

“ ‘You can see her picking up on some of the romanticized, even sensationalized material from those books. It’s a tough time for her, because the family was short of money, but it’s also a creative time. She’s beginning to develop and mature as a writer,’ says Shealy, a professor of English at the University of North Carolina-Charlotte.

“ ‘If I had to compare this to Little Women, I’d say that you can see her ability to create characters that you can take an interest in. And you see her ability to have several strands of the story going off in different directions, and you’re wondering how she going to tie this all together. Clearly, this story is building to a big reveal, and we’re going to learn new things about the characters’ pasts.’ ”

That is, we are going to learn things from Strand readers who send in the best endings. Maybe you.

More at Yahoo, here.

How Louisa has been adapting.


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