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Posts Tagged ‘young’

Photo: Mohamed Marey via Unsplash.

I know a lot of people who work a daily puzzle to maintain cognitive health — puzzles like Wordle, Sudoku, anagrams, and crosswords. These people are mostly over 50, so I find it interesting that younger people are getting into puzzles, too, especially crosswords.

Cameron Pugh writes at the Christian Science Monitor, “People are doing crossword puzzles everywhere these days. On the train. During a break at work. In bed before turning in. Crosswords have leapt from their traditional home in the newspaper and taken over phone and computer screens. 

“And no generation is more thrilled about it than Gen Z. Fifty percent of Gen Zers say they do crosswords regularly, according to a poll by Unscrambled Words, a website that helps users solve anagrams. That’s the highest share of any generation surveyed, outstripping baby boomers at 38%, Gen Xers at 31%, and millennials at 15%.

“ ‘We are living in the golden age of puzzles,’ says Will Shortz, who has edited crosswords for the New York Times since 1993. He holds perhaps the world’s only degree in enigmatology, or the study of puzzles. … ‘They’re not just for old people anymore.’ …

“When Mr. Shortz started at the Times, which printed its first crossword in 1942, the paper had run puzzles created by teenagers six times. Today, Mr. Shortz says he has published puzzles by at least 75 teens. In 2021, Soleil Saint-Cyr, at 17 years of age, became the youngest woman to publish a crossword in the Times

“Crosswords have also swept through student newspapers, demonstrating their growing appeal among younger audiences. The Cavalier Daily at the University of Virginia launched a puzzle section in 2024. Student Life, which covers Washington University in St. Louis, began publishing mini crosswords in 2022. …

“Crosswords saw an explosion in popularity during the COVID-19 pandemic, says Natan Last, who last year wrote Across the Universe, a book that charts the history of crossword puzzles. That includes Gen Zers such as Luke Schreiber, a rising junior at Princeton University in New Jersey. 

“ ‘It started off as a bit of a pandemic hobby. My dad liked solving crosswords, and so that gave me the idea to try my hand at creating them,’ Mr. Schreiber says.

“Mr. Schreiber is one of two head puzzles editors at the Daily Princetonian, the school’s student newspaper. He has also published puzzles in the New York Times, the Los Angeles Times, and USA Today.

“Some of the crossword’s success with Gen Z traces back to news organizations, which during the pandemic began to see games as a way to grow their audiences. … By 2021, the Times Games section had 1 million subscribers; in 2024, a spokesperson for the Times told AdWeek that more than 10 million people played the paper’s digital games each day. …

“For students, Mr. Schreiber says, the crossword acts as a needed break from homework. 

“ ‘Students are looking for something that isn’t work – you know, isn’t studying or homework or something like that – but also isn’t a video game,’ he says. A crossword is ‘considered a little more intellectual than a video game, but it still is fun and not quite work.’ …

“The now-defunct New York World is credited with publishing the first crossword on Dec. 21, 1913. Created by Arthur Wynne, the ‘Word-Cross’ took the shape of a diamond and lacked the now-familiar black squares. …

“Mr. Shortz sold his first puzzle at 14, springboarding his now-storied career as a cruciverbalist. (That’s the shorthand for a crossword aficionado.) When he started at the Times, he endeavored to draw in a wider audience. ‘I think the crossword should reflect the life, language, and culture of everybody who reads the Times, and that’s everybody from smart teens up to the oldest people,’ he told the New Yorker in 2023. …

“Young creators, Mr. Last says, have driven a cultural renaissance for a pastime that sometimes came off as stuffy and uptight. ‘They treat the puzzle like a mixtape, and they treat language as powerful and arbitrating,’ he says. ‘They are very, very focused on an inclusive puzzle – where inclusive is both political and cultural.’ ”

More at the Monitor, here.

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Actor Finn Wittrock wrote recently at the New York Times about helping to start a mini Shakespeare company in the 1990s to entertain his parents and other theater professionals. He recalls with wonder his young self’s confidence of success.

“I was born in the Berkshires in Western Massachusetts. I lived there until I was 6, then moved to Evanston, Ill., and later to Los Angeles. But every summer for most of my youth, I would go back East with my brother, my mom and my dad, who most summers was acting or teaching for Shakespeare & Company. I would often be cast as a page or an altar boy in one of the professional productions.

“I went in lieu of a summer camp; I went to romp in the Berkshires, see old friends, get out of the city. But mostly I went for the Very Young Company.

“Starting at the age of 8 and until I was 16, my oldest friends and I would get together every summer: Rory, Reilly, Wolfe, and later my brother, Dylan, and Wolfe’s brother, Tiger (yes, their real names) would arrange five or six scenes from Shakespeare, rehearse them on our own time in the sun-drenched Berkshire afternoons and perform them for the adult company after one of their Mainstage shows. We began the company ourselves and it ended when we were no longer ‘very young.’

“For a kid, it was an epic undertaking; an outlet for pre- and post-adolescent energies. We were totally self-motivated; nobody told us to do it, which was in itself an incentive. We’d choose a scene based on our own criteria: Had the company done it before? Could we make fun of them for it? Could we put Reilly in a wig and have him play a girl? And, most important: Did it end in a sword fight? …

Sometimes I yearn to have the boldness of one who knows nothing, who jumps onstage for no other reason than because he is young and has a loud voice.”

Later in his essay, Wittrock recalls something the celebrated director Mike Nichols once said about his own early years: ” ‘Why was I so confident back then? I had no business being that confident.’ And yet he attributed most of his early success to that unreasonable confidence. …

“No one gave us permission to do the Very Young Company; no one ordered us to do it, and no one had to boost our confidence to do it. We just did it. We were just kids howling Shakespeare to the Berkshire trees, and our readiness was all.” More at the New York Times, here.

At one point in my  childhood, I, too, was confident. I thought, if my parents would only call the movie theater and set it up, four of us kids — the Gordons, one of my brothers, and I — would be a smashing success performing our version of “Snow White and Rose Red” before the feature. The grownups didn’t quite believe in it.

Some neighbors and I did perform an original play about a snowman for family members. One of the actors returned a copy of the pencil-scrawled script to me at my aunt’s funeral in 2002, decades later.

Photo: Lauren Lancaster for the NY Times
Finn Wittrock, right, and Rory Hammond, enacting the killing of Lady Macduff and her son in a mini-“Macbeth.” The young actors formed their own company more than 20 years ago to entertain their parents and other professionals at Shakespeare & Company in Lenox, Mass.

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The New York Times had a story not long ago about friendships between young people and old people in Cleveland. How does it happen? They live in the same retirement home.

John Hanc describes a home’s musical evening: “Janet Hall grimaces as she hits an off note on her violin, one of the few heard here at Judson Manor’s Friday afternoon recital, held in the chandeliered ballroom settings of the first-floor lounge of this residence for older people.

“As an audience of 56 mostly older adults watches expectantly, Ms. Hall, 78, quickly recovers from the miscue. She slides her bow across the strings of her violin, drawing out the sweet and sonorous notes of a Gabriel Fauré suite.

“Looking on and smiling is her accompanist on piano, Daniel Parvin, a 25-year-old doctoral candidate student at the Cleveland Institute of Music.

“Over a half-century apart in age, Ms. Hall and Mr. Parvin share some things in common besides this duet. A home, for one: Both are residents at Judson Manor, formerly a luxury hotel, built in 1923, in Cleveland’s University Circle section. A love of music, for another …

“Here at Judson, young and old play nicely together, part of an intergenerational program that has led to harmonious relationships beyond the concerts. … The artist-in-residence program provides furnished one-bedroom apartments to three graduate students from the Cleveland Institute of Music at no charge, for the duration of their studies. In exchange, the students perform regular concerts at Judson Manor. …

“The students were required to submit a résumé and an essay. ‘Basically, “Why I wouldn’t mind living in a senior residence,” ‘ says [Richard K.] Gardner, a committee member.  …

“Experts say there is much to be learned from an intergenerational living program based around the arts like the Judson program. ‘We’ve heard people talking about doing something like this, but I’ve never seen it at this level, sustained and consistent,’ says Gay Hanna, executive director for the National Center for Creative Aging in Washington, a nonprofit organization designed to promote creative arts programs for older adults. ‘It’s a bellwether for the future.’ ”

More here.

Photo: Michael F. McElroy for The New York Times  
Tiffany Tieu, a violinist and student at the Cleveland Institute, talks with Peggy Kennell. “When I tell people I’m living in a retirement home, they think I’m joking,” Ms. Tieu says.

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