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Photo: Leah Pattem.
Nani, a resident of Tribulete 7, protests against the investment fund that purchased her home in Madrid in 2024. 

What do you do when the people with the power are against you?

Join with other victims, and don’t give up.

Leah Pattem, who made a movie about a tenant rebellion in Spain, offers this opinion at the Guardian.

“Spain’s housing crisis finally came for the tenants of Madrid’s Calle Tribulete 7 when their block was sold to an investment fund. Feeling pressured to leave by rent increases and aggressive construction works that flooded some apartments, they did everything they were supposed to do: organize meetings, contact the tenants’ union and find a lawyer. They also protested, spoke to journalists and created an Instagram account to spread the word. But they also did something I’d never seen before.

“They opened up their homes to the public and invited musicians to play inside, in the very flats and shops that were suddenly at risk. A month later they flipped this concept on its head and took their furniture out on to the street. There the tenants cooked, knitted, played chess in their dressing gowns, worked from home and bobbed in their armchairs to a local band playing a brass version of Freed from Desire. It was a spectacular theatrical performance of everyday existence, but also a fight for their lives.

“In the years after the 2008 global financial crisis, and the Spanish housing disaster that followed, the country’s campaigners have slowly changed tack. Back then, banks and their reckless mortgage loans were the main problem, and defining the frontline was the Plataforma de Afectados por la Hipoteca (PAH), the organization that launched Ada Colau to fame and the Barcelona mayoralty, and helped stop countless evictions. Though the PAH is still relevant today, the Spanish housing crisis of the 2020s involves the buying up of entire residential buildings – some of which have a hundred tenants inside – by domestic and foreign investment funds such as Blackstone.

“The media framing of Spain’s housing crisis has evolved, too. For decades, photographers such as Olmo Calvo and Alberto Astudillo have documented the most brutal cases: armed police battering down doors, personal belongings piled on to pavements, grieving parents doing their best to shield their traumatized children. But a new style of coverage is emerging – one that celebrates the community under threat, in the hope that the act of celebration can inspire citizens to mobilize to protect the right to a decent home.

“This is exactly what myself and fellow documentary film-maker Elisa González have been involved in for two years in our own neighborhood of Lavapiés in central Madrid. From that first day of living-room concerts, we realized we weren’t simply documenting Spain’s housing crisis, but witnessing the emergence of a new social movement. …

“Nani, who lives on the second floor of Tribulete 7, runs El Elementoa DJ collective for people with disabilities. One of her star performers, DJ Jessy, played at the residents’ first musical protest, inside the now-closed shoe shop in the building. DJ Jessy’s popularity also brought her to the biggest stage of the Madrid neighborhood fiestas, organized by Madrid city council. But Nani is fearful for the group’s future if they are forced out of the neighborhood. The council is happy to champion local culture, but takes little interest in addressing the housing crisis that will ultimately destroy that very cultural fabric. …

“For the residents of Tribulete 7, the battle rages on. After years of campaigning against their new landlord, the residents and their prolific lawyer, Alejandra Jacinto Uranga, filed what could become Spain’s first successful lawsuit against an investment fund for alleged real estate harassment – the building’s owners reject this and are fighting the case. Beyond the groundbreaking legal fight, the protests and the viral concerts, the tenants of Tribulete 7 are tapping into something even more important: community care.”

More at the Guardian, here.

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Here is an annual spectacle I’d love to see.

“Shepherds led a flock of 2,000 sheep through the streets of Spain’s capital and largest city on Sunday, in defense of ancient grazing, droving and migration rights that have been increasingly threatened by urban sprawl and modern agricultural practices.

“Those urban settings were once open fields and woodlands, crisscrossed by droving routes. Since at least the year 1273, the country’s shepherds have had the legal right to use about 78,000 miles of droving routes around the country to move livestock seasonally between summer pastures in the cool highlands and more protected lowland grazing areas in the winter.

“Every year, a handful of shepherds defend that right in Spain’s capital city.”

I guess it’s use it or lose it. Plus it’s good to make people think about where their food and wool come from, and whether things have changed for the better.

More from the Associated Press.

Photo: Andres Kudacki/Associated Press
Shepherds led a flock of 2,000 sheep through some of Madrid’s most sophisticated settings on Sunday.

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Matadero was an old abandoned slaughterhouse in Madrid. Lately it has been “evolving into a cultural laboratory, where a new arts financing strategy is being tested.” So says Doreen Carvajal in the NY Times.

“Companies and institutions are providing financial support to supplement dwindling government arts subsidies, but with a twist: they don’t just send checks, they move in.

“Within the walled 59,000-square-foot center, there are public theaters and exhibition spaces that last year drew more than 500,000 visitors for music and art events and avant-garde plays. But five new residents are private institutions, including a designers’ association, a publishing house’s foundation and offices of Red Bull, the Austrian energy drink maker.

“They are in the compound rent-free for now, but have invested millions in the remodeling of pavilions there, as well as in programming, from art exhibitions to music festivals.

“These new partnerships are forged, out of necessity, here in Spain, where government support for culture has plunged by almost 50 percent over the last four years, a result of a lingering economic crisis that hit late in 2008.”

Some observers worry about the downsides of corporations having a big influence on what art gets shown, but haven’t the arts always had to have some help from patrons or companies?

Probably it pays just to be wary, to recognize when there is undue influence, and to push back. Certainly smaller, more experimental projects are unlikely to find a home under a Red Bull banner.

Read more at the Times, here.

Photo: Carlos Luján for The International Herald Tribune
Inside Matadero Madrid: A closer look at the arts complex.

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I would like to tell you about Woophy, the international photo-sharing site. One of many great things about Woophy is its home page, which features a map of the world with each photo’s location. Do click on it.

I have uploaded photos to Woophy off and on since first reading about it in the Wall Street Journal. (That was when I was still reading the WSJ, which used to be full of great articles. I was one of the 170 people who cancelled their subscriptions the day Rupert Murdoch bought the paper. I know this because the WSJ wrote the next day that 170 subscribers out of 1.7 milion had cancelled.)

Woophy has always been managed by unpaid volunteers, and in recent years they struggled to keep up with the work. Loyalists worldwide helped out. Now Woophy has crossed a threshold and has partnered with a travel company. I’m glad because I would like to see it survive. I particularly enjoyed getting comments from far-away places whenever I posted a picture.

Here’s Wikipedia’s description: “Woophy (World of photography) is a photo sharing website and an online community where members can put their photos on a world map. Founded in 2005 by Joris van Hoytema, Hoyte van Hoytema and Marcel Geenevasen, the site has over 39,300 members and contains around a million photos from over 43,000 cities and villages in the world. Most of the uploaded pictures are from surroundings, buildings, nature and problems in the world. Woophy also has an active forum where photographers discuss their photos in a critical way. Woophy now has a finance deal with Eurobookings.com which should enable it to survive through the use of advertising.”

Woophians are planning a meeting in Madrid next spring. See photos of a previous Woophy forum (with music):

 

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