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Photo: Aeromate
An urban farm flourishes on a rooftop in the heart of Paris.

I never can resist a story about urban rooftop gardens, which not only bring fresh produce to city dwellers but also make use of empty space and help reduce carbon in the atmosphere.

I have blogged about them a lot. There was the post about a rooftop garden in Montreal, here. Another about Higher Ground in South Boston, here. Suzanne and Erik’s former church in San Francisco, Glide Memorial, made its rooftop garden a community-building activity for Tenderloin residents. And this was an article about a Whole Foods that aimed to harvest 10,000 pounds of food a year from its rooftop in Lynnfield, Mass.

Today’s story comes from Paris.

Freelance blogger Aimee Lutkin writes at the World Economic Forum blog, “The mayor of Paris, Anne Hidalgo, was elected in 2014 with the intention to improve the city’s green spaces as a part of her platform. …

“In 2016, her administration launched Parisculteurs, a campaign that is working to cover 247 acres of rooftops and walls in Paris with greenery by 2020.

“One third of that greenery will specifically be set aside for urban farming. To date, 74 organizations have signed a charter to work with the city on planning this enormous enterprise. The city has already approved 75 projects for development, which are estimated to produce more than 500 tons of vegetation.

“The deputy mayor of Paris, Penelope Komites, [told CNN] … ‘Citizens want new ways to get involved in the city’s invention and be the gardeners.’ …

” ‘Three years ago, people laughed at my plan. Today, citizens are producing [food] on roofs and in basements. We are also asked by numerous cities around the world to present the Parisian approach,’ she said.

“And they already have their success stories. … La Chambeaudie started shortly after Parisculteurs was announced in 2016, but now grows over 40 varieties of plants and herbs using a hydroponic system …

” ‘We’ve seen a real craze among Parisians to participate in making the city more green,’ said Komites. ‘Urban agriculture is a real opportunity for Paris. It contributes to the biodiversity and to the fight against climate change.’

“And it also means jobs. According to Komites, Parisculteurs has created 120 full-time jobs.”

More at World Economic Forum blog, here.

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Photo: Jonathan Wiggs /Globe Staff
Lauren Mayhew was my Essentrics teacher for a year. Here she is leading a class at the Steinberg Wellness Center for Mind and Body. Despite the photo, Essentrics doesn’t have students hold positions.

I was never one for doing exercise for exercise’s sake, but a couple decades ago, my doctor friend Anna insisted I take up something. I’m so glad she did.

I knew that in order to do any exercise regularly, it would have to be something I really enjoyed, so I started walking every day. I don’t walk fast, but I keep the joints moving, and I learned that any sort of walking fulfills that Holy Grail called “weight-bearing activity.” I also love the time to think, and I like taking pictures on my walk.

In addition to walking, I take two exercise classes. I’ve been taking tai chi chuan at Zhen Ren Chuan for more than six years. I like taking tai chi chuan at a martial arts studio because the moves are more clear and understandable than at another place I tried. They are clear because the martial arts people like to tell you the self-defense origins of the moves.

Tai chi chuan is great for balance and moving your body in a seamless way so you don’t stress the joints as you might do when holding a yoga position.

Moving in a seamless way is also the goal of a class I’ve been taking for two years called Essentrics. Essentrics was developed by a former ballerina and aims to strengthen and stretch all the muscles in every session, with beneficial attention to often neglected hands and feet.

Although the tai chi class includes many young people who are also studying martial arts, my midday Essentrics class has mostly retired people, many of whom have had injuries of one kind or another.

What do you do for exercise? Do you take any classes? As a child I took a lot of ballet classes, and ever since then, I’ve had the idea that you make friends in classes. Do you find it works that way with grown-ups? Since starting exercise lessons again as an adult, I find that most grownups keep their heads down and avoid eye contact. I can’t figure out why that is.

Here’s a Boston Globe article that explains how Essentrics helps improve posture. Lauren Mayhew, one of my teachers, is featured in the story.

Photo: Zhen Ren Chuan
The Zhen Ren Chuan website highlights its community garden: “Our families learn horticulture as well as Martial Arts.” Students and teachers keep the school’s corner of the business district neat as a pin.

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Photo: Drew Fellman
Ben Kilham, of the Kilham Bear Center in New Hampshire, seen with a giant panda at Panda Valley in Dujiangyan, China, in the  IMAX film Pandas. Oh, to be that guy at that moment!

I loved the picture above and thought I’d like to have that kind of connection to a Giant Panda. But as Cristela Guerra reports at the Boston Globe, if you work with pandas, you learn that they have a strong bite for chomping bamboo and you should expect to get bitten.

Guerra starts with the backstory of a promising new research effort. “In New Hampshire, Ben Kilham’s work with black bears has earned him a couple of nicknames, including ‘the bear whisperer’ or simply ‘Papa Bear.’

“In Chengdu, China, Hou Rong’s research into giant pandas has earned her a nickname as well: ‘Panda Mom.’

“Their cross-cultural collaboration is the focus of a new documentary called ‘Pandas,’ [which opened] at the New England Aquarium on April 6. …

” ‘Pandas’ presents breathtaking, panoramic views of China around the mountains of Sichuan where the nonprofit Chengdu Research Base for Giant Panda Breeding is located. There, a group of scientists raise endangered giant pandas in captivity with the hope that one day they’ll be able to introduce them into the wild.”

Kilham’s techniques, honed with black bears in New Hampshire, “involve taking captive-born bear cubs for walks through the woods, where they follow Kilham like a mother bear. …

” ‘That’s what the mother bear does; she is their protecting force,’ Kilham said of the training method. ‘For pandas, it works the same way.’ …

” ‘I had trouble learning in school,’ Kilham says in the documentary. ‘But I could read nature the way other people read books. I don’t teach bears how to be bears. The knowledge is already inside them.’ …

“Inspired by Kilham’s techniques, the scientists at the Panda Base begin to test the abilities of captive-born panda cubs to see if one has what it takes for a journey into the wild. This means a whole lot of footage of adorable, roly poly baby pandas being bottle-fed, pushed down a wooden slide, and wrestling with researchers. …

“ ‘For bringing a captive-born animal whose mom is also captive-born, whose grandparents are also captive-born into the wild, my biggest consideration is [the panda’s] vigilance.” said [wildlife conservation biologist Jake] Owens. ‘How alert they are, how aware they are about potential dangers.’ …

“ ‘All young animals need to have is some sort of mother figure,’ Kilham said. ‘What you’re giving the cubs is an opportunity to learn. If you just put them out there by themselves, they’re unable to go anywhere.’ ”

More here. And check out the movie trailer here.

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I had two early Mother’s Days this year. There was one last Sunday with Suzanne’s family at Rhode Island’s Wicked Tulips Flower Farm and an epic birthday card by Suzanne’s kids (the 3-year-old insists all cards should be birthday cards). I also got flowers from my husband. I do love flowers.

Then yesterday at John’s house my daughter-in-law provided one of her delicious meals, and the grandchildren created the artistic Mother’s Day cards below. Both my kids gave me donations to beloved charities, too, which makes me happy.

By chance, the Boston Globe had an article about Wicked Tulips a couple days after I went there, so I’ll quote from it for background.

Cristela Guerra reported, “In a small town in Holland called Zwaagdijk, Jeroen Koeman’s last name is synonymous with flowers. Koeman’s father is a tulip farmer, as are his older brothers. So try as he might to leave the family business, the 36-year-old found his way back to the flowers.

“Since 2015, on a small plot in the town of Johnston, R.I., the Dutch farmer has grown acres of tulips in rows of deep purples, oranges, and sunset reds. …

“Koeman said, ‘When we came here, we fell in love. It’s kind of magical. When you drive through Johnston, you never, ever expect to land on the piece of heaven that we have over here.’

“Koeman leases and tills the state-owned soil on the edges of Snake Den State Park, alongside other farmers like himself. The project, called Snake Den Farm, resulted from a partnership between the state and the nonprofit Northern Rhode Island Conservation District to return the land to agricultural production. …

“Turns out, the climate in Rhode Island happens to be perfect for tulips. The Koemans work year-round to prepare for one ‘U-pick’ event in the spring that lasts for a month — if they’re lucky. …

“Their first year brought out close to 20,000 people all eager to tiptoe through the tulips. The second year brought close to 40,000. …

“ ‘We are not about just the bouquet of flowers,’ Jeroen said, ‘but the whole experience of walking in a blooming tulip field.’ ”

More here. Check out the impressive array of photos.

Suzanne told me that the farm never knows precisely when the tulips will be ready in the spring, so you have to be alert and buy tickets as soon as they go online.

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Photo: James Glossop 
Charlotte Hoather as Uccellina in the “BambinO” production from Scottish Opera, Improbable theater company and the Manchester International Festival.

I know that babies take swimming lessons these days and yoga with Mama. I know they go to music classes (“put your instruments back in the Taster’s Choice bin before we go home”). But opera?

Well, why not? Some babies are so loud everyone says they will be opera stars when they grow up.

Michael Cooper, a reporter for the New York Times, wrote in March at about an opera actually designed for babies. “The average age at the Metropolitan Opera is about to get lower — much lower. Sitting still will not be required: Audience members will be encouraged to crawl around and interact with the singers if they like. The dress code will be so relaxed that many operagoers may opt for onesies.

“No, the barbarians are not at the gate. The Met is presenting a new opera for babies.

“The company will present 10 free performances of ‘BambinO,’ an opera for babies between 6 months old and 18 months old, from April 30 to May 5. …

“The most unusual opera, about a bird, an egg and chick, was written by the composer Lliam Paterson and developed by Scottish Opera, Improbable theater company and the Manchester International Festival. It was directed by Phelim McDermott. …

“ ‘In the Met’s never-ending quest to develop audiences of the future, we’ve decided to start at the very beginning,’ Peter Gelb, the Met’s general manager, said in a statement.

“The opera will be performed for 25 babies, who will be seated on the laps of their caregivers on benches with cushions around the perimeter of the stage area.

Changing tables and stroller parking will be provided.

“The Met’s education team will work with researchers in infant development and early childhood music education from the Rita Gold Early Childhood Center at Teachers College, Columbia University.” More at the New York Times, here.

I apologize for not posting this in time for New York readers to take babies to the opera, but you can read a thoughtful review at Broadway World:

“No one in the audience as on Facebook or Twitter during Lliam Paterson’s opera BAMBINO at the Met’s List Hall — a rare occurrence for the company these days — on Friday May 4. In fact, no one looked at a cell phone at all during the performance. And nobody fell asleep — even though the opera was written for 6-18 month-olds. …

” ‘It’s lovely to see the full range of reactions the show has received,’ says Paterson, ‘and that every little toddler is just a person — and you’re already seeing all of the characteristics that are eventually going to come out.’ ”

Let’s hope operas for babies help build audiences for the future. “Free” is definitely the way to start.

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Photo: Gordon F. Sander
Residents at a Housing First facility near Helsinki, Finland. Emmi Vuorela, right, is the resident coordinator. 

“Housing First” is a model that parts of the United States have adopted on a limited scale. It provides housing to homeless people without making behavior changes a prerequisite. The theory is that a person is more likely to get off an alcohol dependency, say, if he has the stability of shelter.

Now Finland has not only seen the wisdom of the concept, it has decided to go much bigger and provide every homeless person with housing. It’s amazing what can be accomplished when a society as a whole makes up its mind to do something sensible. Sensible because the program not only helps individuals but pays for itself.

Gordon F. Sander writes at the Christian Science Monitor, “As anyone who has visited Europe recently can attest, the scourge of homelessness has reached epidemic proportions.

“The only exception to the trend is Finland, according to FEANTSA, the European Federation of National Organizations Working with the Homeless. There, homelessness is, remarkably, on the decline.

“Per the latest statistics, the number of homeless people in Finland has declined from a high of 18,000 30 years ago, to approximately 7,000: the latter figure includes some 5,000 persons who are temporarily lodging with friends or relatives. In short, the problem has basically been solved. ..

“Finland opted to give housing to the homeless from the start, nationwide, so as to allow them a stable environment to stabilize their lives.

“ ‘Basically, we decided that we wanted to end homelessness, rather than manage it,’ says Juha Kaakinen, CEO of the Y-Foundation, which helps provide 16,500 low-cost apartments for the homeless. …

The elimination of homelessness first appeared in the Helsinki government’s program in 1987. Since then virtually every government has devoted significant resources toward this end.

“Around 10 years ago, however, observers noticed that although homelessness in general was declining, long-term homelessness was not. A new approach to the problem was called for, along with a new philosophy. …

“The concept behind the new approach was not original; it was already in selective use in the US as part of the Pathways Model pioneered by Dr. Sam Tsemberis in the 1990s to help former psychiatric patients. What was different, and historic, about the Finnish Housing First model was a willingness to enact the model on a nationwide basis.

“ ‘We understood, firstly, that if we wanted to eradicate homelessness we had to work in a completely different way,’ says Mr. Kaakinen, who acted as secretary for the Finnish experts. … ‘We decided as a nation to do something about this.’…

“One of [the] goals was to cut the number of long-term homeless in half by producing 1,250 new homes, including supported housing units for tenants with their own leases, and around-the-clock presence of trained caring staff for residents who needed help. …

“As far as the not inconsiderable cost of producing the 3,500 units created between 2008 and 2015 – estimated at just under $382 million – [Sanna Vesikansa, the deputy mayor of Helsinki] declares that ‘the program pays for itself.’ As evidence, she points to a case study undertaken by the Tampere University of Technology in 2011. It showed society saved $18,500 per homeless person per year who had received a rental apartment with support, due to the medical and emergency services no longer needed to assist and respond. …

” ‘That doesn’t cover the contribution to the economy [from] residents who moved on from supported housing and got jobs,’ she adds.”

More at the Christian Science Monitor, here.

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Photo: West End Phoenix
Journalists at other outlets love the idea of this hyperlocal, print-only newspaper and are tapping their inner paper boy to help out.

There’s nostalgia in this story but also a hint of things to come. As entertained as I am by the image of journalists helping out a pal by delivering newspapers (visions of my husband’s long ago paper route), I’m really counting on the idea of high-quality, hyperlocal, print-only papers sprouting up everywhere. When giants falter, something new fills the vacuum.

Kristen Hare writes at Poynter, “Almost six months ago, a Canadian rock star started a community paper. Amazingly, that’s the least interesting thing about West End Phoenix.

“It’s non-profit and ad-free. It comes out every five weeks. It’s created by a staff of six. Subscriptions cost $75 for the year. It covers Toronto’s West End. And it’s not online. …

“It’s been almost a year since Dave Bidini, the rocker/author/founder, first decided to start a print-only community newspaper. … He’s learned a lot in the past year about the power of patronage (ahem Margaret Atwood), how hard it is to get to subscription goals (they’re at 2,100 and figure 3,200 gets them to sustainability) and what’s possible when people believe in what you’re doing.

West End Phoenix offers home delivery thanks to 50 volunteers. Among them are three journalists who don’t work as journalists for West End Phoenix. Instead, they’re paper … men.

“Brendan Kennedy is an investigative reporter for the Toronto Star. Josh Visser is managing editor of Vice Canada. And Brad Wheeler is an arts reporter at The Globe and Mail. All three know Bidini.

“Visser worked with him at the National Post, he said in an email, ‘and felt guilted into helping him. That’s the truth, but I also live in the community, work in journalism and think the Phoenix is a really cool initiative and wanted to help out. I could also use the exercise.’ …

“Wheeler was an early subscriber, and when his copy wasn’t making it up to his second-floor apartment, he sent a complain-y email and asked if they needed people to help deliver. After he sent that email, Wheeler worried that he sounded snarky, ‘but sure enough, they did need people and they gave me a route that was fairly near my place.’ He now delivers in the Riverdale neighborhood.

“And Kennedy, a fan of Bidini’s band, Rheostatics, interviewed Bidini as a college journalist. They stayed in touch, and when the call went out for people willing to deliver papers, Kennedy signed up. …

“ ‘The idea of riding around my neighborhood on my bike and delivering this paper, it just felt kind of romantic to me.’ …

“That sense of nostalgia appealed to Wheeler, too. He was a paperboy and said that his first delivery day felt like Christmas morning.

“ ‘And then that first hill took all the romance out of it.’

“Wheeler thinks the Phoenix’s appeal has something to do with a yearning for things that are more tangible and less corporate. …

“People want something real and honest, he added. ‘Honest’s a good word for what Dave’s doing.’

“But honest does not pay salaries. Newspapers in Canada, like the U.S., are evaporating. West End Phoenix is the only newspaper to have started in the country last year, Bidini said. …

“Growing subscribers will be key, [Visser] said, along with support from patrons. …

“ ‘It’s all uphill,’ Wheeler said. ‘I don’t know what I got myself in for here.’ ”

More at Poynter.

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Photo: Australia Nuclear Science and Technology Organisation
Australian wetlands researchers behind the Feather Map invite citizen scientists to send feathers and include an explanation of where the feathers were found.

I recently saw a great quote on twitter from a Rhode Islander about what he learned years ago when he visited post-apartheid South Africa: “I learned that the power that you have to change big things is entirely about how strong of a community you can form.”

That quote came to mind as I was reading about how researchers in Australia are enlisting the enthusiasm of citizen scientists to address the challenges of wetlands protection. That may not sound as important as ending apartheid, but wetlands are expected to play a big role in the fight against global warming.

Livia Albeck-Ripka had a report at the New York Times.

“One day in April 2016, Kate Brandis opened a weathered envelope, mailed to her from suburban Sydney. Instead of a letter inside, she found the feathers of an Australian white ibis. A day or so later, another envelope arrived, stuffed with more feathers. In the days following, more began to come.

“Soon, Dr. Brandis, who is a research fellow at the University of New South Wales’s Center for Ecosystem Science, was receiving three to four envelopes a day containing the feathers of birds from across Australia, including those of pelicans, wood ducks, cormorants, herons and spoonbills. …

“Two years before, she had put out a call to the public to send her fallen feathers of wetland birds so she could analyze where they came from, in an effort to map how the birds are moving between the country’s disappearing wetlands. …

“Wetlands — which include swamps, marshes, lakes, mud flats and bogs — are biodiverse ecosystems that can improve the quality of water and mitigate damage from flooding and pollution. But since the beginning of the 20th century, some estimates say, more than half the world’s wetlands have been lost, largely because of human activities. …

“Now, the impacts of climate change — which can include less rainfall in some areas, changing river flows and flood patterns, and potential saltwater intrusion into inland bodies of water — are further threatening some of Australia’s wetlands, and the birds that rely on them for breeding. …

“ ‘When our floodplains flood, which is only every couple of years, these birds come together in the hundreds of thousands to breed,’ Dr. Brandis said. But when the water recedes, the birds disband. …

“Where do the birds come from, and where do they go afterward? ‘Because we don’t track our birds, we have no idea,’ she said.

“Traditional tracking methods, like banding birds, have not fared well in Australia. … Many birds, like the ibis, have a high mortality rate. Another factor is simply Australia’s size: Inland birds often go to places where people do not.

“For that reason, Corrie Kemp, a 73-year-old retiree from Queanbeyan, New South Wales, made a special effort to collect feathers for Dr. Brandis’s project from among the most remote corners of Australia, in western Queensland. ‘We made a point of going places where no other people where going,’ Mrs. Kemp said, adding that she and her husband, Peter, had devoted an entire three-month trip to collecting feathers, during which she kept a diary of her discoveries and often corresponded with Dr. Brandis. …

“Bird feathers, like human hair and nails, are made of a protein called keratin. As the feathers grow, the keratin keeps a record of the bird’s diet, much like the rings of a tree. By analyzing a section of a feather, Dr. Brandis and her team can get a snapshot of the bird’s diet while the feather was developing.

“Feathers from chicks — which have spent their entire lives at one wetland — are particularly useful to researchers, providing what Dr. Brandis and her team call a ‘fingerprint’ of each place. By comparing the diet record of adult feathers against this information, researchers hope to map which wetlands the birds have been using, and how healthy those wetlands are. …

“Dr. Brandis said the possibilities were endless when studying animals’ tissue for clues about their environments, their habits and their origins. ‘It’s like the tip of the iceberg.’ ”

Read more about the Feather Map of Australia here and here.

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Photo: David Bedard
An example of the resurgence of indigenous theater is
Our Voices Will Be Heard, directed by Larissa FastHorse. It was performed at Perseverance Theatre in 2016 in Alaska. 

Another way that culture gets shared, revitalized, and preserved is through theatrical performances. Alaska and Hawaii, in particular, are seeing a resurgence of indigenous theater.

As Frances Madeson writes at American Theatre, “The pace at which producers of Hawaiian and Alaskan Native theatres are creating original offerings specific to their lands and peoples and mounting them on their mainstages ranges somewhere in the giddy spectrum between prestissimo and full-tilt boogie.

“ ‘We’re experiencing a Native arts revival right now,’ said Alaska Native playwright Vera Starbard, whose autobiographical advocacy play Our Voices Will be Heard was performed in Juneau, Anchorage, Hoonah, and Fairbanks. …

“Part of the exhilaration comes as a result of resources to match the rhetoric of support for Native theatre arts. In 2016 Starbard was granted $205,000 from the Andrew W. Mellon Foundation to sustain her while she creates three full-length Alaska Native plays over three years. …

“There is also an attitudinal shift by institutional gatekeepers toward inclusion of Native theatre artists, some of whom have been maintaining the vision for a very long time with minimal support.

“The first Hawaiian-language play presented at the Kennedy Theatre at the University of Hawai‘i at Mānoa was in February 2015, ‘in the theatre’s 51st season,’ said Tammy Haili’ōpua Baker, who wrote it. … She repeated for emphasis: ‘Half a century to get anything Hawaiian on that stage.’

“But now that the vessel’s been unstoppered, there’s a growing groundswell of audience demand for shows with Native-centric realities and expression.

“ ‘The success of Our Voices was completely community-driven,’ said Starbard. …

“Tlingit actor and playwright Frank Henry Kaash Katasse said he sees a category shift. ‘Indigenous stories are now seen as American stories.’ …

“Katasse teaches theatre in schools to Alaska Native kids, and encourages them to take acting seriously. ‘They didn’t even know this was a career option,’ he said.

“Indeed, to keep pace with demand, artistic directors Harry Wong III at Kumu Kahua Theatre and Eric Johnson at Honolulu Theatre for Youth (HTY) on Oahu, and Art Rotch of Perseverance Theatre in Juneau and Anchorage, are prioritizing both actor training and play development. …

“In Fairbanks, Alaska, [Allan Hayton, language revitalization program director at Doyon Foundation] pursues theatre as a vehicle for cultural and linguistic survival.

“ ‘We are restoring balance,’ Hayton said. ‘In indigenous tradition theatre is performed to achieve something for the people and balance for the world in the natural environment. Theatre is a healing art form in which we can address very serious and difficult issues safely, and offer a larger healing for society.’ …

“For Starbard, Alaska Native theatre artists literally standing on thousands of years of storytelling tradition have nothing to prove.

” ‘Our goal as Native artists and theatremakers is not to develop this “uncultured” audience so they can come in and understand what a Western theatre is like. I think that’s the attitude taken sometimes,’ she said, choosing her words with great care. ‘I’m proud of Native artists who are pushing back against this mindset. It’s not about how we can help our people adapt to the Western theatre, but how we can help Western theatre to be an even more dynamic and beautiful thing.’ ”

More here.

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Photo: Zuma Press
A game called pelota mixteca helps to keep an ancient language alive.

I never thought about it before, but there are languages that go with certain pursuits. For example, the vocabulary of ballet is French, so when you are learning ballet, you are learning a little French.

Here’s a story about a sport that relies on the vocabulary of an indigenous people, helping to preserve not only the words but also cultural pride.

Walter Thompson-Hernández writes at the New York Times, “The men gather at an open field in a recreation area of the San Fernando Valley [of California] every Sunday, putting chalk to the dusty ground to draw the boundaries of a game that has been a weekly ritual as long as many can remember. After they are done, these men and others who filter in cluster into distinct teams, tossing a six-pound rubber ball to warm up.

“On a recent Sunday, one of them, Jorge Cruz, 39, lifted a 15-pound glove studded with nails and other ornamentation in the air. He glanced back at his teammates and asked, ‘You guys ready?’ in Zapotec, an indigenous Oaxacan language, before bouncing the ball on a cement slab known as el saque and hitting it toward the opposing team.

“This is how you start a game of pelota mixteca, a ballgame said by its players in California to have originated hundreds of years ago in Oaxaca, Mexico, though theories abound about whether it is an offshoot of an ancient Mesoamerican game or a European sport brought to the New World. Wherever it arrived, it serves not only as a pastime: It is also a way of keeping its players’ culture alive, and serves as a network for an immigrant community throughout the West Coast. It has even spawned an under-the-radar international tournament. …

“Oaxacan players who speak indigenous languages like Zapotec and Mixtec travel to the pasajuegos (games) every week from Southern and Northern California cities, and each makes the journey to the San Fernando Valley for many of the same reasons. …

“Because a majority of the pelota mixteca players live in communities where Spanish or English are spoken rather than Zapotec, second-generation Oaxacan children are less likely to preserve that language or any of the other indigenous languages spoken during play. …

“A number of Oaxacan youths are making efforts to ‘revitalize’ these indigenous languages by playing sports like pelota mixteca and making frequent trips to Oaxaca. It provides an environment free from the stigma or the expectation to adopt Spanish. …

“Pelota mixteca continues to be played in relative obscurity every Sunday, but a younger generation of players has appeared on the field. Mr. Cruz now brings his son Jorge, 15, and his nephew, Miguel Angel, 9, to the games with him every weekend, as his father once did more than 20 years ago.”

Says the younger Jorge Cruz, ” ‘I feel empowered and excited that I’m playing the same game that my ancestors did. … If I have children one day, I’m going to teach them this game, too, so that they don’t lose our heritage.’ ”

More here.

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Photo: Jessica Ojala
Rabbi David Fainsilber (left) and Rev. Rick Swanson are working with law enforcement and volunteers to combat winter homelessness in Vermont.

Vermont gets really cold in winter, and the most recent winter was especially brutal. That is why a coalition of volunteers, religious leaders, and law enforcement officers have banded together to combat homelessness. Seeing families with young children living in their cars in bitter, brutal weather made them say, Enough is enough.

Reports Mark Davis at Seven Days Vermont, “An improbable alliance of religious leaders, law enforcement officials and volunteers quietly opened Lamoille County’s first homeless shelter. The sheriff’s department owns the Yellow House in Hyde Park, and a band of volunteers and sheriff’s deputies has been staffing it since the first frozen weeks of February.

“The shelter isn’t getting any government funds or charitable donations; in fact, it hasn’t been officially ‘approved’ by the town. But the Yellow House has hosted a steady stream of guests this winter. …

“The number of people without housing in Lamoille County swelled from 22 in 2016 to 64 in 2017, including 34 children, according to an annual survey by the Vermont Coalition to End Homelessness. But the closest shelters were more than an hour away, in Burlington and Vergennes.

“Organizers tried without success for three years to open a permanent shelter in nearby Morrisville. They concluded that it’s easier to beg forgiveness than to ask permission and opened the Yellow House with little public notice.

” ‘It’s a “Let’s just do this” approach. Enough is enough. There simply can’t be families and individuals out in the cold anymore,’ said Rabbi David Fainsilber of the Jewish Community of Greater Stowe. ‘I appreciate all the questions and concerns people may have. And yet, at the end of the day, I personally have to ask myself, Did a family stay out of their car and have a warm place to stay?’

“Organizers such as Fainsilber envisioned Yellow House as a winter-only endeavor. The Hyde Park planning and zoning offices gave the shelter temporary verbal approval before it opened, according to backers, but will spend the coming months mulling over whether to grant official permits. No hearings have been scheduled.

” ‘I’m hoping it’s not a battle. But if it is a battle, I’m committed, because the interfaith community is, too,’ said Sheriff Roger Marcoux Jr., a key backer of the project. …

“Part of the problem is the nature of rural homelessness, according to shelter advocates. In Burlington, the itinerant people who congregate downtown are highly visible. But the homeless in Lamoille County tend to live out of sight in an unheated camp in the woods, or in cars, so residents don’t appreciate the size of the population. …

“In late December, temperatures plummeted to minus-25 degrees, and Rev. Rick Swanson of Saint John’s in the Mountains Episcopal Church heard that people were sleeping in tents in the woods. Swanson opened the doors to his Stowe church. One man came in from the cold and spent several nights sleeping inside, by the altar. …

“Religious leaders reached out to Marcoux, the longtime sheriff, who is elected to his post and enjoys broad discretion in setting program and budget priorities within his jurisdiction. Marcoux wasn’t just cooperative; he offered to host the shelter.

“The Yellow House is part of a complex of abandoned buildings across the street from the Lamoille County Sheriff’s Department in Hyde Park village. …

“To head off any potential community concerns about safety, he pledged on-duty deputies would regularly stop by. …

” ‘I’m in the business of protecting the public, and I feel like I’m doing that,’ Marcoux said. ‘Why are people living in cars when I’ve got a house I’m heating?’ ”

More.

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Mother’s Day is a week from today. Be sure to check out Suzanne’s antique lockets and contemporary birthstone jewelry at Luna & Stella.

 

 

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Photo: Bjørn/Book Towns
The book town of Fjærland, Norway. About 30 or 40 villages around the world have a high concentration of booksellers who are drawing visitors and building the local economy.

When I was writing my March post about Hobart, an upstate New York village that boasted five bookstores, I learned that the idea of being a “book town” wasn’t an entirely new concept. In fact, there may be as many as 40 book towns around the world.

Unsurprisingly, someone has written a book about them. Sarah Laskow interviewed Book Towns author Alex Johnson for Atlas Obscura.

“What makes a book town? It can’t be too big — not a city, but a genuine town, usually in a rural setting. It has to have bookshops — not one or two, but a real concentration, where a bibliophile might spend hours, even days, browsing. Usually a book town begins with a couple of secondhand bookstores and later grows to offer new books, too.”

Atlas Obscura: “What makes a good book town?”
Alex Johnson: “Well, they’re all very picturesque. That’s one of the reasons they generally get picked. They’re away from cities, so rents are low. … Often, they’ve been in places where economically things have been a bit slim, or the population’s been decreasing as the younger people move away into the cities. Hay-on-Wye, in Wales, was the first one, and it started in 1977.

“How have book towns changed over the past few decades?
“I think they’re actually quite similar to when [bookseller] Richard Booth came up with the idea. He started Hay as a book town very much to regenerate it — to provide employment, keep people in Hay, and provide an actual tourist destination. … Book towns are tiny little places, and people wouldn’t come to them otherwise. …

What does it take to set up a book town that will survive?
“They’ve got to be sensible about providing a large amount of bookshops. You can’t do it with one or two. You need plenty. You need to cover a range of things. Some of the most successful ones have been where it’s not just bookselling. There are publishers or printers or artists or designers. …

“Nearly all bookstore owners, especially secondhand ones, have their own interests. So they tend to specialize in things anyway. … A few places [have] quite a strong central group, but most of them are quite loose. They nearly all have booksellers associations, but it’s quite like a friendly cooperative. …

“If someone wanted to understand the range of book towns, what four or five would you send them to?
“I would definitely go to Hay. … Paju Book City in South Korea. There’s a huge number of publishers and printers there, as well as books. … Clunes, in Australia, has done a very good job of building themselves up. Originally it was a gold rush town, and they quite often shoot films there. …

“Wigtown, in Scotland, is a good example of a place that’s really regenerated. Twenty years ago, it was having a really tough time — shops and industries closing, people moving out. And they’ve absolutely turned it around.

More here.

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Photo: Jorge de la Quintana
A ballerina admired impoverished acrobats performing at Lima, Peru, traffic lights and decided to offer them a better opportunity. In the photo, members of her D1 Dance Company rehearse.

Once upon a time, a privileged young lady, a ballerina with an international reputation, saw the face of aspirational poverty on acrobats performing in traffic and decided to offer them an opportunity.

Dan Collyns writes at the Guardian, “Vania Masías vividly remembers the first time she saw acrobats somersaulting at a traffic light on a visit to her home city in 2004. She was at the peak of an illustrious career as a ballet dancer in Europe – but before long, she would leave it all behind it to nurture the raw talent she found in the streets of the Peruvian capital. …

“She was so inspired by the abilities of the teenage acrobats she encountered in Lima she set up a pilot project to teach them to dance – not ballet, but hip-hop. …

“It began on the self-taught gymnasts’ home turf in Ventanilla, a tough neighbourhood near the city’s port. Masías arranged to meet them on the shanty’s sand dunes where they practised their flips. The response was overwhelming.

“ ‘I thought I was going to meet with three kids,’ she said. ‘When I arrived, there were more than a hundred kids.’ …

“In 2005 Masías formed the D1 Cultural Association: part dance school, part non-profit organisation seeking to create young leaders and promote positive social change through the arts.

“D1’s social arm, which is 85% self-sufficient thanks to the school’s private classes, works with 7,000 children and young people in the capital and has schools in the Peruvian cities of Ica and Trujillo. More than 100,000 children have passed through the programme over the years, says Masías.

“Among them is Eddy Revilla, who at 13 became his family’s breadwinner somersaulting at traffics lights in downtown Lima.

“ ‘I was earning 300 soles a week [£66/$92] and here in Peru – that’s money! I could help my family and they started to thank me,’ says Revilla, now 25.

“But after blacking out in mid-air doing a somersault, Revilla auditioned for D1, and is now a member of the group’s professional dance company.

“ ‘When we started nobody thought that you could make a living from dance. Now it’s an amazing opportunity for young people,’ says Revilla, who also teaches hip-hop to paying students at D1’s dance studio. …

“Masías acknowledges that only a few of the young students will eventually follow a career in dance, but she says that the act of dancing itself gives them the confidence to transform their circumstances. …

“Masías has encouraged her dancers to embrace their provincial roots through fusing traditional Peruvian and urban styles.

“ ‘It’s in their blood, in their veins,’ she says. Dancers who had been ashamed of their origins ‘now fight to say where they come from,’ she says.”

More at the Guardian, here.

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Photo: http://www.a-r-e-d.com
The Mobile Solar Kiosk, invented by Rwanda’s Henri Nyakarundi, is one of 10 renewable energy startups highlighted by Africa.com.

Great ideas for renewable energy are blooming in Africa, where it’s important that energy be both accessible and affordable. Africa.com recently rounded up ten of the most promising technologies.

“Africa has an immense energy crisis,” says the website. “In a continent with a population of close to 1 billion, over 625 million people are without power. According to the International Energy Agency, that makes up 68% of the population. This is ironic considering the fact that Africa has an abundance of natural resources available.

“For instance, the continent has a large coastline where wind power and wave power resources are abundant and underutilized in the North and South. Africa has much greater solar resources available than any other continent because it is the sunniest continent on earth.

“Energy is an essential factor for the reduction of poverty and economic growth. Major sectors like agriculture, education, communication, and technology all require abundant, consistent, and cost effective energy to spur the much needed development of the continent.

“Currently, many African nations already have small scale solar, wind, and geothermal plants that provide energy in rural areas. These modes of energy production are becoming very useful in remote locations, because they bridge the gap created by the excessive cost of transporting electricity from large-scale power plants. …

“Here we look at ten startups that are utilizing the vast amount of the continent’s renewable energy potential. …

“Mobile Solar Cell Phone kiosk is an alternative solar-powered mobile kiosk that charges phones and connects communities in Rwanda. It was founded by Henri Nyakarundi — a Rwandese who lived in the United States — after struggling with charging his phone whenever he went back to Rwanda or Burundi for holidays.

“He also noticed that even though many people had cell phones, they faced a challenge with charging their devices. It is estimated that over 70% of the population in Rwanda own a cell phone; however, at the same time, World Bank estimates that less than 25% of the Rwandan population has access to electricity.

“Prompted by this need, Henri sketched his first design on a piece of paper. He devised a solar-powered kiosk that can be towed by a bicycle and provides concurrent charging for up to 80 phones. The Mobile Solar Cell Phone Kiosk uses a franchise model that is low income and motivated by entrepreneurial objectives.”

Others on the website’s list include M-Kopa, which “sells solar home systems to low-income earners by allowing them to pay in installments over the course of a year using mobile money”; Shakti, “a South African startup that provides an alternative energy solution to thousands of households that do not have access to electricity”; electric vehicles; LED lights; and “batteries in a bottle.” More at Africa.com.

(I need to mention that the website seemed to slow down my computer, but no real damage was done.)

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