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Posts Tagged ‘art show’

Photo: Maya Pontone/Hyperallergic.
Xiyadie, “Butterfly” (2023), paper cutout featured in July art show in Queens.  

Queens, a borough of New York City, is often a gateway to America for newcomers, and as a result it has a diverse and interesting population. The art that residents produce is also diverse and interesting, as an unusual show in a mini-mall recently revealed.

Maya Pontone reports at Hyperallergic, “Located at the tail end of the 7 train not far from LaGuardia Airport, Flushing is a magnet for both longtime Asian American Pacific Islander (AAPI) residents and newcomers from overseas. Home to New York City’s largest Chinatown, the Queens community has served as an entryway for new immigrants in search of work and housing.

“A new exhibition pays homage to Flushing and its history by spotlighting the work of eight artists, most of whom are residents of the neighborhood, and encouraging community contributions and interaction. Home-O-Stasis: Life and Livelihoods in Flushing, curated by Herb Tam and Lu Zhang, is staged in one of the area’s many mini-malls — places increasingly threatened by gentrification. …

“On the inside of the space, you can find a butcher, a beauty shop, a cell phone service store, a money transfer service/tea shop, and a barber; and in the far back, a 99-cent store. …

“A community-driven exhibition, Home-O-Stasis is interwoven into the mini-mall space as though camouflaged, blending in and standing out in understated yet profound ways. At the building’s entrance among hanging real estate ads, shoppers are greeted by a red paper-cut butterfly made by Chinese artist Xiyadie, who was taught traditional paper-cut artistry by his grandmother. Decorated with Buddhist etchings and an impression of the U-Haul clocktower on College Point Boulevard, the delicate work was created for the migrant workers who come to the mini-mall in search of housing.

A handwritten sign written by Xueli Wang that reads ‘Mom, have you eaten?’ catches people searching the bulletin board off guard. …

“Above the paper ads directly in view of the shop owners, a deconstructed calendar with dates and symbols carefully cut out by hand hangs from two delicate red threads tied to the ceiling beams — an allusion to the boundless, continual nature of passing time by Flushing-born sculptor Anne Wu. …

“For Home-O-Stasis, Yuki He and Qianfan Gu from the collective Mamahuhu created ‘Flushing Polyphonous’ (2023), a humorous reinterpretation of Flushing’s map as a Monopoly-like board game. With magnetic pieces and a pair of die, the game takes players through the Queens neighborhood focusing on landmarks and shared hyperlocal experiences. …

“ ‘You would say, “Oh, you go to that dumpling house next to the gas station.” Nobody uses the title of the shop,’ Zhang, one of Home-O-Stasis’s curators and artist contributors, told Hyperallergic. …

” ‘You can get everything you need when you start a life in New York,’ Zhang said, pointing out how many newcomers, luggage in hand, will often stop at the mini-mall first to browse the bulletin’s housing options, set up their phones, buy food, send money abroad, and purchase other home supplies. …

“ ‘In the new malls, each vendor is separated in their room. It has like a hierarchy,’ she said, adding that this mini-mall’s open layout gives it a ‘more organic community.’ …

“Zhang also said that when she and Tam were first hanging up the exhibition, some of the shop owners in the mini-mall seemed skeptical. But not long after Home-O-Stasis opened in late May, local businesses adapted to the art, welcoming the works and even caring for the installations when the curators aren’t present. …

“The daughter of the barber shop’s owner, Nikki, moved the cards and magnets to the side from ‘Flushing Polyphonous’ when she noticed that people kept knocking the game pieces to the ground. Tina Lin, who runs the skincare shop Tina House, has taken to caring for Wang’s reimagined flyers and Janice Chung’s photographic series HAN IN TOWN (2022) when the works get moved around. …

“One of the final elements of the exhibition, called Dream City 2.0, is dedicated to a community archive of personal landmarks and experiences. Inspired by a 1940s commercial development project that would have eradicated much of the neighborhood, the project calls on residents to build another version of Flushing based on past dreams rather than a reimagined future. On a sheet, residents have written down the names of vanished noodle shops, bookstores, and other spaces that have since been replaced by new businesses and apartments.” Oooh, I love that concept!

See other unusual art at Hyperallergic, here. No firewall. Subscriptions encouraged.

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Photo: Grace Z. Li
Yuleyca Ortiz, the security supervisor at the Graduate School of Design and one of the subjects of a recent art show.

I like this idea. A graduate student in the Design School at Harvard decided to honor the security and custodial staff by making art about them. Grace Z. Li and Ruth Zheng have a report at the Harvard Crimson.

“Sometimes Doris Reina-Landaverde wanted to ask artist Annie J. Liang why she wasn’t painting a professor, or a famous person. Why her, a custodian working at the Extension School? The goal of ‘Harvard Works 2.0,’ an eight-part portrait series on exhibition in the Science Center, is to challenge the premise of this question. …

“Liang, who graduated from the Graduate School of Design this past spring, developed the idea for the exhibition in VIS2448: ‘Painting for Designers,’ a class she took with Professor Ewa Harabasz in the fall of 2016.

“For one assignment, the students were asked to draw on top of concrete, a ubiquitous texture in the Design School’s Gund Hall. Liang said she was inspired to capture the social landscape of the school — that is, ‘the workers, and the people who support the institution in all its activities.’

“Despite their work being as foundational to the University as its physical structures themselves, the hours they dedicate to supporting the institution often go unnoticed, Liang said. She said ‘Harvard Works 2.0’ integrates those who do maintenance work into the layers of the painting — reimagining Harvard’s history with Harvard’s workers at the forefront. …

“In addition to highlighting the work done by Harvard’s custodial and security staff, ‘Harvard Works 2.0’ also raises awareness about the struggles Harvard’s workers may be facing.

“Reina-Landaverde arrived in the United States from El Salvador in 2000 and is a recipient of Temporary Protected Status, a designation the U.S. Department of Homeland Security grants to certain foreign nationals who are unable to return to their country of citizenship due to unsafe circumstances like armed conflict or natural disaster.

“TPS recipients can legally live and work in the U.S. and are immune from deportation. The status is temporary, but previous presidential administrations have largely left the program alone, allowing recipients to continue residing legally in the US.

“[Because of current federal] efforts to repeal TPS, workers at Harvard have taken part in activism to defend TPS, holding multiple rallies, appealing to former University President Drew G. Faust to take action to protect workers from deportation, and calling on the University for greater legal aid. …

“For [Yuleyca Ortiz, the security supervisor at the Graduate School of Design], her inclusion in ‘Harvard Works 2.0’ was above all a reminder to herself that the work she puts in at Harvard has been paying off.

“ ‘It doesn’t matter that sometimes I feel like a failure, that I’m not doing my very best,’ Ortiz said. Seeing that picture and the caption accompanying it, she said, confirms that ‘I am doing okay.’ ”

More at the Crimson, here.

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