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Photo: Kaamil Ahmed.
The Guardian writes: Asom Khan, who is deaf and mute, uses his own version of [signing] to communicate with friends and family in Bangladesh.” And he takes photos that speak, too. 

What a powerful need human have to communicate! Here’s a story of a boy with the deck stacked against him many times over who wanted badly to communicate and figured out his own way to do it.

Kaamil Ahmed  writes at the Guardian, “His own sign language of sweeping, dramatized gestures is rarely fully understood by those outside Asom Khan’s closest friends and family, but the 15-year-old is able to speak through his art and photography.

“From his shelter in the Rohingya refugee camps of south-east Bangladesh, Khan takes photos to share the stories of his community – of his elderly neighbors, disabled people, and of women at work and in times of crisis.

“It was a journey that started with a photograph of him in 2017 – tears running down his face as he hung on to the side of an aid truck – that won awards for a Canadian press photographer, Kevin Frayer, as 700,000 Rohingya fled to Bangladesh from massacres in what the UN described as ethnic cleansing by the Myanmar military.

“That photo has stuck with Khan, who is deaf and mute, and when he saw other Rohingya becoming photographers, using budget smartphones to document daily life, he fully understood the power of an image.

“ ‘I was inspired by other Rohingya photographers. When there were floods or fires or other issues, they would come and take pictures. I saw that there was some power in it,’ says Khan, whose friend interprets for him.

“Since arriving in Bangladesh, he has also been producing vivid paintings, sometimes of idyllic Myanmar villages scenes, others of those villages under attack and the chaos he witnessed.

“Raised by his aunt and uncle after his mother died in childbirth, Khan had no opportunity to learn formal sign language so he improvised, teaching his own version to those around him. But art and photography has given him a freedom to communicate without an interpreter. …

“The camps Khan arrived at six years ago quickly became the world’s largest, with almost 1 million Rohingya crammed into bamboo and plastic shelters. As conditions have worsened, with education, work and movement limited, international attention has died down, leaving the refugees to deal with their own problems. …

“ ‘I feel like when I show pictures of the Rohingya situation to the world, they understand a bit more what we face.’

“Frayer, the photographer now with Getty Images who took Khan’s photo in 2017, says … ‘I remember taking a few frames and then he disappeared into the crowd below. I remember feeling quite moved by how much courage this young boy showed,’ says Frayer.

“He found Khan again in 2018 and spent time with him, finally learning more of his story as they communicated through his sign language and his drawings.

“ ‘I was so moved and astounded to learn that he had taken an interest in photography. I saw in his artwork that he was incredibly talented at telling his story through his art, and that photography would indeed be a very strong tool for him,’ says Frayer.”

More at the Guardian, here. No firewall. Donations solicited.

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Photo: BBC News.
Said Anthony’s mother, “People were telling me that this type of dance is not for boys. But it’s what he loves doing, so I let him go for it.”

The other day, my husband and I were talking about the discovery of the very young Judy Garland (scroll down here) and how the pressures of being a child star really messed her up. Fortunately, many parents of child stars since then have learned to keep a steady hand on the tiller.

Consider the story of the young Nigerian dancer that Jenna Abaakouk writes about at BBC News.

“Dubbed Nigeria’s viral ballet dancer, 13-year-old Anthony Madu’s life has changed beyond recognition over the last three years after his dance moves and internet fame catapulted him from his modest home in Lagos to one of the UK’s most prestigious ballet schools.

“It was his dance teacher who filmed the young boy in June 2020 as he practiced pirouettes barefoot in the rain.

“Afterwards, he uploaded the video to social media where it caught the eye of Hollywood actress Viola Davis who shared it to her huge following on Twitter. … It led to Anthony being offered a scholarship at the Jacqueline Kennedy Onassis School at the American Ballet Theatre. However, Covid-19 restrictions at the time meant the training had to take place online.

“It was then that Anthony was given a chance to study at Elmhurst Ballet School in Birmingham — which had seemed to him an unattainable dream. …

“Sitting in one of the school’s practice studios, he shyly admits it has not been an easy transition. ‘For the first year, it felt really, really hard trying to adjust to like the weather compared to Nigeria and also missing home as well,’ he says.

“However he has how settled down and enjoys the strictures of his new dance regime. ‘I video call my mum every day and hang out with my friends. Here, we do more classical ballet. It has to be precise, like having the arms right.’ …

Without the chance for formal training, he taught himself through watching videos and copying moves that fascinated him.

“It was a hobby that surprised his family. ‘When he was five years, I saw him dancing. I thought: “What is wrong with you?” ‘ Ifeoma Madu, Anthony’s mother, who still lives in Lagos, tells the BBC. ‘People were telling me that this type of dance is not for boys. But it’s what he loves doing, so I let him go for it,’ she says.

“As Anthony’s interest developed, his family moved to a different neighborhood of the city so he could attend the Lagos Leap of Dance Academy. …

“Mike Wamaya, a ballet teacher in Kibera — Africa’s largest informal urban settlement — in Kenya’s capital, Nairobi, is impressed by Anthony’s story.

” ‘It is very rare to see young boys getting scholarships from Africa to go outside to dance,’ the 48-year-old, who has more than 250 children taking his classes, tells the BBC. … Mr Wamaya admits too that many young boys on the continent do not pursue ballet because of the social stigma associated with it. ‘People are very homophobic and as a male dancer you are called gay. … This built a lot of resilience in us. We got teased a lot but I’m very happy that my students used the teasing to prove those people wrong.’ …

“Anthony has already inspired other young people in Nigeria and the rest of Africa to pursue their dancing ambitions. His journey is also to be shown to a much wider audience as Disney is making a documentary about it. Called Madu, it is currently in post-production. …

“Life in Birmingham is also broadening Anthony’s horizons, as there is more on offer academically at Elmhurst. ‘When I was in Nigeria, I didn’t do things like art. But now I love drawing. And learning other dances too. Aside from ballet, contemporary is my favorite,’ he says. …

” ‘There might be struggles along the way but remember it’s just temporary and it will be worth it in the end.’ “

More at the BBC, here. No paywall.

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Not everyone can be an inventor, but inventors can be found everywhere.

“Richard Turere, 13, doesn’t like lions. In fact, he hates them. Yet this bright Maasai boy has devised an innovative solution that’s helping the survival of these magnificent beasts — by keeping them away from humans.

“Living on the edge of Nairobi National Park, in Kenya, Turere first became responsible for herding and safeguarding his family’s cattle when he was just nine. But often, his valuable livestock would be raided by the lions roaming the park’s sweet savannah grasses, leaving him to count the losses. …

“So, at the age of 11, Turere decided it was time to find a way of protecting his family’s cows, goats and sheep from falling prey to hungry lions …

” ‘One day, when I was walking around,’ he says, ‘I discovered that the lions were scared of the moving light.’

“Turere realized that lions were afraid of venturing near the farm’s stockade when someone was walking around with a flashlight. He put his young mind to work and a few weeks later he’d come up with an innovative, simple and low-cost system to scare the predators away.

“He fitted a series of flashing LED bulbs onto poles around the livestock enclosure, facing outward. The lights were wired to a box with switches and to an old car battery powered by a solar panel.

“They were designed to flicker on and off intermittently, thus tricking the lions into believing that someone was moving around carrying a flashlight.

“And it worked. Since Turere rigged up his ‘Lion Lights,’ his family has not lost any livestock to the wild beasts, to the great delight of his father and astonishment of his neighbors.

“What’s even more impressive is that Turere devised and installed the whole system by himself, without ever receiving any training in electronics or engineering. …

Paula Kahumbu, executive director of the Kenya Land Conservation Trust …  helped him get a scholarship at Brookhouse International School, one of Kenya’s top educational institutions, where he started last April. …

” ‘One thing that’s unique about Richard is that if you give him a problem, he’ll keep working at it until he can fix it. [He] doesn’t give up; he doesn’t find things too difficult; he’s not afraid of being unable to do something and I think this is why he is such a good innovator — because he’s not worried that it might not work, he’s going to try and do it anyway.’ ”

More here. And you can catch Richard’s TED Talk here. (Yes, he got on TED Talk!)

Photo: CNN

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I’m bummed that I couldn’t get my video of the giant red lotus to load. I can provide a still shot, but the flower outside the Museum of Fine Arts in Boston does more than look big — it opens and closes with a goofy clatter. Audrey II from the Broadway show Little Shop of Horrors has nothing on this hilarious monster.

A few blocks away, speaking of clatter, is the mechanical clock that graces Mass College of Art.

At Concord Art, where Mary Ann’s friend Holly Harrison curated a fascinating show on birds, Rivers and Revolutions students from Concord Carlisle High School had a small exhibit of their own — featuring a giant yellow warbler (in sneakers) and a nest complete with appropriately spotted eggs.

Next is Waterplace Park in Providence, where I was once again tempted by shadows. Note how interesting the streetlamp looks stretched out on the staircase. The state emblem with “hope” and an anchor reminds me to tell you that Suzanne sells an anchor charm at Luna & Stella and donates $5 of the sale of every anchor to the Rhode Island Foundation, now celebrating its 100th year.

My favorite photo here is the little boy on the banks of the Sudbury River, where he has just pulled in a nice bass, his fourth fish of the day. I took a bunch of photos of the boy and his dad, but this was the only one that made clear you are actually looking at a fish.

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