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Posts Tagged ‘concord academy’

Public transit in Greater Boston didn’t run today as MBTA staff tried to dig out tracks, switches, and signals. We were told to work at home for the 5th time in two weeks. I went for a walk at lunch. Where sidewalks were plowed, the snow was often piled shoulder high on either side. I like walking in recently plowed snow because boots have more traction. The texture is like pie dough that’s a little too dry. Once the snow gets packed down, it makes for slippery walking. In the town, where merchants went bananas with salt, the sidewalk and crosswalks were unpleasantly soupy.

The first photo is from today. It’s Concord Academy. The others were taken in the past week and include a tree on Congress Street in Boston, a snowbank that the plow cut through as if slicing cake, snowy fire escapes near the TD Garden, a view of the Boston Seaport District from a roof garden, and my ice lantern (still going after more than a week of evening lighting).

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Sunday evening I went over to Concord Academy to hear Seán Curran talk about how he creates choreography. Betsy, one of the dancers from his company, did a beautiful job of demonstrating what he meant.

As a little boy growing up in Watertown, Seán said, he waited eagerly for the mail that brought Look magazine. He liked to cut out pictures and make collages with them.

He says that his approach to choreography is similar. He arranges many snippets or dance phrases in different ways. His challenge is to edit down the many ideas so that the choreography doesn’t topple from too much weight.

I make collages, too. I have always liked the idea of taking a bunch of random things people have said and trying to make a play out of them, for example.

I also make collage greeting cards. I keep a box of promising pictures, cut from magazines and gallery postcards. I go through the whole pile and set aside maybe 20 items that somehow remind me of the person for whom I am making the card. Then I edit them down to the few pieces that will be best for the particular occasion.

All that happens before I cut the shapes and decide on how to arrange them. Sometimes I do a cutout of a cutout and put something else in the space: for example, I cut a vista out of a painting of a window and put a girl in the space (bottom right).

Here are examples.

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Summer Stages Dance, an unusual summer program at Concord Academy, had a fundraiser today, a Dance Feast. From noon to five, people of all ages and abilities could take classes with top choreographers and try ballet, modern dance, hip hop, Indian dance, Isadora Duncan dance, Irish dance, yoga, rope performance, Ghanaian dance, taiko drumming, and more.

At 5 p.m., the choreographers and their companies presented short performances in the gym. The program was characterized not only by inventive movement but by intellect, emotion, and humor.

I was particularly moved by Catherine Gallant’s second selection from the work of Isadora Duncan. The first selection was lovely and what you might expect of Isadora Duncan, sort of woodland nymphs. The second was fierce, angry, passionate. I was amazed.

Also powerful was David Dorfman‘s on-the-spot creation, a dance with words.

Amy Spencer and Richard Colton are the married dance team behind Summer Stages. They teach at Concord Academy. Their summer program gives professional choreographers a time to create while also teaching some classes and performing. It has been going 15 years and is considered quite unique in the country.

David Parker, son of the late mystery writer Robert B. Parker, is a regular participant. I’m including a sample of his work. He brings a lot of humor to his choreography. Today he did the Velcro dance, Slap-Stuck.  Search on YouTube for “Sisters and Misters” or “Nut-Cracked,” Parker’s version of the traditional Christmas favorite.

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