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Photo: Landis Brown/The Archive of Healing at UCLA.
The Archive of Healing describes cures, rituals, and healing methods spanning two centuries.

My daughter-in-law and I got interested in a kind of tumeric tea that we bought at the farmers market before Covid. Since then, I’ve tried other kinds of tumeric tea just because I like the weird flavor. And as today’s article points out, tumeric has long been known to reduce inflammation.

At Hyperallergic, Valentina Di Liscia wrote recently about similar tried and (sometimes) true traditional remedies that are featured in something called the Archive of Healing.

“The digital archive features hundreds of thousands of entries describing cures, rituals, and healing methods spanning two centuries, with a focus on protecting Indigenous knowledge from for-profit exploitation.

“The University of California, Los Angeles (UCLA)’s Archive of Healing, one of the most comprehensive databases of medicinal folklore in the world, is now accessible online. The interactive, searchable website boasts hundreds of thousands of entries describing cures, rituals, and healing methods spanning more than 200 years and seven continents.

“The site … focuses on the preservation of Indigenous traditions and customs related to wellness.

“The project started five decades ago, when former UCLA professors Wayland Hand and Michael Owen Jones led teams of students to document medicinal practices described in university archives, published sources, anthropologists’ field notes, and their own family folklore.

In 1996, the school received a grant to digitize the research — encompassing more than a million handwritten four-by-six note cards — and transform it into a searchable database then known as the ‘Archive of Traditional Medicine.’

“But somehow, the massive trove remained a little-known resource until 2012, when a librarian at UCLA came across the database and alerted Dr. David Delgado Shorter, Professor of World Arts and Cultures/Dance at UCLA. Shorter, who had just published a book based on fieldwork with the Yoeme communities in northwest Mexico and launched a digital tool to help Indigenous people preserve their languages, was ‘blown away’ by the archive.

“ ‘It was just sitting there probably for years without people knowing about it,’ Shorter said in an interview. … ‘In some ways it’s fantastic that no one knew about it, because in this day and age, someone could have created a mining program and simply just pulled all the material from the database,’ he added. … His team safeguarded the data in a secure server.

“One of Shorter’s priorities is protecting Indigenous knowledge from exploitation by for-profit entities, such as pharmaceutical companies. For that reason, some entries in the archive do not mention specific plant names or recipes unless that information is already widely known.

“As dangerous health-related disinformation surged during the coronavirus pandemic, many have become wary of alternative medicine. The archive’s initial compilers were folklorists, not medical doctors, and the website includes a disclaimer that the entries do not constitute medical advice. … Users can flag entries they deem inappropriate. …

“Most importantly, these spices, plants, and other healing methods can deepen our understanding of how different cultures view the body, wellness, and community.

“ ‘The whole goal here is to democratize what we think of as healing and knowledge about healing, and take it across cultures in a way that’s respectful and gives attention to intellectual property rights,’ said Shorter.”

Hooray for librarians who alert people to “treasure troves”! More at Hyperallergic, here.

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As we have noted in other posts on the subject, one of the most ephemeral forms of art is street art. Many street artists like it that way, but others hate to see the work disappear.

Deborah Vankin and Saba Hamedy write at the Los Angeles Times that Google has decided to do something about that.

“A new worldwide database of public art aims to preserve — if only in digital form — street art, a medium that is often political, sometimes renegade and, perhaps most important, frequently fleeting. These are artworks that may get tagged by graffiti or fall into decay because of weather exposure. The accessible, populist nature of the medium — buildings and sidewalks as canvases — also is what makes them vulnerable. …

” ‘You never know when a mural will be scrubbed out or painted over,’ said Lucy Schwartz, program manager for the Google Cultural Institute, the umbrella organization that this week launched an expanded version of its searchable database of photos simply called Street Art. ‘Our goal is to offer a permanent home for these works so users today and tomorrow can enjoy them and learn about them.’ …

“The project launched in June 2014 with 5,000 images and 31 partnering organizations internationally. [In March] Google added 55 partners who have helped to document more than 5,000 more pieces of public art, all viewable at streetart.withgoogle.com/en/. The collection includes Australia, Sweden, Colombia, South Africa —34 countries in all. It also includes mobile apps and listening tours, as well as a map on which visitors can click to browse local art. …

“Google has said the street art in its online project cannot be downloaded, and the company credits all featured artists. Images in Street Art also include the title of the mural and the date it was created.” More here.

As you might imagine, some of the artists working in this form were highly skeptical of Google’s outreach to them. The sort of Buddhist acceptance of the transitory nature of all things certainly seems incompatible with a Google database. But for many artists, digital preservation is welcome.

Photo: Noel Celis / AFP/Getty Images
A mural by an unidentified artist in Manila. Jan. 26, 2015.

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Not sure if, as a fan of detective mysteries, I should be disppointed or delighted about a new police database in Florida.

I learned about the database from an e-mail listserv I receive at the office. It’s called Innovators Insights. Sign up here to tell the Ash Center at Harvard’s Kennedy School what sorts of public policy topics interested you, and they will e-mail Innovators Insights to you weekly with short descriptions of relevant articles from around the nation — and links to the full story.

Here’s the Florida gumshoe story (to coin a phrase).

“In Cape Coral, Florida, the police department is employing a sophisticated shoe-print database that helps investigators quickly identify what type of shoe a suspect was wearing. While shoeprints are often important in identifying a perpetrator, the traditional process of manually casting a shoeprint and searching the Internet and catalogs for the matching type of shoe can be time-consuming when expedience is of the essence. By contrast, the software houses over 24,000 shoe types and allows information like side-shots of the shoes, their manufacturer, and their color schemes to be immediately forwarded to detectives. If investigators have a suspect’s shoe, they can also compare a digital image of its sole with a shoeprint from other crime scenes and look for a match. Cape Coral police have already used the technology to arrest one offender.”

Read all about it. And no matter how many exotic and unfamiliar shoes you buy in places around the world, you better behave yourself in Coral Gables.

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