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Posts Tagged ‘don quixote’

Photo: RGR Collection/Alamy.
Genius filmmaker Orson Welles during the shooting of Don Quixote, an epic shot in many countries and never quite finished. 

Have you read Don Quixote, the great novel written by Miguel de Cervantes in 1607? I found it rough going, maybe because I had to read a translation. I’m sure blogger Rebecca at Fake Flamenco has read it in the original.

Something new is happening with the book that gave us the word quixotic. The great quixotic movie maker Orson Welles is having his unfinished version of the story pieced together by an all-star crew.

Stephen Burgen writes at the Guardian, “More than 70 years after he shot the first few frames, Orson Welles’s ambitious project to put Don Quixote on the big screen may finally be completed thanks to a consortium of European film archivists.

“Oja Kodar, the American film-maker’s partner and collaborator, has given her blessing to the project led by archives in France, Spain and Italy, along with the Munich film museum, to produce a coherent film out of 30 hours of footage scattered among them.

“Welles’s reworking of the classic novel by Miguel de Cervantes began in 1957 as a film for television backed by Frank Sinatra but the scheme fell through. After that, Welles worked on it almost to the day he died in 1985, shooting scenes in Mexico, Italy and Spain whenever he could find a backer.

“The team tasked with reconstructing the film, led by Esteve Riambau, a Welles authority and former head of the Catalan film archive, have their work cut out. To begin with, the Cineteca Nazionale in Rome must digitise 50,000 metres (164,000ft) of negative to add to the 50,000 metres of 16mm and 35mm film held by Spain and the 80 minutes of 35mm footage in France.

“ ‘We don’t have a complete script but enough to reconstruct it,’ Riambau said. ‘Half the material is in the form of a negative in Rome which has to be printed before we can see it.’

“As scenes were shot in three countries from 1956 to 1976, the project had to be viewed as a work in progress, he added. ‘It would be surprising to discover that every scene has been shot but I think there’s enough. It’s hard to say what [Welles] wanted definitively because in the script there are alternative scenes, but we’ll work with what we have.

“ ‘We’re not going to invent anything or use special effects to fill in the gaps. We’re not working with hypotheses. The idea is to show the original in so far as it’s possible, but it’s like working on a mosaic where there are missing pieces.’

“First published in 1605, Cervantes’s novel tells the story of Don Quixote, a minor noble who has a series of adventures as he lives out a fantasy life as a chivalrous knight accompanied by his sidekick, Sancho Panza. It is considered the first modern novel.

“The film is hardly a faithful version of Cervantes’s work. ‘There are some opening scenes that are faithful to the book but there are others that are, shall we say, enhanced,’ Riambau said. … The soundtrack is also incomplete but, where it exists, the parts of Don Quixote and Sancho Panza are voiced by Welles himself.

“Welles co-wrote, produced, directed and starred in his first film, Citizen Kane (1941), which to this day regularly tops polls of the greatest films of all time. …

“ ‘For me, Welles is much more than a film-maker, he’s more like Michelangelo,’ said Riambau. …

“Welles called the project his bambino (baby) and wrote several versions of the screenplay. … Riambau said Welles had joked that he was going to change the film’s title to ‘when are you going to finish Don Quixote?’ …

“ ‘I think we’ll need at least until 2028.’ ”

More at the Guardian, here. No paywall, but please consider a donation to the Guardian.

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Photo: The Economist
A statue of Juha, the wise old fool of Arab folklore.

It’s interesting to me that all cultures seem to have something like a wonton as part of their cuisine. Jewish cooks make kreplach, Italians make ravioli, Polish cooks make pierogis, and so on. We have more in common than we often realize.

The same goes for folktales. For example, most cultures have a wise fool, like the old court jesters or Don Quixote. I just learned about an Arab example.

The Economist comments, “Western audiences have grown used to the marauding heroes of Arabic folklore. Characters like Sinbad the Sailor and Ali Baba instantly conjure images of hidden treasure and desperate sword fights. But in the Middle East itself, many people prefer a more down-to-earth figure: Juha, a wise old fool, and his long-suffering donkey. …

“Juha first appeared in an Arabic book of the ninth century, though this was likely adapted from an older oral tradition. From there, Juha quickly splintered to the far ends of the Mediterranean world. He followed the Arabs to Sicily, where he became known as Giufà. In Turkey, his legend merged with a Sufi mystic called Nasruddin, while the Ottomans exported him to the Balkans. Some even claim that Juha inspired Cervantes’s ‘Don Quixote.’ …

“In some tales, Juha is accompanied by his faithful donkey and much amusement springs from it getting lost. One story begins with Juha looking for the animal around town; everywhere he goes, he thanks God. People are confused. ‘Why are you praising God?’ they ask. ‘Surely this is nothing to be thankful for?’ Juha smiles. ‘If I were riding the donkey right now, I’d be lost too!’

“Not all Juha’s tales are so innocent. Like court jesters in medieval Europe, his everyman style has proved an ideal vehicle for social criticism. In one fable, Juha is approached by a proud king. ‘All the great rulers of the past had honorific titles with the name of God in them,’ he proclaims. ‘There was God-gifted, and God-accepted. Can you think of a name for me?’ Juha pauses. “God-forbid,’ comes his retort. …

“Ali Ahmed Bakathir, an Egyptian nationalist, reimagined the fable of ‘Juha’s nail’ in 1951 to mock Britain’s obsession with the Suez Canal (just as Juha keeps ownership of a single nail at his old house so he always has an excuse to visit, Bakathir suggested that the British used Suez to justify their occupation of Egypt generally). …

“Amid the confusion of the modern Middle East, Juha is one way people find common ground. Last year, storytellers from around the Gulf met in the United Arab Emirates to celebrate Juha. The internet provides another space for communal appreciation. A popular Reddit page features dozens of volunteers reading a classic Juha story in their native Arabic dialect.”

More at the Economist, including sightings of Juha in unlikely parts of the world, here.

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