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Photo: Melanie Stetson Freeman/CSM.
LaShawnda Phillips flourished thanks to the Ebony Horsewomen opportunity. She is now a barn manager for the program and is graduating from the University of Connecticut in animal science.

In Hartford, Connecticut, a remarkable woman called Patricia Kelly founded Ebony Horsewomen Inc. and soon expanded it to reach local children who never had exposure to the joy of horses. Sara Lang reports about her program at the Christian Science Monitor.

“A sleek chestnut stallion circles the edge of the indoor riding ring heading for a jump. The horse isn’t running quite fast enough and stumbles. 

“ ‘That’s right, keep going. You got it,’ urges Patricia Kelly from just inside the door, encouraging both horse and trainer with hands on her hips, boots firmly planted. 

“After some urging from the trainer in the center of the ring, the horse picks up the pace and clears the next jump effortlessly. Ms. Kelly, who runs this riding stable in Hartford, Connecticut, smiles and cheers. She’s been encouraging both horses and riders for decades. 

“Ms. Kelly established Ebony Horsewomen Inc. in 1984 as a way to introduce the joys of horseback riding to women in the Hartford area. In the three decades since, EHI has grown to include 16 horses, 25 miles of well-maintained trails, stables, riding rings, public lessons, and advanced jumping and dressage team training. It has also drawn accolades for its leadership in equine therapy training – using horses to help riders heal from trauma.

“Through this work, Ms. Kelly is raising awareness around Black equestrians. People of color make up just 10% of the U.S. Equestrian Foundation, which oversees equine competition of all levels across the country. 

“One challenge for underrepresented communities is access to stables and riding centers. EHI, situated within Hartford’s 693-acre Keney Park and accessible by public transportation, draws nearly 400 young people to its programs. And that’s not all. In January, EHI awarded its first annual Black Boots Award to recognize ‘the work, presence, and accolades of Black equestrians in the horse industry.’ 

“ ‘African Americans have been unsung individuals in the equestrian field,’ says Jeffrey Fletcher, president of the Ruby & Calvin Fletcher African American History Museum in Stratford, Connecticut, who co-sponsored the Black Boots Award. ‘She broke the glass ceiling.’ …

“Ms. Kelly and the work of EHI have been noticed across the country. In Connecticut, she was inducted into the Women’s Hall of Fame and earned the state’s African American Affairs woman of the year. She earned a community service award from the National Black Caucus of Local Elected Officials. And in Texas, she’s been inducted into halls of fame for both the National Cowboys of Color Museum and National Cowgirl Museum. …

“ ‘There is not the stuff out there on women of color,’ says Diane Vela, associate executive director of the National Cowgirl Museum. ‘It takes a champion like Patricia Kelly out there talking about it.’ …

“In March, EHI [opened] the Mary Fields Museum and Training Space, honoring the first African American woman to serve as a horseback-riding mail carrier for the U.S. Postal Service at the turn of the 20th century. ‘There’s someone everyone should know about,’ says Ms. Vela. ‘This incredible woman who protected these stagecoaches.’ …

“Ms. Kelly never set out to open an equestrian center, let alone one specially designed to help children and veterans recover from unseen wounds. After serving as a message decoder in the Marines during the Vietnam War, then practicing law and raising a family in Hartford, Ms. Kelly created Ebony Horsewomen to lead rides for Black women as a way to unwind and connect.

One day the riders encountered a group of children playing in a park. ‘Is that a real horse?’ one child asked.

“And in that moment, Ms. Kelly knew that her group would take on a bigger purpose. ‘It became quite apparent that what the kids needed was greater than what we needed,’ she says.

“At first, Ms. Kelly took horses and riding lessons out to children in different neighborhoods. Eventually, EHI purchased its first building in the park and gradually expanded its offerings. 

“ ‘This is something that they might never have had the opportunity to experience,’ she says, ‘because, one, the equestrian sport is very, very expensive, and, two, it is never located in their community, and, three, they’re not operated by people of their culture. Until we came along.’ …

“Soon EHI went beyond horses to include a summer garden where students can learn to grow and cook with fresh produce, spend time reading, and undertake science experiments.

“One of those students was Fred Wright, who is now in charge of Keney Park’s equestrian rangers – and recipient of the 2023 Black Boots Award in the Equine Tradesmen category. He started in the program when he was 7 years old, with riding lessons, mentorship, reading classes, science classes, and horsemanship.

“Mr. Wright went on to attend Cornell University and its farrier program, where he learned how to trim a horse’s hoofs and nail on shoes. He now travels around the country as a farrier, in addition to looking after the EHI horses. …

“ ‘I always had the choice to go back home to … the gangs and the drugs and all that other stuff,’ he says. ‘As long as I’m here, I’m safe.’ …

“Students from every Hartford-area school have come through [EHI]. And thanks to her continually expanding efforts, Ms. Kelly has made EHI – and Hartford – a leader in access and opportunities for future equestrians from all backgrounds. 

“ ‘It’s life altering,’ she says. ‘It changes your direction to something you didn’t even know existed.’ ”

More at the Monitor, here. No firewall.

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My sister is a poet, among other things, and she sent me this story about a famous poet and his association with the not-always-poetic city of Hartford, where he worked for insurance industry. (Which just goes to show that poetry blossoms where it will.)

Jeff Gordinier writes in the NY Times about taking a Wallace Stevens walking tour that was, “like Hartford itself, quite modest. …  Along the walk there are pale slabs of Connecticut granite engraved with verses from one of Wallace Stevens’s most indelible poems, ‘Thirteen Ways of Looking at a Blackbird.’ That’s about it.

“Nevertheless, I found the walk to be deeply moving,” writes Gordinier, “After all, how often do we get to explore the cranial machinery of a literary titan by slipping into the groove of his daily commute?

“Stevens never learned to drive. Even though many of his neighbors had no idea what he was up to, he would amble along Asylum Avenue methodically measuring the pace of his steps and murmuring phrases to himself …

“ ‘It seems as though Stevens composed poems in his head, and then wrote them down, often after he arrived at the office,’ Prof. Helen Vendler, Harvard’s grande dame of poetry and the author of Wallace Stevens: Words Chosen Out of Desire, explained to me in an e-mail. ‘As for his commute, he enjoyed it profoundly. It was his only time out of doors, alone, thinking, receptive to the influx of nature into all the senses.’ …

“Evidence suggests that he rather liked his peaceful routine in Hartford — his backyard garden, his wine cellar, even his job at the insurance company.

“ ‘Stevens enjoyed his work very much,’ said James Longenbach, a poet, a professor at the University of Rochester, and the author of Wallace Stevens: The Plain Sense of Things. ‘It was crucial to his achievement. He turned down an offer to be the Norton Professor of Poetry at Harvard because he didn’t want to leave his work. He continued to go to the office even when he was beyond the mandatory age of retirement. He never showed that he felt any conflict or tension between what might appear to be the different aspects of his life.’ …

“What moved me about the walk, in the end, was that he had chosen to walk at all. In a car-mad country that prides itself in being perpetually in motion, the poet made a clear and conscious decision to stop, to slow down, to burrow into his imagination. And walking had opened his eyes and ears to a place that was full of surprises. As Stevens himself put it in a poem:

“ ‘It is like a region full of intonings./It is Hartford seen in a purple light.’ ” Read more.

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Today I was at a conference in Hartford, and I just want to say that I had the best box lunch I have ever had at a conference, maybe the best box lunch ever. The story that goes with it makes it seem even more delightful.

The lunches were catered by The Kitchen, an urban workforce-training effort by Billings Forge Community Works. We had four lunch choices, and I chose the curried chicken-and-grape salad on fruit-and-nut bread, with sides of potato salad, orzo and olive salad, and a just-baked cookie. (There were also local beverages like birch beer and Dangerous Ginger Beer, “hot mon!”)

The story begins with the Melville Charitable Trust, dedicated to “finding and fighting the causes of homelessness.” After its success renovating a building to house nonprofit offices in Frog Hollow, an impoverished section of Hartford, the city asked the Trust to take on a big housing project nearby. The initiative grew into an inspiring example of holistic community development, involving gardens, youth activities, a gourmet restaurant that attracted suburbanites from Day One, and a successful catering facility that has the added benefit of training neighborhood residents in professional food service. We got to see much of this on a tour we took after our meeting and after the box lunch.

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