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Ken Shulman reports at WBUR’s Only a Game that skateboarding often means a lot to kids on reservations.

The story starts with an Apache artist, Doug Miles.

“Miles paints mainly on found objects: fuel cans, car hoods, panels from a trailer home. But there’s one outlier among the surfaces, a curious artifact that migrated from California to America’s inner cities to the suburbs and, finally, to the reservation: the skateboard. …

“Miles said. ‘My son needed a skateboard. I didn’t have enough money. So I painted him one. And then he rode it all around the rez. And I knew what was going to happen. I knew. So when he got home I said, “What did everybody say?” And he said, “Dad, Dad, everybody wants one.” ‘

“Today Miles’ skateboards hang in private collections and museums. Some of them sell for hundreds of dollars. But the former social worker is most proud of APACHE Skateboards — a skateboard team, shop and artist collaborative he founded on the San Carlos Reservation, about 90 miles east of Phoenix.

“Miles said that making skateboards helps his kids connect with their Apache heritage.

“We’ve been making things for centuries as native people,” he explained. …

“The San Carlos team has a thriving skate park — with colorful murals painted by Miles and his crew. The team also travels to compete against other tribes and against big city skaters. Miles said the travel is mind opening.

“ ‘The kids in the South Bronx and the other reservations and East LA, they’re just like our kids,’ he said. ‘These are all communities that are struggling. So when they meet our kids they’re really meeting themselves. And so I think it empowers kids to know that we’re struggling here, too, but we’re also making art and skateboarding and having a lot of fun in the process.’ ”

More here.

Photo: Ken Shulman/Only A Game
For some Native Americans living on Indian reservations in the American Southwest, skateboarding is more than just a recreational activity.

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Photo: Ken Shulman/OAG
Players for Naat’aanii, a team created for Navajo youth, practice in Farmington, New Mexico.

Now that Native Americans are playing major league baseball, it seemed like a good time for Bill Littlefield’s Only A Game radio show to do a story about Native American kids getting into the game. Ken Shulman traveled to New Mexico “to meet a Navajo team that uses tribal lore to train quality ballplayers.”

One of the people Shulman interviews is Dineh Benally, a youth baseball coach with teams in Farmington and Albuquerque.

“’Benally learned baseball as a kid on a reservation in Shiprock, where New Mexico borders with Colorado, Utah, and Arizona. The Four Corners was the Navajo ancestral home until 1864, when the tribe was forcibly marched to a desolate reservation 500 miles away.

“ ‘Baseball is about failure,’ Benally said. ‘And I think life is about failure. You’re gonna fail more than you succeed. …’

“Benally’s had his share of hardship. And failure. Growing up on the reservation was fun. But farm chores often kept him off the ball field. And when he did play, there wasn’t much in the way of coaching. Still, the tall right hander was MVP of his all-Navajo high school team. He pitched two years in junior college. Then he got a break: a chance to make the team at New Mexico State University — and to prove that a boy from the rez could play Division I ball. He threw well in tryouts but was cut on the final day. …

“It was tough not making the team. But Benally rallied. He thought about his ancestors on that long walk from Four Corners. And he thought about what he’d learned.

“A few years after graduation, in 1999, he started a youth team, to give Najavo kids the type of training he wishes he’d had growing up. He called the team ‘Naat’aanii,’ a word that … means leader. He scoured the state for native talent, boys born on and off the rez who he could shepherd toward college baseball and maybe even the pros. …

“Naat’aanii is no longer just for native players. Any kid can join if he has talent and desire. But the logo and rhythm and ethos are still Navajo. Dineh Benally wants his players to learn more than how to turn a double play. He wants them to tap into the tribal soul, to find the strength to stick it out when times get tough. Because they will get tough.

“ ‘That’s where they’ll show me if they’re really a true Naat’aanii,’ he said. …  They look at me. They know what I’m talking about.’ ”

More at Only a Game, here.

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