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Posts Tagged ‘Khrista Rypl’

A couple years ago, I was taken with a newspaper photograph of pink and blue buildings in a lonely North Korean square. So foreign. So melancholy.

I tried to get in touch with the photographer, David Guttenfelder, to see if I could buy a print. That didn’t work out, but I learned quite a bit about him and his special status as an approved photographer for Western outlets in North Korea. I became a follower on twitter and instagram, where I discovered that his photos of everyday life in the isolated country had inspired other Westerners living there. Now I follow posts on instagram by a group of people calling themselves everydaydpk.

So I was intrigued when Studio 360 also took an interest in photographs from North Korea.

Khrista Rypl posts on the radio show’s website, “North Korea’s seclusion makes pictures from inside the country irresistible novelties. But while the country’s borders are tightly controlled, visiting isn’t as difficult as you might expect. Almost anyone with enough cash can book a tour (although the US State Department advises against it) and people even travel there to run in an annual marathon. Officially, North Korea says it hopes to attract two million visitors by 2020.

“One of the tours available is an architectural survey of the nation’s capital, Pyongyang. Oliver Wainwright, architecture and design critic for The Guardian, recently visited the country with that itinerary. He’s been posting photos of interiors of the city’s buildings, and wrote a nice piece about his visit. It’s a fascinating glimpse inside a closed society. The empty interiors look like they’re part of an abandoned theme park from the 1980s.

“Wainwright notes that pastel colors appear everywhere in the city and calls the aesthetic ‘kindergarten kitsch’ — ‘the logical next step for a regime intent on projecting an image of carefree prosperity.’ …

” ‘In every refurbished building we visit, there is a peculiarly consistent style of preschool colour schemes and shiny synthetic surfaces, the pastel palettes and axial symmetry giving an eerie feeling of walking into a Wes Anderson film set, or a life-size Polly Pocket toy,’ [he adds].

“The decor certainly has a child-like quality, both in the color palate as well as in how each room has been pared down to a few essential elements, like a dollhouse.”

See if you agree, here.

Photos: Oliver Wainwright/Tumblr
The National Drama Theater in Pyongyang

Below, a rendering of an architectural project from the Paektusan Academy of Architecture in Pyongyang 

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I had to share a delightful report from the radio show Studio 360 in which Khrista Rypl looks at the cultural aspects of African textiles.

She writes, “African textiles are distinctive for their vibrant colors, bold patterns, and batik dyes that give the fabric a unique crackled texture. But I had no idea that some of the trendiest of these prints are actually designed and produced in the Netherlands by a company called Vlisco.

“Inge Oosterhoff wrote a wonderful deep dive into the history behind the Vlisco textile house, and explained how their designs have remained hugely popular in Africa since the late 1800s. But Vlisco doesn’t just make fabric; they’re known for their printed designs. … Some patterns are designed with different countries in mind, while others are distributed widely around the continent. As the patterns catch on among shopkeepers and consumers, many of them get colorful names like ‘Love Bomb,’ ‘Tree of Obama,’ and ‘Mirror in the Sun.’ …

“Many patterns are sold widely in Africa, and different countries and cultures adopt different meanings and associations. [A swallow] print is a perfect example. The fabric was used for airline uniforms in Togo, so there the pattern is commonly referred to as ‘Air Afrique.’ The pattern also symbolizes asking for a favor, like the hand of a woman in marriage. In Ghana, the swallow refers to the transience of wealth, and the pattern is referred to as ‘Rich Today, Poor Tomorrow.’ It has a similar connotation in Benin, where it’s referred to as ‘L’argent vole,’ where it could either be interpreted as ‘Money Flies’ or ‘Stealing Money.’ ”

More designs and more of Studio 360 report, “Textiles Tell a Cultural History,” here.

Photos: Vlisco

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