Feeds:
Posts
Comments

Posts Tagged ‘new zealand’

Photo: Patrick Reynolds.
The Maori-designed “redevelopment of New Zealand’s New Plymouth regional airport is a finalist in the Prix Versailles Airports 2021 awards,” the Guardian reports.

A modicum of justice is seen in an unlikely place: the redesign of an airport by indigenous people from whom the airport land was stolen as recently as 1960.

Eva Corlett reports for the Guardian, “A tiny regional airport in New Zealand that weaves a Māori story of love and longing into its architecture is in the running for a prestigious design award, up against international heavyweights including New York’s LaGuardia.

“Unesco’s Prix Versailles recognizes architecture that fosters a better interaction between economy and culture, and includes a range of categories from airports to shopping malls. The finalists for the airport category include the New York LaGuardia upgrade, Berlin’s Brandenburg airport and international airports in Athens, Kazakhstan and the Philippines.

“The sixth airport finalist is Te Hono – meaning ‘to connect’ – and is found in New Plymouth, a town with a population of 85,000, on the western shoulder of the North Island.

“After six design options were floated, Rangi Kipa – a member of the local Puketapu hapū (subtribe) and lead figure on cultural design, settled upon a story. ‘The Ascension from the Earth, Descending from the Sky,’ tells the story of Tamarau, a celestial being, who was so captivated by the earthly beauty of Rongo-ue-roa, a terrestrial being, that he came down to meet her.

“ ‘This story aligns closely with the creation narrative of Te Ātiawa iwi [tribe],’ said Rangi. …

“The spine of the building is oriented to represent the journey from the mountain to the river – the main ancestral walking track in this area, and while visitors may notice these aspects of the architecture first, there are many subtle stories told through the details.

“Manaakitanga – the Māori concept of hospitality – also influences the design. Campbell Craig, the project’s architect and associate for design at firm Beca, said the project attempted to challenge western architectural practices that do not bear any relationship to Māori design.

“ ‘It was important for Puketapu to welcome and take care of guests in a place that is in many ways the gateway to the region,’ said Craig. ‘The faceted curved forms of the building at the entrance and airside “embrace” travelers, to shelter them from the elements.’

“In 1960, the land the airport sits on was confiscated from Māori, under the Public Works Act to build an aerodrome. This was a major source of grievance for the hapū, who had urupā [burial grounds] on the site. …

“Kipa said: ‘For the most part, we have been invisible in our own landscape for 160 years, so it’s amazing to have the chance to influence, and give life to, some of the things that make us who we are.’

“For Craig, the most heartening aspect of the project was the intensive collaboration between Māori, the airport and the architects, which enabled a sense of collective ownership over it.

“ ‘The experience at Te Hono provided a blueprint for working with tāngata whenua [people of the land],’ he said, adding that it would be an approach embedded into all of their future projects.”

More at the Guardian, here.

Read Full Post »

Photo: Stuff.
To meet methane goals, New Zealand must cut the number of sheep and cows by 15 per cent, the Climate Change Commission’s decarbonisation blueprint says.

Although I’m eating a vegetarian meal tonight, I’m disappointed in myself for not coming up with lots of interesting vegetarian recipes during lockdown. I had plenty of time to think about it. Part of my problem is that my Covid-era delivery services didn’t offer many prepared vegetarian meals, but it’s a weak excuse. Fortunately, my daughter-in-law knew I was interested in anything vegetarian and often added me to her shopping.

Meanwhile, in New Zealand, they’re way ahead of everyone as usual — not only in terms of trying to cut back on livestock emissions but addressing many other aggressive climate-change goals.

Olivia Wannan writes at Stuff, “Whether you work on the land, in a factory, an office or are still in school, life in 2035 will look significantly different under the Climate Change Commission’s decarbonisation blueprint.

“[If] the Government follows it to the letter., by 2025, you’ll be eligible for a public transport card offering discounted fares until you’re 25, to encourage low-carbon transport habits that may last a lifetime. …

By 2023, the Government’s emissions standards will start to bring lower-carbon cars into the country. The ban on petrol and diesel cars will also be in place as early as 2030. By 2035, both restrictions will also be influencing the second-hand car market, so if you do become an owner, the vehicle will be a lot greener than the cars on the road today. …

“Between now and 2035, you may be one of the thousands of employees that will transition out of carbon-intensive industries and into new jobs. … If you work in an at-risk industry, you’ll be eligible for government support to be re-trained for other roles. If you’re tangata whenua, you’ll be able to opt for education and training developed by Māori. By 2035, many Māori workers will have already transitioned to new industries, with the job gains outweighing losses. …

“The renewable electricity sector will be busy – the country requires one new wind farm to be built almost every year to meet the increased demand for power, plus new transmission lines. …

“By 2035, most truck drivers will be behind the wheel of a low-emissions vehicle, after the battery technology has developed enough to cover longer distances. But there will be fewer trucking jobs, as more freight will travel by rail or sea. … You’ll be twice as likely to head to the office by bike or on public transport, compared to today. If you still want to drive to the CBD, you may have to pay a congestion charge, with your cash helping to fund lower-carbon forms of travel. …

“By 2035, your office must be a pleasant place to be in all seasons, courtesy of energy efficiency standards for new and existing buildings. Building owners will have ditched coal in all heating systems by 2030. Natural gas will be phased out after that. …

“Across the country, dairy and meat farmers will reduce animal numbers by 15 per cent between 2020 and 2030. However, this isn’t an across-the-board cut. The efficiency gains you’ll make on your farm will probably differ to what your neighbours achieve. It’s the collective effort that matters.

“This could mean changing your farm management. You’ll need to use the plans, advice and tools developed by the agricultural industry partnership with Government, He Waka Eke Noa – though this guidance won’t be finalised until 2022. You may require reliable internet to precision-manage your farm, so you should have access to broadband by 2023 at the latest. …

“A farm might take a look at the efficiency gains required and choose to replace its cows and sheep with horticulture. An additional 20,000 hectares of land will grow grain, fruit and vegetables by 2035.

“Farmers staying in the meat or dairy business will carefully manage their use of nitrogen fertiliser (which creates the greenhouse gas nitrous oxide) and supplementary feed, which will cut expenses. Some will try their hand at regenerative farming, which aims to create healthier soil and land.

“Sheep farms will select rams that carry the genes to produce less methane when food is digested. The widespread uptake of low-methane sheep breeds will cut the country’s agricultural methane by 3 per cent by 2035. …

“If you have unproductive land sitting around, you’ll be able to access public funding to plant it with native trees. Nearly 250,000 additional hectares of sheep and beef farmland will be afforested by 2035. Combined with a ban on native deforestation in 2025, you’ll more frequently spot native birds and lizards, particularly if you fence off your bush and undertake pest control.

“Collective action will allow New Zealand to continue to promote the comparatively low-carbon credentials of its dairy and meat to international markets. …

“Buildings will be increasingly constructed using timber, which is less emissions-intensive than concrete and steel. By 2025, new natural gas connections will be banned. A decade after that, remaining gas appliances for cooking or heating will be increasingly costly. Because the domestic carbon price will steadily rise, the average annual gas bill will cost $150 more in 2035 compared to 2020.

“In comparison, the price of electricity will drop during the 2020s, after the Tiwai smelter closes. It’ll gradually rise again towards the end of the decade but should stay lower than today’s costs. …

“Remote and Māori communities will be able to access funds to build their own solar generation.”

It will likely to be hard to achieve all that, even with the less environmentally friendly biomass use and burning of “renewable” wood. But I think they are taking this seriously.

More at Stuff, here. Hat tip: Svein Tveitdal, @tveitdal, on twitter.

Read Full Post »

Photo: University of Canterbury.
Maoris teach that we’re all in the same canoe, an understanding that enough New Zealanders have absorbed to make Covid restrictions successful there.

I don’t know much about the Maoris of New Zealand (does the Disney movie Moana count?), but having seen how successful New Zealand and its prime minister have been in dealing with Covid, I’m not surprised to learn that the high level of cooperation among the populace relates to absorption of Maori values.

In an opinion piece at the Washington Post, Matthew Milner and Richard Ngata explain.

“Life in New Zealand is almost back to normal. While the United States has seen more than half a million deaths from covid-19 — with a death rate of more than 160 per 100,000 of population — New Zealand has lost only 26 people at a rate of 0.53 per 100,000.

“Two months ago, one of us, Richard, went to a New Year’s festival with more than 12,000 fellow revelers — something barely imaginable in the United States, where most concerts are online-only. Meanwhile, teachers, including Matthew’s parents, have been instructing in person since May [2020] without requiring masks or social distancing measures.

“Why has New Zealand fared so much better? Many people argue that these differences stem from New Zealand’s geographic advantages, and there is no doubt that being an island nation has helped. But … there is a deeper reason: Manaakitanga.

“While New Zealand hasn’t always been great at recognizing or celebrating our indigenous Māori culture, campaigning by Māori advocates has helped to ensure that Māori culture is now well-incorporated into society.

Manaakitanga is one of many customs of the Māori people that are now taught in New Zealand schools. It holds that others have importance equal to, and even greater than, one’s own.

“Manaakitanga is about understanding the power of the collective. It derives from the Māori term ‘mana,’ which is the spiritual life force and energy that every living thing possesses. When you honor the mana of others, your own mana will increase through the respect you have earned. When you acknowledge these connections, you understand that your freedom as an individual is only as strong as your place in the community.

“This community approach underpins many aspects of life in New Zealand. We provide health care to anyone who needs it. Our gun safety laws focus on keeping the community safe. And manaakitanga is one of four key values the Teachers Council for New Zealand wants teachers to focus on in the classroom.

“But never has the importance of manaakitanga to our society been more evident than at the start of the covid-19 pandemic. Last March, when New Zealand went into full lockdown, people were not permitted to see others outside their ‘bubble’ (such as a household); only one person from each bubble could leave at any given time, and not travel farther than five miles from the house.

“This strict lockdown lasted six long weeks, and while there was political pushback, the ‘team of 5 million,’ as Prime Minister Jacinda Ardern calls New Zealanders, stayed home and stamped out the virus.

New Zealanders were willing to give up many of their individual freedoms and face personal hardship for the benefit of the community. …

“Still, people found ways to connect and support each other. The lesson of the coronavirus is that an individual approach is not sufficient and that it takes a team for us all to gain true freedom. The Māori proverb ‘He waka eke noa’ expresses these sentiments clearly: We are all in this canoe together. …

“While [the US president] was playing down the virus, Ardern was running daily broadcasts alongside the nation’s director-general of health to clearly communicate the latest updates and restrictions. The central message: ‘Stay Home, Stay Safe, Be Kind.’ ” More at the Washington Post, here.

If you want to dig deeper, check out research by Diane Ruwhiu and Graham Elkin at the Leadership journal on the “converging pathways of contemporary leadership,” here. The authors describe “two emerging domains in leadership – servant leadership and Indigenous Māori leadership. Both not only have strong resonance with each other,” they say, “but also reflect a common concern with individual and collective morality that draws us to the significance of human relationships.”

Read Full Post »

Map: Britannica
New Zealand is seeing a renaissance in the magazine business.

Sometimes a small, well-networked country or state can do a better job making challenging things happen than the big guys can. I’m thinking, for example, about West Virginia’s remarkable success in getting the Covid vaccine into people’s arms. (NBC has a cool story about Mom & Pop drugstores and the advantage of knowing your community.)

Today’s story comes from a very different part of the world and concerns a very different topic: the struggling print-magazine industry.

Elle Hunt reports at the Guardian, “At 8.31am on a Thursday, Henry Oliver received a text message from his employer, alerting him to a company-wide Zoom call in 29 minutes’ time.

“The day was 2 April 2020, a week into New Zealand’s national lockdown to control the spread of coronavirus. Oliver, who is the editor of Metro magazine, and his team had been scrambling to adjust to remote working and – with magazine publishing not among the ‘essential services’ permitted to continue through the pandemic – a new digital-first operation.

“Within an hour of that text, Oliver and the 300-odd other employees of Bauer Media New Zealand were told they were being made redundant, the titles they worked on would be put up for sale, and the entire company was to close. …

“A privately owned German company operational in 13 countries, including the US, UK and Australia, Bauer had been a pillar of the New Zealand magazine industry since 2012. In particular it was known for its current affairs and long-form features journalism, as the home of the Auckland-centric Metro, North & South and The Listener – titles with steady subscriber bases and some of the most experienced and awarded journalists in the country on staff.

“In its suddenness and its sweep, Bauer’s decision seemed to sound a death knell for an entire industry. … Yet less than a year later, not only have Bauer magazines been brought back to life under new ownership, but also new titles have been launched – reflecting a flurry of investment and innovation in New Zealand media precipitated by the pandemic.

“Sydney private equity firm Mercury Capital purchased Bauer NZ for an unspecified sum in June (later renaming it Are Media) – extending a lifeline to The Listener and four other mastheads.

Metro and North & South were both acquired by independent investors seeking to preserve New Zealand’s tradition of long-form features journalism.

“Meanwhile, four entirely new monthly titles – staffed by former Bauer editors and writers, with former CEO Paul Dykzeul advising – were launched by School Road Publishing in November.

“The recovery, since the dire outlook in April, has exceeded all expectations: testament to the appetite of New Zealanders not just to read magazines, but to make them.

“The day after he was made redundant, Oliver started work on a zine. With a budget procured from property developer Britomart Group, he was able to deploy the talents of many of the journalists and designers who had been let go with him from Bauer. He gave it the tongue-in-cheek title Essential Services, describing it as a ‘small affirmation of life in the face of media industry collapse.’

“Oliver went on to produce two more issues with funding from government agency Creative New Zealand. … ‘I just thought to myself, it’s not really up to a German billionaire whether I get to make magazines or not.’

“Others too had spied opportunity in among the rubble. German-born journalists Konstantin Richter and Verena Friederike Hasel … made a ‘spontaneous’ offer on North & South to ensure its survival, as subscribers themselves. Richter is also a board member of the Swiss media giant TX Group, founded by his family, and splits his time between the two countries. …

“Richter describes their vision as ‘a mix of change and tradition’: retaining North & South’s time-honoured focus on issues that span the length of New Zealand, bridging the urban-rural divide – while injecting news and perspectives from further afield. He sees an opportunity to build on the tradition of investigative and long-form features journalism in a nation that is more receptive than others to the concept.

Metro, meanwhile, was bought by media entrepreneur Simon Chesterman, who retained Oliver as editor and moved the magazine to quarterly publishing. It relaunched with a splash in November with an exclusive essay from Lorde.

“Oliver says they were aligned on the importance of an Auckland-centric title in the age of coronavirus. ‘We’re going to be living in a more local world for the foreseeable future, so a city magazine, an authority on a specific place, can be more relevant than ever.’

“Plus, at a moment of up-to-the-minute, pandemic-driven doom-scrolling, ‘here is space for a slower media,’ says Oliver. ‘That was really what was taken away with the shutdown of the magazines.’

“To [Colin Peacock, host of Radio New Zealand’s Mediawatch programme], the industry’s reinvention suggests a new era of ‘start-up-style media’ in New Zealand. … Peacock points to Shepherdess – a new quarterly magazine for rural women, which launched in mid-March – and the free ‘mountain culture’ publication 1964 as examples of how print might be reinvented to serve a specific, perhaps localised audience. …

“In April, Bauer’s Australia and New Zealand chief executive Brendon Hill had said magazines would be ‘untenable’ in New Zealand through the pandemic: ‘Publishing in New Zealand is very dependent on advertising revenue and it is highly unlikely that demand will ever return to pre-crisis levels.’

“But the industry’s bounceback from catastrophe reflects New Zealand readers’ loyalty to their long-standing magazines – potentially to a fault, Peacock suggests. … The resurrection of The Listener, almost identical in form and focus, suggests there was next to no enthusiasm for a refresh, says Peacock. …

“Richter and Friederike Hasel are hopeful that North & South readers will embrace a new global perspective – especially at this time of transition, not just for New Zealand’s media but New Zealand itself. Bauer’s exit was ‘a shock to many,’ says Friederike Hasel – ‘but I think something good might come out of that.’ ”

More at the Guardian, here.

Read Full Post »

110570490_earthsandwich

Photo: Etienne Naude
“I felt that I was making something bigger than me,” said Angel Sierra (right) after he and Etienne Naude made the Earth into a sandwich with pieces of bread 8,000 miles apart.

I love any attention-getting gag meant to show we are all part of one world. This story describes a feat that seems silly on the surface, but draws attention to something deep. Eight thousand miles deep.

As Owen Amos reported at the BBC in January, “Two men in New Zealand and Spain have created an ‘Earth sandwich’ — by placing bread on precise points, either side of the planet, at the same time.

“The man behind the sandwich, Etienne Naude from Auckland, told the BBC he wanted to make one for ‘years,’ but had struggled to find someone in Spain, on the other side of the globe. He finally found someone after posting on the online message board, Reddit.

“The men used longitude and latitude to make sure they were precisely opposite. That meant there was around 12,724km (7,917 miles) of Earth packed between the slices — and some 20,000km between the men, for those forced to travel the conventional route.

“The first ‘Earth sandwich’ is credited to the American artist Ze Frank, who organised two slices of baguette to be placed in New Zealand and Spain in 2006. …

“Wanting to create his own, Mr Naude, 19, used an online longitude and latitude tool called ‘tunnel to the other side of the Earth’ to find his exact opposite point. …

“He posted on the Spain section of the online message board Reddit. He got ‘a few replies’ and found one person close to the precise location.

Angel Sierra, a 34-year-old chef, told the BBC he replied to the message because ‘it can help to show how people can work together across the globe … I felt that I was making something bigger than me.’ …

“Once the men were in contact, then came the tricky part — making a sandwich with another person when you are on opposite sides of the planet.

” ‘It was quite hard to organise since it’s 12-hour time difference,’ Mr Naude said. ‘And there’s lots of things to arrange, such as the kind of bread, the time, the [precise] location, et cetera. … It’s quite tough to find a spot which isn’t water on the New Zealand end — and where public roads or paths intersect in both sides.’ …

“Using a ‘near top of the range laser cutter,’ he burnt an ‘Earth sandwich’ design onto 20 slices of bread, then used one slice to mark his exact, tightly defined sandwich spot in New Zealand.

“His counterpart used nine slices of unmarked bread to make sure he covered the exact spot. …

“The scientific name for points opposite each other on the Earth’s surface is antipodes … According to World Atlas, only around 15% of ‘territorial land’ is antipodal to other land. The UK, Australia and most of the US do not have antipodal land points — the other side of the world is water. More at the BBC, here.

Naude was later reported saying, “It’s also quite nice to just know that there is someone at the exact opposite point of the world that has done exactly the same thing as you. In this one particular instance, we’ve got entirely different lives, but we are now connected by this one point.”

Read Full Post »

3000

Photo: Jason Hosking
The kākāpō parrots in New Zealand were suffering from a frequently fatal respiratory disease and needed several months of treatment before being returned to the wild.

There’s a lot of dark news in today’s headlines. I won’t get into it. Looking for a little something positive, I learned about a fat parrot that is no longer on the brink of extinction, thanks to people who are focused on doing good. Such people actually exist, you know.

Kate Evans writes at the Guardian, “Growing up in the north of England, Dr James Chatterton was enthralled by the books of the pioneering zookeeper and conservationist Gerald Durrell and dreamed of saving endangered species. Now, on the other side of the world, Chatterton has done just that, helping to bring the world’s fattest parrot back from the brink.

“Chatterton and his team spent the best part of a year [testing] new treatments on the frontline of a killer disease afflicting New Zealand’s kākāpō. … The respiratory disease aspergillosis began to spread through the endangered kākāpō population [in April 2019], threatening to reverse the gains of the bird’s most successful breeding season in living memory.

“Kākāpo are not just rare, they are also deeply weird: flightless, nocturnal, with fragrant feathers and a comical waddling run. Males ‘boom’ to attract females, and they only breed every three to six years when the native rimu trees [produce] large numbers of seeds. …

“By the end of the southern hemisphere’s summer in February, thanks to intensive intervention by New Zealand’s Department of Conservation (DOC) Kākāpō Recovery Programme, the population of 147 kākāpō had produced more than 80 chicks – a record number. …

“Then one of the chicks died suddenly. It was found to have aspergillosis, a brutal infection in which lumps of fungus form in the birds’ lungs and slowly choke them to death.

“ ‘It’s hard to diagnose, extremely hard to treat, and usually fatal, particularly in wild birds. You usually just find them dead,’ says Chatterton, [manager of veterinary services at Auckland Zoo’s New Zealand Centre for Conservation Medicine]. …

“With aspergillosis, by the time a wild bird begins to display symptoms – or anything unusual shows up in blood tests – it is usually too late to save them. The only way to diagnose the disease in time is using a CT scan or endoscopy to spot fungal growths in the lungs.

“The vets and DOC scientists began mapping which kākāpō had shared a nest with the sick birds and which had been on the same food run. [‘Ahoy! Note the importance of contact tracing,’ says Suzanne and John’s Mom!]

“The 12 deemed at highest risk were evacuated from their home, Codfish Island/Whenua Hou, and taken by helicopter to Auckland. Unfortunately, the city’s veterinary CT scanner was being replaced and was out of action for a crucial five weeks, so the vets took the kākāpō to one of the city’s human hospitals. Though they appeared completely healthy, all 12 were found to have lesions on their lungs.

“That was a stomach-dropping moment, says kākāpō scientist Andrew Digby, who was based on Whenua Hou at the time. …

“Aspergillosis can be treated with oral anti-fungal drugs if you catch it early enough. ‘It’s worked really well with other parrots, but each new species you try needs a different dose,’ says Chatterton. ‘We had birds dying, so we went with a high dose, but worried that in saving some we might kill some.’

“To get the drugs into the birds’ air sacs, the vets also needed to use a nebuliser. Kākāpō may be the world’s fattest parrot, but their airways are still too small for the droplets produced by an adult human nebuliser, so Chatterton tried a paediatric one. It worked – but New Zealand is a small country, and initially only two were available. …

“Volunteer vets arrived to help from around the world. Extra pens were built to house the birds. People brought in sheets and duvets from home to cover the floors, and these had to be washed every day. [People! What does this remind you of?] Others went to the city’s regional parks to gather armfuls of the native plants kākāpō like to eat. Chatterton worked every day for five weeks. …

“Many birds needed months of daily care, but the outbreak was contained. Chicks became juveniles, and while a few died from other causes, most survived and are now counted in the population number: 211, up from just 123 when Chatterton arrived in New Zealand seven years ago. …

” ‘The only chance these endangered species have is if we all work together,’ Chatterton says.”

Amen.

More.

Read Full Post »

1570912830780Photo: Chris McKeen/Stuff
The woman above, who participates in a New Zealand prison’s ballet class, says the dancing made her happy. She says she plans to take some of her new skills into her future on the outside.

In New Zealand, officials in a women’s prison have found that ballet may not only provide structure and discipline to people who need help with self-control: it may also provide happiness.

Caroline Williams writes at Stuff, “Barbed wire fences, concrete cells and a focus on hard punishment are a thing of the past at the Auckland Region Women’s Corrections Facility. Instead, it’s open spaces and restorative rehabilitation in the form of classical music and contemporary ballet.

“Since 2017, inmates at men’s and women’s prisons in Wellington and Christchurch have enjoyed a more refined approach to restorative justice, thanks to a Royal New Zealand Ballet [RNZB] initiative to make the art form more accessible.

“Before prison, some of the women had had to ‘be staunch’ their whole lives, RNZB corporate development manager Diane Field said. The ballet program had allowed them to feel free and feminine.

“[In October], the first group of women to take the course in Auckland graduated in front of an audience of RNZB representatives and prison staff, with choreography including repertoire from past RNZB productions Megalopolis, Cacti, Artemis Rising and Black Swan, White Swan.

“The seven women beamed with pride as they completed the performances with few mistakes — a pretty good effort for only 10 and a half hours of practice spread over eight weeks, with a week lost in the middle due to a measles scare. …

“One said the certificate given to her at a graduation ceremony made her feel like she’d accomplished something. … Another said the classes had shaped her into ‘a totally different person’ after never having engaged in sport or dance before her conviction.

“While the dancing ‘made her happy,’ she accepted it was part of her punishment and would take something from the experience into her future. She hoped to pursue a career in fitness upon her release from the facility. … ‘Little things from outsiders make a big difference for us.’

“All the inmates interviewed by Stuff said they would like to take dance classes again and would encourage other inmates to have a go.

“RNZB senior dance educator Pagan Dorgan taught prison programmes in Wellington and Christchurch, but said the women in Auckland had a particular flair for movement.

‘Every week you can just see them become more confident. With confidence comes the drive to want to get better. They’re very engaged and very present.’

“Dorgan, who usually taught dance in schools, … adjusted her teaching style to accommodate for the inmates, including allowances for chatter and freedom for the women to work in their own groups. But she insisted she hadn’t made it easy for the women.

” ‘The more you see them develop, the more you can push.’

“Prison director Steve Park said … [it’s a credit] to the women to put their name forward for the programme.”

I had thought of “restorative justice” as an effort on the part of a wrongdoer to “restore” what they had taken from someone else in committing a crime. But of course, it’s also about restoring criminals to their better selves. Good to know that ballet can help.

More at Stuff, here.

Read Full Post »


Photo: New Zealand Herald
Royal New Zealand Ballet dance educator Pagan Dorgan said a dance initiative with women prisoners aims to build confidence and cooperation.

I like reading about programs designed to help individuals in prison grow in positive ways. I also like the idea of arts groups that, in addition to giving their art to the world, develop other ways to benefit society.

Consider this Royal New Zealand Ballet pilot for women prisoners. Meghan Lawrence at the New Zealand Herald has the story.

“Pirouettes and pliés are being used to break boundaries in a new initiative run by the Royal New Zealand Ballet (RNZB) Company.

“Best known for its dynamic dancers and eclectic repertoire of dance moves, RNZB has chosen to put accessibility and inclusion at the forefront of its latest project run in partnership with the Department of Corrections.

“Three of RNZB’s artistic staff have decided to put aside the national and international stages for [six weeks starting in November 2017] and spend their time teaching prisoners at Arohata Women’s Prison in Wellington. …

“Community manager Pascale Parenteau … said the initiative fits perfectly with the company’s primary goal of making dance accessible to all New Zealanders.

” ‘It was actually very timely because for some time the education team for RNZB have been working on developing an Accessibility Commitment Policy,’ she said.

“As part of that policy the company have run three other projects; the first sign-language interpreted guided tour of the St James Theatre, a sensory-friendly performance for children and adults with autism and special needs, and NZ’s first audio-described ballet performance for visually impaired children and adults. …

“[Parenteau] said the project aims to enhance prisoners’ confidence, communications skills and ability to work with others. …

” ‘When I was setting the programme up I was told that a lot of the women come from broken or disheartening homes and backgrounds, which means they would have never experienced participating in a high-profile training environment, so this is a bit of a boost for them.

” ‘I think they have been very courageous to put their hand up and have a go, but I think the freedom of expression that it allows them is going to be very beneficial.’

“Dance educator Pagan Dorgan was excited to take on the challenge, having previously run a similar initiative with male prisoners in the UK. …

“Dorgan said the project is run in two phases; six weeks of workshops leading up to the Christmas production, and then further sessions [in 2018] to learn specific RNZB repertoire.

“[The first session] was a little bit of everyone getting to know each other and we also did an aerobics or gym type warm-up’ she said. ‘We then went through some basic dance movements that were a mixture of jazz, contemporary and Latin.’ … There was no resistance at all and there was a nice, positive atmosphere.’

“Participants in the project said the experience gave them hope and inspiration, provided a chance to grow as individuals, and made them appreciate life outside of prison walls. …

“Parenteau said the project was set up as a one-off but she is hoping to get further funding to expand the classes.”

More at the New Zealand Herald, here. And Radio New Zealand has audio, here.

Photo: Radio New Zealand
A dance class in a prison.

Read Full Post »

Photo: Getty
Auckland Libraries in New Zealand figured out why their books were going missing and came up with a win-win solution.

If you know how to read, you want to read, and librarians want you to read. But not everyone has easy access to books. That is why some readers in New Zealand were sneaking books.

Mark Molloy writes at the UK’s Telegraph, “A New Zealand library has finally solved the mystery of why some books were going missing from its shelves.

“Auckland Libraries staff were bewildered after finding some books were being hidden in random places. They initially thought kids playing pranks were to blame, but later discovered it was the city’s rough sleepers who were actually stashing the books so they could return the next day to continue reading.

“ ‘A lot of our street community were wanting to put them underneath the couches or underneath book shelves and kind of hiding them in various places,’ librarian Sean Taylor told TV NZ. … Without a permanent address they were unable to sign up for a library card that would allow them to take the literature away.

“As a solution, Auckland Library created a new section where books can now be left overnight and picked back up again the next morning. …

“ ‘They are really well read. We’ve got a guy who I’ve had a discussion about the meanings of words and we’ll talk about the reference section and it’s the kind of intellectual conversation you’d expect from an academic.’ …

“Auckland Library says it sees itself as a ‘home for the homeless’ and holds regular cinema screenings and a book club for those sleeping rough. …

“ ‘One guy told me he moved to the city several years ago, and that none of his family back home knew he was homeless,” [said Rachel Rivera, manager of Auckland Libraries]. He used our computers to keep in touch with them. It was his lifeline to his family,’ she said.

“ ‘They value our service, like many of our communities do, for different reasons. But they don’t always feel safe and welcome, and that is something we can and should take steps to address.’ ”

More at the Telegraph, here. And look: Everything at the Auckland libraries website is in both English and Maori.

Read Full Post »


Photo: Birgit Krippner for the New York Times
Allan Tipene and his wife, Desiree Tipene, with their children and others in New Zealand. Ms. Tipene called “Moana” a “funny and beautiful” way for her children to connect with their culture.
 

The cartoon film Moana is playing a role in the push to preserve indigenous languages — one language in particular.

Charlotte Graham writes at the New York Times about the Moana translation being shown in New Zealand.

“The families lined up at the theater above a shopping mall here in New Zealand’s biggest city [for] a film unlike any they had ever seen — the Disney hit ‘Moana,’ translated into the indigenous language of New Zealand. …

“About 125,000 of New Zealand’s 4.7 million people speak the Maori language, or ‘te reo Māori,’ as it is widely rendered here. There are concerns that numbers are declining, putting it at risk of dying out. But with one in three Maori people in New Zealand younger than 15, experts said the chance for youth to see a wildly popular movie in their own words could turn the language’s fortunes around after more official efforts faltered. …

“ ‘Moana’ [is] the story of a Polynesian princess, Moana, on an adventure with her chicken, Heihei, and the demigod Maui …

“Many of those attending in Manukau, in southern Auckland, said they had never seen a film at the theater entirely in their language before.

“Several of the families there came from nearby Manurewa, a district usually in the news for unemployment, homelessness and poverty. Parents entering the theater said they relished the chance for their children to see themselves and their language reflected on the big screen, in a different kind of story that they hoped would instill pride in being Maori. …

“ ‘Language is the expression of a culture and a race of people,’ [Haami Piripi, a former head of the government body charged with the promotion of te reo Māori as a living language] said. ‘To retain your language is an emblem of survival through history. If you’ve still got your language now, you have the key to your culture.’ …

“Katarina Edmonds, a senior lecturer in Maori education at the University of Auckland, and one of three people who translated the film, said the team worked not only to find the exact equivalents of words in the Disney script, but also to remain true to the Maori language and tikanga, or cultural values.”

More at the New York Times, here.

Read Full Post »

Photo: Ferg Horn via Associated Press
Two rabbits sat on the back of sheep to avoid rising flood waters on a farm near Dunedin, New Zealand, in July.

As we have all seen recently, a silver lining to hurricane devastation is that people who otherwise would never meet reach out instinctively to help each other in the rising waters.

Here is a story of animals helping other animals, albeit unwittingly. It took place in New Zealand, before either Hurricane Harvey or Irma.

As Nick Perry reported at the Boston Globe, “Three wild rabbits managed to escape rising floodwaters in New Zealand by clambering aboard sheep and surfing to safety on their backs.

“Ferg Horne, 64, says he’s been farming since he left school at age 15 and has never seen anything quite like it.

“He was trudging through pelting rain to rescue a neighbor’s 40 sheep from the floodwaters [at] their South Island farm near Dunedin when he spotted some dark shapes from a distance.

“He was puzzled because he knew his neighbor, who was away in Russia attending a nephew’s wedding, didn’t have any black-faced sheep. As he got closer, he thought it might be debris from the storm, which had drenched the area and forced Horne to evacuate his home.

“Then he saw the bedraggled rabbits hitching a ride — two on one sheep and a third on another sheep.

‘‘ ‘I couldn’t believe it for a start,’ he said.

“Nobody else would believe him either without proof, he thought, so he got out his phone to take a photo, an image he figured his grandchildren would enjoy. In fact, he inadvertently shot a short video. …

“Horne herded the sheep to a patch of dry ground on the farm about 50 meters (164 feet) away. The sheep didn’t like it.

‘‘ ‘As they jumped through the water, the rabbits had a jolly good try at staying on,’’ Horne said.

“He said the rabbits appeared to cling onto the wool with their paws. As they approached the higher ground, the rabbits fell off but managed to climb a hedge to safety.”

More.

Read Full Post »

Art: Senckenberg
The discovery of one of the oldest penguin fossils in the world reveals higher diversity of early penguins than previously thought.

Whenever I am tempted to think that everything on the planet has been discovered, a new fossil turns up.

Melissa Breyer writes at TreeHugger that a recently unearthed penguin fossil is responsible for a small but significant adjustment to how we see our world.

“Along the Waipara River in New Zealand’s Canterbury region are sites rich in avian fossils, many of which were entombed in marine sand not long (relatively speaking) after the extinction of the dinosaurs.

“One of the more intriguing fossil finds there of late is that of a giant penguin discovered by ornithologist Dr. Gerald Mayr from the Senckenberg Society for Natural Research and a team of colleagues from New Zealand. The Waimanu penguin had a man-sized body length of 150 centimeters (5 feet) and … is among the oldest penguin fossils in the world.

“But what makes the Waimanu even more interesting is that the bones are significantly different from other penguin fossils from the same time period, revealing that the diversity of Paleocene penguins was higher than previously thought. …

” ‘This diversity indicates that the first representatives of penguins already arose during the age of dinosaurs.’ ” More here.

Pretty funny that in order to illustrate the size of the newly found penguin relative to a grown man, the Senckenberg Society put the man in a “penguin suit.”

Read Full Post »

A charming feature on the radio show Studio 360 this spring was about a young beat boxer who turns birdcalls into music. (Wikipedia says beatboxing is “is a form of vocal percussion primarily involving the art of producing drum beats, rhythm, and musical sounds using one’s mouth, lips, tongue, and voice.”)

According to Studio 360, “Ben Mirin is a Boston area birdwatcher turned New York City beat boxer who decided to combine his two passions. ‘As a mimic, I was able to imitate certain bird calls,’ Mirin explains, ‘the American Bittern, the Common Eider.’ Mirin mines birdcalls and layers them with his own beats to construct compositions that fall somewhere between a musical mashup and an ornithologist’s field recordings.

“When he performed at the American Beatbox Festival last year, Mirin improvised a set where he combined spoken word, beatboxing, and bird calls to take the audience on a forest bird tour. ‘It was totally off the cuff,’ Mirin remembers, ‘and people went nuts.’

“Mirin has traveled the world as a field ornithologist. Combining beatboxing and birdcalls isn’t just about new music: ‘My craft is about using beatbox to build a bridge to the natural world.” ”

Listen to the music Mirin makes using real birdcalls, here.

Photo: Nick Mirin
Ben Mirin photographing birds in New Zealand’s Fiordland

Read Full Post »

%d bloggers like this: