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Posts Tagged ‘oboe’

The holiday concert last Saturday deserves its own post.

I learned about the Melrose Symphony Orchestra, the oldest continuous volunteer orchestra in the country, because my friend Alden began playing the oboe there a year or so ago and loves it. Saturday was the first time we got to a performance, and we were amazed by the whole scene.

Memorial Hall, remarkable for its size and its caryatid-supported honorary box, must have had a thousand people in it. It seemed like everyone of every age in Melrose had come, and a look at the program suggested that every business in town was a supporter.

The website says that “the mission of the Melrose Symphony is to give the citizens of Melrose and surrounding area an opportunity to participate in the joy of music.”

The conductor, Yoichi Udagawa, is determined to make classical music fun and accessible to all. He is not only an excellent musician but a real showman, drawing applause from audience members who have attended before as soon as he said he was going to tell a joke.

Alden told us the orchestra provides scholarships for high school students who often join up again after college. And he explained that the kids who were walking around before the performance and in the intermissions selling tickets were raising money by giving audience members a chance to conduct the last number, a jingle bell sing-along.

We also had music from Grieg and Vaughn Williams, so it wasn’t 100% holiday. But the guest star, Renese King, sang Gospel music with two talented nieces, a backup group, and a lovely young woman who danced sign language — and that really got everyone in the spirit of the season.

I have to say, I have lived in New England 30 years and have never seen a whole community rally around a cultural institution to this extent. Melrose must have a secret formula. I’d like to know what’s in the water.

Photograph: Melrose Symphony Orchestra

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Gian Carlo Menotti composed Amahl and the Night Visitors for an NBC Christmas show in 1951. He was under deadline and drawing a blank when the painting “The Adoration of the Magi” at the Metropolitan Museum of Art sparked his childhood memories of three kings who visit Italian children with gifts.

I have seen the operetta and listened to the recording many times. It takes only the first few bars and the lovely oboe representing the shepherd boy’s pipe for me to bring out the tissues and start crying and smiling all the way through.

A production today at the Friends of the Performing Arts in Concord was excellent. Kim Lamoureux took the role of Amahl. Robert Runck was stage director. Robin Farnsley was music director. Farnsley also was a breathtaking Mother of Amahl. Her anguish in the scene where her fear for her son overcomes her is heartbreaking as she inches toward the gold of the sleeping kings.

“All that gold! All that gold!
I wonder if rich people know what to do with their gold?
Do they know how a child could be fed? Do rich people know?”

You may read the whole script of this short operetta here. And there are lots of snippets on YouTube. I include one from the 50s.

Update: December 22, 2013 at 2:00 p.m. and 4:00 p.m.
Amahl and the Night Visitors, with soloists Julia Shneyderman, Robin Farnsley, Ray Bauwens, Brad Amidon, Thomas Dawkins, and Michael Prichard. Chorus and orchestra conducted by Alan Yost,  Tickets $20 adults/$10 students. Call 978 369-7911 or buy on-line.

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My friend Alden, the oboist, is in considerable demand around the area. A good oboe player is hard to find, and he is very good. I have seen him solo with the Charles River Wind Ensemble and also take part in a lovely performance of Handel’s Messiah.

On Saturday night Alden played oboe with the Melrose Symphony, where a young piano soloist got a nice ovation. Alden writes, “In fact, the audience clapped between each of the movements he played. It was such a nice reception because he really is so talented and such a genuinely sweet, talented kid.” Read about it here.

The Melrose Symphony bio says, “Kadar Qian, 13, is a native of Westford, MA. As an award-winning pianist he has appeared with the Salem Philharmonic and Cape Ann Symphony in addition to over 60 performances in Massachusetts, Connecticut, and New York City. Qian recently appeared on the NPR radio show From the Top performing the Goldberg Variations by J.S. Bach, heard locally on 99.5 All Classical. Qian is a high honor roll student at Stony Brook School in Westford and has been a member of the math team since third grade, winning top prizes at the Academic Math League competitions. He was recently elected as Vice-President of the student body.”

Here he is playing a Chopin Waltz.

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