Feeds:
Posts
Comments

Posts Tagged ‘synthesizer’

Photo: 7News Australia.
Sterling Nasa, a university student in Australia, unexpectedly came to the rescue of a concert production of the film
La La Land.

A movie musical about the magic of Hollywood produced some magic of its own at a concert production in Australia. You could say that composer/conductor Justin Hurwitz pulled a rabbit out of a hat.

Kelly Burke writes at the Guardian,”La La Land is a much adored homage to Hollywood, where dreamers take chances and seize unexpected moments.

“On Saturday night at the ICC’s Darling Harbour theatre, that idea became a reality for a 21-year-old university student who was thrust into the spotlight at a live performance of the movie’s score. …

“Sterling Nasa was in the audience at ‘La La Land in Concert,’ a touring production where the movie – which features Ryan Gosling and Emma Stone – is projected on to a screen while a live orchestra plays the musical score in synchronization with the film.

“The performance proceeded normally until the interval, which stretched out to 40 minutes. Then the film’s Oscar-winning composer and conductor, Justin Hurwitz, walked out alone to address the audience.

“The orchestra’s keyboardist had suddenly fallen ill. Was there by any chance a pianist in the house?

“[In the intermission] as the orchestra’s musicians frantically phoned local contacts, offers started rolling in of backup players who were 15 to 20 minutes away. But Hurwitz knew time had run out.

“ ‘I figured nobody’s as close as they say they are … so I just thought, well, we have 2,500 people in here. … I wanted to make sure that somebody wasn’t just overly confident. I asked a couple of follow-up questions like, “Are you sure? Can you really sight-read? Can you play key signatures you’ve never played before?”

“Nasa, who plays piano and organ and is the bagpipes tutor at his old school, Scots College, hesitated when the call went out.

“ ‘I was a little bit tentative,’ the University of Sydney politics and international studies student told ABC Radio on Monday morning. ‘I do owe a lot of the experience to my friend, Scarlett, who sort of … put my hand up for me. But I did end up finding the confidence and it was a very good decision to go down and volunteer myself.’

“A longtime admirer of Hurwitz’s work, Nasa suddenly found himself sitting at an electric keyboard, staring at a complex score he had never rehearsed.

“The ultimate test came during the performance of the John Legend piece ‘Start a Fire,’ which features an intricate synthesizer solo designed to match the erratic hand movements of Gosling’s character on screen. It was the exact moment Hurwitz was most nervous about.

“ ‘The synth solo is really technical. … ‘As it was coming up, I was thinking, “Oh no, how’s he going to be able to handle the solo?” ‘

“Nasa told the ABC he was thinking the same thing.

“ ‘I saw it on the score and I thought, oh, I don’t know if I’m going to be able to sight-read that in one go,’ he said.

“Like Gosling’s jazz-pianist character Sebastian, the student had to decide whether to stay in the shadows or take a monumental leap of faith. With no time to overthink, he chose to trust his instincts.

” ‘I took a little bit of a creative liberty and just decided to improvise, which I think ended up being a good choice.’

“The gamble paid off, carrying the orchestra through the number – and earning Nasa a resounding ovation from the audience. …

“Hurwitz said, ‘That is a whole other skill on top of sight-reading. To be able to play a really cool solo in the right key, in the right scale, on the fly with no rehearsal – it was remarkable.’ …

” ‘I just told him how blown away I was, and obviously how thankful I was,’ Hurwitz said. ‘All of our heads were spinning a little bit because it was such a surreal moment.’ …

“Reflecting on the incredible turn of events, Nasa said it was an unforgettable privilege to play a soundtrack he had loved for years.

“ ‘It was quite a blessing to get to play a work that I’m in such admiration of,’ he said. …

“Nasa will be heading back to his regular university lectures. But has the student missed his calling in life? …

“ ‘I don’t know what he’s most passionate about,’ Hurwitz said. ‘Maybe he likes international relations a little more than music. But that’s what La La Land is about. You’ve got to do what you love the most.’ ”

More at the Guardian, here; also at People, here. There’s a cool video interview at People.

Read Full Post »

Photo: Mark Vonesch / Modern Biology.
“Fungi whisperer” Tarun Nayar started experimenting with connecting a synthesizer to plants and fungi during the early days of the COVID-19 pandemic. 

Today we have another example of the creative work that got a lift during the pandemic. Not that we ever want a pandemic, but it doesn’t hurt to remember that good things can flourish in the shelter of nothing-much-going-on.

Radhika Iyengar writes at Atlas Obscura about some pandemic-era experiments. “On a pleasant December morning, Tarun Nayar was at a mangrove reserve in Mumbai, where he plugged his synthesizer into a thick leaf. The sound that emerged was hypnotic and otherworldly, blending a sense of the future with nostalgic echoes of 1980s synthwave. It felt like something right out of Stranger Things.

“Nayar is not your traditional musician—he’s a fungi whisperer. By connecting cables from his custom-built modular synthesizers to mushrooms, fruits, and leaves, he transforms their natural bioelectric signals into captivating sounds. …

“Over the last five years, Nayar has jammed with myriad types of fungi, including trumpet-shaped chanterelles and the glorious, red-roofed fly agaric mushrooms. He has also collaborated with a giant ficus tree, clumps of bamboo, sword ferns, a pineapple, and even the odd-looking citrus fruit called Buddha’s Hand. ‘It’s an intoxicating feeling to be able to make all these crazy sounds and program really interesting melodies, many of which will probably be impossible to play on a traditional instrument,’ he muses.

“Music has always been central to Nayar’s life. Born to a Punjabi father and a Canadian mother, he was immersed in Indian classical music from an early age, particularly through his training in tabla, a type of hand drum. But for the past four years, the former biologist, who is based in Montreal, has been experimenting with what one may describe as plant music.

“Nayar’s journey into this experimental soundscape began during the COVID-19 pandemic, when he was living on a tiny island north of Vancouver, surrounded by nature. That’s when he began ‘messing around’ with flora. He recalls plugging a software synthesizer into a salmonberry bush. ‘All of a sudden, the synthesizer started playing a piano patch,’ he says. ‘I could actually “listen” to the salmonberry bush.’ …

“In 2021, Nayar started posting videos of his ‘little experiments’ on the internet under the stage name Modern Biology. While initially his videos on TikTok received only three to four views, slowly they gained momentum and worldwide attention, leading to tens of thousands of people appreciating his work. ‘To be honest, I was quite surprised that people were interested in this relatively niche practice. It really gave me a feeling of community during the pandemic when my bubble was quite small,’ admits Nayar. Today, he has over 379,000 followers on Instagram alone.

“To be clear, fruits, fungi, and trees don’t make music. They don’t even produce sounds that lie within the audible range of human hearing. But as Nayar explains, ‘almost every behavior in plants and fungi is mediated by electrical impulses, just like in humans. Every thought, every movement, every little cellular division is associated with an electrical activity. These signals or processes are all reflected in the conductivity of the organism’s body. All I’m doing is tapping into these fluctuating electrical fields and translating the electrical signals into musical notes.’…

“His interest in sound synthesis began several years before the pandemic, sparking a deep fascination that eventually led him to build his own analog synthesizers at home. He pursued courses focused on DIY synthesizers made out of breadboards—versatile plastic boards with perforated holes, designed for assembling electronic circuits by plugging in jumper cables. …

“One of the first exercises in the online course involved the humble orange. ‘We had to use it in a circuit as a resistor,’ Nayar recalls. ‘Everything has electrical resistance, but some materials are so resistant that current can’t even pass through them. Fruits and vegetables, however, are effective conductors, allowing electrical current to flow through them.’

“When Nayar squeezed the orange, he realized that its conductivity changed, and the sound changed with it. ‘The pitch of the oscillator went up or down depending on whether you were squeezing it or not,’ he says, adding with a hint of amusement, you can actually play the synthesizer just by squeezing the orange!’

“From holding festivals in parks to conducting intimate gatherings at restaurants, Nayar has been gaining attention for his experimental music. His goal is to encourage people to reconnect with nature. ‘For the most part, as human beings we kind of forget that the world is alive,’ he says.”

Lots more at Atlas Obscura, here, where you can also listen to some musical results.

Read Full Post »

My mother took in renters, and the last guy who rented my brother’s old room was a serious tinkerer.

There was no space to move around among all the gadgets and spare parts, but he did manage to squeeze us in when we were around and show us a particularly cool invention.

It was a colorful display on a computer screen that responded to sound, loudness, and rhythm of music.

I was thinking about that guy as I read the story that James Sullivan wrote for the Boston Globe about Bill Sebastian, inventor of “a kind of optical synthesizer called the Outerspace Visual Communicator, or OVC.

“Designed to let the user ‘play’ with images as part of a musical composition, the original OVC was a custom-built keyboard featuring an array of sensors to be brushed with fingertips (‘like fingerpainting’). It created dynamic color changes in the lights on a structure overhead, such as a dome over a concert stage.

“Sebastian performed with the OVC in a few extended runs with Sun Ra and his big band, the Arkestra.”

Now Sebastian has built “a new visual synthesizer — this one in 3-D…

“For the past several months, two fellow engineers and computer programmers have been working …  on proprietary computer programs and prototypes of the new OVC, which, in place of the keyboard and buttons, is operated by hand controllers that look a bit like robotic arms fitted with valves (like those of a trumpet) and sliders (roughly analogous to the frets on a guitar). Sebastian envisions applications for the 3-D OVC ranging from planetariums to virtual reality headsets.” More.

Whatever happened to that guy at my mother’s house? What was his name again?

Photograph of Bill Sebastian, Visual Music Systems, by Dina Rudick, Globe staff

Read Full Post »