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Kids in India Who Love Chess

Posted in Uncategorized, tagged , , , , , , , on February 22, 2026| Leave a Comment »

Photo: Viraj Nayar for NPR.
Ten-year-old Keashaanth, with a notebook and chessboard in front of him, follows along as his coach Selvabharathy leads a class at the Madras School of Chess in Chennai.

Our whole family takes an interest in chess, partly because Suzanne and Erik’s son is so good at it. He has represented his state and age group in two national competitions so far. That’s why I notice chess stories like today’s, which comes from NPR (National Public Radio).

Omkar Khandekar writes, “On a balmy morning [in fall 2024] in the coastal Indian city of Chennai, dozens of fans perched on their seats as they watched an elite-level tournament unfold. … On stage, some of the world’s best players were gathered for the annual  Chennai Grand Masters. After a thrilling tiebreaker, 25-year-old Indian prodigy Aravindh Chithambaram prevailed. The audience broke into applause. …

“This level of attention is wild, says the world’s 11th-ranked chess player, Levon Aronian, who was the runner-up. Even he, an Armenian-American, is stopped on the streets here. ‘I can understand that happening in a country like Armenia with a population of three million. … ‘But for that to happen in India, I think that speaks to the popularity of the game.’

“Chess has seen a worldwide resurgence since the pandemic-induced lockdown. … With more leisure time, people began playing on streaming platforms like chess.com and on YouTube. India has been among the biggest beneficiaries of the boom.

“The country has 85 grandmasters — an elite group of chess players — and some of the youngest top-rankers in the world. Last year, both of its men’s and women’s teams swept the Chess Olympiad — the Olympics of chess — held in Budapest, Hungary. At the World Chess Championship in Singapore, held in December, Indian national Gukesh Dommaraju became the youngest-ever world champion at age 18.

“This is a remarkable shift. After decades of Russian and European chess dominance, the spotlight is on India, the likely birthplace of the ancient game. Many historians believe that modern chess originated from chaturanga, an ancient Indian board game that spread to the world via traders, pilgrims and conquerors. Within India, it’s the southern state of Tamil Nadu, and its coastal capital Chennai, that has emerged as the epicenter of chess. …

“At the Madras Chess Academy, children trickle in after school. They sit in a windowless room, surrounded by portraits of chess legends, including world champion Gukesh Dommaraju, once a student here.

“Many of these dozen or so kids spend their weekends sparring at chess tournaments across Chennai. If they perform well, trainers like Selvabharathy — he only has one name — invites them to stand before the class, and orders the other kids to clap, as he did on a recent day. …

“Chess coach Vishnu Prasanna started this academy two years ago. He says the day before NPR visited, one parent walked in with their 3 ½-year-old child to train. Another parent, Suresh Dasarathan, proudly shared his 6-year-old son’s daily routine: Wake up at 7, an hour of chess practice, school, then an hour of chess coaching at the club, then homework and bedtime at 9 p.m. …

“Parents often play a crucial role in the success of young prodigies. Gukesh’s father Rajinikanth often put his day-job as a surgeon on hold to double up as a de facto manager of his son. … But one 6-year-old girl, Rivina, says some parents at chess tournaments also get overbearing. ‘They will say, “I will give you dinner only if you win this game,” ‘ she says. …

“In 1995, India got its first world champion in Chennai-born Viswanathan Anand. Today, his successors in India are often called ‘Vishy’s kids.’ Now 55, Anand is still among the world’s top 10 players. … Anand thinks the culture surrounding chess has changed because now, it’s something you can make a living from. That’s key in a country where good-paying jobs are scarce.

“The Indian government often gives high-ranking players a job in the public sector — a dream opportunity for many because of the job security and perks: monthly pay, housing allowance, pension, insurance and paid leave they can use to practice. High-ranking players can win prize money in a newly launched global Chess League. Many also work as chess coaches. …

“Some chess watchers say there’s a major obstacle to India becoming the world’s unchallenged chess power: the English language. Most chess books, software and classes are in English. The government’s 2011 population census found that a little more than 10% of Indians fluently speak the language. Most English-speakers in India are from the country’s country’s middle and upper classes.

“One man wants to move beyond that. Two years ago, Venkatesh Enumalai founded the Tamil Chess Channel on YouTube. It teaches the basics of chess in Tamil, a language spoken by some 80 million Indians, concentrated in the southern state of Tamil Nadu. The channel has more than 80,000 followers and millions of views, including among Tamil-speakers in Sri Lanka and the United States. One of his students there, he says, became a state champion in Illinois recently.

“Buoyed by such success stories, Enumalai quit his day job with the sales team of a pharma company and started a chess club in Chennai, offering coaching at a little over $10 a month so even poorer children can afford it. He says he intends to travel and conduct chess boot-camps for students in the rural parts.

“As the world’s most populous country, India has the numbers on its side. Enumalai says it just needs a nudge to become a chess powerhouse. ‘If we can nurture so many people at the bottom level, maybe we will be able to become a number one nation.’ “

More at NPR, here.

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Tamil Filmmaker Rises Above

Posted in Uncategorized, tagged , , , , on February 3, 2022| 4 Comments »

Photo: Pebbles.
India’s entry for the Oscars, Pebbles, focuses on the inequalities that life inflicts on women in Tamil Nadu.

This year’s Oscars are scheduled March 27, and although I haven’t stayed up to watch the whole awards ceremony for years, I like reading about the winners later. I especially like getting ideas for foreign films my husband and I might eventually be able to order from our retro Netflix DVD service.

Hannah Ellis-Petersen, South Asia correspondent for the Guardian, describes one film that looks promising. The story of grinding poverty might be too painful for some potential viewers if they didn’t know that the director himself had lived that life and risen to be a filmmaker.

“As a child laborer working in the flower markets of Madurai, there was nothing more exciting for PS Vinothraj than when the film crews would descend. He would put down his sacks of petals and look up in awe at the camera operators who sat atop cranes to get dramatic sweeping shots. It was, to his nine-year-old mind, intoxicating. ‘I knew that’s what I wanted to do with my life,’ he said. …

“The odds were stacked heavily against him. Vinothraj was born into a poverty-stricken family of daily wage laborers in Tamil Nadu. He left school, aged nine, to support his family after his father died and by 14 was working in the sweatshops of Tiruppur.

“This month, his debut film Pebbles [Koozhangal] a Tamil-language movie made on a shoestring budget and set in the arid landscape where he grew up, was unanimously selected as India’s entry to the Oscars. In February this year, it had won the Tiger award for best film at the 50th International Film Festival Rotterdam. In a New Yorker review, Vinothraj was described as an ‘extraordinary observational filmmaker’ whose film presents ‘a gendered vision of rage.’

“Pebbles is, as Vinothraj describes it, a ‘snapshot of a life.’ It depicts the journey of an abusive, alcoholic father and his son as they walk back home through the barren, overwhelmingly hot landscape of rural Tamil Nadu, after the father has dragged the boy out of school and taken him to a village where he wants to force his estranged wife to return home.

“It was inspired by true events; as Vinothraj says, ‘the story chose me.’ When his sister married a man from a neighboring village, the family were unable to provide a dowry. In a humiliating march, his sister was sent back to the family home by her new husband through the parched landscape. It was this walk of shame, that so many women are still forced to endure, that Vinothraj wanted to capture.

“ ‘But I wanted to make it so it was the husband who had to make the walk, not the woman,’ he said. ‘It was my small way of taking revenge for this humiliation of my sister.’

He also chose to portray the journey through the eye of a child, the son, to inject ‘hope and humanity’ into their journey.

“The film focuses on the small but devastating tragedies and inequalities that life in rural Tamil Nadu inflicts on women. … Women forced to get off buses in blazing heat when their babies, awoken by men aggressively coming to blows, need to be breast fed. Women forced to patiently scoop water from the ground and into jars as the merciless sun beats down.

“Tamil Nadu’s oppressive environment is omnipresent in Pebbles. ‘The landscape is the third main character in the film,’ Vinothraj said. ‘I wanted to explore it in detail, the role it plays in the plight of the people.’ For authenticity, he filmed during the hottest days of the year in May. Temperatures got so high during the 27-day shoot that cameras began to malfunction.

“Vinothraj’s determination to make films never wavered. While working in garment factories at 14, he enrolled into college between 6am and 10am before back-to-back shifts, realizing he would need education to go into cinema.

“Small things would bring glimmers of joy. In Pebbles a girl, whose family are depicted in such abject poverty that they hunt for rats to eat, is pictured momentarily euphoric as she collects helicopter seeds in her dress and then scatters them into the air. ‘This was how I used to feel when I was a child,’ said Vinothraj. ‘The conditions of my life were bad, but I could still find moments to be happy. I did not feel like I was suffering because I did not know anything else.’

“At 19, after his bosses tried to marry him off – a tactic used to keep child laborers working in factories once they grow up – he decided it was time to leave. He had heard that Chennai, the bustling main metropolis of Tamil Nadu, was where films were made and movie people mingled.

“ ‘I had no idea how I would survive; my only thought was that I had to pursue my passion for cinema,’ he said. On arriving in Chennai he slept in the streets until he convinced a DVD shop to hire him.

“ ‘In the DVD shop, I used to watch three films a day,’ he said. “English films, Korean films, Japanese films, Latin American films.’ … The DVD shop also gave Vinothraj access to film directors, who would borrow or buy films, often on his recommendation. After almost three years, he was hired as an assistant on a short film and began to work his way up. …

“The success of the film has left Vinothraj in a state of disbelief. He thought its only audience would be the villagers whose lives inspired the story.” More at the Guardian, here.

Click here to see 10 other foreign films submitted for this year. Several look like my cup of tea, maybe yours, too.

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