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Posts Tagged ‘Uruguay’

Photo: Constance Malleret.
Sandra Cáceres sitting on her balcony in Montevideo, Uruguay, last April. She helped found the Covicivi I cooperative, which renovated an abandoned bakery in Montevideo’s Old Town. It now houses 34 apartments.

Uruguay’s co-op-housing model is an exercise in getting along with strangers and compromising. But it can build a sense of community, and it definitely keeps housing costs down.

Constance Malleret wrote about it recently at the Christian Science Monitor.

“As a young couple with three children in the 1970s, Teresita Palomeque and her husband thought buying a house was an unattainable dream.

“So, when they were invited to join a housing cooperative – an emerging model at the time – they scrimped to pay the entry fee alongside colleagues from the bank where they worked. 

“Construction lasted four years, and in 1975, the family of five moved into a compact three-bedroom apartment in a development of redbrick tower blocks on one of Montevideo’s main avenues. Ms. Palomeque still lives there to this day with a thousand other co-op residents. …

“Cooperatives, and community-centered housing more generally, are part of a ‘tool kit of solutions’ to the global housing shortage, estimated at 288 million homes, [says Elkin Velásquez, regional director for Latin America and the Caribbean at UN-Habitat, the United Nations agency for urbanization]. It’s top of mind for people around the world, as concerns around affordability grow. The United States Congress passed a housing bill to boost supply, signed into law in early July. The 21st Century Road to Housing Act was one of the rare pieces of legislation to win bipartisan support in recent years.

“It was under similar conditions that the Uruguayan model was thought up in the 1960s, when the country was gripped by an economic crisis and a group of architects saw in co-op-owned residences a solution to the housing deficit. The idea drew on Uruguay’s strong culture of organizing through cooperatives and a working-class tradition of self-building homes, says Alina del Castillo, a professor at the University of the Republic’s Faculty of Architecture, Design, and Urbanism. 

“There are now over 70,000 co-op-owned homes in Uruguay – 5.1% of the country’s total housing stock, according to the 2023 census. Some were built from scratch, sometimes by the residents themselves, while others repurposed existing buildings, all with state loans and technical support from a government-vetted group of experts.

“Uruguay’s law, which viewed an individual’s ability to work as a form of capital, was ‘very pioneering,’ says Dr. Del Castillo.

“Sandra Cáceres has a before-and-after photo of an abandoned bakery in Montevideo’s Old Town hanging by her front door. She put in 30 hours a week for eight years to restore the once crumbling structure in the 1990s. Today it’s a residential building with 34 apartments, one of which is hers.

“ ‘The ovens were made of very long, large stones. The stones had to be removed; it was a huge amount of work,’ she says. ‘It was tiring, but was it worth it? Of course it was.’

“The building’s transformation helped revitalize the rundown neighborhood and ward off real estate speculation. It also created a new sense of community. 

“The societal ‘norm is for you to not know anything about who lives next door, above, below,’ says Matías Paparamborda, who grew up in the same housing complex as Ms. Palomeque, Complejo Bulevar, and returned in 2021 after starting his own family. ‘Here, everyone knows who you are.’ …

“Mr. Paparamborda is a writer and filmmaker and puts his social mobility – his father was an electrician and his mother a schoolteacher – down to the diversity of people he knew growing up in the co-op.

“But he says collective living has its challenges, too. ‘In general, the decisions that are taken during the assemblies are not what I would do,’ he says. ‘But I’ve learned to embrace this, because one of the most important things that you learn with community living is that life is not about doing what you want.’

“Ms. Cáceres compares it to a marriage, where a couple must learn to compromise and cohabit. …

“More than 60 years on from the national housing law, Dr. Del Castillo believes the system’s current rigidity may be holding it back. Rules around government funding for housing means that new cooperatives can no longer build commercial areas, or leisure spaces such as a soccer pitch, as part of a residential complex.

“ ‘Regulations have become very restrictive. Projects are evaluated according to a checklist … there’s no case-by-case study,’ she says. ‘The law contains incredible values and for its time it was very innovative,’ she says. But to meet the needs of a modern, growing society it may be time for the system ‘to be revised.’

“There’s no need to ‘copy-paste’ the Uruguayan experience, Mr. Velásquez says. But if adapted to the specific conditions of each country, it can serve as an inspiration for other nations trying to navigate affordable, quality housing.”

More at the Monitor, here.

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Photo: Erika Page.
The Christian Science Monitor says, “An Afro-Uruguayan rhythm may be traced back to slavery, but it’s transcending present-day divisions and differences to spark joy across Uruguay.” This group performed in Barrio Sur, Montevideo, in March.

There is a kind of street music in Uruguay that is wildly joyful and welcoming to all kinds of people. It’s called candombe.

Erika Page reports at the Christian Science Monitor, “One by one, the drums unite from every direction. Slung over shoulders, cradled by old-timers, and clasped on either side by children, they meet on a corner in the Montevideo neighborhood of Barrio Sur.

“The pulse begins sporadically, an unorchestrated call to gather. Those perched on curbs and leaning against cars perk up and wander over. By the time the Uruguayan flag takes to the air, waving from one side of the street to the other in the hands of a proud bearer, the drums are thumping in perfect unison. Dancers give life to the beat as they lead the parade down the block.

“This is candombe, a distinctly Uruguayan rhythm brought into being by the descendants of enslaved Africans who arrived at the port of Montevideo in the 18th century. Today that lineage is celebrated loudly and triumphantly, with this event marking the end of the Carnaval season. Wherever candombe goes, it makes visible a culture long left out of mainstream Uruguayan society.

“In the past few years, interest in candombe has boomed both within Uruguay and abroad. While some worry popularity could water down the tradition’s richness, those in the community say this beat belongs to everyone, and all are invited to make it their own.

“ ‘For us, it doesn’t matter your ethnicity, your skin tone, your age, your gender, if you have three university degrees, or if you never finished high school,’ says Wellington Silva, who has led this troop, one of the city’s most revered, alongside his brother since their father passed away. ‘The drums bring joy, they open channels of communication, they turn us into brothers and sisters.’

“As the sun dips out of sight, the division between procession and observers fades. Dancers, shy at the start, now twist their hips and kick out their feet as children weave in and out of the crowd making its way down the iconic Isla de Flores street. …

“ ‘Anyone who happens to pass by is bound to hear and to want to know more,’ says Álvaro Salas, the director of culture at the nonprofit Mundo Afro, which focuses on the visibility and rights of the Afro-Uruguayan population. ‘That’s the most natural part of being human. We have to love joy.’

“There are three main styles of candombe in Montevideo. … Cuareim 1080, was born on this very block, named after the historic address of the building where the parade convenes. [It] used to be a tenement where the city’s poor lived, including Mr. Silva’s father. 

“The practice of candombe had faded in the late 19th and early 20th centuries but found a new home in these communal living spaces. In the late 1970s, this and other conventillos, as the tenements were known, were cleared by the military dictatorship in an effort to make the center of Montevideo more attractive.

“ ‘They pick you up and throw you out, and what happens? You expand,’ says Dr. Salas. ‘Today, there is candombe in every neighborhood in Uruguay.’ …

“Afro-Uruguayans make up around 10% of the Uruguayan population and are three times as likely to live in poverty as white Uruguayans. But members of the candombe community say their music is a celebration rather than a protest.

“Fernanda Rossana was a kid when her family’s home in the Ansina conventillo was razed. She spent the rest of her childhood on the outskirts of town. These days she is a proud participant of the Ansina candombe troop and is here dancing in support of her husband, a member of Cuareim 1080.

“ ‘That’s candombe – not losing our essence or our roots,’ she says, dressed in bright orange. ‘It’s demonstrating that we are free.’ …

“For Mr. Silva, the leader of Cuareim 1080, candombe is a way of life open to anyone, whether they are of Afro-Uruguayan descendence or not. Everyone is welcome, he says, ‘as long as you understand that your freedom ends where another’s freedom begins, you always extend a hand, and you always greet your neighbor. When you have something someone needs, you offer it, and when you need something, come, because someone will provide it.’ ” 

More at the Monitor, here. No firewall. Subscriptions are encouraged.

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