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Archive for October, 2013

Rosie Goldsmith writes at BBC News that in Iceland, one in 10 people will publish a book.

“It is hard to avoid writers in Reykjavik. There is a phrase in Icelandic, ‘ad ganga med bok I maganum,’ everyone gives birth to a book. Literally, everyone ‘has a book in their stomach.’ One in 10 Icelanders will publish one. …

“Special saga tours – saga as in story, that is, not over-50s holidays – show us story-plaques on public buildings. Dating from the 13th Century, Icelandic sagas tell the stories of the country’s Norse settlers, who began to arrive on the island in the late 9th Century.

“Sagas are written on napkins and coffee cups. Each geyser and waterfall we visit has a tale of ancient heroes and heroines attached. Our guide stands up mid-tour to recite his own poetry – our taxi driver’s father and grandfather write biographies.

“Public benches have barcodes so you listen to a story on your smartphone as you sit. …

“Solvi Bjorn Siggurdsson, a tall, Icelandic-sweater-clad novelist, says writers owe a lot to the past. …

“Siggurdsson pays homage to Iceland’s Nobel Literature Laureate, Halldor Laxness, whose books are sold in petrol stations and tourist centres across the island. Locals name their cats after Laxness …

“Everyone receives books as Christmas presents – hardback and shrink-wrapped.

” ‘Even now, when I go the hairdressers,’ Kristin Vidarsdottir, manager of the Unesco City of Literature project, says, ‘they do not want celebrity gossip from me but recommendations for Christmas books.’ ” More.

I like the idea that everyone “has a book in their stomach.” The saying reminds me of the late, great Rev. Dana Greeley who used to say all people have one sermon in them.

Photo: Corbis

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In Bhutan, the queen is an enthusiastic basketball player. And she has an unusual advantage: no one is allowed to touch royalty without permission.

Today, says Gardiner Harris of the NY Times, Bhutanese royalty has begun sharing their game with the public.

“After decades of being a largely royal preserve, basketball here is about to have its breakout moment.

“A South Korean coach has been hired to cobble together a national team that many hope will someday be able to challenge its neighbors for bragging rights in South Asia and beyond. Bhutan has tried many times to win an international game but, except for a single victory in a three-on-three tournament, has never succeeded. …

“Bhutanese players say their best hope for a win could be against the Maldives, a country with half of Bhutan’s population that is threatened by global warming. As sea levels rise, Maldivians may have trouble finding places to play, players noted. And facing them in Thimphu’s thin air (the city’s altitude is 7,710 feet) could provide a crucial advantage.”

More.

Photo: Kuni Takahashi for the NY Times
Bhutan’s queen, Jetsun Pema Wangchuck, who is a good player

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pumpkin-stack

A time of year to get creative with squashes, visit a farmers market, kayak on a river, roof the barn.

Get it all in before winter. Only the wooly bear knows for sure how long the winter will be.

Photo of farmers market: Sandra M. Kelly
Other photos: Suzanne’s Mom

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roofing-the-barn

autumn-leaves-new-england

deciduous-holly

wooly-bear

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I took modern dance in high school. The teacher was said to have studied with Isadora Duncan, and she certainly liked that flowing kind of movement.

Miss Hinney once challenged us to choreograph a dance about an abstract topic. Page and I chose Lavoisier’s discovery of oxygen, for which we used music from the Firebird Suite. We were not allowed to act it out as if we were Lavoisier, rather we had to interpret the chemical reaction using dance. It was impossible, so we were naturally very proud when we pulled it off.

Since then I have felt a great respect for the inventiveness of choreographers.

Here is one who sounds pretty cool. Allison Orr has closely observed garbage men in Austin, Texas, and has made their movements into a dance. More recently she worked with employees of the power company.

Robert Faires at the Austin Chronicle describes “The Trash Project, her award-winning, phenomenally popular collaboration with the city’s Solid Waste Services Department (now Resource Recovery) that made dancers of sanitation workers and the machines they operate. … Now, the Forklift Danceworks artistic director is at it again, albeit with a different city department, Austin Energy, whose employees are the focus for PowerUP. …

“For Orr, who’s made a career of making dances from the movements of people who aren’t trained in the art form – firefighters, gondoliers, roller skaters, orchestra conductors, Elvis impersonators, traffic cops, et al. – the personal stories of her subjects have become as important as their moves. She talks at length to the people with whom she collaborates on a dance and weaves recorded excerpts from interviews into the performance as the subjects are moving,” The latest Production, PowerUP was performed in September at the Travis County Exposition Center. More.

Photo: John Anderson
Power company choreography.

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The other day I was walking past the Emerson Umbrella and saw some new sculptures  on the lawn. I thought one, the graceful bent metal below, looked like two people dancing.

Geoff Edgers of the Boston Globe came to town to watch the installation and interview the sculptor, David Stromeyer.

“Stromeyer, a Marblehead native who splits his time between Vermont and Texas, has had his work shown at, among others, the deCordova Sculpture Park and Museum in Lincoln, National Building Museum in Washington, D.C., and the University of Vermont’s Robert Hull Fleming Museum, in Burlington. Stromeyer also has a connection to Concord. His sister-in-law, Mimsey Stromeyer, is a painter and mixed-media artist who is one of 54 artists renting space at Emerson Umbrella. …

“On the first day of installation, in the rain, Stromeyer and crew unloaded the steel pieces. The first challenge was lifting the heavy steel pieces over a series of wires on the site. On the second day, with the sun out, the artist worked on moving those pieces into place and mounting them properly. …

“He takes pride in the fact that he creates his art, from the twisting of the metal to the sandblasting and painting.

“ ‘It sounds really simple, but you don’t grab one end and turn it in the way you intuitively might think,’ he said. “[Each piece has] to be built incrementally, every inch, bending it in multiple directions at once. I spent two months building jigs for the hydraulic press to create those forms. And each twist is different.” More.

I’ve known Mimsey West (her professional name) for 30 years. One of her sons was in school with John. I love her art, especially some slightly abstract watercolors she did years ago of sheep in Wales.

A couple times a year the Umbrella artists hold open studios, and it really is a treat to go — lots of art available for one-of-a-kind holiday gifts.

waltz-of-the-sculptures

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Margarida Santos Lopes has a hopeful story at the Christian Science Monitor about an Israeli rabbi and a Palestinain who are friends.

“Shaul David Judelman is an Israeli rabbi who moved from Seattle to Bat Ayin, a religious community in the occupied West Bank.

“Ziad Abed Sabateen is a Palestinian farmer who endured imprisonment during the first intifada against the Israelis more than 20 years ago and whose family was dispossessed of most of its land to accommodate Jewish settlers.

“The two men are good neighbors, friends, and business partners – not enemies.

“Mr. Judelman and Mr. Sabateen are committed to ‘peaceful coexistence’ between Israelis and Palestinians, whether they live together in one state or two separate states.

“The majority of those in both their camps may find it hard to understand the two men’s close relationship. But neither side repudiates them as traitors or collaborators. …

“On a mountaintop with a view of the Mediterranean Sea … Judelman and Sabateen plan to create the Heavens Field Farm, which will put ’emphasis on belonging to the land, not ownership of it,’ according to their joint manifesto.

“Their idea is to run an organic farm that will sell vegetables in local markets, support families in need, and attract volunteers and tourists. Among their partners are a joint Israeli Palestinian journal, called Maktub, and other nonpolitical groups such as Eretz Shalom (Land of Peace).”

Read more to understand how each came to their worldview through different paths.

Photo: Udi Goren
Shaul David Judelman (l.) and Ziad Abed Sabateen, in Bethlehem. They want to create an organic farm in the West Bank as a project for peace.

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A day that Canadian short story writer Alice Munro wins the Nobel Prize for Literature might be a good day to talk about the power of fiction.

The NY Times took up the subject only last week. I think that reporter Pam Belluck must have been a little psychic. She wrote: “Say you are getting ready for a blind date or a job interview. What should you do? Besides shower and shave, of course, it turns out you should read — but not just anything. Something by Chekhov or Alice Munro will help you navigate new social territory better than a potboiler by Danielle Steel.

“That is the conclusion of a study published [October 3] in the journal Science. It found that after reading literary fiction, as opposed to popular fiction or serious nonfiction, people performed better on tests measuring empathy, social perception and emotional intelligence — skills that come in especially handy when you are trying to read someone’s body language or gauge what they might be thinking.”

Emanuele Castano and David Comer Kidd, researchers in the New School for Social Research’s psychology department. say “the reason is that literary fiction often leaves more to the imagination, encouraging readers to make inferences about characters and be sensitive to emotional nuance and complexity. …

“ ‘It’s a really important result,’ said Nicholas Humphrey, an evolutionary psychologist who has written extensively about human intelligence, and who was not involved in the research. ‘That they would have subjects read for three to five minutes and that they would get these results is astonishing.’ ” More.

My own use of literary fiction is mainly for pleasure, not job interviews. But when things are bleak, Dickens can be the best medicine.

Photo of Charles Dickens from Biography.com

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Someone tweeted this today, and I thought you would like it.

Chinese artist Ai Weiwei has created a nighttime art installation made of bicycles all lit up.

On October 5, says Alice at the website My Modern Met, “Chinese artist and activist Ai Weiwei presented a new version of his incredible Forever Bicycles installation. As the centerpiece of this year’s Scotiabank Nuit Blanche, the all-night contemporary art event that takes over city streets, 3,144 bicycles, the most Weiwei has used of this work to date, were stacked 100 feet in length and 30 feet in height and depth in Toronto’s Nathan Phillips Square. This was the first time the installation has been displayed in an open air, public space. Since this was a night-time festival, it was spectacularly lit up with pink and blue lights.”

Check My Modern Met for a stunning array of photos, here.

Photo: http://www.mymodernmet.com

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Here’s a lovely story by Bella English at the Boston Globe.

Like many other people who feel helpless after a tragedy, illustrators of children’s books wanted to do something useful last April 15 and were delighted to be asked to give their talents.

“After the Boston Marathon bombings,” writes English, “Joe and Susan McKendry of Brookline wanted to do something. …

“Joe, an artist who teaches at the Rhode Island School of Design, thought he could auction off a couple of paintings he did for his first book, ‘Beneath the Streets of Boston: Building America’s First Subway.’

“But then he realized he had something more valuable: connections to other artists. Why not make it a group project? We Art Boston was born, with dozens of artists contributing paintings or illustrations to the cause: the emergency and trauma fund at Boston Children’s Hospital.

“The fund helps children and families get the treatment they need ‘when faced with a tragedy,’ says Stacy Devine, an associate director with the Boston Children’s Hospital Trust. What began as a response to the Marathon bombings expanded to include all traumatic events. …

“The McKendrys also wanted to hold a community event for children to get more directly involved. On Oct. 20, We Art Boston is hosting a family day on the Rose Fitzgerald Kennedy Greenway, right across from the New England Aquarium.

“All of the donated artwork will be framed and on exhibit, and people can bid on them through volunteers who will place the bids online using iPads. Several of the illustrators will be there and will sign books or, for a donation to the cause, draw portraits of stuffed animals for children who bring their favorite one along.”

More.

Henry Cole’s “Penguin Pride” (l8-by-12 inches, framed) has a value of $550 and a suggested bid of $250.

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Here is an annual spectacle I’d love to see.

“Shepherds led a flock of 2,000 sheep through the streets of Spain’s capital and largest city on Sunday, in defense of ancient grazing, droving and migration rights that have been increasingly threatened by urban sprawl and modern agricultural practices.

“Those urban settings were once open fields and woodlands, crisscrossed by droving routes. Since at least the year 1273, the country’s shepherds have had the legal right to use about 78,000 miles of droving routes around the country to move livestock seasonally between summer pastures in the cool highlands and more protected lowland grazing areas in the winter.

“Every year, a handful of shepherds defend that right in Spain’s capital city.”

I guess it’s use it or lose it. Plus it’s good to make people think about where their food and wool come from, and whether things have changed for the better.

More from the Associated Press.

Photo: Andres Kudacki/Associated Press
Shepherds led a flock of 2,000 sheep through some of Madrid’s most sophisticated settings on Sunday.

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This was posted at an Arlington blog last May, but I just saw the sculpture it refers to.

“You are invited to watch the ladybugs for the Waldo Park Tree Sculpture being made right before your eyes … Work by artists has already begun to transform a tall tree stump on the hill in Waldo Park … into multimedia sculpture that features local birds, animals and insects. The Friends of Waldo Park are holding two community participation days as this work is created. …

“Watch the metal-smiths at work as they cast aluminum ladybugs to be bolted onto the tree sculpture. Stop by for however long you’d like to see how metal-casting is done!” More.

Note the metal ladybugs crawling up the trunk, the bunnies peeking out from inside, and the hawk on top.

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bug-close-up

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My husband and I are big fans of Broadway music and also of Boston area singer Will McMillan, who gave a free concert in the Brighton library today.

The show was centered around the composer Harold Arlen, beloved for songs such as “Somewhere Over the Rainbow,” “It’s Only a Paper Moon,” “Blues in the Night,” “Let’s Fall in Love,” and “That Old Black Magic.” Interspersed with his songs, Will gave a delightful rundown on Arlen’s life, work, and main collaborators (Ted Koehler, Johnny Mercer, and Yip Harburg).

For my money, no one puts over a song with the emotional truth of Will McMillan. He becomes the story. In fact, he almost skipped a beat on the little-known intro to “Rainbow,” when the words seemed to carry special meaning for him. And I really liked how he tied the words of “If I Only Had a Heart” to an important goal in his life: “to be a friend to the sparrows and the boy with the arrows.” Or, to see all sides.

Joe Reid, a fine jazz improviser, accompanied Will on the piano and got “Happiness Is a Thing Called Joe” in his honor.

Read more at Will’s blog, here, where you can listen to his MP3s, too. Catch him and frequent collaborator Bobbi Carrey at Scullers November 14.

Cabaret singer Will McMillan with a fan after his show in Brighton today.

Will-McM-with-fan

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Hidden Faces of Courage, a “theater piece with music” created by Mary Driscoll in collaboration with formerly incarcerated women, is coming soon. I will write more after I have seen the production in November, but I need to alert you that if you want tickets, you might want to get them now as the performance space is rather small. Go to Fort Point Theatre Channel, here.

I met Mary in the playwriting class that I blogged about a few times. I didn’t continue with theater after the class, but Mary kept working at this play. She has a deep commitment to helping women who have been in prison, having worked with them for years at her nonprofit, OWLL (On With Living and Learning Inc.).

Mary writes: “The voices of previously incarcerated women are notably absent in the artistic world—a world that can engage a broader community in reform and foster greater understanding between the individual and diverse audiences. Sometimes in unexpected ways.”

Read more about her show at Broadway World, Boston, here.

Hidden Faces of Courage is directed by Tasia A. Jones, with music by Allyssa Jones, and runs November 8-10, 15-17,  at The Boiler Room, 50 Melcher Street, Fort Point, Boston.

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This story was a reminder to me that every country has kind-hearted people. Too much of the news about Sudan focuses on its leader, his treatment of minorities, and his troubles with the international court. But this story is about Sudanese youth reviving a tradition of service.

Isma’il Kushkush reported the story for the NY Times.

“Their temporary headquarters are a beehive of young volunteers buzzing in and out of rooms, up and down stairs, carrying bags of donated food, medicine and large packets of plastic sheets. …

“They are the members of Nafeer, a volunteer, youth-led initiative that responded swiftly to the humanitarian crisis caused by heavy rains and flash floods that struck Sudan [in August]. …

“The area around Khartoum, the capital, suffered the hardest blow. …

“ ‘We saw that the heavy rains and floods were going to impact the lives of many, and we felt we had a social responsibility to help people,’ said Muhammad Hamd, 28, a Nafeer spokesman. ‘The idea came out of a discussion on Facebook among friends.’

“A ‘nafeer’ is a Sudanese social tradition that comes from an Arabic word meaning ‘a call to mobilize.’ The group’s formation was all the more important because the Sudanese government was slow to respond, some critics say.

“ ‘It was a weak response,’ said Khalid Eltigani, the executive editor of Ilaf, a weekly newspaper. ‘The Nafeer youth broke the silence on the flood situation.’ ” More here.

I love that the latest manifestation of this Sudanese tradition got organized on Facebook.

Photo: Reuters
Men built a barrier to protect houses from rising water in Khartoum, Sudan, the last week of August. More than 300,000 people were directly affected by the flooding.

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Back in August, the Ideas section of the Sunday Globe had a short piece by Kevin Hartnett on a robot that creates art. Well, a robot that copies art. It’s a discomforting notion.

“When you watch an artist paint,” writes Hartnett, “individual brush strokes can seem random. It’s often not until close to the very end that the image the painter is after becomes clear. This is doubly true when you watch e-David, the robot painter, at work. e-David (the name stands for ‘Drawing Apparatus for Vivid Image Display’) was created by a team of engineers at the University of Konstanz in Germany. It’s a former welding robot that has been retrofitted to reproduce, brush stroke by brush stroke, existing works of art. The robotic arm has access to five different brushes and 25 colors of paint, and after each dab of paint, it takes a photograph of what it has painted so far. Computer software analyzes the photograph and tells e-David where to place the next brush stroke.

“The strangeness of the process is especially evident when e-David signs the art at the end, beginning by making the dot over the ‘i’ and then writing the rest of its name backwards.” More.

Having recently read an amusing novel about the Gardner heist, The Art Forger, I can’t help thinking that e-David could have quite a career — maybe not fooling any experts but at least making serviceable reproductions.

Photo: Oliver Deussen, University of Konstanz
Painting by e-David, a robot

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