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Archive for January, 2015

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Here are a few recent photos from Rhode Island and Massachusetts. I took all but the shivery January 1 New Shoreham plunge, which is the work of Sandra M. Kelly. I doubt I would have been brave enough even to go watch these hardy souls freeze on such a cold day.

What can I tell you about the other photos? The Hmong church near my grandson’s play school was a surprise. I knew about Hmong refugees in California, Minnesota, and Central Massachusetts. Didn’t know they were in Providence. A wonderful book about the Hmong immigrant experience is The Late Homecomer, by Kao Kalia Yang, who grew up in St. Paul.

I include a porcine household god from Providence, a bathrobe in the guest room where I awaited the arrival of my new granddaughter in December, and two aspects of the Seekonk River on January 1.

The photo I call “In Trial Realest, a Message from Beyond,” is one I was determined to capture while the sign was broken. It called to me from my office window as it lit up at dusk. I’m glad I caught it when I did, because the neon letters are now all working, and its message is no longer as interesting.

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2014 in review

WordPress asked me if I would like to post its summary of my 2014 blogging, and I said OK. So the rest of this post is from WordPress.

“WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.

“Here’s an excerpt:

The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 16,000 times in 2014. If it were a concert at Sydney Opera House, it would take about 6 sold-out performances for that many people to see it.

Click here to see the complete report.

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You have heard of “slow food” and perhaps “slow money” (a loan with a long time to pay back) and other efforts designed to help us reduce the often meaningless haste of modern life. Well, Cousin Claire has been posting news on Facebook about another slow movement that is sure to intrigue you, Slow Textiles.

Says Slow Fiber Studios on its About page, “We are founded on a simple intention: to offer real-world insight into the multifaceted and holistic practice of textile-making. Slow Fiber Studios™ offers dynamic, hands-on field study programs in diverse areas of the world where textile culture runs deep — India, Mexico, Japan, France, Italy, and on. We believe the best way to understand a philosophy is to see it being lived.”

Here is a description of a 2012 offering: “Special opportunity to travel throughout India with Yoshiko, who has been exploring this country for over 30 years (lived in Ahmedabad in 1983/84 on an Education & Culture Fellowship and frequent 3-month residencies spanning 3 decades). Yoshiko will introduce her friends in India who are involved in welfare, community empowerment, and cultural sustainability projects.

“Tour Highlights: natural dyes, organic cotton cultivation, handloom weaving, khadi, biodynamic farming, architecture, local food and religion, contemporary art and design educational institutions, museums, solar energy development, hand spinning and weaving wild silks and Tibetan wool in Himalayan communities.” More here.

How well I remember the wistful feeling I got in reading the book Lark Rise to Candleford when the beautiful handmade lace was spurned as soon as the factory-made came in. There is something to be said for speed and efficiency, but also something to be said for craft.

Photos: Slow  Fiber Studios

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