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Archive for March, 2019

Photo: John Francis Peters/The Guardian
The super bloom of wildflowers in tiny Borrego Springs, California, is wonderful to behold. Good planning is ensuring that the chaos of 200,000 visitors in March 2017 is not being repeated.

My friend Kristina is headed off to a family reunion in the Southwest, and she’s excited that she’ll be there when the desert is in bloom. Have you ever seen that amazing phenomenon? It doesn’t happen every year. You need just the right amount of rain at just the right time.

Katharine Gammon writes at the Guardian, “It’s lunchtime at Kesling’s Kitchen in Borrego Springs, and the line is out the door and down the block. It takes about 20 minutes to get inside to order food. The rush isn’t surprising: Borrego Springs is a small town that swells in size when people flock to see wildflowers around Anza-Borrego, California’s largest state park.

“Plentiful winter rain and precise conditions have led to a bonanza of spring wildflowers this season. And while that can be a great thing, it also raised fears that Borrego Springs could once again face what locals have dubbed ‘flowergeddon.’ …

“The last time the region experienced a wildflower bloom was March 2017, when some 200,000 visitors flocked to the super bloom. … Borrego Springs (population 3,000) was unprepared for the avalanche of visitors coming from nearby Los Angeles, San Diego and even farther afield. The town ran out of food, hotel rooms, gas, and money in the ATMs. Traffic backed up for 20 miles; restaurant employees quit on the spot. When bathrooms filled up, visitors began using the fields to relieve themselves. …

“This year, the town wanted to be prepared. [An] all-community committee has been meeting regularly for months, since the winter rains foretold a bountiful flower year. They established a website with downloadable maps, manned information booths, and set up port-a-potties in Borrego Springs and near the flower areas. ‘This year, we are prepared and our restaurants stocked up – as are the gas stations and ATMs,’ [says Betsy Knaak, the executive director of the Anza-Borrego Desert Natural History Association].’ …

“The early rains made it easier to predict that the bloom was coming, and it looks set to last over a longer period, meaning that even busy weekends don’t feel as packed with people. On a recent Sunday cars lined the road but there was no crush of people on the trails or in the flowers. Still, hotel rooms in Borrego Springs and nearby Julian were fully booked for two weekends straight. …

“This year, an extraordinary proliferation of painted lady butterflies and sphinx moth caterpillars are part of the natural spectacle too. The butterflies are the result of a phenomenon known as an ‘irruption’ – the strong rains brought a population explosion, a billion strong, in northern Mexico.” Read more at the Guardian, here.

In Massachusetts, we are feeling spring in the air, but the huge snow piles in the supermarket parking lots tell us we have a way to go before seeing an array wildflowers like those in California.

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Photo: Katherine Taylor for the Boston Globe
Eureka Ensemble, whose mission is to nurture social change, launched a Women’s Chorus that welcomes women experiencing severe poverty and homelessness.

How does one write a headline for a story like this? It’s not exactly about music giving homeless people hope. It’s more that focusing on music — music performed for you and music you make — activates a positive side of who you are. It’s that positive things can lead to other positive things.

During the 2018 Christmas season, there was quite a bit of comfort and joy being spread by music in the Greater Boston homeless community. Zoë Madonna wrote about it at the Boston Globe.

“The CASPAR homeless shelter, a low-slung brick building, crouches on Albany Street in Cambridge. When percussionist Jennie Dorris wheels her marimba through the front door, half of a large central room has been cleared, and a line of grizzled men sits at a long row of tables, watching. An enthusiastic older man in a Boston Strong T-shirt marches up, introducing himself as Danny. ‘Finally, the marimba’s here!’ he exclaims, grinning. ‘I wait all year for this.’…

” ‘What compels me is to take music where it’s needed and treat everyone with respect,’ says founder Julie Leven, a violinist. This year, its eighth, Shelter Music Boston has mounted scores of concerts in shelters throughout the Greater Boston area, including a full schedule in the days leading up to Christmas.

“It’s not the only music group focusing on the homeless around Boston. Eureka Ensemble, whose mission is to nurture social change, launched a Women’s Chorus that welcomes women experiencing severe poverty and homelessness. …

“Eureka’s most ambitious project, according to cofounder and conductor Kristo Kondakci, was a commissioned composition, Stephanie Ann Boyd’s ‘Sheltering Voices.’ Auditions for choral fellowships for women were held at Pine Street Inn and Women’s Lunch Place, says Kondakci, a recent graduate of New England Conservatory who has worked with the homeless since his student days at Boston College High School. Around 15 took part.

“Carrie Jaynes and Rottisha Mewborn are friends who met at Pine Street Inn. When they saw the audition sign-up sheet, they were initially skeptical, they say — they’re used to well-meaning outsiders putting in a few hours and then disappearing. But they went to the audition in March, in a room where the heater was going haywire. To cool it down, Kondakci threw open the door of a nearby freezer.

“And that, Mewborn says, put them at ease. … As Eureka Fellows, Jaynes and Mewborn rehearsed weekly with Kondakci, learning ‘Sheltering Voices.’ They were never treated as anything less than important and independent, they say.

“ ‘We became so desensitized at Pine Street that we forgot how we can be treated like a normal person,’ says Jaynes. At the rehearsals, she says, ‘we knew that we were in this together. We knew that we were all right . . . we could be human again. We could show emotion and not be judged if we cried, or laughed, or showed a softer side of us.’ …

“Shelter staff say that after Shelter Music Boston concerts, the atmosphere is more peaceful, and nights are more restful, notes Leven, who also plays with Handel and Haydn Society and the Boston Pops Esplanade Orchestra. …

“As for the Eureka fellowships, Jaynes and Mewborn say their experiences were powerful. ‘Having Kristo say “We’ll get you there no matter what” built up our trust and our safety,’ Mewborn says. Because Pine Street Inn has a daily lottery, she explains, she never knows if she’ll have a bed to sleep in each night. There’s little in her life she can truly count on. ‘So just having this little safety — even if things are going crazy out here, we can get there — it’s amazing.’ ”

More here.

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sai_photo_024Photos: Sai SanctuaryIn part to preserve the planet’s source of rainwater, this couple bought a sanctuary in India. As it expands, it protects more and more species.

A childhood friend on Facebook often posts interesting links. Her presence on that platform is a major reason I can’t bring myself to get off Facebook even though I feel extremely wary of what the company is doing with my data. But how many people from your nursery school do you connect with on a regular basis?

My friend recently alerted her followers to an animal sanctuary in India that sounded cool, and after a look at the website, I checked around for more information on the two wealthy nature lovers who saved the preserve from neglect.

Panna Munyal wrote this 2016 report at an Abu Dhabi publication called The National, “On most days, Pamela Gale ­Malhotra, co-owner of the Sai Sanctuary private forest in ­India, is fast asleep at 1.30am, after her typically full programme of organising walking safaris and animal feeds, and checking camera traps for signs of poaching.

“But a few years ago, Pamela and her husband, Anil Malhotra, woke up to the sound of trumpeting ­elephants. They assumed – rightly – that a baby elephant must have strayed too close to a partially covered pit and fallen in. As her husband switched on the rarely used floodlights and prepared to call on their neighbours for aid, Pamela stepped out to a magnificent sight.

Dozens of elephants from the Sai ­Sanctuary’s herds, as well as the neighbouring Bandipur, ­Brahmagiri and Nagarhole national parks, had gathered around the pit and were bellowing their assurances to the calf. Pamela describes the next hour as magical, as the enormously graceful creatures banded as one to lift the half-broken lid of the pit with their trunks, enabling the little one to clamber out.

“This show of concerned unity is typical of the environment the Malhotras have cultivated in Sai Sanctuary, which is nestled within southern India’s ­Western Ghats in the Coorg district. ‘Protecting what is left of the world’s forests is the only thing that will ensure our own survival,’ Pamela says. ‘Forests are directly responsible for rainfall, our primary source of water. Water, in turn, is the lifeline for plants, flowers, animals, birds and humans. We have nothing if not for our forests.’ …

” ‘When we bought our first parcel of land in India, it was just the two of us and 55 acres [22 hectares] of forest beside the Poddani River. We learnt from experience that if you want to protect a piece of land, you need to secure both sides of its water source. And here we both are 25 years later, managing 300 acres [121 hectares] on both sides of the river.’

“Pamela, who is part Native American, and her husband, a former banker, … follow a two-pronged approach to safeguard the forest, river and wildlife: purchase-to-protect and payment for environmental services. The first step is to buy private forested lands that border national parks or other reserve forests, and preserve them in their natural state. Next, the Malhotras offer compensation to members of the surrounding communities to, in turn, not harm the trees and animals around them. Compensation may be in the form of money, but it can also be a solution that works for both parties.

“ ‘We gifted all our cattle to some of our neighbours. The milk and dung give them an extra source of income, while for us it means less staff and more food for other grass-eaters,’ says Pamela. ‘Another time, some villagers approached my husband to help relocate a temple from the top of the mountain to the edge of the sanctuary. He agreed, on the condition that they would stop hunting.’ …

“Ingenious solutions and noble intentions aside, it’s undeniable that money – and large sums at that – is needed for a project of this magnitude. … ‘We now have four rooms in two eco-tourism cottages on the property alongside the main house in which we live.’ These cottages are open to visitors, and cost from [$42] per person, per night, which includes the stay, three nutritious vegetarian meals and daily treks. …

” ‘We outsource not only our housekeeping and laundry facilities, but also hire willing neighbours to cook the meals, some of which can be eaten in a local house or with the village priest. This ensures the money spreads through the community, and even our guests can get a feel for the culture,’ Pamela says. …

“Despite its size, Sai Sanctuary doesn’t have any safari vehicles. ‘You are always on foot here. It helps people to slow down and observe the flowers, birds and trees around them. … Guests are never taken to the same area twice during the course of their stay because ‘we want the wildlife to move freely even in the day. This is the purpose of a sanctuary.’

The National article is here. And if you explore the Sai website, here, you will find some beautiful pictures of the species that the sanctuary protects.

Thanks, Carole, for putting this on FB.

Photo: Sai Sanctuary
Anil Malhotra and Pamela Gale Malhotra put their money behind saving an animal sanctuary in Ind

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Photo: YouTube
The late Mastanamma shot to fame at the age of 105, after her cooking videos were uploaded to YouTube.

Not long ago I read two interesting obituaries on the same day — one of a 107-year-old YouTube star, the other of a 97-year-old keeper of Cherokee pottery traditions. I thought that seeing them together could teach us all something about human possibility.

At the New York Times, Kai Schulz wrote the obit for the talented chef in India.

“Mastanamma got her big break at age 105.

“After she prepared an especially delicious eggplant curry, her great-grandson suggested that he film her cooking and then post the videos on YouTube.

“No matter that she was more than 100 years old, suffered from cataracts, wore dentures, cooked outside on an open fire, and sometimes roasted chicken inside a steaming watermelon. That was all part of the charm.

” ‘She knew she was famous,’ said Srinath Reddy, who helped start the channel. ‘She loved that.’ … She died at age 107.

“Born in a rural village in the southern Indian state of Andhra Pradesh, Karre Mastanamma married at 11 years old. By the time she was 22, her husband was dead. With no education, she was left to care for their five children. …

“To support her children, Mastanamma worked as a laborer, earning a few dollars a day carrying 200-pound rice sacks on her back. Over the years, she would lose four of her children to disease. For much of her life, she lived in a small hut made of palm leaves in the village of Gudiwada. …

“In 2016, her great-grandson, Karre Laxman, and Reddy, a friend, started filming the videos of her cooking and posting them on Country Foods. Her popularity soared: The channel surpassed 200 million views. Hordes of fans from around the world watched Mastanamma’s pared-down cooking tips on making spicy shrimp powder and ‘delicious cabbage.’ Mastanamma peeled ginger with her thumbs, stored bird eggs in her sari and [barked] out orders to subordinates from a squatted position over simmering pots. …

“Mastanamma claimed to be the world’s oldest YouTuber.  Fans loved her salt-of-the-earth sense of humor. In interviews, she joked about breaking her dentures, having given her husband a 15-cent dowry, and the time a pair of brothers teased her when she was a young woman. After one of the brothers touched her hand and long curly hair, she threw him in a river. …

“Wearing off-kilter aviator sunglasses, Mastanamma waves at the camera from a leather-cushioned car in one clip on Country Foods. ‘Hi, kids!’ she says, before blurting out observations. ‘I lost my teeth, naturally. Before, I was so beautiful. My age is above 100 years! It’s in government records.’ ” More about the 107-year-old YouTube star here.

Back in the USA, Ana Fota writes for the New York Times about a revered Cherokee potter. “Amanda Sequoyah Swimmer was born in North Carolina at a time when Native American children were forced to attend boarding schools, as part of a national effort to assimilate them into mainstream culture.

“But as a child in fourth grade she grew tired of being punished for speaking her native Cherokee and forced to use English, and one day she jumped her school’s courtyard fence and ran away. She never returned.

“Instead she fashioned a life devoted to the preservation of Cherokee culture, keeping its language and pottery traditions alive. She was revered in the mountainous tribal lands of western North Carolina — honored there as a ‘Beloved Woman’ — and renowned as one of her people’s most skilled potters.

“Ms. Swimmer’s work has been shown at the Smithsonian in Washington, the North Carolina State Museum, and at local museums across North Carolina, Georgia, and Tennessee. It was also featured in the 2011 book ‘Cherokee Pottery: From the Hands of Our Elders,’ by M. Anna Fariello. And Ms. Swimmer herself was profiled in a 2000 documentary film, ‘Women of These Hills — Three Cultures of Appalachia.’

“In 2005, as an octogenarian, she was awarded an honorary doctor of humane letters degree by the University of North Carolina, Asheville, for her work in preserving Cherokee heritage and her role in founding the Cherokee Potters’ Guild. …

“Ms. Swimmer died Nov. 24 at her home in the Big Cove community in the federal land trust known as the Qualla Boundary of the Eastern Band of the Cherokee. She was 97 and was one of the last fluent speakers of Cherokee. …

“ ‘She was known for her pottery, but she was also known for caring,’ said Richard French, a Big Cove Tribal Council representative. ‘She voted in every tribal election.’ …

“ ‘She had an impact on the whole tribal nation,’ her eldest grandson, Eddie Swimmer, said. ‘Everybody called her grandmother.’ ” More on Amanda Swimmer here.

Photo: Museum of the Cherokee Indian via the New York Times
Ms. Swimmer, a potter, was revered in the tribal lands of western North Carolina.

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Photo: King Associates
Whether you call it edible landscaping, foodscaping, or front-yard farming, many landscapers around the country are helping homeowners convert work-intensive, enviromentally unsound lawns into productive gardens.

If you’re a homeowner and your yard is covered with snow right now, you may be dreaming of the beautiful lawn you will have in spring. You may even be imagining that you love having a lawn even though no one uses your lawn to picnic or play catch and that you enjoy mowing and spreading weed killer to give your home a green welcome mat until summer sun turns it brown. When you’re in a deep freeze, it’s easy to feel that everything about spring is fun.

But what if someone knocked on your door one day and offered to plant and care for a vegetable garden where your lawn is now, promising to give you a generous cut of the produce?

That is actually happening. Fleet Farming, for example, does this work in Orlando, Florida.

Their website says, “Fleet Farming is a non-profit urban agriculture program whose mission is to empower all generations to grow food to increase local food accessibility. Our Vision is to create localized food systems that bring communities together towards a healthier, more connected world in harmony with people and planet.

“We accomplish this by converting underutilized lawn space into productive localized edible gardens or micro farms. Our program works to provide edible landscaping to schools, community centers, affordable housing units, businesses and individuals through our community farming initiative and Edible Landscapes garden-installation service. Together, we are changing the cycle of food.”

The organization describes a 2018 project at its blog, here. “In May 2018, over 100 student volunteers from Rock Bridge Community Church in Northern Georgia came down to Orlando and partook in a series of action days in partnership with United Way. They aided Fleet Farming and Orlando Permaculture in revitalizing Audubon Park Covenant Church’s beautiful grounds.

“The students were a massive help in clearing bushes and planting new trees. They collaborated in shoveling and transferring fresh mulch to the church’s plentiful gardens. They showed a true sense of generosity and community.

“Every person, young or old, deserves the right learn how to grow their own food, and engage with nature and the outdoors. If you have a group who would be interested in working with Fleet Farming for a day of action, contact us at info@fleetfarming.org.”

You can also consider “donating” your lawn.

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Photo: Philadelphia Water Department
A rain garden manages stormwater runoff in Philadelphia’s Germantown section. 

When I was at the magazine, I solicited several articles about Philadelphia and what people there were doing to bring more of the natural environment into urban living. It’s not easy for any city as budgets are often strained. But when you can make the case that environmental improvements ultimately save costs (or when an EPA is serious about quality of life), you have a better chance of getting things done.

Bruce Stutz at Yale Environment 360 (a great publication I recommend following on twitter @yaleE360) has the story.

“Benjamin Franklin, Philadelphia’s favorite son, described his city’s stormwater problem well: By ‘covering a ground plot with buildings and pavements, which carry off most of the rain and prevent its soaking into the Earth and renewing and purifying the Springs … the water of wells must gradually grow worse, and in time be unfit for use.’

“When he wrote this in 1789, many of Philadelphia’s water sources, the scores of streams that ran into the Schuylkill and Delaware rivers, were already cesspools of household and industrial waste. As they became intolerable eyesores and miasmic health hazards, the city simply covered them with brick arches, turned the streams into sewers, and on top constructed new streets, an expanding impervious landscape that left the rains with even fewer places for ‘soaking into the Earth.’

“Crude as it was, this network of underground-to-riverfront outfalls through ever-larger pipes was pretty much the way Philadelphia and other U.S. cities coped with their stormwater for the next 200 years.

“But Ben Franklin’s town has decided to take the lead in undoing this ever-more costly and outdated system that annually pours huge volumes of polluted stormwater runoff and untreated sewage into the Delaware and the Schuylkill. Instead of building more and bigger sewers and related infrastructure, Philadelphia has adopted a relatively new paradigm for urban stormwater: Rather than convey it, detain it — recreate in the urban streetscape the kinds of pervious places where, instead of running into surrounding waterways, rainfall and the contaminants it carries can once again soak into the earth.

“The city is now in the seventh year of a 25-year project designed to fulfill an agreement with the U.S. Environmental Protection Agency (EPA) to reduce by 85 percent Philadelphia’s combined sewer overflows. … Rather than spending an estimated $9.6 billion on a ‘gray’ infrastructure program of ever-larger tunnels, the city is investing an estimated $2.4 billion in public funds — to be augmented by large expenditures from the private sector — to create a citywide mosaic of green stormwater infrastructure. …

“At nearby Villanova University, the Urban Stormwater Partnership, founded in 2002 under environmental engineering professor Robert Traver, had begun experimenting with green stormwater infrastructure. [Howard Neukrug who served as the city’s water department commissioner from 2011 to 2015] developed a couple of low-impact pilot design projects, and in 2009, the Philadelphia Water Department released a revision — 12 years in the making — to its stormwater and sewage management plan….

The city is working now to standardize the construction of green infrastructure and monitor its effectiveness. Costs are coming down as green infrastructure becomes more widely adopted. …

“As the Water Department’s planners expand the network of greened acres, they are bringing social, economic, and environmental investment to often marginalized neighborhoods. [Marc Cammarata, the Water Department’s deputy commissioner of planning and environmental services] says that green stormwater infrastructure projects now support 430 jobs. … Residents already report that green infrastructure projects have reduced crime as green spaces proliferate, says Cammarata.

The Water Department’s website map is crowded with green infrastructure sites across the city. Visitors can zoom in on their neighborhood and see what’s there.”

More here.

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This has been an amazing winter for sunshine amid cold temperatures and I fully expected to have lots of light-and-shadow photos to show you. But when I am outside, I seem to be mainly ogling the light and shadows and muttering to myself how glad I am to have seen that.

So today’s collection has additional photos from friends and family, who have been sharing more regularly.

My sister caught the moon on New York’s Upper West Side in February, and I tried to catch the Super Moon in Massachusetts.

I already blogged about my winter visit to New York (see the post on the Rubin museum’s Himalayan collection), but I wanted to add the port-a-potty for Asakiyume’s funny-potty-name collection — and also the pharmacist photo highlighting New York’s amazing diversity.

Next is a picture of my younger grandson on a ski trip to Vermont. He is climbing the walls, literally. I do it it only figuratively. Suzanne took the picture.

John’s photo shows a marine-themed lantern created by my older grandson yesterday at Arlington’s Art Beat, a shop where kids can buy art supplies or do a project — or both. His sister did a charming sand painting of a snowman.

Two pictures from Verrill Farm in winter show the scarecrow bean toss against a dormant field and a bench carved with horses’ heads.

The last photo is one that my artist-boss from community-newspaper days sent to a few former colleagues. It’s a still life that Bill Finucane painted for her out of the blue. Meredith writes, ” I had completely forgotten the wonderful gift of my assignment to help get Bill back on his feet and his job after a stroke and three years out of the world of work (four years not driving).” His painting is a gift of gratitude for her friendship.

I am grateful for yours.

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Blogger KerryCan deeply appreciates vintage linens and traditional handicrafts, especially those that women commonly pursued. I loved her March 3 post, and as I can’t find the “reblog” button, I’m sharing it via the “press this” button. Hand Quilt Along: On the Road. A bonus post for you!

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Photo: Bobby Bascomb
Farmers Domingo and Nilsa Romano are grateful for the physical and emotional support of the volunteers with the NGO El Departamento de la Comida in Puerto Rico.

Puerto Rico never received the level of help it needed from the federal government after Hurricane Maria, but neighbors and volunteers pitched in to help. In my post from December, I quoted Public Radio International’s inspiring story on women farmers cooperating to make a comeback. A Living on Earth report from September 2018 shows volunteers helping out a range of small farmers.

BOBBY BASCOMB: “Even before hurricane Maria uprooted trees and people, Puerto Rico imported roughly 85% of its food. After the storm, that number shot up to about 95% imported food, if you could get it. Many people were forced to skip meals and eat … canned food for months. Nine months after the storm, one of the only places to find locally grown food on the island is farmers markets like the Saturday market in Rincon. …

“Sonia Carlo’s nearby farm is slowly recovering from the storm. Today she’s brought pineapple, papaya, mushrooms, and the kale she’s explaining to a customer. … Sonia says things are just starting to turn around for her family and the farm. They are finally harvesting again and her farm-to-table restaurant, Sana, opened just a few weeks ago. But hurricane Maria was devastating for them. The storm destroyed her home. She had to send her three children to Florida to live with family while she and her husband, living in their car, rebuilt the battered farm.”

SONIA CARLO: “We got really trashed. All of our production for years of tropical trees like mango trees and passion fruit trees, they all died and they all were blown away. We had trees that were a hundred years old. … Since the hurricane was a cyclone, it brought some salt water and some sand with it, so everything that was in its path, it looks like you threw herbicide.” …

BASCOMB: “Across the island tall fruit trees were the most heavily damaged food crop. Root vegetables that could hide underground did OK. Ground plants like pineapples were among the first to recover and fast growing vegetables like salad greens were easy enough. After the hurricane visitors came to Puerto Rico with their suitcases full of seeds to donate to farmers. Sonia says they actually could have started growing again relatively quickly.”

CARLO: “But since we didn’t have any electricity, we couldn’t pump water out and we didn’t have any gas, so we were unable to grow food because we don’t have gas to pull out the water from the water pump.” …

BASCOMB: “To understand why this lush tropical island with year round sunshine and rain imports nearly all of its food you need to go back to the 1940s and a US initiative called Operation Bootstrap. … Adnelly Marichal is the documentarian for the Resilience Fund in Puerto Rico. She says Operation Bootstrap transformed Puerto Rico from a largely agrarian economy to one based on manufacturing and tourism. They did that with a patchwork of government tax incentives and access to US markets. The farming that remained was not on the household level but on a larger, industrial scale.”

ADNELLY MARICHAL: “Now suddenly, it’s about making money so therefore you need to grow things like sugar and coffee, and that’s great, but those are not things that people can eat.”

In Las Marias, up in the mountains on the western half of the island, Farmer Domingo Antonio Romano, 75, runs a small farm with his wife, Nilsa.

BASCOMB: “Root vegetables like yams were really the only food crops that didn’t get torn away by the 155 mile an hour winds of Hurricane Maria. They were one of the only food crops the Romanos could still harvest and eat after the storm. … Domingo and his neighbors still had months to go before the roads would be cleared or the electricity restored. He says in that time they came to rely on each other for help.” …

DOMINGO ANTONIO ROMANO: “After Maria, the trees came down and we could see our neighbors and we got to know each other. After the hurricane, there was a lot of empathy between the people, and everybody helped each other.” …

BASCOMB: “Five volunteers from a grassroots non-profit group called El Departamento de la Comida, the Food Department, are here to camp out on the farm for a week and do any work that needs to be done: clear land, plant crops, fix fences and repair the roof. The volunteer Food Department is organized into groups called brigades and are dispatched all over the island. As many as 20 people at a time descend on a farm for a week bringing with them seeds, tools, building supplies, and the man power to get a farm back up and running.”

More at Living on Earth, here.

Video: The Puerto Rico Resilience Fund

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Photos: Dean Rutz / The Seattle Times
Comfortable easy chairs tempt customers at Lake Forest Park’s Third Place Books near Seattle. Some independent bookstores aim to be an extension of your living room.

The demise of the bookstore keeps being predicted, but independent shops flourish here and there. The survivors are the ones that provide more than a book.

Moira Macdonald reports for the Seattle Times, “If you walk through the entrance of Third Place Books in Lake Forest Park — right past the signs by the door that say EAT SLEEP READ — on a random weekday afternoon, you might find something nobody could have predicted a decade ago: a neighborhood bookstore, busy and thriving. …

“Ten years ago, when the recession hit and Amazon’s deep discounts seemed to sound a death knell for independent bookstores, such a picture might have seemed like the most fantastical of fiction. Beloved Seattle bookstores were closing their doors throughout the aughts, and those who remained open seemed to face an impossibly uphill task — who would pay full price for a book when you could buy it for less online? But there’s more to an indie bookstore than the price on a book’s cover. …

“Founded in 1998 by visionary developer Ron Sher, Third Place Books got its name from sociologist Ray Oldenburg’s theory of the necessity of a third place; one that isn’t home or work but somewhere we can connect with a community. …

“While far from the oldest bookstore in Seattle, Third Place is the only one that in recent years has expanded to three locations, opening in the Ravenna neighborhood in 2002 and Seward Park in 2016. All offer a mix of new and used books, … a comfortable place for coffee or a meal, friendly booksellers eager to recommend a new favorite, a busy schedule of author readings and special events — in other words, offering not just books, but an experience. …

“In their three very different locations — a suburban shopping center north of Seattle; a quiet residential neighborhood near the University of Washington; a south Seattle neighborhood with one of the country’s most diverse ZIP codes — Third Place is offering ways to find community.

“Each store offers at least one book club; Seward Park, leading the pack, has five: Reading Through It: A Post-Election Book Club; Booze & Lasers (for science fiction/fantasy); Social Justice Syllabus; a teen book club; and a new Black Literature club, starting in January. Lake Forest Park’s three book groups include a general literary club, a nonfiction club and a Knitting Book Club (no, they don’t read books about knitting, but knit while they meet, discussing a variety of books).

“The Ravenna store takes advantage of its proximity to UW to present the monthly Black Jaw Literary Series, which features students and faculty members from the university’s creative-writing program. And it’s taken a creative approach to the author appearances that are the bread-and-butter of the bookstore business: Literary Luncheons. …

“Sometimes, creating community in a bookstore doesn’t involve books at all. Calendar events for the three stores include language conversation clubs, mahjong gatherings, live music (often at Third Place Commons, an open community space adjacent to but operated separately from the Lake Forest Park store) and Magic Mondays, a popular monthly demonstration by local magicians at Ravenna. …

“And the stores give back to the communities they serve, regularly supporting local schools. … Other charitable programs [include] single-day fundraisers — instigated by employees, and quickly organized. … The most recent [raised] money for legal services for refugees detained at the U.S.-Mexico border; business that day was up 75 percent.”

More.

A mother and son peruse a picture book at Third Place Books in Lake Forest Park, Washington. As traditional bookstores close, Third Place books has actually been expanding to new locations.

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Photo: English National Opera
Young people have fun participating in the English National Opera’s Opera Squad.

Anything that engages young people in the arts — and helps them to start on a lifetime devotion — has my vote. As arts organizations struggle to increase their base of enthusiasts and bring in a new demographic, they might look at the idea of “free.”

Mark Brown writes at the Guardian that as of last December the English National Opera will “offer under-18s free Saturday night tickets in what it has called a ‘seismic’ initiative to attract the next generation of fans. …

“Stuart Murphy, the former channel controller of the youth channel BBC Three who joined ENO as CEO in March, said the initiative stemmed from the company’s core values.

“ ‘We were founded on the belief that opera is for everyone,’ he said. ‘Removing cost as a barrier to entry for under-18s is a seismic leap forward for ENO and for opera as a whole. … We want young audiences to feel alternately passionate, excited and transfixed. We can’t wait to welcome them to the London Coliseum.’

“All the free tickets will be for what might be called the cheap seats in the balcony. But ENO contends the balcony ‘is widely regarded as having acoustically the best seats in the house.’ There will also be no peering round columns as, uniquely, all seats at the Coliseum have unrestricted views of the stage.

“Anyone who is under 16 will need to be accompanied by an adult. But any adult who purchases a full-price ticket in the balcony … will be able to take up to four children for free. Teachers bringing a school group can be accompanied by 10 children for free. Young people aged 16-17 can book one ticket each.

“The tickets will be available for all of the 11 Saturday performances in the spring 2019 season, which includes productions of La Bohème, Akhnaten, The Merry Widow, The Magic Flute, and the new opera Jack the Ripper: the Women of Whitechapel. …

“The ENO initiative will be welcomed by those who argue that the best way to get young people hooked is for them to experience the art form itself.

“Graham Vick, the artistic director of Birmingham Opera Company, has described conventional outreach and education work as a ‘barrier’ to reaching new audiences. ‘You do not need to be educated to be touched, to be moved and excited by opera,’ he said. ‘You only need to experience it directly at first hand with nothing getting in the way.’ ”

Not sure I agree with that last comment. I was 14 at my first opera, La Bohème, and it meant nothing to me. At the very least, I think it would help if kids heard the music in the background at home or school for some days before attending a performance. I could be wrong. No doubt they will all get into Jack the Ripper without help!

More at the Guardian, here.

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Photo: Cole Wilson
Chad Cooper gave up his Wall Street career to run a music school.

There’s nothing like a story of a guy turning from the big bucks to pursue service to others. One such story was recently reported by Martin J. Smith in Fast Company. It’s about a managing director at Deutsche Bank in New York who left the Wall Street life behind to save a community-oriented music school.

Fortunately, his wife was totally on board.

Smith writes that Chad Cooper’s banking job “came with a substantial salary, bonuses, a generous expense account, and business-class travel. [But] two years ago, after a 16-year Wall Street career [he] walked away from all that to take the executive director’s job at the nearly insolvent Brooklyn Conservatory of Music. …

“Since Cooper took the reins in August 2016, the 121-year-old nonprofit institution in Brooklyn’s Park Slope neighborhood has seen a 71% increase in individual donors over fiscal 2016 and a fivefold increase in attendance after shifting its development model from a single annual gala to a handful of special events. Assets have shown a net increase of $400,000 over fiscal 2016. Attendance at its flagship Community Music School is up 19%.”

Fast Company (FC): ” ‘After 16 years as an investment banker, you opted out. Why?’

Chad Cooper (CC): ” ‘Even as a Stanford GSB student, my intention was to work in the private sector, then ultimately return to the social sector. But once you start down a private-sector path, it can be daunting to pivot. For me, the stars aligned when the Brooklyn Conservatory of Music, this incredible organization whose board I’d joined, was in dire need of management skills I’d spent my career developing. …

” ‘Before I went to business school, I worked for four years for the city of St. Louis doing inner-city economic development. I also launched a grassroots nonprofit organization that helped mobilize younger people to take an active role in city revitalization efforts. That was a really big part of my life, so when I came to Stanford, I had a strong sense of what I wanted out of business school, and I wanted to bring that back in some way to the nonprofit sector. I had planned for that and tried to save up a little money to have enough security to take myself out of moneymaking for a while. …

” ‘I’d been serving on the board of directors at the conservatory for two years, and just after the business school reunion, the conservatory’s executive director resigned. Having served as the conservatory’s treasurer, I knew it was in dire financial shape. …

” ‘I worked for a guy named Charles Kindleberger in St. Louis for four years — he ran the urban planning department — and I always marveled at how extraordinarily intelligent and thoughtful and effective he was as a senior manager for the city. He could have been a great professor, or a lawyer, or businessperson.

” ‘He would have been successful at whatever path he chose in life. But he had committed himself to public service, and I have great respect for people like Chuck. A lot of capable people commit themselves to service and do it their whole life.’

FC: ” ‘You agreed to work the first two years at the conservatory for no pay. How were you able to afford to do that?

CC: ” ‘I send my kids to public school. My wife works full time. We don’t live an extravagant life. I didn’t walk away from my banking career with a huge amount of wealth, but there are a lot of people who get by with a lot less than I do in New York City and give of themselves in profound ways. …

” ‘I really love what I do. I’m totally energized going into the office every day. … I inherited an organization that really needed fundamental change, and it’s enormously motivating and exciting to come to work and to have that intense focus and energy for turning a place around and building something for the future. We provide music therapy to 1,500 people, including those with autism, and kids whose parents are incarcerated, and seniors with dementia, and I see how transformative their experiences are. It’s gratifying to see the work we do with 6,000-plus New Yorkers every year who otherwise would have no access to music education. That’s enormously motivating to me.’ ”

More at Fast Company, here.

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Photo: Thomas Turner/Reuters
This hoodwinker sunfish, a species discovered only in 2017, has washed up on a California beach. Scientists believe it belongs in the Southern Hemisphere.

As much as I love learning about new species like this giant sunfish from the Southern Hemisphere, I can’t help feeling concerned that it ended up on a beach where it doesn’t belong. Is this another sign of global warming? Not likely. This fish likes temperate water and would have had to pass the hot Equator. A mystery.

Christina Zdanowicz has the story at CNN. “This is the extraordinary tale of how a massive, strange-looking fish wound up on a beach on the other side of the world from where it lives. The seven-foot fish washed up at UC Santa Barbara’s Coal Oil Point Reserve in Southern California [in February]. Researchers first thought it was a similar and more common species of sunfish — until someone posted photos on a nature site and experts weighed in. …

“It turned out to be a species never seen before in North America. It’s called the hoodwinker sunfish.

‘When the clear pictures came through, I thought there was no doubt. This is totally a hoodwinker,’ said Marianne Nyegaard, a marine scientist who discovered the species in 2017. ‘I couldn’t believe it. I nearly fell out of my chair.’

“Nyegaard … works in the marine division at the Auckland War Memorial Museum in New Zealand. … ‘We know it has the temperate distribution around here and off the coast of Chile, but then how did it cross the equator and turn up by you guys?’ …

“An intern at Coal Oil Point Reserve alerted conservation specialist Jessica Nielsen to the dead beached sunfish on February 19. When Nielsen first saw it, the unusual features of the fish caught her eye.

” ‘This is certainly the most remarkable organism I have seen wash up on the beach in my four years at the reserve,’ Nielsen said in a UC Santa Barbara press release. She posted some photos of the fish on the reserve’s Facebook page. When colleague Thomas Turner saw the photos later that day, he rushed to the beach with his wife and young son. …

“He snapped some photos of what he thought was an ocean sunfish, a rare sight up-close, he said.

” ‘It’s the most unusual fish you’ve ever seen,’ said the UC Santa Barbara associate professor.

‘It has no tail. All of its teeth are fused, so it doesn’t have any teeth. It’s just got this big round opening for a mouth.’

“Turner posted his photos on iNaturalist, a site where people post photos and sightings of plants and animals. A fish biologist commented and alerted Ralph Foster, a fish scientist and the fish curator at the South Australian Museum.

“It was Foster who first said this may be a hoodwinker sunfish and not an ocean sunfish in the comments on iNaturalist. …

“Foster excitedly emailed Nyegaard, the woman who discovered the species, and told her what he was thinking. …

“It had been two days since Nielsen had first seen the fish. When Turner and Nielsen went back to the beach [to get sharper photos], the creature was no longer there.

“They started two miles apart from each other on the beach and kept looking, walking toward each other until they found the missing fish. It had refloated on the tide and washed up a few hundred yards away, Turner said. …

“All of the features in the photos matched up with the hoodwinker. When Nyegaard saw the photos, she knew she had a hoodwinker case on her hands. …

“Both Nyegaard and Turner marveled at how social media and the iNaturalist site can help bring researchers closer to an answer. …

“Turner said it was exciting for him to help identify the first recorded sighting of a hoodwinker sunfish in North America — and only the second in the Northern Hemisphere.

” ‘I’m a professor, I’m a biologist but I didn’t actually know what was special about this fish,’ Turner said. ‘I just posted a picture and that connected me with the world’s expert and the discoverer of the species.’ ”

Super photos at CNN, here.

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Photo: Katherine Anne Rose
On the south side of Glasgow every year the residents of Strathbungo decorate their windows with weird and wonderful displays for other locals to enjoy.

Here’s a grand idea to light up winter in a city. It reminds me a little of the mega jack o’lantern displays that Providence’s Roger Williams Park puts on at Halloween. Any city could do this.

Peter Ross writes at the Guardian, “Window Wanderland is a festival of lights that sees people transform their neighbourhood into a colourful playground using paper cutouts in their windows. In the streets of Strathbungo, Glasgow, the result is a night-time explosion of pop culture: Mary Poppins, the Moomins, Peter Pan, Paddington.

“The festival was founded in Bristol in 2015 by Lucy Reeves Khan, a set designer who had developed mobility problems, chronic pain and feelings of isolation following a car accident. As part of her rehabilitation, she took short walks in the streets around her home – at night, so few would see her struggling. Lonely, she glanced in lit windows at the people inside, and one evening the idea struck.

“Khan set about trying to articulate her concept to her neighbours. That wasn’t easy. ‘Nobody could understand what I was on about,’ she recalls. It wasn’t quite like Halloween, it wasn’t quite like Christmas. So she created a number of displays in her own windows as examples – and it took off from there, and has now spread to around 20 UK locations. …

“One home in Strathbungo is an angry lament for the Glasgow School of Art, which burned down recently for the second time; the windows of the home are bright with painted flame. On nearby Queen Square, Bernie Hunter, who is 24 and has cerebral palsy, has created a fond tribute to Still Game, the beloved Scottish sitcom, on the eve of its farewell series. …

“The politics of the event tend instead towards the environmental. On Regent Park Square, Emily Munro has decorated an upstairs window with the hourglass logo of Extinction Rebellion, the direct action campaigners. Her other windows show cutouts of insects, which Munro removes as the night wears on, symbolising their catastrophic decline, leaving just one – a bee.

“One home has been tricked out like a giant jukebox, with a real seven-piece band playing on the upper floor through an open window. …

“ ‘It’s beautiful, unplanned, chaotic,’ says Sarah Reid, who started this Scottish leg of the event. ‘Such a simple idea, but when people come together it creates something beautiful and powerful.’ ”

More here.

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Photo: Lee Allen Photography
Dispensing poetry on prescription: Shropshire’s Emergency Poet, Deborah Alma.

Sometimes poetry can play a role in emotional healing. I think that’s because ordinary sentences often miss the mark but poetry is fluid enough to go where it’s needed. In the UK, a Shropshire poet is putting her faith in this art and opening a “poetry pharmacy.” She notes that a recent report shows “poetry sales were up by more than 12% in 2018, driven largely by younger buyers.”

Alison Flood writes at the Guardian, “Following in the hallowed footsteps of Milton, who wrote in 1671 that ‘apt words have power to swage / The tumours of a troubled mind / And are as balm to festered wounds,’ the poet Deborah Alma is preparing to open the UK’s first poetry pharmacy. Here, instead of sleeping pills and multivitamins, customers will be offered prescriptions of Derek Walcott and Elizabeth Bishop.

“Alma, who as the ‘Emergency Poet’ has prescribed poems as cures from the back of a 1970s ambulance for the last six years, is now setting up a permanent outlet in a shop at Bishop’s Castle in Shropshire. An old Edwardian ironmonger’s, it still has the original fixtures and fittings, and, together with her partner, the TS Eliot prize-shortlisted poet James Sheard, Alma is preparing to turn it into a haven ‘to help ease a variety of maladies with the soothing therapy of Poetry.’

“Dressed in a white coat and stethoscope, Alma says she was invited to appear as the Emergency Poet at ‘schools, hospitals and festivals all over the place, but I’m a middle-aged woman and I’m getting a bit old for driving around.’ …

“The [pharmacy’s] mortgage was approved [in January], and Alma is buzzing with plans for how the shop will be divided like a pharmacy ‘into areas for particular ailments.’ … The sections will be set up along the lines of a poetry anthology she edited in 2016, The Everyday Poet, which was split into poems ‘addressing areas of emotional need’ such as love, ageing, grief and hope. …

“ ‘I think probably more than any other art it speaks directly as though from one person to another,’ says Alma, who published her own first collection, Dirty Laundry, last year. ‘It’s intimate and it’s empathetic. It can be a prayer or a curse, or something just to hang on to.’ ”

More at the Guardian, here. I’m glad to know something more about Shropshire poets beyond “The Shropshire Lad,” which I know only by reputation.

Hat tip: Wisconsin poet Ronnie Hess on Facebook.

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