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This Is Not a Street

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Photo: Ian Langsdon/EPA
René Magritte’s 1929 painting
La Trahison des Images, ceci n’est pas une pipe inspired a funny street name in Belgium. Given the opportunity to name streets, Belgians revealed themselves to be worthy of wearing the mantle of their imaginative compatriot.

I’ve always loved both the whimsy and depth of Belgian surrealist René Magritte, the artist with the green apples and bowler hats floating in clouds. Now a street-naming effort has revealed that the people of Belgium are worthy of wearing their compatriot’s august mantle.

Jennifer Rankin writes at the Guardian, “In Brussels, the home of surrealism, city officials have given their blessing to rename a street in homage to one of René Magritte’s best-known paintings. Ceci n’est pas une rue (This is not a street) is inspired by The Treachery of Images, painted in 1929 by the Belgian artist, who lived in Brussels for decades.

“It was one of nearly 1,400 suggestions made by the public in response to an initiative to generate interest in a regeneration project in a former industrial district in the north of the city. …

“Many of the winning names are whimsical or poetic, or evoke the quirkiness of the Belgian capital. In a rejuvenated park, pedestrians and cyclists will be able to follow Better World Path, or Happiness Way. Visitors may end up on Place des choukes — chouke, ‘little cabbage,’ translates as a warmer version of ‘darling.’ A final stop might be Dreams Drive, euphonious Drèves des rêves or Dromendreef. … All treet names are in French and [Flemish]. …

“The final names were chosen by a jury comprising city officials, local heritage experts and property developer Extensa, which bought the vast derelict site from the Brussels capital region in 1999. …

“Kris Verhellen, chief executive of Extensa, said the company would never have dared to make some of the suggestions. …

I thought it was very moving because we are so used to being so negative about this city.’

“While most of the streets will be private, the larger ones leading to the site will be public. But tourists looking for a selfie will have to wait a few years, as most will not be redeveloped until 2020.

“Not every suggestion made the cut. The jury rejected Rue du gentrification — an implicit criticism that the development company rebuffed, saying that up to 25% of the newly-built apartments was social housing.”

More at the Guardian, here.

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Photo: Jim Davis/Globe Staff
Marc Wallerce (left), owner of the Winthrop Marketplace, greets Jeffrey Carson of Mi-Amore as Carson picks up food for distribution to families that need it.

Wow, there are as many ways to get food to people who might otherwise go hungry as there are people who want to end hunger. It was only a couple weeks ago that I posted about a food initiative in Toronto. Here’s one in Massachusetts.

Alison Arnett writes at the Boston Globe, “In 2014, Jeffrey Carson heard an NPR piece about how much food was wasted in America despite ongoing hunger. It hit a nerve with Carson, who himself had grown up in a family dependent on food stamps and had just had his first child, and he determined that he wanted to do something about it. ‘I wanted my daughter to come up in volunteerism that was part of our life,’ he added, not just something ‘we volunteered for once a year.’

“So Carson and his wife, Suzanne, both veterans, began to work on creating a nonprofit in Winthrop where they live. The idea for Mi-Amore seemed ‘so simple,’ says Carson: Food was going to waste — in the United States it is estimated that as much as 30 percent to 40 percent of edible food is wasted each year — and yet there were people who went hungry. As military officers, both he and his wife were used to finding solutions to problems, Carson says.

“There were many snags along the way, but today Mi-Amore provides food for 40 elderly people, single-parent families, and recovering addicts in Winthrop. Unusual among food relief programs where recipients must go to a central soup kitchen or food aid office open only restricted hours, Mi-Amore’s eight volunteers, all Winthrop residents, pick up the donated food three times a week and deliver it to the homes of the recipients. Most families get at least one delivery of food a week. The program has a board of town residents, and donations of surplus food from the Winthrop Marketplace, several restaurants, assisted-living centers, and schools. …

“Half of the recipients are children. When asked about recovering addicts, Carson says that ‘recovering’ can be a loose term but is quick to recount what one board member, a school nurse, told him. ‘Having food in your refrigerator sometimes is the line between recovering or not,’ she said, adding that the stress of no food can push some over the edge.

“The beginnings of Mi-Amore, in its third year, weren’t smooth, Carson says. After he and his wife did the structural work to set up a nonprofit, he contacted restaurants and other businesses about donating food that might go to waste, surprised when he got refusals or no answers. But then, Carson said, he met two women, Amie Hanrahan of The Arbors Assisted Living Communities and Ann Vasquez of La Siena restaurant, who immediately ‘got it,’ Carson says. … From that beginning, the program started to gain momentum.”

I’m not really surprised that two former military officers have shown perseverance when faced with the challenges of launching something new. As Massachusetts Congressman Seth Moulton, a former Marine, has often said in the context of what sorts of people he’d like to see run for office, veterans are generally people who are motivated by public service more than personal gain.

Jeffrey and Suzanne Carson strike me as perfect examples of veterans motivated by public service.

More at the Boston Globe, here.

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Photo: Boston Society of Architects
This open staircase is pretty cool. Unless you are wearing a skirt.

A recent twitter series gave me a laugh. It sure shows how your perspective may change with a change of clothes.

At the Los Angeles Times, Carolina A. Miranda wrote how she hit a nerve with one frustrated tweet.

“A couple of weeks ago, after viewing an architectural schematic that featured a pair of elevated glass catwalks, I posted a tweet that invited male architects to navigate their own designs in a skirt.

Carolina A. Miranda
@cmonstah
Idea: All male architects should be required to navigate their own buildings in a skirt.

“The post ignited a flurry of responses from women, including Mary McNamara, Los Angeles Times assistant managing editor and former television critic, who suggested adding heels to the mix. To that challenge, design writer Alissa Walker of Curbed added babies. …

“I took [a picture] at the Nicanor Parra Library at Diego Portales University in Santiago, Chile, in 2015. The building was designed by Chilean architect Mathias Klotz and was completed in 2012 — in other words, at a point in time when male architects should know better. Yet the library features glass floors in locations throughout the building. …

“John Hill, who writes the blog ‘A Daily Dose of Architecture,’ pointed out the use of see-through walkways in Rafael Viñoly’s building for the architecture school he designed for the City College of New York — which he completed in 2009. City College isn’t the only school of architecture to employ transparent walkways. …

“This not only affects the women who work and study in those buildings — according to the Assn. of Collegiate Schools of Architecture, 42% of accredited architecture degrees were awarded to women in 2013 — but it normalizes the idea among architecture students that transparent walkways are just a benign architectural feature. They are not. …

“In 2010, technology writer Joanne McNeil wrote about this very topic in a post that ran on her blog ‘Tomorrow Museum,’ later reprinted by Mediaite.

” ‘If I were commissioning the interior of any kind of store and someone brought me blueprints including glass staircases, I’d tell him to take a hike,’ she wrote then. ‘I wouldn’t give him a second shot. If he’s not intuitive enough to grasp that women in skirts will be uncomfortable walking upstairs, clouded glass or not, then what other errors has he made in his design?’

“So, if there are a few good men out there (within driving distance of Los Angeles) willing to walk around one their own or someone else’s buildings in a skirt — while wearing high heels and holding a purse and a baby — my lines are open.”

More here. Let me know if you have encountered similar architectural challenges. Although I wear pants more often these days, I have memories of negotiating the green staircase above in a skirt — uncomfortably.

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Photo: Christa Case Bryant/Christian Science Monitor
Krista Badiane, a sustainability consultant, is raising two daughters with her Senegalese husband in Grand Rapids, Michigan. She always imagined settling on the East or West Coast but says it would be hard to recreate the quality of life they have in Michigan.

The country is divided, or so commentators tell us over and over. Sometimes I wonder if it’s exaggerated. Many of us make a point of enjoying all the things we have in common with folks whose politics seem to be different.

In a recent article, we also learn that when people start living side-by-side with those who have a different world view, benefits rub off in both directions.

Christa Case Bryant writes at the Christian Science Monitor, “Aaron Ofseyer and his wife, Anne Rosenbaum, planned on staying a few years, but eight years later they’re still in Grand Rapids. They’ve bought a house, had two children, joined a synagogue, gotten library cards, and are regulars at cultural events. Like many transplants from costly coastal cities, they find Grand Rapids to be welcoming and affordable. …

“Ofseyer and Ms. Rosenbaum also like the diversity of political viewpoints that gets them out of their liberal bubble. When they eat out in hip neighborhoods, they sometimes look over to see fellow diners praying or holding a Bible study group.

“ ‘We’re forced to confront people who are different than us … [and] even though politically you might have a different frame of reference, there’s way more that unites us than divides us politically,’ says Ofseyer. …

“Across the country, young professionals are carving out a new niche in second-tier cities where their wages go further. Most are seeking a more affordable lifestyle, as well as a stronger sense of community and the opportunity to make more of an impact. That this movement is largely from Democratic-run cities to conservative corners of the country raises questions over what political values may emerge, and whether it’s possible to find common ground in a hyper-partisan era. …

“Says Joel Kotkin, executive director of the Houston-based Center for Opportunity Urbanism, ‘It’ll be interesting to see whether we see a new politics, which combines some of the social values of the blue states with some of the cultural beliefs of the red states,’ like religion, community, and self-sufficiency. …

“Among young professionals who do migrate, there is a strong desire for community, says Anne Snyder, a writer and scholar who studies civil society in small and mid-sized cities. Their formative years were shaped by disillusionment with politics and distrust of institutions such as marriage.

“ ‘I think Millennials are just so hungry – hungrier than their predecessors were – to experience the sense of belonging that I think is a timeless need and desire, and have not wound up finding it in their national political expression,’ says Ms. Snyder, a millennial herself.

“That makes the social-media generation less ideological and eager to make a practical contribution wherever they live. ‘The things that matter most are serving your community, people in the flesh,’ she says.”

More at the Christian Science Monitor, here. I’d love to hear how you maintain friendly relations across real or perceived political divides in your world.

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Turn your face to the sun.

These beauties in the Concord community garden have been rejoicing in our hot humid, summer. Good to remember.

Here is a collection of my latest photos. Most of them are self-explanatory. The first three are from my latest trip to New York to be with my sister as she started treatment for brain cancer. They include the George Washington Bridge (makes me break into that silly song, which just repeats the name of the bridge over and over), the mural on the school near my sister and brother-in-law’s apartment, and a typical rooftop water tower in early morning light.

Next, I wanted to be sure to show you what the lotus whose progress I documented in a recent post looks like after the petals fall off. It looks like a shower head. I think I’ve seen these giant pods in exotic flower arrangements. Have you?

The next five are from Rhode Island. The little girl on the boat seemed curious about everything she saw. I think she may have been Amish.

The last four pictures are from Concord, Massachusetts. The corn in the garden of the Old Manse is now “as high as an elephant’s eye.” And I love seeing artists painting the town.

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Photo: Jean Couch
A man in Rajasthan, India, sits at his loom, weaving for hours each day with exemplary posture. He untucks his pelvis and elongates his spine. Check out the gif showing how people elsewhere sit differently from Americans.

I have had back pain off and on for decades. I do physical therapy exercises every day to keep it in check, and in recent years I have focused on not sitting too much. Sitting is bad, doctors say. “Get up and walk around at least every 20 minutes.”

But come to find out, it isn’t sitting that is bad, it’s the way Americans sit. Other countries have very little back pain.

Michaeleen Doucleff writes at National Public Radio, “My back hurts when I sit down. It’s been going on for 10 years. It really doesn’t matter where I am — at work, at a restaurant, even on our couch at home. My lower back screams, ‘Stop sitting!’

“To try to reduce the pain, I bought a kneeling chair at work. Then I got a standing desk. Then I went back to a regular chair because standing became painful. I’ve seen physical therapists, orthopedic surgeons and pain specialists. I’ve mastered Pilates, increased flexibility and strengthened muscles. …

“Then back in November, I walked into the studio of Jenn Sherer in Palo Alto, Calif. She is part of a growing movement on the West Coast to teach people to move and sit and stand as they did in the past — and as they still do in other parts of the world. For the past 8 years, Sherer has been helping people reduce their back pain.

“I was interviewing Sherer for a story about bending. But she could tell I was in pain. So I told her my story.

“Her response left me speechless: ‘Sitting is a place where you can find heaven in your joints and in your back,’ she says. ‘It’s not sitting that’s causing the pain, it’s how you’re sitting. …

“Anthropologist David Raichlen at the University of Arizona says [of the Hazda in Tanzania], ‘They do a lot of upper body work, [and] they spend quite a bit of time walking — at a pretty high rate of speed.’ ,,,

“But do the Hadza actually sit less than we do? A few years ago, Raichlen and colleagues decided to find out. They strapped heart-rate monitors onto nearly 50 Hadza adults for eight weeks and measured how often each day, they were just, well … sitting around. The results shocked Raichlen. ‘ The Hadza are in resting postures about as much as we Americans are,’ he says. …

“But here’s the thing: The Hadza don’t seem to have the back issues that we Americans have, even as they age. …

“Over the past century or so, many Americans have lost the art of sitting, [Orthopedic surgeon Nomi Khan] says. Most people in the U.S. — even children — are sitting in one particular way that’s stressing their backs. You might not realize you’re doing it. But it’s super easy to see in other people.

“Here’s how: Take a look at people who are sitting down – not face-on but rather from the side, in profile, so you can see the shape of their spine. There’s a high probability their back is curving like the letter C — or some version of C. …

“Sitting in a C-shape, over time, can cause disk degeneration. Or one side of a disk can start to bulge. …

“At Sherer’s studio, she pulls a up a photo of gray-haired man sitting at a loom. He must be at least in his 60s.

” ‘This is taken in Rajasthan, India,’ Sherer says. ‘The man sits at the loom weaving, for hours and hours every day, just like we do at a computer,’ she says. ‘And yet his spine is still elongated.’

“Elongated is an understatement. This man’s spine is straight as an exclamation point. His shoulders are rolled back. His muscles looked relaxed and flexible. …

“One of the problems, Sherer says, is our culture focuses on trying to fix the upper body. ‘Sit up straight,’ parents and teachers say, and most of us immediately stick our chests out. …

“Instead of focusing on the chest or shoulders, Sherer says, we need to turn our attention to a body part that is lower down, below the waist: the pelvis. ‘It’s like a stack of toy blocks. If the blocks at the bottom aren’t sturdy, then the top has no chance.’ …

“To figure out how to shift your pelvis into a healthier position, Sherer says to imagine for a minute you have a tail. If we were designed like dogs, the tail would be right at the base of your spine. … In other words, we need to untuck our tails. To do that, Sherer says, you need to bend over properly when you go to sit down. …

“If you bend at the waist, which many Americans do, then you will likely sit with a C or cashew shape. If you bend at the hips … you’re more likely to sit correctly with your tail untucked. …

‘” ‘Stand up and spread your heels about 12 inches apart,’ she says. Now, put your hand on your pubic bone — like a fig leaf covering up Adam in the Bible, she explains.

” ‘When you bend over, you want to let this fig leaf — your pubic bone — move through your legs,’ she says. ‘This creates a crease between your pelvis and legs.’

“This action also pretty much pokes your butt out, behind your spine. “Now go ahead, sit down,” Sherer says. …

“The next step is to relax the muscles in your back and chest. ‘Stop sticking out your chest,’ Sherer says. Then the rest of the spinal vertebrae can stack up in one straight line, like an I instead of a C.” More at NPR, here.

I’m really going to work on this.

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Photo: Marc Royce/Los Angeles Times
Conductor Eric Whitacre (above), the Los Angeles Master Chorale, and a 2,200-person audience at Walt Disney Concert Hall participated in “the largest free group singing event in California history” on July 21.

Kudos to creative thinkers who keep coming up with new ideas to engage people in the arts! In July, the conductor of the Los Angeles Master Chorale led an exceptionally large audience of interested Californians in a free singing event that must have warmed the cockles of a lot of hearts. This went well beyond the annual singing of the “Hallelujah Chorus,” which many other choral groups invite the public to join.

Jessica Gelt of the Los Angeles Times reports, “Eric Whitacre, the Los Angeles Master Chorale’s Swan family artist-in-residence, says he’s like that old cola commercial — he wants to teach the world to sing. The whole world. And he’s not joking. But he’ll start with a statewide singing event, ‘Big Sing California.’ …

“The massive project, years in the making, [featured] the 100-voice Master Chorale onstage singing along with 2,200 audience members to a program of songs selected and conducted by Whitacre and Master Chorale Artistic Director Grant Gershon, along with guest conductors Moira Smiley and Rollo Dilworth.

“Those proceedings [were] simulcast to five venues all over the state packed with additional audience members [also] singing along. Each venue [rehearsed] with its audience for a few hours before the event. …

“ ‘If you’ve never experienced a couple thousand people singing together, it just brings chills. … It’s the best of human experience … the best of who we are distilled together.’

“Whitacre began singing when he was 18, and it changed his life. He has been singing and composing since then, traveling the world in the process, establishing a massive social media following and creating a series of online ‘virtual choirs,’ which are edited together after participants upload videos of themselves all singing the same song. …

“Gershon adds that Whitacre has ‘single-handedly gotten more people excited about singing together than anyone else on the planet. He confirms that the choral experience is transcendent and transformative.’ ”

More at the Los Angeles Times, here. The list of songs are here.

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Photo: Canwood Gallery
An art lover in Herefordshire, England, has turned a cow shed and an old tractor barn into an elegant gallery and event locale.

I love reading about something old getting a new lease on life and serving a completely different purpose. On this farm, workaday buildings were creatively adapted for an art gallery.

Vanessa Thrope writes at the Guardian, “A cow shed and an old tractor barn in rural Herefordshire are not where most people would go in search of the avant garde or the latest in abstract painting. But retired farmer Stephen Dale is challenging the assumption that modern art is best appreciated by city dwellers.

“A run of exhibitions staged by the 74-year-old at the free public art gallery he set up two years ago in Checkley, near Hereford, have now drawn big names from the art world and proved the scale of an appetite for the unexpected in the countryside.

“Canwood Gallery and Sculpture Park, built by Dale on arable land he once farmed, is opening a show of previously unseen paintings by the veteran Royal Academician Anthony Whishaw. The exhibition, Experiences of Nature, also features the work of Whishaw’s late wife, the artist Jean Gibson, as well as a sculpture by her famous former pupil, Nicole Farhi.

“Dale’s unusual, charitable plan to create a gallery in an area of outstanding natural beauty was financed by the sale of much of his land. The farmer’s strong feeling for unconventional art emerged more than 40 years ago, while he was undergoing a difficult and long round of experimental treatments for leukaemia in the 1970s.

“Travelling down to London to take part in a series of drug trials at St Bartholomew’s hospital, Dale entertained himself in his free time with visits to art galleries. An early trip to see Carl Andre’s notorious arrangement of bricks, Equivalent VIII, at the Tate changed his life. A passion for modern art was born. ‘It may sound strange, but the hairs on the back of my neck stood up. I guess I fell in love with the bricks,’ Dale said. …

“In Canwood’s first major exhibition last summer, Bricks in the Sticks – A Farmer’s Inspiration, Dale featured a piece made by Carl Andre himself. The American artist’s Isoclast 07 graphite bricks installation, bought by Dale at auction, stood alongside the work of other international artists. A show of Matisse prints followed, and visitors rolled in.

“ ‘Running a farm and running a gallery turn out to be equally stressful,’ said Dale. ‘I did not expect the numbers of people we have coming, nor the standard of artists.’

“While Dale aims at the sort of regional significance enjoyed by the Yorkshire Sculpture Park near Wakefield, he also likes the idea of the example set by former farmer and Glastonbury Festival host Michael Eavis at Worthy Farm in Somerset: ‘A festival like that for visual arts would be something.’ ” Dale gives profits from the gallery to the hospital that saved him.

Read more about the artists here.

Tip on a Dead Crab

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I once read a mystery called Tip on a Dead Crab about a gambler. The title refers to the gambler’s decision to place a bet on a crab race after someone gave him a tip that one of the crabs was dead.

Believe it or not, there is such a thing as a crab race, and an annual one has been organized for children in New Shoreham. It is the cutest thing ever.

Here you see people catching the crabs from a dock, a little boy wearing his yellow crab-race hat, crabs marked with different colors (pick your own to cheer, win an ice cream), the wooden. blue race track, and the crabs scattering as fast as they can.

I always wondered whether crabs were somehow supposed to race in a straight line like a horse — crabs being what they are. But no. Here’s how it works. The master of ceremonies dumps a bucket full of crabs on a racing board, and when the starting signal is given, he sweeps the bucket off the crabs, and away they go.

The winning crab in Sunday’s race made a beeline sideways and fell off the edge as everyone urged their own crab to go, go go.

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Photo: J. Urban/Smithsonian
Arev Armenian Dance Ensemble

Because I live in the Greater Boston area, where there is a large Armenian population, I was interested to read how how Armenian dance is helping to preserve the culture in the diaspora.

Roger Catlin writes at Smithsonian that Armenian dance has adapted in intriguing ways over time and place.

“Can dancing preserve culture?” he asks. “Those who circle up, link pinkies and swirl to the traditional village dances of Armenia believe they can.

“And as part of the 52nd annual Smithsonian Folklife Festival this summer, scores of dancers from Armenia and across North America will perform, present master classes and share technique. [Note: This took pace in July.] …

“One of the oldest centers of civilization, Armenia once stretched from the Black Sea to the Caspian Sea and between the Mediterranean Sea and Lake Urmia in present-day Iran. Its key location in the South Caucaus region of Eurasia made it a central place for commerce with other cultures, but also a site for constant invasion from neighboring empires, the Ottomans to the west and Iran to the south and Russia to the east.

“Already the dance traditions of individual villages, separated by mountainous topography had been unique to each town. But with the Armenian diaspora, the dancing, which continued as a way to keep connected to the old country, became even more individualistic, [says Carolyn Rapkievian, who is serving as an Armenian dance advisor for this year’s Folklife Festival], noting that the dances were further influenced by the host countries. …

“Gary and Susan Lind-Sinanian, dance historians at the Armenian Museum of America in Watertown, Massachusetts, say traditional western Armenian music and dance remained an important cultural touchstone for the immigrating community.

“ ‘As the Armenian language fell into disuse among many American-born Armenians, the music and dance gained even more importance, as one of the remaining avenues of cultural identity maintenance,’ they have written. ‘Today, this music and dance have developed into a characteristic form unique to the United States, and one of the principal means that today’s Armenian-American youth assert their Armenian identity.’

“ ‘The two means of expression, outside of being a member of the church, to mark you as an Armenian are dance and food,’ Gary Lind-Sinanian says. ‘Those are the two every Armenian family practices to some degree.’ Still, every village seemed to have its own style, he said. ‘When people make their pilgrimages to some monastery for a festival, they could see, when various groups danced to a melody, by the way they danced, you could tell where they came from.’

More at the Smithsonian, here. If you are ever in Watertown, try to get some Armenian food. It’s delicious — a little bit like Middle Eastern cuisines you already know, a little bit not. And you can get an interesting angle on the Ottoman Empire’s relationship with the Armenians from this wonderful book, Destiny Disrupted, by Tamin Ansary.

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Photo: Martin Lemke
The city of Bassania in Albania is no longer a legend.

There is always more to be discovered. Maybe just under our feet.

That is what some archaeologists found not long ago in Albania.

As Christina Ayele Djossa writes at Atlas Obscura, “Sometimes, rocks are more than crumbled pieces of the earth. Sometimes, they unveil clues about our planet’s ancient past or future. For archaeologists from the Antiquity of Southeastern Europe Research Centre at the University of Warsaw, the rocks in Shkodër, Albania, turned out to be the ruins of the 2,000-year-old lost city of Bassania.

“Back then, Bassania was an economic and military stronghold, part of the Illyrian kingdom, which existed from 400 to 100 B.C. The ancient city contained numerous settlements and fortresses, one of which the archaeologists unearthed.

“What they found were ancient stones of a fortress guarded with large bastions and roughly 10-foot-wide stonewalls and gates. These defensive buildings, according to University of Warsaw professor Piotr Dyczek, are common in Hellenistic architecture. The team confirmed the age of the ruins by analyzing nearby coins and ceramic vessel fragments, which dated back to the time of the Illyrian kingdom. …

“But this city, and the Illyrian kingdom, ultimately fell to a Roman invasion in the beginning of the first century. This may be why it took so long for archaeologists to find Bassania. … The Polish and Albanian archaeologists also speculate that the location’s geological infrastructure has something to do with it. The ruins are found on a ‘hill locally called “lips of viper” in [the village of] Bushat, a few miles from Shkodër,’ wrote Dyczek. After years of erosion, the stone remnants look like a part of the sandstones and conglomerates that make up the hill. So to a passerby, it might look like a bunch of stones, not a structure made by humans.”

Now I want to know why any hill would be called “lips of viper.” Always more discoveries to be made.

More at Atlas Obscura, here.

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Photo: Walther Bernal/CBC
Sandy Bay Ojibway First Nation Chief Lance Roulette signed Winnipeg’s Indigenous Accord in June. The new treaty addresses tribal representation in numerous aspects of life.

The “truth and reconciliation” initiatives in South Africa after Nelson Mandela was released from jail set a kind of standard for healing old wounds — or at least for moving on. The idea was that nations must bring to the light of day all the bad things that were done and give everyone a chance to express their pain. After that, acceptance and reconciliation can begin.

A similar process is happening in Canada to heal the injustices done to tribes. One example is in Winnipeg, where the lung association, an arts organization, and many others are working to make amends for the past and create a better future.

Aidan Geary writes at CBC News, “A Manitoba association created by the agency that once ran segregated ‘Indian hospitals’ in the province is among more than 40 new signatories to Winnipeg’s Indigenous accord. …

“The Lung Association was among dozens of Winnipeg-based groups that added their names to the city’s year-old Indigenous Accord [in June]. Other groups include the Royal Winnipeg Ballet, CentrePort Canada, Investors Group, the Manitoba Museum and the Manitoba College of Social Workers.

“The accord was first signed by more than 80 groups [in March 2017]. Signing on means committing to an ongoing responsibility to reconciliation, the city says. Signatories are required to report yearly on the success of their efforts and their future goals.

“For the Lung Association, it also means addressing a legacy of segregation, substandard care and allegations of mistreatment at the hands of tuberculosis doctors from Indigenous patients, [Neil Johnston, president of the Manitoba Lung Association] said.

” ‘We want to make sure that that … never happens again, and we want to help in the healing of people who have survived that care but also the families and make up for the intergenerational trauma that occurred,’ he said. …

“So far, Johnston said its goals include examining and establishing the association’s own history, and speaking to people who experienced the hospitals themselves. From there, the association will work with Indigenous community members to form a plan for reconciliation and improved health outcomes. …

“Winnipeg Mayor Brian Bowman urged more organizations to sign on, calling the accord an ‘aspirational document’ and an ongoing effort. … ‘We have created a website in which organizations can submit their outcomes on an annual basis and report on what they’re going to work on, and that’s shared publicly so there can be that learning within the community.’ …

“Carol Phillips, executive director of the Winnipeg Arts Council — which signed on in the first year of the accord — said her organization will launch a new Indigenous arts leadership fellowship program this fall, placing two Indigenous fellows into arts organizations to develop management and governance skills.

“She said Indigenous people are underrepresented in leadership positions in arts groups across the country, with the exception of Indigenous-focused arts organizations. She said she’s seen improvement on that front, but not enough.

” ‘There’s no reason why there shouldn’t be Indigenous arts leaders in any arts organization, and that’s ultimately what we want to see happen,’ she said.

“The WAC will also place an Indigenous artist-in-residence in the city’s Indigenous Relations department, she said.

“Values around reconciliation have long been a part of the arts council’s work, she said. But she said it’s important to demonstrate those values and make them clear to the community.

” ‘The city obviously wants an overt demonstration of commitment, and I don’t think there’s anything wrong with that, so we participated,’ she said.

” ‘The thing is, here we are still talking about the sort of exceptionalism of this situation. Our goal is that this is just how things are, and it’s not an exception — it’s how the arts community functions.’ ”

More at CBC, here.

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Photo: Pop-Up City
Urban foragers don’t like to see the food in parks go to waste.

Do you pick berries along the side of the road? I am drawn to blackberries. Suzanne loves mulberries. When we graze opportunistically like that, I guess we are foragers.

I have written before about both gleaning (usually picking up edible food after the farmer has finished harvesting) and foraging (usually in urban or suburban areas). This story suggests the practice is gaining adherents, in part because city dwellers feel too divorced from nature.

Jenny Cunningham writes at the Guardian, “According to Langdon Cook, there’s one golden rule of foraging: if you don’t know what it is, don’t eat it. Cook is a leading figure in America’s growing urban foraging movement – in fact he’s written the book on it. As we make our way along a trail through one of his favourite hunting grounds, Seattle’s Seward Park, he mentions some of the poisonous plants out there, such as hemlock. The famous feller of Socrates looks a lot like carrot tops or flat leaf parsley to the uninitiated.

“There’s still plenty of good eating in the city’s parks and green spaces – researchers once identified 450 edible plants in Seattle. Cook enthusiastically points out some ripe thimbleberry. ‘It has a shelf life of about a nanosecond, so you’ll never see it in a farmers market,’ he says. The soft berry slumps off the plant and into the mouth like it’s already been made into a sweet, tannic jam. So yummy, so organic … and so illegal.

“Despite the popularity of foraging in Seattle and cities far beyond the Pacific north-west, municipal parks are generally off limits to foragers in the US. For city authorities, the risk of destruction to plants and wildlife is too great: what if everyone decided they wanted a piece of the park for lunch? Then there’s the potential for overzealous amateurs to make themselves very unwell. …

“While foraging is an ancient art that has taken place in US cities for as long as they’ve existed, the practice has exploded in popularity in recent years.

“There are some who forage because they struggle to afford food, but that is a small percentage, according to a Johns Hopkins study. Mostly, it seems that urban dwellers – starved of light and spending much of their time in virtual environments – crave a stronger connection to nature. Worried parents want their children to have some life experiences unmediated by glowing screens.

” ‘We are drawn to do what our grandparents did,’ says Cook. ‘It’s that “do it yourself” mentality we see in the renaissance of fermenting, pickling, brewing. Foraging fires up all our synapses.’

“Fired up synapses have collided with strict city codes across the US. … But there is fresh hope for foodies as some cities attempt to embrace their foraging communities. After doing away with its ‘molesting vegetation’ rule last autumn, Minneapolis now allows people to pick certain wild nuts, fruits and berries in most city parks. Cities from Boston to Austin encourage the public to harvest in existing park orchards.”

Read more at the Guardian, here. Do you forage?

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Photo: Kyrgyz Academic State Theatre
Albina Ishmasova as Lady Macbeth. As part of a unique collaboration in Kyrgyzstan, director Sarah Berger created three versions of
Macbeth using the Kyrgyz language, which she doesn’t speak.

Theatrical directors are often up for a challenge, but this challenge takes the cake: directing actors who don’t speak your language in a production of Macbeth.

That is what Sarah Berger did in Kyrgyzstan. She writes about it at The Stage.

“I recently returned from six weeks in Kyrgyzstan directing the first ever Kyrgyz translation of Macbeth, made from Russian into Kyrgyz, at the Kyrgyz Academic State Theatre in Bishkek.

“I worked with 30 Kyrgyz actors who spoke no English. I don’t speak Russian or Kyrgyz.

“To add to the mix, I took two British actors with me, Claire Cartwright and Steve Hay, who performed in English with the rest of the cast speaking Kyrgyz. They played Lady Macbeth and Macbeth respectively. There was also a fully Kyrgyz performance that was filmed and screened on state TV.

“So I had to deliver three different versions of the production in just over three weeks, as we performed four premieres with the cast variations.

“The challenge of that aside, the Kyrgyz state theatre method of working is entirely different to what we’re used to in the UK: the company comprises people who have trained there and are attached to the theatre throughout their working life, which has its advantages and disadvantages.

“The advantages are that they practise their craft every day, and are used to working as a company. They are vocally highly trained and easily fill an 800-seat theatre. They are physically grounded and able to experiment with movement and voice. For example, the Witches and Hecate invented a unique style of delivery, incorporating song and dance.

“The disadvantages are that they are not hungry for work in the same way British actors are. There’s a competitive edge missing. …

“We discovered that the challenge of acting opposite someone speaking a different language was surmountable when the intentions of the scene or particular line were clear. In fact, the particular challenge for the actors wasn’t so much the language but the differing approach to rehearsals and the text. It quickly became apparent that we adhere far more strictly to the verse, and are led by it, whereas for Kyrgyz actors that is just one element of the performance. …

The production itself worked remarkably well given its disparate elements and the lack of rehearsal time. I would recommend the experience of working in such a different arena as it informs our practice.” More.

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Back in March, when I was complaining about a series of heavy spring snows in New England, Deb said, “Save a picture for August, when we really need it.” I think the time has come.

Folks in the Northeast are not used to having temperatures day after day in the 90s combined with crazy-high humidity. Friends my age seem to find it totally enervating. If we can’t get to a bit of shade or find a breeze, we just sit like lumps — or move ve-ery slowly. Not all houses have air conditioning. In the past, it was seldom needed.

So it’s time to stop complaining about the heat and remember how I complained about the cold in March. Deb was right. One’s perspective changes. The picture above was taken on March 13 when I really would have preferred to see spring flowers coming up. Looks quite pleasant to me now.

I also have a few summer pictures to share. The tiny bird on what appears to be a telephone pole is actually a very large, fierce bird called an osprey. Towns along the New England coast construct special nesting platforms to keep osprey from building on telephone poles. You may see many such platforms if you take Amtrak through Connecticut. At this time of year, there may be several young ones — no longer babies — perfecting their new fishing skills.

And I include a bouquet of local wildflowers, the boats in New Shoreham’s Great Salt Pond, and four photos demonstrating how the lotus at a neighbor’s house looks as it opens. I have recorded this other years, but every year, it’s a miracle.

I can’t help noting that even the lotus seemed to take the sweltering summer rather hard. Several blossoms simply bowed over, hiding their faces somewhere among their roots in the pond. I know how they feel.

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