I think that my cousin Sally has been an artist ever since she first picked up a crayon.
Today she works in monotype and other advanced media. Her work has appeared in solo and group shows. Read about the current one in Lakeville, Connecticut, here.
Sally has become a bit of an expert in beautiful, bare trees and branches. Whether or not this focus has anything to do with my Uncle Jim having been a supreme gardener and nature aficionado, I am not prepared to say, but if you read about Sally Frank here and look at some of her art, you will likely find that the trees speak to you in their subtle tree language.
Here Sally captures the intricate expressions of a beach plum bush.
Also, a lovely crabapple with a serene Asian vibe.
Suzanne’s friend Sara, from Pomona College days, has a nice report on KUMN, the public broadcasting station in Albuquerque. It’s about Health Care for the Homeless — a program serving 7,500 people in the Albuquerque area — and in particular, it’s about a successful art therapy program. The story tends to confirm my observations earlier this week on the “Waste Land” documentary — namely, that art can open up the world for even the most disadvantaged.
Comments may be sent to suzannesmom@lunaandstella.com. I will post them.
Asakiyume comments: I, too, felt the resonance with the entry you had posted earlier about Wasteland. On the one hand, when someone tells me in passing about various unusual services for the homeless–like this one–I sometimes roll my eyes and get all practical minded (art? art? how about a PLACE TO LIVE and a JOB). And yet, on the other hand, the chance to make art, to be “allowed” (as it were) to be a person who creates, and not merely someone desperate to survive, restores dignity and personhood and also, I’m thinking, a kind of autonomy. So yes: ART!
We watched a couple unusual documentaries last night and last weekend. Often by the time films are available on Netflix, all I remember about the review is that someone highly recommended them. I know only that we will get a big surprise.
“Marwencol” and “Waste Land” were amazing surprises. They turned out to have something in common, too — the idea that art can lift people from despair, help them see things in a way that opens up their world. What was different between the movies was that for the troubled guy who created art in “Marwencol,” showing his work in a NYC gallery is quite beside the point of his healing process and probably the last thing he needs.
The movie is beautifully executed, but one has the sense that the young filmmakers who think the protagonist will benefit from the big-time art world don’t understand psychology very well.
The protagonist of “Waste Land,” successful Brazilian artist Vik Muniz, although equally idealistic, understands his subjects better, having experienced a life similar to theirs in his impoverished childhood. He decides to combine an art project with helping “garbage pickers” in the world’s biggest landfill, in Rio. Getting to know a few of the workers really well, he develops tremendous admiration for them and their deep dignity. He pays a few to work with him on giant portraits on themselves, portraits that play on the themes of some famous paintings. They use recyclables to complete the images, which are then photographed and shown in galleries and at auction. The proceeds come back to the people and help them both individually and collectively.
But the biggest transformation is not monetary but rather what Vik anticipated based on his own life experience — that by seeing things in a new way, they would get new ideas about themselves and their possibilities.
Earlier this week, I was walking in the Greenway and noticed that new sod had been placed and roped off.
The sign said, “Grass is resting but feel free to hang your art on the rope.” I thought, “Wow, someone in the Greenway Conservancy is really thinking!”
Today I came back. I believe I was the first to hang my art on the rope.
The art is a copy of a collage I made for a greeting card. Actually for a sympathy card when my Aunt Maggie died. She liked purple. I enjoy making greeting cards from collage materials — postcards, magazine art, brochures. I collect these scraps all the time, and when I’m gearing up to make a card for someone, I sift through and pull out pieces that remind me of the person. If I really like the card a lot, I make copies.
A shot of the original card is below.
Comments may be sent to suzannesmom@lunaandstella.com.