In my last batch of photos, I showed a piece from an Art League of Rhode Island exhibit to which my friend Ann Ribbens had contributed. The show, “Below the Surface,” had a humanity-versus-water theme, and the quilt I shared in that post featured a warning about toxins in fish. Today I’m displaying Ann’s lovely “Undersea Tapestry” and two other pictures from “Below the Surface.”
Now I’m wondering if there’s something in the water that New England artists are drinking. The next group of photos is from a recent exhibit at a Massachusetts gallery, and the subject is “Undercurrents: Water and Human Impact.” If artists are to be believed (and they are), things are not looking good for water and it’s all our fault.
At “Undercurrents,” I especially liked Henry Horenstein’s photograph “Cownose ray” and Joan Hall’s “The New Normal,” which hints at manmade items that wash in with the tide.
Still on the subject of art, I want to mention that yesterday I checked out the new mural on the Boston Greenway, where I used to love walking when I worked downtown. There are many post-Covid changes in the area (I felt like Rip Van Winkle gazing around in wonder after a long nap), but the Greenway is still hiring artists to paint the wall of the giant Air-Intake building over the Big Dig. The latest painting, of a little boy with a boombox, has a wistful feeling about it.
The mural photos are followed by several local scenes, including a look at the bright cherries next to John’s front porch.
I end with a picture that Ann took last month while traveling in France. I couldn’t resist. It looks so utterly French to me.
Suzanne's Mom's Blog 