Photo: Charukesi Ramadurai.
A juggler welcomes visitors as they start arriving for the evening show at Phare Circus. Like other performers, he is a student of the Phare Ponleu Selpak school in Battambang, Cambodia.
I don’t belong to the religion, but I’ve always liked Christian Science Monitor articles, and now I know why. The other day, one of the editors wrote that finding positive angles on painful realities is intentional.
The story today acknowledges the horror of the Khmer Rouge genocide and its impoverished aftermath but focuses on one of the ways people are healing.
Charukesi Ramadurai writes, “A short drive away from the famed Angkor Wat temple ruins in Siem Reap, Cambodia, another spectacle has been quietly attracting visitors for years. Every evening, under the big top at the Phare Circus, audiences watch mesmerized as acrobats and artists jump and somersault, dance and paint, execute midair flips and twist into pretzels. …
“Watching them smile under the spotlight, it is difficult to imagine that these confident young men and women come from impoverished or troubled families. Celebrating its 10th anniversary on Feb. 8, Phare Circus simultaneously provides young Cambodians with a livelihood and showcases the talents of students at Phare Ponleu Selpak, a not-for-profit arts school located in Battambang, Cambodia.
“Phare Ponleu Selpak – meaning ‘The Brightness of the Arts’ – was set up in 1994 by French art teacher Véronique Decrop, who practiced art therapy at refugee camps, and a small group of refugees who returned home from Thailand after the brutal Khmer Rouge regime ended in 1979. Apart from giving children a safe space away from crowded homes and dangerous streets, the school aims to revive arts that were decimated during the Cambodian genocide. …
“ ‘The Khmer Rouge left us with zero – 1,000 years of history of the Cambodian empire reduced to ash. More than 90% of the masters were killed or just disappeared,’ says musician and genocide survivor Arn Chorn-Pond, who founded Cambodian Living Arts, an organization that provides arts education scholarships.
“Preserving the arts ‘gives young Cambodians something to hold on to from their past,’ he says. ‘It also gives them an identity; it gives them confidence; it gives them the voice to tell their own stories to the world.’
“Tor Vutha, one of the co-founders, says the school was their way of paying it forward, or as he puts it, ‘transfer the knowledge from our heart to the community.’ He says that the organization started small and evolved along with the needs of locals.
“ ‘Many children were suffering from war trauma and needed help,’ he recalls. ‘We had received art in the refugee camp and embodied its benefits, so we wanted to share the same with the children and youth to help them overcome their traumas and help the community rebuild.’ …
“Today, the school offers training in graphic design, animation, music, and other arts, and students are free to explore their interests. It takes in more than 1,000 children annually, many of whom have gone on to perform at Phare Circus. …
“[Craig Dodge, director of sales and marketing at Phare Circus], who has been with Phare Circus from the beginning, remembers it starting back in 2013 with an ‘outdoor stage, plastic chairs, rain.’ It has since come a long way.
“In addition to the main circus tent, the Phare campus in Siem Reap hosts local musicians, food stalls, and a small crafts shop. Families are welcomed at the main gate by jugglers and acrobats, who give them a taste of what awaits inside. Phare Circus has produced 23 different shows over the past decade, with more than 5,000 performances in front of over a million spectators, including foreign tours in countries such as the United States, Australia, Japan, France, Italy, and Singapore.
“All shows are strongly rooted in Cambodian culture, from dances depicting rural life, to a juggling act that pokes fun at tourists, to acrobatic routines inspired by Cambodian mythology and folklore. …
“Wendell Johnson, an American retiree in Siem Reap, has been a regular visitor to Phare Circus since its first year of production. He says what keeps him coming back are ‘the smiles, the incredible athletic abilities, and the storylines’ that vividly connect Cambodia’s past to the present. He also praises the artists’ grit and determination, noting that he’s seen performers immediately redo failed stunts and succeed.
“The Phare Circus performers train for several years at the school, building both their skills and self-esteem, before they’re eligible to work at the circus. Almost all come from large families with limited resources, and being at school keeps them away from hunger, drugs, abuse, and trafficking. The circus is also an opportunity to travel the world, and pays well.
“The steady work has been particularly transformative for the handful of female performers, whom young girls back in Battambang look up to as inspirations.
“Srey Chanrachana started training at Phare Ponleu Selpak in 2007 at the age of 11. Back then, her family of five depended on the irregular income of her taxi driver father.
“ ‘We used to live in a very small house where we would all sleep together, and our roof would always leak whenever there was rain,’ she recalls. Now they live in a larger, more comfortable home.
“With her earnings, she has also enrolled in English and computer classes to further her education, and she says working at the circus has made her more confident.”
More at the Monitor, here. No firewall.
Photo: Fondazione Manifesto
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