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Photo: Library of Congress.
A New York City school around the time of the flu pandemic. History shows it’s possible to hold classes outdoors when the safety of breathing indoors is uncertain.

Photos taken in the 1918 flu pandemic show some schools holding classes with all the windows open or even outdoors. Could we do that today? Reporter Nate Berg at Fast Company looked into the question.

“Sharon Danks has been working for more than 20 years to get schoolkids outdoors,” he writes. “As a trained landscape architect and urban planner, she says too many schools across the country ignore the educational and health benefits offered by the outdoor spaces of their campuses. This is something she’s been trying to change through her nonprofit Green Schoolyards America, based in Berkeley, California. …

“In April, Danks began having conversations about reopening local schools with three other organizations in the San Francisco Bay Area. … In early June, the organizations cohosted a webinar on responding to COVID-19 by using outdoor spaces for education. More than 1,000 people from 40 states and eight countries registered.

“[The organizations then] created the National COVID-19 Outdoor Learning Initiative, an effort to create guidelines schools can follow to use their outdoor spaces more effectively in order to bring back face-to-face learning. Volunteers from across the country are now participating in 10 working groups focused on different aspects of moving classes outdoors, from funding to safety to the physical infrastructure needed to seat and teach students outside.

‘The central problem that we were looking at is that none of our schools were built to be able to accommodate kids 6 feet apart inside the building,’ Danks says.

“But what most schools are equipped with is outdoor space and playgrounds — spaces that can be adapted for outdoor learning. Through the use of physical objects such as shade structures and weatherproof seating and adjusted lesson plans that reduce teachers’ reliance on computer screens and overhead projectors, outdoor classrooms can allow classes to continue with the space and fresh air that epidemiologists believe prevents transmission of the virus.

“Outdoor learning can move all students outdoors, or at least shift enough of the student population outside to make indoor classrooms safe with smaller class sizes. Distance learning, with its inherent difficulties, inequities, and access challenges, may become just a rainy day backup plan. …

“In 2017, the San Mateo County Office of Education started an Environmental Literacy and Sustainability Initiative that focuses on increasing knowledge about environmental issues. It does so partly by integrating natural and outdoor spaces into school curricula. Andra Yeghoian, the initiative’s coordinator, says the program has been working to ensure that students at every grade level in its roughly 270 schools have daily access to outdoor learning and play spaces. … ‘Now COVID-19 has really flipped that to be that every kid at every grade level in every subject area can do the majority of their learning outside.’ …

“Danks estimates that only about 15% to 20% of schools in the U.S. have these kinds of facilities. ‘The other 80%, 85% of schools have probably never taken a class outside to do hands-on learning on their own site,’ she says.

“This is where the initiative’s working groups come in. Each is developing a set of two-page recommendations that will provide simple instructions for dealing with common outdoor complications like cold and hot weather, spatially distanced seating arrangements, dust, and insects. Eventually, the recommendations will be published as a free online guidebook. …

“Claire Latané is an assistant professor in Cal Poly Pomona’s landscape architecture department and is leading a group of volunteer landscape architects who are working directly with school officials to identify optimal spaces and sizes of outdoor classrooms. She says about 100 designers have signed up to help, and the first teams are using aerial imagery of campuses to find places with adequate shade, either under trees or carports, and ensuring any changes to school grounds comply with local fire and accessibility codes. They’re also advising on how the locations of outdoor classrooms can address weather concerns. …

“Three case studies have been published on Green Schoolyards America’s website, and offer suggestions for schools in different climates. … At a low cost of just a few thousand dollars, schools use only their existing outdoor shade and tree-covered areas, augmented with affordable seating such as hay bales and additional clothing for unexpected cold or wet weather. …

“The whole process of transitioning to outdoor education doesn’t have to be tortuous, Danks says.

‘In the last pandemic in 1918 to 1920, with tuberculosis and the Spanish flu, schools around the world went outside … even just moved their desks right outside their buildings,’ Danks says. ‘They didn’t overthink it, they just moved their space to where the air was fresher.’ ”

More at Fast Company, here.  Hat tip: ArtsJournal.

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90-year-old grandma moves like Mick Jagger.

Don’t you feel that, among all their reports of gloom and doom, journalists are also trying to find ways to cheer us up? I sure am seeing a lot of articles about people helping  other people. Here is one about ways you can connect to online dance opportunities and performances, mostly for free.

Boston Globe dance critic Karen Campbell writes, “Dance, by its very nature, is an intensely personal endeavor, involving the body, as well as intellect and emotion. But dancing is seldom solitary. The sense of connecting with other bodies, other sources of energy, and the momentum generated by bodies moving together and in opposition can fuel a palpable electric charge. In this time of social distancing, those of us who regularly dance are missing not just the visceral thrill of movement, but the joy of dancing together.

“Meghan Riling, dancer/marketing director of Haitian contemporary dance company Jean Appolon Expressions, says, ‘There are so many people who refer to attending [Jean’s] Saturday class as “going to church.” With so [much] devastating news and a lack of physical connection, we really need to be there for our community as much as we can.’ The organization is now hosting online classes and tutorials. …

“Teachers and performers, many of them freelancers in the gig-based economy, are losing much-needed income. …

But Greater Boston’s dance community isn’t taking it lying down.

“Even as organizations such as Boston Dance Alliance, the Boston Artist Relief Fund, Dance/USA, MassCreative, Americans for the Arts, and the Massachusetts Cultural Council seek ways to provide a glimmer of hope for some financial assistance, dance studios and independent teachers are finding ways to keep classes going.

“Using Zoom, Instagram Live, Facebook Live, Google Hangout, even Skype, they are live streaming from their living rooms and basements, with only a computer, tablet, or phone. The stylistic range of offerings is remarkable — from contemporary (Project31dance.org) to jazz (MassMotion.com) and flamenco (LSFlamenco.com), from country western line dancing (JKDance.com) to Dance With Parkinson’s (Urbanitydance.org), to a range of ballet, hip-hop, tap, and somatic practices. Some, like MiniMoversStudio.com and BallroominBoston.com’s Facebook page, have offerings tailored for young children. …

New England’s busiest multi-genre facility, The Dance Complex in Cambridge, is offering its teachers the opportunity to live stream classes via the organization’s Instagram channel (Instagram.com/thedancecomplex), boosting visibility and access. Cambridge Community Center for the Arts (cccaonline.org) is jump-starting its interactive online video/remote learning and teaching platform to allow ‘students to attend remotely, and faculty members to teach from wherever they are comfortable,’ says president and executive artistic director Dan Yonah Marshall. The organization is offering its A/V online streaming setup to the greater dance community, too.

“Other studios are following suit, and in some cases increasing the range of offerings. “

Find many great links in the Globe article, here. Plus, you can check out free Alvin Ailey dance theater performances here.

Photo: Handout
Laura Sánchez, a dance instructor in Cambridge, teaches an online flamenco class. I know a five-year-old who should take this class.

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Photo: The Art Newspaper
ProjectArt provides free after-school arts classes to children and teens at public libraries in major US cities.

When Suzanne lived in Harlem in the early 2000s, she loved her volunteer gig at a free arts program for kids who were not getting arts education in the city schools. Today I still follow FreeArtsNYC on Facebook, where I especially love the quotes from children inspired by the program.

As Tess Thackara writes at UK-based The Art Newspaper, “Exposure to the arts gives us the tools to know ourselves and others better. It bolsters our self-esteem, helps us communicate and improves our performance in academic or professional areas of our lives. … Yet, since the 1980s, access to arts education for American schoolchildren has been on the decline — particularly in school districts with high populations of minority students. …

“But where the American public school system is failing children, non-profits are stepping in to fill the void, and one in particular has ambitious plans to become the largest free art school for children in the country.

“[ProjectArt], an initiative founded by Adarsh Alphons in Harlem in 2011, is expanding to New Orleans and San Francisco, bringing arts access to two cities with large communities of homeless young people and giving the organisation a presence in a total of eight cities across the US. …

“Its executive director, Diana Buckley Muchmore, who has led the organisation’s daily operations since last November, volunteered with ProjectArt in its early days, and one experience impressed on her the impact that art can make in a child’s development.

“Joining her friend Alphons in teaching a class of ten students in a Harlem community center, Buckley Muchmore met a boy named Malikai. ‘He was non-verbal, very quiet, but I connected with him through a sculpture he was making out of foil and through this art-making, he slowly started to open up to describe his work,’ she remembers. …

“Since then, Buckley Muchmore has watched as ProjectArt has embraced a model, adopted in 2012, of partnering with the country’s public library systems. The libraries give them free space, access to existing communities and materials to inspire the children’s creations. ‘There are 16,000 public libraries in the US; there are 14,000 Starbucks — to give you an idea of the magnitude of libraries,’ she says.

“Artist-teachers, who go through a competitive review and interview process, receive a studio in a library, in addition to payment, and make their own work throughout the year, often in collaboration with the students. Students showcase their work in an exhibition at the end of the school year.

“In the meantime, the organisation is working to serve the particular needs (and capitalise on the assets) of its newest cities. In San Francisco … [Buckley Muchmore has] an eye on big companies like Airbnb and Adobe, which she hopes to approach for corporate funding. (The organisation also receives grants from foundations and individual donors.) …

” ‘In terms of less populated communities, we’ll get there too,’ says Buckley Muchmore. ‘Eventually, we’ll be in all the cities that have libraries.’ ” More here.

The model is a little different from Free Arts NYC, which relies more on volunteers, but it’s similar to one my friend Meredith founded in Lowell, Mass., which had practicing artists doing the teaching. In all three models, the classes are free for students.

Oh! And do add “Muchmore” to your list of interesting names!

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Fyfe-Day-repertoire-with-frame-cardGreeting card of Meredith Fyfe Day’s “Repertoire with Frame.”

Back in the early 1990s, I worked for Meredith Fyfe Day at Harte-Hanks newspapers, where we whipped into shape tottering stacks of press releases of wildly varying literacy.

That was Meredith’s day job. She was also a working artist. My husband and I have long enjoyed her shows, several of which were at the Whistler House Museum of Art in Lowell when Meredith was the artist in residence.

Recently a friend of hers tagged her on Facebook, which was how I learned that the Lowell Sun wrote an article on her latest artistic venture.

Reporter Debbie Hovanasian writes at the Sun, that Meredith “was recently awarded a grant from the Parker Foundation. The result is ‘Making Art with Artists,’ and Fife Day, who teaches painting at Middlesex Community College, couldn’t be more thrilled.

“During her prior experience teaching art to young students,’I could see the kids blossoming, even the tough kids who said they didn’t like art. I would encourage them and it would light a spark. They’d come back with such enthusiasm, and I fell in love with seeing that change in children,’ she said.

” ‘Making Art with Artists’ is a seven-week summer program offered on Tuesdays and Thursdays at no cost at Christ Church United on East Merrimack Street [Lowell, MA] …  with emphasis on fourth- to eighth-graders, she said.

“The program facilitates the teaching of art to under-resourced and under-served children, Fife Day said. The four teachers are experienced, working artists who will make a presentation of their own work to the students in two successive classes. …

“One of the program’s goals is for the children to adapt the techniques of the artists in order to make their own artwork as well as collaborative artwork, using their own and combined imaginations, Fife Day explained. It also aims to give children a positive alternative to high-risk behavior by giving them high quality educational opportunities …

“Fife Day is currently seeking community donors — food or funds — for a lunch program, which she plans to offer free of charge to the budding artists, a cost not covered within the grant.

“The day is structured so that the students work on individual projects in the morning and group projects in the afternoon. There’s also yoga after lunch and free time early morning and late afternoon, during which Fife Day is exploring having musicians and other volunteers willing to donate their time to entertain or supervise the children.

” ‘It’s about giving the children hope and letting them have fun believing in themselves, knowing that the next day can be as much fun as this one,’ she said.” More here.

Photo: Lowell Sun
Art by Meredith Fyfe Day

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