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Posts Tagged ‘comedian’

Photo: Maggie Shannon/Washington Post.
John, seen at his home studio, records four commercials a week for TopDog Law, a personal injury firm.

I don’t picture myself ever wanting to use one of those aggressive personal-injury law firms that seem to shout at me from giant billboards along the highway, but today’s article from the Washington Post does make me curious about the guy who does one firm’s radio ads. Have you heard the TopDog Law ads?

Elahe Izadi wrote about him recently at the Washington Post.

“Terrell ‘Lucky’ John settles into his office chair, cues up ProTools, scrolls to find the instrumental track thumping in his head all day, and hits ‘play.’

“ ‘I don’t even know what’s going to come out of my mouth,’ he later explains. ‘When I sit down, and I hear the music, it’s like, okay, what are we gonna talk about?’ …

“John bops his head and taps his fingers in the air to the up-tempo, bass-heavy and chattering Baltimore club-like house beat, and lets the words come to him. He mouths them silently. Then he clicks ‘record,’ and his voice explodes into the microphone.

” ‘What you know ’bout getting bit by dog?! What you gonna do if that dog chase you?! That’s a serious question. Whatchu gonna do? And I’m talking to the insurance companies … If you ever get into an accident, you want to call the dog! Let the dog go chase! Let the dog go bite! … TOOOOOOP DOOOOG LAW!

“A little over a week later, his words would be blasting out of car stereos across the country.

John is an unusual kind of radio star. He’s not a DJ, or a talk host, or even a musician. But as the pitchman for the personal injury firm TopDog Law, for whom he records four commercials a week that air in cities across the country, his voice may be among the most heard on radio today. They’ve made him internet-famous, and they’ve made him good money, too: John says his contract for TopDog Law advertising is worth a little more than $1 million this year.

“But to describe what John makes as just ‘commercials’ doesn’t quite capture what’s happening here. These are operatic sagas. Emotional journeys. Slightly unhinged poems. Bellowing over dramatic music and with a produced reverb echo, John unspools scenarios that may prompt philosophical reflection and require the services of a personal injury attorney.

” ‘I don’t know if this is karma. I don’t know what this is. I went to the store today, and I got into an accident. Doctor’s telling me I may never be able to work again in my life. My mom is tellin’ me everything’s gonna be all right. She called TopDog. Wife tellin’ me we about to be rich. Brother tellin’ me you about to be a millionaire. Like I give a … about some money right now! You know I’m paralyzed?! You know I’m paralyzed from the neck down from this accident?!

” ‘All I tried to do was go to the store! And y’all talkin’ to me about some …ing money?! I don’t give a … about money, man. Talkin’ about a mill, two mill. Man, I can’t walk, man!

“This work on terrestrial radio has become the stuff of memes. ‘I’ve see them on YouTube. He rapping without rapping,’ the rapper Jadakiss said of John’s work during a July episode of his podcast with Fat Joe, ‘Joe and Jada.’

“ ‘Every time I hear them on the radio, I turn them up,’ replied Fat Joe. …

“ ‘Who is this guy?’ one person asked. ‘I’ve been trying to find him to see what face matches the voice lol.’

“This guy is 47, and his face has an innocent, boyish quality. When in normal-conversation mode, John comes off as mild-mannered. Measured. Polite. … His path to radio viral-ity began when he was a nightlife promoter in Philadelphia, and he’d tag along with his mentor during his club commercial recording sessions. One time, John thought, hey, let me try this. Something instantly clicked. He started recording radio spots for a now-shuttered gentlemen’s club called Club Onyx. …

“When the pandemic hit, he took a step back from nightlife and dove into voice-over work. He began making ads for car dealerships — work he still does — and personal injury firm Big Al. Then TopDog Law came calling. …

“John’s aim is simply to create something unforgettable, so that, should you find yourself suddenly needing legal help, only one name comes to mind: ‘TopDog Law.’

“He starts by picking the instrumental track, using copyright-free tracks available on YouTube that he’s downloaded. … He listens for a few minutes. Sometimes he has a fragment of an idea his wife mentioned to him — ‘Okay, you’re in the airport and the dog sniffing you, bites you’ — or something he’s observed, like the self-driving cars in L.A., will visit his mind. John picks it up from there, and silently mouths the words to the beat to see if he can get the whole story in under the 30- or 60-second time limit — he saves a few seconds for the needed disclaimers.

“Then he hits record, and starts yelling into the microphone, eyes closed. … ‘I’m visualizing everything I’m saying as I say it.’

” ‘Am I gonna die? No, you’re not gonna die. But you gonna be in this hospital for the next six months. Can you tell me what happened? No. I can’t tell you what happened right now. Why? Because you don’t need to know that right now. I wanna know what happened! I want you to tell me now! You really wanna know what happened? Okay. Imma tell you. You was hit by a tractor-trailer. You was on the expressway. It’s bad. You want me to keep going? … You just waking up out of the coma. You’ve been in a coma for the last two weeks! You want me to keep going? Yes! You’re paralyzed. Car accidents, medical malpractice, it’s Toooop Dooooog Law!

“Some voice actors worry about being replaced by artificial intelligence, and John does, too, but ‘I think it’d be hard for AI to’ make these ads,’ he said. ‘It’s so unhinged and so random.’ ”

More at the Post, here. Or look for John on YouTube.

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Did I ever mention that John Cleese (“Monty Python,” “Fawlty Towers”) was the speaker at Suzanne’s college graduation? A very good choice if you like a bit of laughter with your deep thoughts.

Now an old video of the early Cleese has been unearthed.

The BBC has the story: “Two episodes of 1960s TV comedy ‘At Last The 1948 Show,’ which starred pre-Monty Python John Cleese and Graham Chapman, have been found after almost 50 years. The ITV programme, which was first screened in 1967, also featured Tim Brooke-Taylor, Marty Feldman and Aimi Macdonald. …

” ‘It represents a key moment in the history of British television comedy featuring the combined talents of some of its greatest exponents,’ BFI television consultant Dick Fiddy said. …

“The two episodes were found when Mr Fiddy was invited to explore the collection of Sir David Frost, who died last August, and who was executive producer on the show.

“They were contained on two reels of 16mm film and had been filmed directly from a television screen. …

“Cleese will present the two episodes, on loan from the Frost family, as part of ‘Missing Believed Wiped’ – the BFI’s annual celebration of recovered TV programmes — on 7 December in London.” More here.

Recently rediscovered in the effects of the late David Frost, a comedy featuring a young John Cleese. 

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John found a sweet little video clip of the 1955 Danny Kaye film The Court Jester featuring my favorite lullaby.

I often sing “I’ll Take You Dreaming” to my grandchildren, and I sang it to John when he was a baby and to Suzanne. (A pre-verbal Suzanne used to make a squeaking noise when I came to the word “dreaming,” and I finally figured out she thought the word was “screaming.”)

The YouTube video refused to embed, try as I might, and as I poked around the web for another video, I came on some information about Danny Kaye, who was hilarious in that movie. I never saw my mother laugh so hard. The lullaby was one of the few quiet places.

“Danny Kaye left school at the age of 13 to work in the so-called Borscht Belt of Jewish resorts in the Catskill Mountains. It was there he learned the basics of show biz. From there he went through a series of jobs in and out of the business. In 1939, he made his Broadway debut in Straw Hat Revue, but it was the stage production of the musical Lady in the Dark in 1940 that brought him acclaim and notice from agents.”

Oh, boy, I saw a production of Lady in the Dark in the 1980s at the Boston Conservatory. What a show!

“Samuel Goldwyn had been trying to sign Kaye to a movie contract for two years before he eventually agreed. Goldwyn put him in a series of Technicolor musicals, starting with Up in Arms (1944). His debut was successful, and he continued to make hit movies such as The Secret Life of Walter Mitty (1947) and The Inspector General (1949). In 1954, he appeared with Bing Crosby in White Christmas (1954), which was based on the Irving Berlin song of the same name. In 1955, he made what many consider his best comedy, The Court Jester (1955). …

“He also worked tirelessly for UNICEF.” More at IMDb.

You can find the lullaby scene on YouTube. I thought the sound quality was best here.

Studio publicity photo of actor and comedian Danny Kaye. 

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The NY Times had an article today about the subtleties of standup comedy in different languages.

Not only can jokes get lost in translation, but an immigrant from one country may be completely hilarious to an immigrant from another country while falling flat with temporary visitors from his own country.

Sarah Maslin Nir writes, “In a city where a priest, an imam and a rabbi really could walk into a bar on any given day — along with just about anyone from around the globe — what different cultures laugh at is as diverse as the city itself. …

“Cultural stumbles are a theme in immigrant comedy in New York, said Oleg Boksner, a Brooklyn comedian who is preparing a one-man show called ‘From Russia With Laughs.’ In it he has fun with his heritage through caricatures like the transplant from Communist Russia who tries to join in with the American custom of Halloween, but  scares away trick-or-treaters with his Soviet-style treats: a raw potato and an onion. ‘I’ve had people from Mexico relate to it as well,’ Mr. Boksner said of his act, ‘because they relate to the difficulties of being an immigrant in one form or another.’

“But when he played before a crowd of Russian visitors at B. B. King Blues Club and Grill in Midtown a few years ago, those jokes bombed. …

“And every foreign comedian must tackle the thorny task of figuring out which jokes just will not translate. Take the Mexican one about the chicken who was the height of foolishness. Why? Because he was looking for a pencil when he was surrounded by pens! ‘Plumas’ in Spanish, means ‘pens’ but also, critical to the joke, ‘feathers.’ ”

More.

Photograph: Yana Paskova/NY Times
Ali Sultan, a Yemeni-American comedian who lives in Minnesota and performed at the Comic Strip in Manhattan last month, claims to have studied at the University of I’ll Just Google It.

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