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Posts Tagged ‘dance’

When John was in fifth grade, the parent-teacher association held a “cakewalk” as a fundraiser. It was kind of like Musical Chairs except players didn’t sit down. People would get eliminated in each session, and the last one standing would win one of the cakes. At the time, the idea was new to me.

Now, as I’ve been looking into James Hackett’s Days Gone By again, I am realizing the cakewalk was based on a much older custom.

Writes James, “The cake dance, to which references were made frequently in the 18th and 19th century, was not a particular dance but rather a baire or session of dancing of which a cake was offered to the couple who proved themselves the best dancers. These events were usually sponsored by the local alehouse or tavern, and such gatherings were associated with hurling and other athletic contests. …

“The cake to be danced for is provided at the expense of the publican, or alehouse keeper, is placed on a board, which in turn is put on top of a pike that stands ten feet high, and from it hangs a garland of meadow flowers and also some apples fastened with pegs on the outside of the garland. … Those who are able to dance the longest around the cake are declared winners.”

Photo found here.
If you know where to find a photo of an actual Irish cake dance, let me know. In the meantime, here is an Irish piper accompanying a couple dancers.

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We watched Only When I Dance on Netflix last weekend, and afterward my husband did a Google search on the dancer who won the awards.

(The other dancer was heartbreaking. She was told that because she was black, there would be no opportunity in Brazil to join a company and she’d have to win a place abroad. Abroad, they told her she weighed too much — even though she was quite slender. Her family was poor and sacrificed everything for her.)

Dancer Irlan Silva ended up at the Boston Ballet.

James H. Burnett III wrote about him for the Globe. “At 23, Silva is a rising talent with Boston Ballet. But six years ago he wasn’t sure whether he’d even live long enough to see his dream of a career in ballet come to fruition. …

“Where he came from — a gritty favela in Rio de Janeiro — was documented in a critically acclaimed 2009 documentary called Only When I Dance, in which Silva and another dancer from the slums of Rio, Isabela Coracy, battle the odds in pursuit of their careers. Favelas, shanty towns that surround the city, are rife with poverty and violence. …

“Silva’s interest in ballet developed when he attended a professional performance at the age of 10. ‘I was hooked immediately,’ he says.

“He says his natural flexibility and leaping ability carried him until he was able to receive formal training, but not every flexible would-be dancer in Brazil was able to land a spot in Centro de Dança Rio, the nation’s premier ballet school.

“ ‘My teacher — a great teacher — Mariza Estrella  is responsible for inspiring me and pushing me on my way, out of the nest.’ …

” ‘Ballet can be expensive,’ he says. ‘My mother ran a cafe from her home. She still does in the same place. And she just made sure I had whatever I needed, like ballet shoes. …

“His father … Irenildo Santos, a factory worker in Rio, said through an interpreter in a recent phone interview that his son’s dancing ability was what convinced him that ballet was a worthwhile pursuit.

“ ‘We live in a very tough community. It can be very dangerous. There is crime. And there are even people who wish to harm you if you don’t behave in a certain way or fit a certain mold. … But when I saw him dance the first time, I was very moved. And now I am his fan. I am his biggest fan.’ ” Read more.

Photo: Essdras M Suarez/Boston Globe
Dancer Irlan Silva

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Photo: Thomas Ondrey/The Plain Dealer
Zumba instructor Kelly Perkins, center, leads a group dance-walking  through Shaker Heights on Friday. The local version of the craze was organized by Shaker resident Jennifer Lehner.

Mary Ann is one of Cleveland’s biggest boosters. This week she’s been posting on Facebook about a dance-walk outing she joined Friday.

Janet Cho at the Cleveland Plain Dealer interviewed dance-walk organizer Jennifer Lehner.

“The idea came out of a backyard barbecue,” Cho writes. Lehner “was chatting with her friend Karen Katz, wife of Fire Food & Drink’s Doug Katz, about the fun YouTube video where WNBC television reporter Ben Aaron convinces New Yorkers to strut their stuff with him down the city streets.

” ‘We should do that!’ Katz said.

” ‘About one hour later I went home and bought the dancewalkfitness.com domain, set up the website and the Facebook page,’ she said. ‘You know, that’s just how I roll.’ …

“Lehner envisions tying the dance-walks in with her monthly Flash Cashers events, since the group might end up having lunch at a local restaurant after the workout.

“Flash-Cashers summons consumers to descend upon a local Shaker Heights-area business to spend at least $20 each during the cash mob event, giving the merchant a welcome one-night boost and increasing awareness among residents who may never have stepped foot in the store before.” Read more at the Cleveland Plain Dealer, here.

And here is Ben Aaron, who started the whole thing.

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The rainy Saturday turned out to be gorgeous, so we went to the Somerville PorchFest and ran into some people we know.

A variety of bands play on porches around the town.  Neighbors sit on their steps to listen, families and college students wander in, entertainers entertain, and almost everyone is moved to dance.

My grandson and his best friend are pictured cutting a rug.

Read about this annual event here.

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In the UK, retirees are taking up ballet.

Emma Ailes writes for BBC Scotland, “In a locker room at Scottish Ballet, a group of dancers are lacing up their ballet shoes. Only one thing marks them out from the other dancers here. These dancers are all in their 60s and 70s.

“Today, they are rehearsing ‘Swan Lake.’

“Among them is Alicia Steele. She danced when she was young. Now, nearly 80, she’s back.

” ‘I went to keep-fit classes, but I found them a bit boring,’ she says. ‘And I love the music with the piano. I just love it and it makes you feel a bit young again. It doesn’t make you look young, but it makes you feel young inside.’

“There’s been a 70% jump in the number of adult dancers signing up for classes in recent years, according to the Royal Academy of Dance. Some, like Alicia, danced when they were young. Others are complete beginners.

“Their oldest ballerina is 102.” More.

I took ballet both as a child and as an adult. But for now, I am sticking with tai chi chuan. Today the teacher had me learning complicated new moves with the advanced students. “You deserve it,” he said to me.

I’m not sure how to take that.

Photo: BBC Scotland

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I took modern dance in high school. The teacher was said to have studied with Isadora Duncan, and she certainly liked that flowing kind of movement.

Miss Hinney once challenged us to choreograph a dance about an abstract topic. Page and I chose Lavoisier’s discovery of oxygen, for which we used music from the Firebird Suite. We were not allowed to act it out as if we were Lavoisier, rather we had to interpret the chemical reaction using dance. It was impossible, so we were naturally very proud when we pulled it off.

Since then I have felt a great respect for the inventiveness of choreographers.

Here is one who sounds pretty cool. Allison Orr has closely observed garbage men in Austin, Texas, and has made their movements into a dance. More recently she worked with employees of the power company.

Robert Faires at the Austin Chronicle describes “The Trash Project, her award-winning, phenomenally popular collaboration with the city’s Solid Waste Services Department (now Resource Recovery) that made dancers of sanitation workers and the machines they operate. … Now, the Forklift Danceworks artistic director is at it again, albeit with a different city department, Austin Energy, whose employees are the focus for PowerUP. …

“For Orr, who’s made a career of making dances from the movements of people who aren’t trained in the art form – firefighters, gondoliers, roller skaters, orchestra conductors, Elvis impersonators, traffic cops, et al. – the personal stories of her subjects have become as important as their moves. She talks at length to the people with whom she collaborates on a dance and weaves recorded excerpts from interviews into the performance as the subjects are moving,” The latest Production, PowerUP was performed in September at the Travis County Exposition Center. More.

Photo: John Anderson
Power company choreography.

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A program in Europe that deals with school dropouts and youth who are in trouble with the law is turning many around.

Katrin Bennhold writes for the NY Times about Dance United. “This is no ordinary dance company. The young people at Dance United have a background in trouble, not ballet. …

“Referred by schools, parents and more often youth services, they train six hours a day for six weeks with professional contemporary coaches in a highly disciplined dance boot camp. …

“On average, 7 in 10 make it onto the stage; of those, 8 in 10 return to mainstream education or work, and more than 3 in 4 do not commit offenses or become repeat offenders. One in 10 even goes on to study dance professionally, with one Dance United graduate, Matthew-Jay Pratt, now in his final year at the competitive Trinity Laban Conservatoire of Music & Dance in London.

“It is one of the most original and successful youth engagement programs in Britain, costing its private and public backers about $3,000 per person but saving society an estimated $128,000 in legal costs and welfare benefits, according to New Philanthropy Capital, a research firm that calculates returns for donors to charity. …

“Dance United started out in the 1990s, working with Ethiopian street children, youths in post-reunification Germany and young Catholics and Protestants in Northern Ireland. …

“Ask Trey what he has learned and he eagerly shows off his favorite move: a long sideways jump, his face and chest turned skyward and his arms wide open.

“But he has also learned about getting up in the morning, even when his mother is still asleep, and how to follow a healthy diet. …

“And Trey has learned about books and the power to take control of your own story.” More.

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My husband heard that the Kiev subway is a popular place for older Russians and Ukrainians to go dancing. So I Googled around a bit and found stories at Odd Stuff Magazine, here, and the Daily Mail, here. And a video at YouTube. In today’s world, you can’t keep a good story down.

At the Daily Mail (which seems to favor bullet points) Helen Lawson writes, “Saturday night fever: The subway where Kiev’s pensioners dance and find love.

  •     The dancers cannot afford to pay for a venue so they use a metro subway
  •     The group meets every Saturday at 7 pm to socialise and dance
  •     About 20 couples are known to have met thanks to the meet-ups
  •     Reuters photographer Gleb Garanich documented the weekly gatherings

At Odd Stuff, photographer Garanichev Hleb (is that the same Reuters guy?) asks the subjects of his photos about the dance scene. “Milevsky Nicholas was born in 1938 and Natalia Stolyarchuk born in 1955 met at these dances and has since moved in together. This is one of the 20 couples who met at these clubs. ..

“Despite his age, both retired and still work together earn about 4,000 hryvnia per month. …

“These people do not communicate in social networks, but still remember all the holidays of childhood and youth, when put on the table, to visit friends and neighbors come, everywhere sounded cheerful sounds of accordion.” More.

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Everyone is getting ready for Thanksgiving around here. John’s family has left for Syracuse to join culinary forces with my daughter-in-law’s family. My husband and I just arrived in Providence, where we will celebrate with Suzanne, Erik, my sister, and my brother-in-law.

Big cooking starts early tomorrow. But I already made the From Scratch Club’s cranberry sauce that was such a hit last year. (I found it on their WordPress blog.)

So as not to repeat myself too much, I am just going to share a link John sent me that captures the leaping-for-joy spirit that should be the essence of a holiday that is basically about eating a lot of food with people you like. And then maybe taking a nap and dreaming you are flying.

Check out the wonderful pictures at http://imgur.com/a/NAwjl

This is just one.

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Being in the middle of an earthquake just now (a baby one), I got the urge to post about a cemetery.

Peter DeMarco wrote in the Boston Globe a while back about a lovely dance performance in the famed Mount Auburn Cemetery.

“The 100-member cast of ‘A Glimpse Beyond: A Unique Celebration of Life and Death’ leaves no one out: dancers, musicians, poets, puppeteers, sopranos, jazz singers, gospel choirs, and actors — some garbed as masked ‘spirit owls,’ others portraying the recently departed — join to make audiences ponder what lies ahead in the great beyond.”

According to DeMarco, the show was designed so that audience members could walk along, following the narrative as it unfolded “across the various graves, groves, and lush contours of America’s first garden cemetery.”

Bree Harvey, the cemetery’s vice president of external affairs, told the reporter that the performance was suited to Mount Auburn because “ ‘it’s a place of peace and tranquility, a place to commemorate the dead and console the bereaved and celebrate the lives of those buried here.’ ” More.

“Glimpse” reminds me of “When the Saints Go Marching in” and the New Orleans jazz parades that commemorate a life.

Back to the earthquake: John retweeted  prompt info from @NewEarthquake on twitter: “4.5 earthquake, 6km SSW of Lake Arrowhead, Maine. Oct 16 19:12 at epicenter.” It took NewEarthquake only four minutes to report. In case you haven’t gotten into twitter yet, it is truly the place to go for breaking news.

Photograph: Pamela Joye
“A Glimpse Beyond: A Unique Celebration of Life and Death” brought a 100-member cast onto the grounds of Mount Auburn Cemetery

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A NY Times article I saved from November 24, 2009, remains as inspirational as when I first read it.

In “Learning His Body, Learning to Dance,” Neil Genzlinger writes that “Gregg Mozgala, a 31-year-old actor with cerebral palsy, had 12 years of physical therapy while he was growing up. But in the last eight months, a determined choreographer with an unconventional résumé has done what all those therapists could not: She has dramatically changed the way Mr. Mozgala walks.

“In the process, she has changed his view of himself and of his possibilities.
Mr. Mozgala and the choreographer, Tamar Rogoff, have been working since last winter on a dance piece called ‘Diagnosis of a Faun.’ It is to have its premiere on Dec. 3 at La MaMa Annex in the East Village, but the more important work of art may be what Ms. Rogoff has done to transform Mr. Mozgala’s body.

“ ‘ I have felt things that I felt were completely closed off to me for the last 30 years,’ he said. ‘The amount of sensation that comes through the work has been totally unexpected and is really quite wonderful.’ ”

Choreographer Rogoff saw Mozgala perform the role of Romeo in a production by Theater Breaking through Barriers in March 2008 and knew she wanted to create a dance piece for him.

“Originally, [Ms. Rogoff] envisioned a simple study, maybe 10 minutes long. Mr. Mozgala’s expectations when he agreed to the project were equally narrow: he said that he thought that she would either merely create a dance that made use of the physical abilities he already had or, after seeing his limitations, tell him, ‘Thanks but no thanks.’ ”

It turned out that their expectations were way too narrow. Read more.

Photograph by Andrea Mohin at The New York Times shows Gregg Mozgala rehearsing with Emily Pope-Blackman.

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Sunday evening I went over to Concord Academy to hear Seán Curran talk about how he creates choreography. Betsy, one of the dancers from his company, did a beautiful job of demonstrating what he meant.

As a little boy growing up in Watertown, Seán said, he waited eagerly for the mail that brought Look magazine. He liked to cut out pictures and make collages with them.

He says that his approach to choreography is similar. He arranges many snippets or dance phrases in different ways. His challenge is to edit down the many ideas so that the choreography doesn’t topple from too much weight.

I make collages, too. I have always liked the idea of taking a bunch of random things people have said and trying to make a play out of them, for example.

I also make collage greeting cards. I keep a box of promising pictures, cut from magazines and gallery postcards. I go through the whole pile and set aside maybe 20 items that somehow remind me of the person for whom I am making the card. Then I edit them down to the few pieces that will be best for the particular occasion.

All that happens before I cut the shapes and decide on how to arrange them. Sometimes I do a cutout of a cutout and put something else in the space: for example, I cut a vista out of a painting of a window and put a girl in the space (bottom right).

Here are examples.

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Feel like dancing? I’d love to see this sort of thing in every town in America. How nice it would be to walk a few blocks on a summer evening, and there it would be!

“It’s Monday night in Boston. Under the locust trees of the Blackstone Community Center surrounded by basketball games, tight parking spaces, and children playing, the dance floor heats up in the park as the night air cools off and the stars come out.

“Many salseros in Boston claim [Salsa in the Park] as their favorite event of the city, not only for the appeal of dancing outside ‘al aire libre’, but as a way to give back to the community. Dancers volunteer all summer, donating their time to teach dance lessons to adults and children, set up dance floors, assist with event staffing, maintain a recycling program, and clean up from the festivities until late into the evening.

“This event is staffed in collaboration with the Mayor’s Program of Cambridge, and the Blackstone Community Center Youth Summer Programs. We emphasize healthy lifestyle choices for the individual and the community, through dancing, healthy food options, and greening our event as much as possible with educational materials and interactive information.”

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I read an article by Rebecca Milzoff in the NY Times recently that got me seeing people on the street in a new way.

Milzoff was interviewing a New York City choreographer about his latest work, and something he said stuck with me.

“ ‘I was assured when I came to live in this space on Broadway between Prince and Spring that SoHo would never come this far,’ David Gordon said, looking out the wall-to-wall windows in his second-floor loft. ‘Instead I now live in the Mall of America.’

“ ‘When I set foot out the door, there are so many people going in different directions,’ he said. ‘The choreography of the street is mind boggling.’ ”

Those words came back to me a couple days later as I waited for the morning train. There’s a point when bells start ringing because the gate is going down, and commuters stream across the parking lot with their briefcases and coffee mugs. On this particular day, they looked to me like dancers in a choreography of the everyday. The flow, the spacing between people suggested dance. The commuters had a special aura, partly because they had no consciousness of being in a dance performance.

I hope to be alert to other such happenings in the future.

It sure jazzes up the commute.

Photograph: Julieta Cervantes for The New York Times

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Had an awesome playdate with my grandson and his parents today.

John and I pushed the stroller to a playground that has lots of climbing things and outgrown toys that families donate. On the way, we passed a neighbor’s yard. Smoke was curling up behind the fence. The three-year-old twins were roasting green coffee beans in an old popcorn maker, their dad watching. The children are apparently quite skillful aficionados and know the difference between “first crack” and “second crack,” a coffee-roasting concept that was news to me. They gave a jar of roasted beans to John to take home, with instructions to let the beans breathe overnight.

At the playground, there were many dads with toddlers. Only two moms. It seems to be a Saturday-morning phenomenon — proof that Suzanne’s high school friend Mike was onto something when he founded Playground Dad.

We also had fun playing in the pup tent that had temporarily taken over John’s dining room. And we danced. My grandson will dance at the drop of a hat. You don’t need to play music — singing a cappella or rattling a jar of freshly roasted coffee beans to a good beat will get him going. His dad took break dancing as a kid. Also tap. And his mom is a super dancer. So there you go.

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