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When you have a doctor’s appointment in the morning and go to work late, you see a whole different crowd riding the subway. In the summer after rush hour, there are a lot of families on outings. A woman and a boy of about 11 got on and sat near me. The boy began to tell his mother that he had been reading about a made-up language called Esperanto. She said she had heard of it and thought it had been popular a long time ago but hadn’t worked out. An older kid they didn’t know chimed in to confirm the woman’s view. Esperanto was intended to be used as an international language, but nobody spoke it anymore.

That was too much for me. “Well,” I said, “hundreds of thousands of people speak it. I speak it.” If I may say so, the boy and his mother were delighted. Could I speak a few words, they asked?

“Mi parolas Esperanto,” I said. The boy repeated the “I Speak Esperanto” phrase several times. He then wanted to know “hello.” “Saluton,” I said. I told him and his mother why Ludwig Zamenhoff had felt a need for such a language more than 100 years ago in a war-torn part of Eastern Europe.

When the woman and the boy were leaving the train, they asked how to say “good-bye” and told me good-bye in Esperanto.

Now get this. Here is William Shatner, long before “Star Trek,” in a spooky black and white movie called “Incubus” — filmed in Esperanto!

That is so bizarre, I thought at first it must be a hoax. Maybe some Esperantists dubbed it for a joke on YouTube, I thought. But Wikipedia is very careful about such things, and it confirms that William Shatner performed in a movie in Esperanto that was thought to be lost. The recently rediscovered print had subtitles in French, which have now been converted to English. Read Wikipedia here. (Read my previous post on invented languages here.)

And just in case you are now inspired to learn the language, this little clip offers a pretty good lesson.

I hope the boy on the subway finds it. A terrifically curious and open-minded young man.

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We watched a couple unusual documentaries last night and last weekend. Often by the time films are available on Netflix, all I remember about the review is that someone highly recommended them. I know only that we will get a big surprise.

“Marwencol” and “Waste Land” were amazing surprises. They turned out to have something in common, too — the idea that art can lift people from despair, help them see things in a way that opens up their world. What was different between the movies was that for the troubled guy who created art in “Marwencol,” showing his work in a NYC gallery is quite beside the point of his healing process and probably the last thing he needs.

The movie is beautifully executed, but one has the sense that the young filmmakers who think the protagonist will benefit from the big-time art world don’t understand psychology very well.

The protagonist of “Waste Land,” successful Brazilian artist Vik Muniz, although equally idealistic, understands his subjects better, having experienced a life similar to theirs in his impoverished childhood. He decides to combine an art project with helping “garbage pickers” in the world’s biggest landfill, in Rio. Getting to know a few of the workers really well, he develops tremendous admiration for them and their deep dignity. He pays a few to work with him on giant portraits on themselves, portraits that play on the themes of some famous paintings. They use recyclables to complete the images, which are then photographed and shown in galleries and at auction. The proceeds come back to the people and help them both individually and collectively.

But the biggest transformation is not monetary but rather what Vik anticipated based on his own life experience — that by seeing things in a new way, they would get new ideas about themselves and their possibilities.

 

 

 

 

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