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Posts Tagged ‘geoff hargadon’

You may recall a past post about the Greenway mural by Os Gemeos, Brazilian twins who had a show at the Institute of Contemporary Art and painted street art around Boston when they were here. I posted pictures of their work-in-progress for the Greenway, here.

Geoff Hargadon photographed the finished work for the Boston Globe, below.

That giant mural is gone now, and Matthew Ritchie is working on the next one. I took a picture of it today and plan to take more for the blog as Ritchie wraps up.

Geoff Edgers at the Globe gives some background on this new piece. “The Institute of Contemporary Art has commissioned British-born Matthew Ritchie, known for using scientific principles to inspire his work, to take over the enormous outdoor canvas.

“Ritchie’s 5,000-square-foot seascape will be installed the week of Sept. 16 and remain up for as long as 18 months.

“The collaboration … is part of a residency for Ritchie that will include a multimedia performance with members of the rock bands The Breeders and The National, concerts at the museum and elsewhere, and a video project to be produced with the ICA’s teen program. But the biggest splash for the public will come on the exterior of the Big Dig ventilation building in Dewey Square.”

Read more at the Globe, here, and at the Greenway site, here.

Photo: Suzanne’s Mom

Matthew-Ritchie-Greenway-art

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I am psyched. I blogged a while back about UBS banker Geoff Hargadon, who is also a conceptual artist with a crazy sense of humor.

After Brandeis University’s then president made noises about selling the art collection of the Rose Museum, Hargadon put a sign outside on the grass: “Cash For Your Warhol.” It looked like the signs on telephones poles or in abandoned lots that lure the unwary into deals too good to be true.

Hargadon has put his signs up hither and yon, like the street artist Banksy in a way, or Shepard Fairey.

Yesterday I noticed one in the Boston financial district as I waited for the light to change. It’s at the corner of Congress and Franklin streets. I came back today and took a picture. Anyone want to call the number?

 

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You knew that the poet Wallace Stevens was a lawyer for the Hartford Insurance Company in Connecticut, right?

It’s fascinating, the double lives many creative people live. In this post, for example, I mentioned Kyan Bishop, a colleague with a pretty businesslike job, who turns out to be an accomplished conceptual artist.

Today I have two gentlemen from the financial-services industry, which whatever else one might say about it, pays enough for a guy to indulge an artistic bent.

Consider first Geoff Hargadon, now showing at the Kayafas Gallery in Boston.

Art critic Cate McQuaid writes in the Boston Globe, “Bring up conceptual art, and some people’s eyes glaze over. So before we dive into the conceptual underpinnings of the work of … Geoff Hargadon now up at Gallery Kayafas, let’s say this: It’s funny, wry, and self-mocking — accessible on many levels.

“Hargadon’s ‘Dealers Protected!’ features signs that he has put up, first around Boston and then during the Frieze Art Fair in London in October, and during Art Basel Miami Beach earlier this month. Perhaps you have seen them. They read ‘Cash for Your Warhol.’ This show features the signs themselves, and photos of them in situ.

“The artist, who is an unlikely hybrid of street artist and senior vice president at the financial services company UBS, was inspired by the ‘cash for your house’ signs he saw on telephone poles during the worst of the economic collapse. He hilariously posted his first ‘Cash for Your Warhol’ sign outside the Rose Art Museum at Brandeis in 2009, after the museum announced controversial — and later canceled — plans to close and sell off its collection.” Read more here.

Second is the late Warren Hellman, Wall Street financier and devoted banjo player. “After nearly 20 years at Lehman in New York, he started several money management businesses, including Hellman & Friedman in San Francisco, one of the country’s most successful private equity funds. More recently Mr. Hellman focused on philanthropy, bestowing millions of dollars on cultural, educational and medical charities in the Bay Area. The three-day concert he founded, Hardly Strictly Bluegrass, held each year in Golden Gate Park, has been financed entirely by him.” Read about Hellman in the NY Times obit.

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