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Jonny Rhodes, owner of the acclaimed Houston restaurant Indigo, is putting his energy and reputation behind a social justice movement focused on food.

I’ve written a lot of posts about food deserts and efforts nationwide to help low-income communities get access to fresh and nourishing produce. Today’s story adds to the series, highlighting how a successful Houston restaurateur decided to make food equity his business.

Victoria Marin writes at the Washington Post, “By most accounts, Houston chef Jonathan ‘Jonny’ Rhodes has already achieved tremendous success. Just a few years removed from culinary school, he has worked in several Michelin-starred kitchens and is running his own celebrated restaurant. Nonetheless, he says, everything in his career has brought him to this moment, confronting food justice against the backdrop of what is perhaps the biggest movement against … police violence in history. …

“A restaurant, even a revered one, has never been enough for Rhodes, who says the pathway to real freedom is through the security and sustainability that comes with land ownership. He has been laying the groundwork since he opened his neo-soul food restaurant, Indigo, by building out a market of preserved and canned pantry items supplemented by produce from the modest garden next door. His intention: to eventually open a full-service grocery store and, further down the line, start a farm to supply the store

“Rhodes decided to open Indigo in Houston’s Northline neighborhood, just outside of where he grew up, in part because he wanted to prove that fine dining belonged there, even if local law enforcement — and some Yelp reviewers — may have thought otherwise. But he has long had bigger aspirations for the project he undertook two years ago: He wants [to show our] ‘people what we’re capable of. … It makes them curious. And as it makes them curious, they create, they start asking questions. And when they start asking questions, they create their own ideas, and ideas are dangerous to the establishment — so instead of telling people to stay safe, we tell them to stay dangerous.

“What constitutes ‘staying dangerous’ in Rhodes’s mind? It starts with Indigo’s unconventional, barrier-breaking premise: The five-course soul food menu is made up of dishes designed as much to convey flavor and beauty as to elicit dialogue about the food history of the African diaspora, with such names as Violence of Hunger; Hijabs, Hoodies & Afros; and Descendants of Igbo. Everything that’s cooked is prepared over a wood-fired grill because it’s historically accurate and because Rhodes and his team … couldn’t afford the $10,000 necessary to install a gas kitchen when they opened. Once or twice during the meal, Rhodes steps into the dining room, surrounded by African art, books about slave foodways and posters emblazoned with revolutionary quotes, and presents a deft treatise on the inspiration behind each dish, encouraging guests to consider the intersections between past and present. …

“The 13-seat restaurant, which offers only two seatings per night, four nights per week, has become one of the most coveted reservations going. But reviews and awards have never been Rhodes’s goal. And neither is just conversation, though conversation is a big part of the Indigo experience. … For Rhodes, who served in the Marines before starting a family, going to culinary school and then getting a degree in history, the war for natural resources has long been an apt metaphor for the black American experience. ‘African Americans have been subdued because we don’t control any natural resources,’ he says. …

“The communities Rhodes describes are commonly called ‘food deserts,’ usually densely populated neighborhoods marked by a severe lack of fresh produce coupled with an often devastating abundance of alcohol and processed food. But Rhodes and other food justice advocates around the country consider the term a misnomer. A more accurate phrase, they say, is ‘food apartheid.’ …

“According to Karen Washington, co-founder of New York City’s Rise and Root Farm, calling it apartheid allows us to ‘look at the whole food system, along with race, geography, faith and economics. You say “food apartheid,” and you get to the root cause of some of the problems around the food system. It brings in hunger and poverty.’ …

“Covid-19 has disproportionately laid siege on black Americans, something Rhodes sees as inseparable from food apartheid because of the interconnectedness between urban blight, food insecurity and health-care inaccessibility. The pandemic expedited his team’s plans. When states started shutting down in March, Indigo closed for a few weeks and then, like many other restaurants across the country, pivoted to groceries when it reopened. Unlike most other restaurants, though, Broham Fine Soul Food and Groceries isn’t a temporary endeavor. Rhodes is seizing this opportunity to do his part to dismantle food apartheid, through a sustainable, community-oriented, black-centered soul food market. …

“For Rhodes, this moment is ripe with possibility: Earlier this year, he and his team purchased six acres of land just outside the city so they can start farming on a larger scale. (Always resourceful, they’re repurposing the wood they’re clearing for cooking, building fencing and growing mushrooms.)”

More at the Post, here. Additional information at Houstonia magazine, here.

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Photo: Tim Clyne
Genesis Blu calls herself a “raptivist” — a mix of rapper and activist. She also works as a psychotherapist.

I heard Genesis Blu interviewed on National Public Radio (NPR) one day when I was driving and thought you might be interested. She is a rapper, an activist, and a psycotherapist.

NPR’s Lulu Garcia-Navarro interviewed her at SugarHill Recording Studios, where Genesis Blu recorded the tracks for her EP, “Bluming Season.”

“Genesis Blu calls herself a ‘raptivist,’ mixing hip-hop with advocacy. She says she dedicates time to ‘facilitating change in her community.’ The dual passions for politics and music started at a young age.

” ‘I would be like 12 years old, going to a nightclub, where people are smoking and drinking. I was always a different type of kid, so my songs would be about the struggle, the political climate — even that young. And they would be like, “Where is this little girl coming from with this stuff?” ‘

“But when she got older, she put the music career on hold and focused on school — a lot of school. She got a bachelor’s, a master’s and started her doctorate. Until she had an epiphany one day — she wanted to be back in the community, writing music. She was in the middle of her dissertation.

” ‘I literally stopped that day, put down that pen and picked up another pen and a notepad and began to write music,’ she says. ‘And I’ve been doing that since.’

“Well, it’s not quite all of what she’s been doing since. She’s also a full-time psychotherapist. Blu works with children and families and teens ‘who are removed from their home due to abuse of some sort or due to their emotional disturbances,’ she says.

” ‘People ask me to choose [between music and therapy] and I cannot, I love them equally,’ she says. ‘Because you’re able to change lives both ways.’ ”

Here are some highlights of the interview.

” ‘I don’t want my people left behind. So, what’s happening [in Houston] right now is gentrification, in the worst way. They are pushing these people out. And there’s not many other options [of places] to go, because we don’t have a great public transportation system …

” ‘It’s upsetting a lot of us who have been in this community and are working in this community. And so even though I’m very happy about the diversity, what it also is doing is allowing people to come in with a bunch of money, throw money at some things, tear some things down, buy it out — and then leave the people who have been here stranded.’ …

” ‘My history is that my grandmother grew up in another neighborhood in Houston as well called Acres Homes. So living between Greenspoint and Acres Homes, which were rivals at the time when I was a kid by the way. So I would have to go to my grandmother’s house after school if my mother couldn’t be home from work.

” ‘And that was interesting because I was bullied — a lot. Because I’m too proper for the black kids and I’m not white enough for the white children, so I’m in a very awkward place. But still loving the culture of where I come from.

” ‘But my grandmother was also an activist. She was very influential in the war on drugs here in Houston. So … she would have me marching with her. So I get that from her.’ ”

More at NPR, here.

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The other day on an American Public Media radio broadcast, I heard a story about Better Block Houston and its approach to urban revitalization. “The Better Block is a national movement which originated in the Oak Cliff neighborhood of Dallas. Better Block projects have improved neighborhoods in Chicago, Dallas, Fort Worth, Portland, and Memphis.”

Concerned residents focus on a vision for one block and throw a daylong event showing the potential.  The idea is that visitors might come to see the event and its special one-day amenities and would then notice cool things about the area and decide to return. New businesses might decide to move in. Sounds like wishful thinking, but the Better Block folks claim the approach is attracting more foot traffic and business.

“The ‘Better Block’ project provides a one-day living workshop of how a ‘Complete Street’ works, by actively engaging the community, helping them to visualize better outcomes for the future, and empowering them to provide feedback in real time. Better Block is a fun and interactive demonstration of a ‘Complete Street’ — and what it can do for a neighborhood. Complete Streets …  are designed and operated to enable safe access for all users. Pedestrians, bicyclists, motorists and transit riders of all ages and abilities must be able to safely move along and across a complete street. Complete Streets make it easy to cross the street, walk to shops, and bicycle to work. They allow buses to run on time and make it safe for people to walk to and from train stations.”

In Boston, a young couple I know, Sam and Leslie Davol, had an idea to set up a temporary library in Chinatown, which had not had a branch library in decades. Their project made use of a storefront that had been vacant during the economic downturn.

Leslie just sent out an e-mail about what they’re working on next: The Uni Project.

“Many of you know the Storefront Library, which Sam and I undertook in a vacant storefront in Boston’s Chinatown last year. That project had a big impact on us, just as it did on the Chinatown community. Since then, we’ve helped several local groups take over the books and Chinatown’s library advocacy, and we’ve spent time exploring a broader need for places like libraries in urban neighborhoods and cities generally. …

“The Uni is a portable infrastructure that will allow us to quickly deploy and create staffed, open-air reading rooms in almost any available urban space. The Uni is based on a system of cubes, and the books inside those cubes are just the start. Like libraries, we plan to use the Uni to provide a compelling venue for readings, talks, workshops, and screenings, through partnerships with local organizations and institutions. And the best part, once we fabricate this lightweight infrastructure, we can keep it running, serve multiple locations, and even replicate it.” Read about The Uni Project here.

8/11/12 update on Uni Project here. Now it’s even in Kazakhstan.

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