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Photo: David A. Lindon/BBC.
These micro paintings cannot be seen with the naked eye.

We were speaking of miniatures. Today’s story is about an artist who goes beyond miniature to microscopic: art that can’t be seen with the naked eye, art that has to be painted at night to avoid the slightest jostling from traffic.

Cathy Free wrote about the artist at the Washington Post. “Late at night while most everyone in the coastal English town of Bournemouth is sleeping, David A. Lindon sits in front of a microscope making the tiniest of artworks. His creations are so minuscule and precise, he steadies his hands by only moving them between his own heartbeats.

“One twitch — or worse, something as disastrous as a sneeze — and his latest painting or sculpture could disappear into the fibers of his carpet or be lost forever in the jumble of tools on his desk. … A few years ago, at least one piece of artwork became lodged inside Lindon’s nose, never to be seen again.

“ ‘I inhaled it by accident, and poof. It was gone,’ he said. ‘To do what I do, you practically have to work yourself into a trance.’ …

“He started out putting each of his tiny masterpieces inside the eye of a needle or on top of a pin. His latest work is rotating as a wearable miniature art gallery inside a watch.

“To celebrate the 50th anniversary of the Van Gogh Museum in the Netherlands last month, Lindon collaborated with Edward Hammond, the founder of Hammond Galleries in the United Kingdom, to re-create three of Vincent van Gogh’s most famous paintings — ‘Starry Night,‘ ‘Sunflowers‘ and ‘Self-Portrait‘ in micro form. … The project took him six months.

“The watch with the microscopic Van Goghs is now on view at Hammond Galleries, valued at $190,000. …

“Lindon has three other pieces on display in New York this summer at an exhibition called ‘Small Is Beautiful,’ and he said he’s next hoping to showcase the world’s smallest zoo. …

“ ‘What I do doesn’t take up much space, but it’s very, very hard to do,’ he said. ‘It takes hundreds of hours.’ …

“Lindon, a former engineer who once worked in the aircraft industry, said he developed a fascination [with] ultra small-scale art after watching a TV special in the U.K. about artists who enjoyed creating diminutive works.

“In 2019, he said he decided to create a few of his own pieces and spent months working on his painstaking technique. His first piece was a wee Dalmatian that he made for his daughter, Abigail. It measured about a half of a millimeter long, and was crafted from materials that included porcelain, nylon, carbon fiber and precious metals.

“ ‘She suggested that I put it online, so I posted it on Facebook and Instagram,’ he said. ‘When people went nuts over it, I knew I must be on to something.’

“Lindon experimented with materials such as carpet fibers and crushed micro pigments, and he developed his own small tools, including a blade made from a hypodermic needle with a diamond fragment on the tip, and brushes made with fibers from silkworms.

“ ‘People ask me, “Do you paint with the leg of a fly?” But I actually use micro hooks and shovels that I’m constantly remaking,’ he said. …

“His work is reminiscent of the famed micro artist Willard Wigan, who for decades has painted with materials such as human eyelashes, and has won two Guinness World Records for the tiniest art made by a human hand. Other micro artists — including Hasan Kale, who paints on a grain of rice, as well as almond slivers, and Salavat Fidai, who makes sculptures on the tip of a pencil — have gained notoriety for their talents in the world of tiny art.

“Lindon said he usually works late at night so vibrations from traffic won’t disturb his concentration or cause his art to tremble under the microscope. ‘One mistake and it’s gone,’ he said. …

“His most frustrating loss was a mini reproduction of Pablo Picasso’s ‘Weeping Woman,‘ Lindon said.

“ ‘She has lots of color and is very angular with lots of straight lines,’ he said. ‘Basically, she’s a jigsaw. Earlier this year, I got three-quarters of the way through this complicated piece when my fingers suddenly twitched and I ripped the painting apart.

“ ‘I could have cried, but I carried on,’ Lindon added. …

“He said that mishaps happen less frequently now that he has taught himself to control his heartbeat by slowing down his breathing and relaxing.”

People sure come up with the most amazing hobbies! More at the Post, here.

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Photo: American Theatre
A scene from “Mentiras Piadosas,” by the troupe Los ImproDucktivos. That’s the audience watching from behind the Venetian blinds.

Theater people keep thinking up new ways to create work that moves you in an immediate and intimate way and that attracts new audiences. We’ve written about theater in taxis in Iran and dramatic productions conducted one-on-one, among other experiments.

Now from Spain comes micro theater, 10-minute plays that allow you to stand in the same room with the actors.

Felicity Hughes writes at American Theatre, “On a rainy Thursday night in Madrid the bar of Micro Teatro Por Dinero is packed with a young crowd of theatregoers waiting to catch a short performance in one of the five tiny rooms in the venue’s basement. When our number is called, we’re led into a small dark room where the audience sits pressed up against each other sardine fashion on tiny stools.

A door is flung open, immediately breaking the fourth wall as a distressed young man stumbles in and sits down on my knee in floods of tears.

“ ‘Never before has there been a theatre so close, so intimate, and so open — there are no preconceptions, no limits, no censure,’ says Miguel Alcantud, the inventor of micro teatro, an abbreviated form of theatre. …

“The concept has since become so popular that the Micro Teatro Por Dinero franchise has been sold to venues in 15 different cities around the globe, including Buenos Aires, Mexico City, Lima, Lebanon, even Miami. …

“ ‘The cost of putting on a show is very small, and we change the program every month,’ Alcantud continues. ‘We don’t mind if the piece works or doesn’t work, because we’re always putting something new on. The commercial success of a single show doesn’t matter so much.’ …

“ ‘You feel as if you’re breathing alongside the public and they’re breathing with you,’ says [Juan Carlos Pabón, a Venezuelan actor]. ‘We’re dealing with a lot of emotion inside a scene and a lot of attention. There’s not as much artifice, so it’s a tough discipline; the public are really concentrating on you, and notice the good along with the not so good.’ ” More here.

The director in Miami says audiences seem to prefer comedies to dramas. I can see why. If you are going to be that up close and personal with strangers, you probably want keep things light.

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According to the website Days of the Year, today was Custodial Worker Day. I learned this by following a link at an Andrew Sullivan post.

Andrew quotes Megan Garber at the Atlantic, who writes, “Micro-holidays, which teeter somewhere in the center of the continuum between universality and irrelevancy, are political. They do what all holidays will, in the end: convene our attention around a cause. But they are different from official holidays in one crucial way: They are opt-in. …

“They’re about finding communities of like minds within the social chaos of the Internet. Every year, people will discover delightfully nerdy new ways to celebrate National Grammar Day – and they will do that in part because they are self-identified grammar nerds. Who are sharing a thing with other self-identified grammar nerds. … It says something, also, about what they want to share as people.”

By the way, Friday is Boyfriends Day, Virus Appreciation Day, and two other special days. Saturday has six micro-holidays, including World Card Making Day, Ship in a Bottle Day, and Taco Day.

You can sign up here to be notified about what each new day brings to celebrate.

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Cultural institutions are getting smaller. And more local.

We wrote about a library in a phone booth here and the Little Free Library here. You can see fully realized short films on YouTube and street art just around the corner.

Now folks in Somerville have launched a museum in a doorway. It’s The Mµseum.

From the website: “Judith Klausner (Co-Founder, Curator) is a Somerville MA artist with a love for small, intricate, and overlooked things. She first dreamed up the Mµseum in 2010, as a way to combine her love of  serious miniature art with her passion for making art accessible, and her conviction that New England arts institutions should show the work of New England artists. Three years (and a lot of planning) later, she is delighted to see it become a reality. … Contact Judith at judith@themicromuseum.com.

“Steve Pomeroy (Co-Founder, Engineer) is a programmer and a builder, both by profession and by nature. He’s largely responsible for the engineering behind the Mµseum, from the solar-powered miniature track lighting to the 3D-printed doric columns and laser-cut façade typography. He formally studied computer science at the Rochester Institute of Technology where he discovered a love of communication protocols and formal computer languages. Contact Steve at steve@themicromuseum.com.”

WBUR had a story on the micro museum here.

There is something childlike and innocent about miniature enterprises. Didn’t you always think as a child you could take a few toys and tea cups and bags of flour and new sponges from around the house and set up a table on the street as an authentic store? You thought, Why not? Just do it.

I get a kick out of people just doing it.

Photo: Mara Brod, http://marabrod.com/fineart.html

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A new $100 bill is in the works. For security, it will have half a million tiny lenses in a special strip, and the lenses will create a particular optical effect as you tip the bill this way and that.  Kind of like a hologram, is my understanding. There will be even more tiny lenses on the Liberty Bell and the numeral 100, and as you tip the bill, the one will turn into the other, thanks to the lenses.

This rather surprising information I learned from a speaker today — Doug Crane, vice president of the family company that has been making America’s currency and some other nations’ currencies since 1801. He makes paper only from cotton (80%) and linen (20%).

There are a lot of interesting old documents about the history of Crane & Co. — and how it overlapped with key events and players in American history — at this blog on WordPress.

More information is on the regular website of the company, which is based in Dalton, Massachusetts, and employs 850 people locally. Among them are the people who make print so tiny you could “print the Bible twice on a dime.” They also employ optical engineers who create the micro lenses and are responsible for Crane’s 80 patents.

Other employees work in Tumba, Sweden, ever since Sweden asked Crane to take over its currency making. At the Tumba site, Crane makes currencies for additional countries.

A paper-making enterprise requires a lot of energy, so Crane is working with numerous alternatives as it moves toward its goal of 100% sustainability. It has   already drastically cut its oil use in a partnership with a steam-producing landfill enterprise. Hydroelectric is proving trickier because there are so many jurisdictions on the Housatonic River to give permission to remove waterfalls.

Perhaps the river could become a Blueway and get everyone working together. (See yesterday’s post.)

Postcard from cranesbond.com

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