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Map: Nations Online Project
Fergus Falls didn’t need much money from the National Endowment for the Arts to create both economic benefits and constructive conversation across the political divide.

As Victoria Stapley-Brown wrote recently at the Art Newspaper, the arts benefit communities in many ways, and in rural America, a little funding can go a long way.

“A grant of $25,000 is not even a drop in the bucket of the US federal government’s spending, around $3.5 trillion per year. But it was able to effect visible change in Fergus Falls, a small rural community in Minnesota with a population of 13,000, which received $25,000 from the National Endowment for the Arts (NEA), the government agency that funds art and culture across every congressional district in the nation, in 2011. …

“With the $25,000 NEA grant, the St Paul, Minnesota-based arts non-profit, Springboard for the Arts, which calls itself ‘an economic and community development organization for artists and by artists,’ opened an office in Fergus Falls and was able to launch a multi-year cultural project. Since 2011, the organisation has been given a total of $145,000 in NEA grants — but has also received over $1.2m in funding from private donors, such as the McKnight Foundation. …

“The project explores ‘how artists can be a part of rural economies and rural communities,’ … to encourage young people to stay in the town and see it as a viable place to make a living and raise their families …

“Artists from other communities working across all media, from the visual arts to music to film-making, have also come to Fergus Falls for the Hinge Arts Residency, a programme that has hosted 45 artists for one to three months. These artists live in apartments on the property of the formerly disused hospital complex, which has spurred a local conversation about preservation and the use of historic buildings in the town, and local politics. …

“The artists-in-residence have carried out their own work during their residencies, which often involve the local community, such as the folk and punk musician Shannon Murray’s research into music and Minnesota working class history. They have also shown work in empty storefronts and organised community art projects, such as casting architectural elements of disused buildings, and giving art classes to local children.” More here.

Hat Tip: Arts Journal.

Photo: Rick Abbott
Kirkbride Art & History Weekend at the former Fergus Falls State Hospital Complex, which is on the National Register of Historic Places.

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My husband went to college with Frank Popper, who went on to become a professor at Rutgers and Princeton. Along with his wife Deborah, also a professor, Popper has written extensively about the loss of population in the industrial Midwest and the idea of returning former urban areas to a “Buffalo Commons.”

That once seemed far out, but today he is popular with leaders of shrinking cities like Detroit that are open to any idea that might make cities livable again, including turning abandoned neighborhoods into parkland.

This week he sent a surprising e-mail. His research is in an opera being performed by a Milwaukee new-music ensemble called Present Music.

“The libretto.” writes Popper, “has big quotes from a 1999 academic-journal article Deborah and I wrote about the Buffalo Commons, and two of the actors  play us. Composer Kitzke, librettist Masterson, baritone Ollmann and the other performers are all excellent.”

From Present Music’s website: “Buffalo Nation (Bison bison), by Jerome Kitzke and Kathleen Masterson, [was] commissioned by the Map Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation; Forest County Potawatomi Foundation, Suzanne and Richard Pieper Family Foundation and by other individual donors. This project is supported in part by an award from the National Endowment for the Arts.”

Jerome Kitzke and Kathleen Masterson

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Thank you ArtsJournal.com for another good link!

Tom Jacobs at Pacific Standard offers new evidence from the National Endowment for the Arts that arts education is associated with better overall student performance.

“Students from the lower end of the socioeconomic ladder,” he writes, “tend to do less well in school than those from more upscale families. But newly published research identifies one sub-group of these youngsters who tend to exceed expectations: those who participate heavily in the arts.

“ ‘At-risk teenagers or young adults with a history of intensive arts experiences show achievement levels closer to, and in some cases exceeding, the levels shown by the general population studied,’ a team of scholars writes in a new National Endowment for the Arts Research Report. ‘These findings suggest that in-school or extracurricular programs offering deep arts involvement may help to narrow the gap in achievement levels among youth.’ ” Read more.

Doesn’t surprise me that the arts can do that. But I think the key word here may be intensive. What do you think?

Photograph: Richard Thornton/Shutterstock

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Miller-McCune.com tweeted today that the National Endowment for the Arts has new data on where artists are finding work.

Four of the six New England states are among the states with the most arts jobs: Vermont, Rhode Island, Massachusetts, and Connecticut.

“The report on artists in the workforce supplements and expands upon a 2008 paper, which found about two million Americans list a job in the arts as their primary source of employment. That comes out to 1.4 percent of American workers.

“New York heads the newly released state-by-state list, with artists making up 2.3 percent of its labor force. California, home to the film and television industry, places second with 2.0 percent.

“Not far behind are Oregon and Vermont, each of which has a workforce in which 1.7 percent of workers are artists. That means they exceed the national average by a substantial 20 percent.

“ ‘Writers and authors are especially prominent [in Oregon and Vermont],’ the NEA report notes.

“Also exceeding the national average: Colorado and Connecticut (where artists make up 1.6 of the labor force), and Hawaii, Rhode Island, Massachusetts, Maryland, Washington, Nevada, and Minnesota (at 1.5 percent).”

Although there likely to be different perceptions of what kind of work constitutes arts employment, I find the report interesting. And since I know anecdotally that there are arts jobs in Maine and New Hampshire (the two New England states not among the top few), I can’t help hoping that some organization will do an in-depth study of the region. Unfortunately, ornery New Englanders don’t often think regionally.

And more generally, what are the reasons some states have more arts jobs? Public policies? Landscape? Accident?

Read more here.

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