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Photo: Milwaukee Symphony Orchestra.
Robert Black started playing tuba with the Milwaukee Symphony Orchestra at 19.

The photo above reminds me of a long-ago time that one of my brothers played the tuba. Even today, people remember how it hung out the door of the VW bug when my mother drove him to junior high.

A tuba is a mighty big instrument, and it takes a certain kind of musician to fall in love with it. For example, the young man in today’s story.

Jim Higgins writes at the Milwaukee Journal Sentinel, “If Robert Black drops out of college, and that day could be coming soon, his professor and his parents aren’t going to cry or scold.

“Black, 19, beat out dozens of older musicians to win the job of tuba player in the Milwaukee Symphony Orchestra through a blind audition process. He’s the orchestra’s youngest musician and only member of the Gen Z cohort.

“He signed his contract in early 2020, but the COVID-19 pandemic disrupted chances to play last spring. So Black [made] his MSO subscription debut March 6, playing Paul Hindemith’s ‘Morgenmusik,’ though he did play a Christmas music quintet with MSO colleagues in December. 

“A calm speaker, Black finds it easy to explain why he enjoys being an orchestra tuba player. A tuba — and the low brass section — adds fullness in an ensemble filled with higher register instruments.

” ‘I just really love being … the person that gets to add that (depth) to the whole sound of the ensemble,’ he said.

“Black said he likely became a tuba player because his late godfather, who played the instrument, gave his family a small E-flat three-valve tuba. Black’s mother was a middle school and high school band teacher, and both his mom and his older sister played horns, so brass music was a regular part of family life in Vernon Hills, Illinois. …

“After finishing his college auditions and choosing Rice University in Houston, Black took part in the 2019 auditions for the Milwaukee Symphony’s open tuba position with 61 other musicians. He did not expect much to come from it.

” ‘My kind of goal was if I can advance past the first round, I’ll consider it a success,’ he said. 

“In the ‘elephant room’ where the tuba auditioners warmed up, he recognized musicians he knew from Facebook, people who already had jobs. But to his pleasant surprise, Black made it through to the final round, playing excerpts from Bruckner’s Seventh with a professional trombone section for the first time.  

“The MSO didn’t hire a player out of that audition, but Black went off to his freshman year at Rice with helpful feedback. … At Rice, he worked closely with professor David Kirk, who is also the principal tubist of the Houston Symphony. 

‘It was clear to me from when I first heard him that he would have a very short time as a student. He was destined for professional success,’ Kirk said during a telephone interview.

“For his second audition in January 2020, in attempting to prepare as much as possible at Rice while still making his flight to Milwaukee, but with dorms closed for winter break, Black slept on a couch in a practice room for a few days. …

“After the final round, assistant personnel manager Rip Prétat took him to meet the panel of musicians and music director Ken-David Masur, who welcomed him to the orchestra. …

” ‘Robert is an incredible musician,’ principal trombonist Megumi Kanda said in an email message. ‘He is sensitive to his surroundings and has great style. His playing and blending skills are remarkably mature, especially given his youthfulness! His ability and willingness to musically interact and adjust quickly will make him a great fit.’

“Lest Black’s parents have any concern about his adjustment to life in the MSO, Kanda wrote: ‘As his neighbors in the orchestra, the trombones are a nurturing bunch; we will take good care of him!’

“Kirk said he has counseled Black on integrating himself into the orchestra. Ask questions, don’t make statements, he has told the young musician: ‘You have to be respectful of the fact that those people have been playing music together for so long. They have their own habits, their own customs and they must be respected.’ “

More at the Milwaukee Journal Sentinel, here.

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Photo: Social Candy
Milwaukee Ballet dancer and teacher, Janel Meindersee, tries out a wheelchair herself as she teaches her students. Parents watch with pride.

Heartbreaking as it is to see anyone make fun of a person with a disability, which does happen in these harsh times, it’s important to remember the advice that the mother of Mister Rogers gave him long ago: “Look for the helpers. There are always helpers.”

In Milwaukee, some unusual helpers are found in a dance company.

Amy Schwabe writes at Milwaukee’s Journal Sentinel, “Nine-year-old Namine Eiche may be in a wheelchair, but that doesn’t stop her from being a ballet dancer. That’s thanks to Tour de Force, a partnership between Milwaukee Ballet and Children’s Hospital of Wisconsin that’s been providing ballet classes to children with disabilities since 2014.

“Just last year, the opportunity was opened up to children in wheelchairs through the ‘Glissade’ class, very appropriately named since ‘glissade’ is the French word for ‘glide.’

“Janel Meindersee, a Milwaukee Ballet dancer who teaches Glissade, explained how the children are able to dance.

” ‘We teach a lot of the same things as a normal ballet class — how to spot your head when you move, the quality of arm movements, how to count music and how to stay in line when dancing together,’ Meindersee said. …

“Meindersee said that seeing kids in wheelchairs in other Tour de Force classes was the impetus for Glissade.

” ‘There was a girl in a wheelchair coming to one of our other Tour de Force classes,’ Meindersee said. ‘She was able to get out of her wheelchair sometimes, but she was most comfortable in her chair. We thought there had to be other kids who can’t even get out of their chairs at all. …

“After having taught two sessions of Glissade, Meindersee is ‘blown away’ by the skill, talent and strength of her students — especially when she gets in a wheelchair herself to try out the dance moves. She laughs with her students, pointing out that she’s not as skilled in wheelchair maneuvers as her students are.”

More at the Journal Sentinel, here. Just imagine the joy and self-confidence of these young dancers take home with them after a class. Perhaps some will join one of the professional wheelchair ballets someday. Or start their own company.

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Get ready. National Bobblehead Day is just around the corner.

Bobbleheads? Karen Given at WBUR’s Only a Game can tell you more about the history of sports bobbleheads than you ever imagined.

She says that is 2015, the San Diego Padres were the only Major League Baseball team that didn’t offer fans a game where they handed out bobblehead figures of players. “For years, the Red Sox didn’t give away bobbleheads either.

“ ‘There was a long time actually when we felt like “maybe they’re not into bobbleheads,” ‘ says Red Sox Senior Vice President of Marketing Adam Grossman. ‘But even in Boston we know that the people love them and if they love them then we’ll provide them.’ …

“The Red Sox spend months getting the facial features and tattoos and the stance on their bobbleheads just right. …

“Bobbleheads even have, get this, their own Hall of Fame.

“ ‘We sort of thought of it this way–,’ says Phil Sklar, co-founder and CEO of the National Bobblehead Hall of Fame and Museum in Milwaukee, Wisconsin, ‘if mustard deserves its own museum, bobbleheads definitely deserve their own shrine.’

“The museum doesn’t actually exist yet. Sklar and his partners are busy accumulating thousands of bobbleheads — many from private collections.”

For “the story of a business deal that would change the course of bobblehead history, [Given turns] to Todd Goldenberg of Alexander Global Promotions.  …

” ‘Malcolm Alexander, he’s our founder and former president. He’s retired now, kite skating around the world—’

“So, Alexander was trying to start a business selling promotions, and he got a meeting with the San Francisco Giants, who, you’ll remember, were trying to find a company to manufacture a promotional item that hadn’t really been made for 40 years.

“ ‘He just basically said, “What can I help you with?” and they said, “We need a bobblehead doll,” ‘ says Goldenberg. …

” ‘And Malcolm, being very cocky and very Australian said, “Yeah, sure, I’ll do it. How many do you need?” ‘ says Goldenberg. ‘And then he proceeded to leave the office and find out what a bobblehead doll was. Because even though he had just sold about a quarter of a million dollars worth of bobblehead dolls, he didn’t know what he had sold.’ ”

The rest of the story can be found at WBUR radio, here.

Photo: Karen Given/Only a Game
A Luis Tiant bobblehead doll.

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I liked an op-ed Stan Stojkovic wrote for the NY Times about a positive sort of prison program founded by a warden.

“It’s the singular guest at a prison who receives a standing ovation from inmates,” writes Stojkovic. “I’ve heard of only two: Johnny Cash and Percy Pitzer, a retired warden who in 2012 started a nonprofit corporation to award college scholarships to children of inmates.

“I sit on the board of Mr. Pitzer’s group, called the Creative Corrections Education Foundation. I recently went with him to visit some of the inmates at the Milwaukee County House of Correction. …

“He started in H6, a 60-bed women’s dorm. ‘Good morning, ladies. I’m Percy Pitzer, from Beaumont, Texas,’ he began. He told them that he had made a living for his family by working for the Bureau of Prisons, and that he and his wife wanted to give back. So he’d kick-started a scholarship fund with $150,000 of his own money. But he wanted it to become an inmate-funded venture, and said it would not work without their help.

“ ‘Will you help me with the price of a candy bar a month?’ he asked.

“His audience probably had a sense of the odds working against their children. Close to seven million children in the United States have a parent involved in some form of correctional intervention — jail, prison, probation or parole. …

“ ‘I will,’ one inmate said.

“ ‘I will,’ said another.

“ ‘I will.’ …

“In all, 13 women in H6 donated $41; one signed up to donate $5 per month. …

“At some correctional facilities, inmates earn $10 a day. Either way, this is money that would otherwise go to small luxuries, like snacks and deodorant. And yet about 300 inmates in Texas, New Mexico, Ohio and Wisconsin have donated. Thanks to that money, in addition to private contributions, by the end of this year Creative Corrections will have awarded 40 $1,000 college scholarships.”

More on the program here.

Photo: Creative Corrections Education Foundation

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At Nourishing the Planet in October, Molly Redfield interviewed Vietnam vet Howard Hinterthuer, a peer-to-peer mentor for an Organic Therapy Program that helps distressed veterans.

Redfield: “You recently gave a Ted Talk on the Organic Therapy Program (OTP). Can you tell us how the OTP started? …

“William Sims, a Vietnam veteran of the 101st Airborne Division who served from 1966 to 1967, started the Organic Therapy Program. Mr. Sims was wounded after being in Vietnam for about 9 months, and returned home to Milwaukee. He was able to deal with the stress of coming home and experiencing combat by puttering around in his mom’s garden. He remembered that.

“The Center for Veterans Issues [in Milwaukee] has about 300 or more formerly homeless veterans in transition with PTSD, traumatic brain injury, and depression. These veterans come to us and we provide a wrap-around service to deal with their different problems. Mr. Sims figured that if gardening was good for him, then it would be good for other veterans as well. So he began creating raised-bed gardens to help veterans cope with their problems. …

“Gardening is important because it allows our veterans to have …  positive experiences. This is almost guaranteed by the act itself, as it creates such a peaceful place. Gardening is meditative and increases self-esteem. …

“After the TED talk I gave, I was contacted by a woman in Scotland working with veterans of the British military. Her program used horticulture for veterans’ recovery, so I think gardening is an approach to dealing with difficult issues that can definitely be replicated in other places.”

Read more.

Photograph: AP Photo/Chattanooga Times Free Press/Allison Love
Working in community gardening programs is proving to have many good effects on troubled military veterans.

 

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My husband went to college with Frank Popper, who went on to become a professor at Rutgers and Princeton. Along with his wife Deborah, also a professor, Popper has written extensively about the loss of population in the industrial Midwest and the idea of returning former urban areas to a “Buffalo Commons.”

That once seemed far out, but today he is popular with leaders of shrinking cities like Detroit that are open to any idea that might make cities livable again, including turning abandoned neighborhoods into parkland.

This week he sent a surprising e-mail. His research is in an opera being performed by a Milwaukee new-music ensemble called Present Music.

“The libretto.” writes Popper, “has big quotes from a 1999 academic-journal article Deborah and I wrote about the Buffalo Commons, and two of the actors  play us. Composer Kitzke, librettist Masterson, baritone Ollmann and the other performers are all excellent.”

From Present Music’s website: “Buffalo Nation (Bison bison), by Jerome Kitzke and Kathleen Masterson, [was] commissioned by the Map Fund, a program of Creative Capital supported by the Doris Duke Charitable Foundation and the Rockefeller Foundation; Forest County Potawatomi Foundation, Suzanne and Richard Pieper Family Foundation and by other individual donors. This project is supported in part by an award from the National Endowment for the Arts.”

Jerome Kitzke and Kathleen Masterson

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