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Photo: Milwaukee Symphony Orchestra.
Robert Black started playing tuba with the Milwaukee Symphony Orchestra at 19.

The photo above reminds me of a long-ago time that one of my brothers played the tuba. Even today, people remember how it hung out the door of the VW bug when my mother drove him to junior high.

A tuba is a mighty big instrument, and it takes a certain kind of musician to fall in love with it. For example, the young man in today’s story.

Jim Higgins writes at the Milwaukee Journal Sentinel, “If Robert Black drops out of college, and that day could be coming soon, his professor and his parents aren’t going to cry or scold.

“Black, 19, beat out dozens of older musicians to win the job of tuba player in the Milwaukee Symphony Orchestra through a blind audition process. He’s the orchestra’s youngest musician and only member of the Gen Z cohort.

“He signed his contract in early 2020, but the COVID-19 pandemic disrupted chances to play last spring. So Black [made] his MSO subscription debut March 6, playing Paul Hindemith’s ‘Morgenmusik,’ though he did play a Christmas music quintet with MSO colleagues in December. 

“A calm speaker, Black finds it easy to explain why he enjoys being an orchestra tuba player. A tuba — and the low brass section — adds fullness in an ensemble filled with higher register instruments.

” ‘I just really love being … the person that gets to add that (depth) to the whole sound of the ensemble,’ he said.

“Black said he likely became a tuba player because his late godfather, who played the instrument, gave his family a small E-flat three-valve tuba. Black’s mother was a middle school and high school band teacher, and both his mom and his older sister played horns, so brass music was a regular part of family life in Vernon Hills, Illinois. …

“After finishing his college auditions and choosing Rice University in Houston, Black took part in the 2019 auditions for the Milwaukee Symphony’s open tuba position with 61 other musicians. He did not expect much to come from it.

” ‘My kind of goal was if I can advance past the first round, I’ll consider it a success,’ he said. 

“In the ‘elephant room’ where the tuba auditioners warmed up, he recognized musicians he knew from Facebook, people who already had jobs. But to his pleasant surprise, Black made it through to the final round, playing excerpts from Bruckner’s Seventh with a professional trombone section for the first time.  

“The MSO didn’t hire a player out of that audition, but Black went off to his freshman year at Rice with helpful feedback. … At Rice, he worked closely with professor David Kirk, who is also the principal tubist of the Houston Symphony. 

‘It was clear to me from when I first heard him that he would have a very short time as a student. He was destined for professional success,’ Kirk said during a telephone interview.

“For his second audition in January 2020, in attempting to prepare as much as possible at Rice while still making his flight to Milwaukee, but with dorms closed for winter break, Black slept on a couch in a practice room for a few days. …

“After the final round, assistant personnel manager Rip Prétat took him to meet the panel of musicians and music director Ken-David Masur, who welcomed him to the orchestra. …

” ‘Robert is an incredible musician,’ principal trombonist Megumi Kanda said in an email message. ‘He is sensitive to his surroundings and has great style. His playing and blending skills are remarkably mature, especially given his youthfulness! His ability and willingness to musically interact and adjust quickly will make him a great fit.’

“Lest Black’s parents have any concern about his adjustment to life in the MSO, Kanda wrote: ‘As his neighbors in the orchestra, the trombones are a nurturing bunch; we will take good care of him!’

“Kirk said he has counseled Black on integrating himself into the orchestra. Ask questions, don’t make statements, he has told the young musician: ‘You have to be respectful of the fact that those people have been playing music together for so long. They have their own habits, their own customs and they must be respected.’ “

More at the Milwaukee Journal Sentinel, here.

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Photo: John Waire/Washington Post
Richard Antoine White behind the scenes during the filming of “R.A.W,” a documentary about his life and musical career.

What is it about tuba players and altruism? Maybe I should say, What is it about Baltimore tuba players?

Not long ago I wrote a post about a Baltimore tuba player’s inspiring outreach to young impoverished musicians (here), and now I have a related story about a tuba player who grew up poor in Baltimore and now mentors kids.

Tim Smith writes at the Baltimore Sun, “Richard Antoine White looks back on his life — poverty and an unsettled family life growing up in [the Sandtown section of Baltimore]; tuba studies at the Baltimore School for the Arts, Peabody Institute and Indiana University; his current jobs with the New Mexico Philharmonic and University of New Mexico — and sums it up simply: ‘The American Dream is still alive and well.’ …

“White’s successful pursuit of that dream has been chronicled in the documentary ‘R.A.W.’ (White’s initials) by Baltimore filmmakers Darren Durlach and David Larson, co-founders of Early Light Media. …

“ ‘I feel honored and humbled that they wanted to do a film about me,’ says White, 45. ‘There was an awe factor when they showed up in Albuquerque. I thought, you guys are really going to follow me around with a camera? But I trusted them to tell this story appropriately.’

“Storytelling is a specialty for Durlach and Larson. They formed their production company not only to make a living (clients for their video work include companies and foundations, local and beyond), but also to give themselves an outlet for spotlighting worthy individuals and causes. … The duo decided to direct that interest into Invisible Thread, a venture they envisioned as a series of ‘people-driven stories.’ …

“[Their first film] had a screening at the Baltimore School for the Arts, where Durlach and Larson met the school’s director, Chris Ford.

“ ‘We were talking with him about an idea we had for a feature film about the arts, specifically arts education, in our culture,’ Durlach says, ‘how the arts are misunderstood, underfunded, and underutilized. And Chris said, “You know who you need to talk to is Richard White.” …

“ ‘The second we met Richard, we fell in love with him and were inspired by him,’ Durlach says. … For several days, the filmmakers shadowed White to chronicle his life in Albuquerque, where he is principal tuba in the New Mexico Philharmonic and associate professor of tuba/euphonium and associate director of the Spirit Marching Band at the University of New Mexico.

“The action then shifted to Baltimore, where more filming took place at the Baltimore School for the Arts and Peabody. The filmmakers also accompanied White to places in Sandtown, where he spent difficult years as a child and had largely avoided revisiting.

“ ‘Family members would sometimes let my mom and I sleep on a couch,’ White says. ‘Sometimes I slept under a tree or in an abandoned house. My mom had problems with alcoholism and finally gave me up. Her foster parents took me in. …’

“After White’s life smoothed out with the help of his foster parents, he found himself drawn to music — first the trumpet, then the tuba, which he learned partly with the help of a self-teaching tape. That gave him the confidence to go to the Baltimore School for the Arts, ready to audition for admission. … White gained admission.

“ ‘That proved to be a good decision on our part,’ Ford says. ‘He was an incredible worker. Through sheer grit, he was pushing past everyone. And he was a delightful individual throughout. ….

“ ‘Richard moved from someone who needed a handout to someone who now puts his hand out to help others,’ Ford says. ‘He’s been really powerful mentoring some of our kids.’ ” More at the Baltimore Sun, here.

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