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Illustration: Paul Blow/The Guardian.

Summer is coming, and all over America, kids will be seeking out basketball hoops for pickup games or organized sports. Today we know that the recognized stars of the game are often Black, but apparently, that wasn’t always the case.

Frederic J. Frommer explains at the Washington Post why Edwin Bancroft Henderson is “known as the ‘father of Black basketball’ (or sometimes the ‘grandfather’). The first Black certified instructor of physical education in the United States, [he] brought the White-dominated sport to Black America. …

“ ‘Henderson and his contemporaries envisioned basketball — and sports in general — as providing a rare opportunity to combat Jim Crow,’ wrote Bob Kuska in Hot Potato: How Washington and New York Gave Birth to Black Basketball and Changed America’s Game Forever.

“[Henderson] learned basketball while studying physical education at Harvard University’s Dudley Sargent School of Physical Training. The school was affiliated with the International YMCA Training School in Springfield, Mass., where James Naismith had invented the sport just a decade earlier. When Henderson returned to Washington, he organized a basketball league for Black players, in a city where only Whites had access to basketball courts or clubs.

“ ‘What’s sad is that more people don’t know the story of E.B. Henderson, who was a pioneer, a trailblazer, someone who was a direct protégé of Dr. Naismith,’ said John Thompson III, the former head men’s basketball coach at Georgetown University, now vice president of player engagement at Monumental Basketball.

“Today, community leaders are taking steps to raise Henderson’s profile. In February, the University of the District of Columbia renamed its athletic complex the Dr. Edwin Bancroft Henderson Sports Complex. The school also launched the Dr. Edwin Bancroft Henderson Memorial Fund, which will help pay for the renaming, a scholarship endowment and the creation of a permanent Henderson memorial on campus. …

“On April 1, the Wizards named forward Anthony Gillthe inaugural winner of the team’s E.B. Henderson Award, which recognizes the Wizards player most philanthropically active in the D.C. community.

“And last year, Virginia honored Henderson with a state historical marker in Falls Church, where he lived from 1910 to 1965 and helped organize the NAACP’s first rural branch. Henderson also served as president of the Virginia NAACP.

After completing his studies at Harvard, Henderson tried to attend a basketball game at a Whites-only YMCA in D.C. in 1907 along with his future brother-in-law, but they were shown the door by the athletic director.

“Undeterred, Henderson started the D.C.-based Basket Ball League, where his 12th Street YMCA team went undefeated in 1909-10 in competition with local rivals and teams from other cities and won the unofficial title of Colored Basketball World Champions.

“His playing days came to an end in 1910 when he was 27 [but] Henderson’s work continued off the court, as he formed the Public Schools Athletic League, the country’s first public school sports league for Black students, which included basketball, track and field, soccer and baseball.

“In 1912, Henderson moved to Falls Church, and soon he was taking on racial discrimination there, helping to challenge a local ordinance that restricted where Black residents could live. After a court ruled the ordinance unconstitutional, the Town Council rescinded it.

“Henderson continued to challenge discriminatory treatment of African Americans, often through the many newspaper articles and letters to the editor he wrote over the years. In a September 1936 letter to the Post titled ‘The Negro in Sports,’ for example, he touted the success of Black athletes such as track star Jesse Owens, who won four gold medals at the 1936 Summer Olympics in Berlin.

“ ‘Right here in Washington, it ought to be possible for a Jesse Owens, or a city-wide marble champion, or a Joe Louis to come up through the lists and tournaments,’ he wrote. ‘When will the Capital of the Nation meet this challenge?’

“In 1939, he wrote a book with the same title, The Negro in Sports, which he updated in 1950. In the intervening decade, Jackie Robinson had broken baseball’s color barrier, and Black players had returned to the NFL after being shut out of the league for a dozen years.

“ ‘Henderson resists what might have been the high temptation to gloat at the sensational success of the Negro boys when finally they got their chance to play in the big leagues,’ Shirley Povich wrote in a Washington Post review of the revised edition. ‘Instead, he pays tribute to the American sportsmanship that sufficed, finally, to provide equal opportunity.’ …

“ ‘I never consciously did anything to be first. I just happened to be on the spot and lived in those days when few people were doing the things I was doing,’ Henderson said a few years before his death in 1977, at the age of 93. ‘But sports was my vehicle. I always claimed sports ranked with music and the theater as a medium for recognition of the colored people, as we termed ourselves in my day. I think the most encouraging thing, living down here in Alabama, is to see how the Black athlete has been integrated in the South.’

“Henderson was inducted into the Naismith Memorial Basketball Hall of Fame in 2013, following a campaign waged by his grandson, Edwin B. Henderson II, a retired educator and local historian.”

More at the Post, here.

Photo: University of the District of Columbia.
Edwin Bancroft Henderson, the “Father of Black Basketball.”

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Photo: Robert W Kelley/Time Life Pictures/Getty Images
Langston Hughes on the front steps of his house in Harlem, June 1958.

Before Suzanne and Erik moved to Providence, they were living in a lovely renovated brownstone in Harlem.

There’s a fine line between newcomers investing where there’s been too much disinvestment — and gentrification. The early changes seem to benefit a neighborhood and its people, but inevitably rising property values push out many longtime residents and institutions.

Today, a group of Harlem artists from various disciplines are banding together to keep a significant piece of the Harlem Renaissance around to nourish African American arts.

Tom Kutsch writes at the Guardian, “All that signifies the legacy of a house once occupied by the poet laureate of Harlem is a small bronze plaque, partially covered by a cedar tree’s branches and the green ivy that envelops much of the building.

“The onetime home of Langston Hughes has sat largely unoccupied for years, but a new movement is trying to reclaim, for a next generation of artists, the space of a man who is forever intertwined with the Harlem Renaissance.

“Spearheaded by writer, performer and educator Renée Watson, the collective effort is busily trying to raise the necessary funds to purchase a lease and make needed renovations to the house. …

“Watson plans to make the Hughes house the home of the I Too, Arts Collective that she launched alongside the effort, which aims to, in her words, have ‘programming that nurtures, amplifies, and honors work by and about people of color and people from other marginalized communities.’ …

“The collective gets its name from one of Hughes’s most famous poems – I, Too – in which his narrator concludes by intoning:

They’ll see how beautiful I am
And be ashamed—
I, too, am America.

“Watson is using the crowdfunding website Indiegogo to solicit donations for the project, for which they’re hoping to raise at least $150,000 to cover a lease and begin the renovation process. By the time of publication, they had raised more than $54,000, already exceeding the $40,000 Watson says would cover at least a six-month lease. …

“For more than a century, Harlem has been inextricably linked to black life and culture in America; the birthplace of the aforementioned Harlem Renaissance, which fostered a wide array pre-eminent black artists and writers, from Zora Neale Hurston to Claude McKay and Duke Ellington. …

” ‘The erasure of black Harlem may come despite our best efforts …’ said Tracey Baptiste, a local children’s author who is involved with Watson’s collective. ‘But this project is about making sure that gentrification doesn’t also happen in the hearts and minds of our artists.’ ”

More here.

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Asakiyume writes a blog I enjoy a lot, and this week she had an intriguing post on Jackie Ormes, generally considered the first female African American cartoonist. See examples of work by Ormes at Asakiyume’s blog, here.

According to wikipedia, Ormes (1911 to 1985), “started in journalism as a proofreader for the Pittsburgh Courier, a weekly African American newspaper that came out every Saturday. Her 1937-38 Courier comic strip, Torchy Brown in Dixie to Harlem, starring Torchy Brown, was a humorous depiction of a Mississippi teen who found fame and fortune singing and dancing in the Cotton Club.”

The strip waxed and waned as Ormes pursued her many career interests, bur she always returned to Torchy.

“In 1950, the Courier began an eight-page color comics insert, where Ormes re-invented her Torchy character in a new comic strip, Torchy in Heartbeats. This Torchy was a beautiful, independent woman who finds adventure while seeking true love. …  The strip is probably best known for its last episode in 1954, when Torchy and her doctor boyfriend confront racism and environmental pollution. Torchy presented an image of a black woman who, in contrast to the contemporary stereotypical media portrayals, was confident, intelligent, and brave.”

Being a cartoonist seems harder than writing a blog. You not only need to find daily topics that interest you enough to dwell on, but you have to encapsulate them in a piece of art. Asakiyume sometimes illustrates her posts, but art is one thing you won’t find me doing here. (Unless maybe a collage.)

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