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Posts Tagged ‘new york city’

The first stage of waiting is over. Some bad things avoided, others not so good. While waiting for my sister to be out of surgery, I walked  around New York City, sometimes with her husband and close friend. I took these pictures.

I’m not going to add a lot of description, but I wanted you to know that the amazingly beautiful garden, managed by volunteers, is in Riverside Park, that there is lots of biking in Central Park in the morning, that the city has “cooling centers” for seniors on hot days, and that the place I’m staying has a lobby like the Alhambra.

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071118-Senior-Cooling-Center

071118-Central-Park

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Photo: MICRO
A visitor examines the MICRO mollusk museum.

Good things come in small packages, even museums, as we saw in this 2013 post. Since then, enthusiasm for micro museums has only increased, as Margaret Carrigan reports at the Observer.

“When scientist Amanda Schochet and designer Charles Philipp unofficially started MICRO, they wanted to make the world’s smallest museum about mollusks, a passion of Schochet’s.

“They realized that might be easy, considering there were no real mollusk museums at all. But as they started developing content and design, the pair realized that even small museums could have a big impact.

“In a year-and-a-half, they’ve created five 6-foot-tall natural history museums that have been installed around New York City, with the latest unveiled in mid-December at the Ronald McDonald House on the Upper East Side. The goal for Schochet and Philipp is to foster equal access to fundamental knowledge by creating installations that can be found outside of the traditional museum setting. …

“With intentions to become the most-visited museum in the country within five years … Schochet and Philipp plan to debut a new MICRO museum module every year, starting with the core sciences before delving into math and art. Their first physics edition, the Museum of Perpetual Motion, [was scheduled to] launch in early February. …

“Philipp: It started as a kind of tongue-in-cheek idea just between my partner, Amanda, and I. Amanda is a computational ecologist and knew there was a really rich history of mollusks in New York, especially oysters. So when she first moved here a few years ago, we started looking into whether we could go to a museum about mollusks. But we couldn’t find one, so we joked that if we made the smallest mollusk museum it would also de facto be the largest. …

“It wasn’t until we had a four-hour wait in a doctor’s office that it seemed like there could really be a market for something like this. There was a captive audience right in front of us looking for entertainment, and something to distract them that wasn’t just whatever rerun was on the office television. It was then we realized a mini-museum could have an impact, and we bounced the idea off some friends who worked in museums who really saw some sort of potential.

“We started doing some research and found that something like 90 percent of museum visitors across the U.S. are non-Hispanic whites. We also found that there are 135 museums in Manhattan, but in the Bronx — which has a comparable population — there are only eight. These both seemed like problems that could be addressed by bringing more museums to areas where there were few institutions with larger populations of minorities. And one way to do that was make small museums that could be installed anywhere. …

“We don’t have enough room in MICRO to get into a lot of history and context, so we have to be really mindful about how to present information and how best to do it that would entice the average passerby: How do we make someone with little knowledge of the subject who is perhaps just in the middle of running an errand and totally focused on the day-to-day stuff they need to be doing interested and curious enough to spend 10 minutes learning?

“We’ve come up with some interesting ways of solving that. In the mollusk museums, we’ve installed an eye-catching hologram in the base of it that boasts a digital aquarium. And we chose to use recognizable B-movie alien characters as a way of introducing mollusks to the viewer, since we found that many of them are based on these organisms because they seem so otherworldly.” More here.

I love that they want to get their museums into the Department of Motor Vehicles. Now that is an idea whose time has come!

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Photo: Craig Barritt/Getty Images for Sing For Hope
Jon Batiste performing on June 5 at the 6th Annual Sing for Hope Pianos Kickoff Event at 28 Liberty Plaza in Lower Manhattan. You may know Batiste from Stephen Colbert’s Late Show.

Many of the artists, musicians, and theater people who live and work in New York City believe in the importance of bringing the arts to children in underserved schools. And they are turning their beliefs into action by supporting Sing for Hope.

On June 5, Sing for Hope sent out a press release on the unveiling of 60 new artist-designed pianos destined to go to public schools after a summer on the streets.

“Late Show with Stephen Colbert bandleader and Sing for Hope Board Member Jon Batiste kicked off the performances at 12 noon, followed by a special performance of Bach’s Prelude in C performed by 45 pianists simultaneously on 30 Sing for Hope Pianos. Other performances included renowned pianist Michael Fennelly, who played Gershwin’s ‘Rhapsody in Blue.’

“Each year, Sing for Hope selects local and international artists to create unique piano artworks that are placed in parks and other public spaces for anyone and everyone to play. This year, through a special partnership with the New York City Department of Education, Sing for Hope will place all of the Sing for Hope Pianos in permanent homes in NYC public schools after the pianos’ time on the streets, benefiting an estimated 15,000 New York City school children. …

“This summer marks the placement of the 400th Sing for Hope Piano to date, making NYC host to more street pianos than any other city in the world. …

“In time for the big reveal of the 2017 Sing for Hope Pianos, the world’s first-ever mobile app for street piano discovery and engagement is now available. The app helps people to discover, visit and play the pianos – and then share their experiences via social media. Now in its third year, the app will allow people to take curated tours of the pianos, discover special concerts by artists and performers taking place at the pianos, and sign up to give their own pop-up performances on the pianos. The app, designed and developed by Craver Inc., is free to download and available in the App Store.”

More here.

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You probably know that a library is a haven. But in case you didn’t, here is a story about what libraries mean to New Yorkers these days.

Winnie Hu writes at the NY Times, “Matthew Carter’s summer hideaway … does not require a car ride or a small fortune to keep up.

“Mr. Carter, 32, an adjunct professor of music at the City College of New York, simply holes up at the Inwood Library in northern Manhattan with his research books. It is quiet, air-conditioned and open every day.

“ ‘I’m a total leech of public libraries,’ he said. ‘It’s my summer hangout. It’s where I spend the majority of my time, and where I’m most productive.’ …

“Far from becoming irrelevant in the digital age, libraries in New York City and around the nation are thriving: adding weekend and evening hours; hiring more librarians and staff; and expanding their catalog of classes and services to include things like job counseling, coding classes and knitting groups. …

“Sari Feldman, president of the American Library Association, said library workers had shown people how to file online for welfare benefits and taught classes in science, technology, engineering and math to children who could not afford to go to summer camps. …

“A recent contest to recognize neighborhood libraries underscored their vitality: 18,766 online and paper nominations were submitted in one month, up from about 4,300 when the yearly competition was started in 2013. Nearly every library was nominated at least once. Some received hundreds of nods.

“One young man wrote that he was homeless when he started going to the Arverne branch of the Queens Library, where the staff not only helped him study to become a security guard but also hired him to work as a mentor to teenagers. Today, that man, Richard Johnson, has two jobs and his own apartment.

” ‘Ever since becoming a member of the Queens Library, I have been bettering my life,’ he wrote in his statement. …

“The recent gains by libraries have delighted Christian Zabriskie, a librarian and executive director of Urban Librarians Unite, an advocacy and education group that organizes an annual ‘read-in,’ in which people take turns reading nonstop for 24 hours, to support the libraries.

“ ‘In New York City, there is somebody using library materials every second, every day of the year,’ Mr. Zabriskie said. ‘It’s showing that libraries are the fabric of society.’ “

More here.

Photo: Alex Wroblewski for The New York Times
The Inwood Library in northern Manhattan is quiet, air-conditioned and open every day.

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A friend from my childhood called Caroline has been following this blog, sometimes making comments related to her field, which is architecture.

Today Caroline sent me a link that she knew would be a perfect fit here. The story is about a design competition to address New York City’s rising seawater.

Kayla Devon wrote about it at Builder Online, “In the next 30 years, roughly 30% of Manhattan is expected to sink below sea level, according to a climate study by the NASA Goddard Institute for Space Studies. Instead of trying to stop the inevitable, Brazilian architect Walmir Luz focused on embracing it.

“After studying climate predictions from the United States Landfalling Hurricane Probability Project and the history of Manhattan’s edge, Luz designed a utopian/dystopian future for New York (depending if you’re a glass half-full or half-empty kind of person).

“Luz’s NYC 2050 concept makes flooding a part of city life by taking inspiration from Venice. Luz designed structures as levels that could allow water to move through lower levels as the sea rises. Streets would become permeable so water can wash over the roads instead of flooding them, and more barriers would surround the city’s edges.

“Luz completed the concept as his thesis for his Bachelor of Architecture degree from Cornell University, and won a Silver award in the urban planning and urban design category at the A’Design Award & Competition. He now works as an architect for Gensler.” More at Builder Online.

I love it when people who read the blog come upon topics that they know will fit and then send them along. I like being able to share the cool stuff with a wider audience. Thank you, Caroline.

Design: Walmir Luz
Luz won a design award for a concept making the best of rising sea levels in New York City.

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The last tidbit from my recent New York City trip is about the Kelpies on loan in Bryant Park, near the New York Public Library.

Kelpies are water spirits of Scottish folklore, typically taking the form of a horse. Artist Andy Scott was inspired by the legends to create giant ones for Helix Park in Falkirk, Scotland.

The ones in New York are smaller maquettes but still pretty huge.

The artist writes that he came up with an idea eight years ago about “mystical water-borne equine creatures. …

“Since then it has evolved dramatically and in the process the ethos and function has shifted from the original concept. Falkirk was my father’s home town and that inherited link to the town has been one of my driving inspirations. A sense of deep personal legacy has informed my thinking from the outset …

“The mythological associations behind the original brief have been absorbed by other sources of inspiration in the creative processes, and the ancient ethereal water spirits have been forged into engineered monuments. The Kelpies are modeled on heavy horses (two Clydesdales of Glasgow City Council actually served as models in the process), and it is this theme of working horses which captured my imagination and drove the project.”

The website adds that the Kelpies in New York City “were installed by Andy and his colleague Simon Chambers, with the assistance of the American Scottish Foundation, the Bryant Park Corporation, Mariano Brothers freight & cranes, Synlawn matting and the New York City Department of Parks & Recreation. Thanks to Creative Scotland for their funding assistance towards the costs of the transport and install.”

You really have to check out Scott’s website. The full-size sculptures are unbelievable. Click here.

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Kaili knows how much I want to believe that U.S. manufacturing is not dead. He sent me this example from Wired magazine — a story about the making of Statue of Liberty souvenirs.

Wired‘s Liz Stinson reports that of the many souvenirs you see in New York, most “come from overseas where they’re stamped out on machine-driven assembly lines. But a select batch—the ones you can buy on Ellis Island—were made in the United States, right here in New York City, with actual human hands.

Colbar Art in Long Island City, Queens, creates prototype and custom molds, castings and original artwork, but the factory is most well known for being one of the largest producers of Statue of Liberty figurines in the world, and one of the last in the United States. …

“Ovidiu Colea’s story is the focus of a recent mini-doc made by NYC-based videographer Rebecca Davis.

“Davis, a video journalist at NBC, documented the Colbar Art crew during their daily routine of making statues, and it’s surprisingly fascinating to watch. ‘Growing up, one thing that had a lasting impression on my memory were the Mr. Rogers episodes where they’d go to the crayon factory and show you how the crayons were made,’ she explains. ‘I wanted to see from start to finish how these statues, as New Yorkers we see all over the place, how they come into being.’ ” Me, too.

More.

Rebecca Davis’s charming video, found at http://narrative.ly/meet-your-maker/the-liberty-factory/, captures the Romanian craftsman’s pride in his work and in workers who come from all over the world.

I apologize that the embed code doesn’t work. I wanted to put the video here.

http://www.wired.com/design/2013/08/watch-where-your-favorite-nyc-souvenirs-come-from/

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New York has solicited design concepts for giving its old payphones new life. Now the city is asking “the crowd” to pick its favorite.

As Amar Toor writes at The Verge, “The City of New York this week announced the six finalists in its Reinvent Payphones challenge — an initiative that invites students, urban planners, and designers to propose their visions for the payphone of the future. The finalists were selected as winners in six different categories, and are now in the running for the Popular Choice Award, to be determined later this month.

“Not surprisingly, interactive and digital features play a major role in most of the six designs, including NYC/IO, winner of the Community Impact category. Created by Control Group and Titan, the proposal calls for the city’s phone booths to be replaced with high-tech kiosks, replete with transparent screens that pedestrians could use to not only make calls, but find restaurants, pay parking tickets, or surf the web.”

Read about all six designs, here. “You can vote for the best design on the New York City Facebook page until March 15th.”

And speaking of tapping the wisdom of crowds, Suzanne would love to have you vote on a logo for her new line at the birthstone jewelry company that hosts Suzanne’s Mom’s Blog. Targeted at young women and girls, the new line is going to be called Stellina — it’s the younger sister in the Luna & Stella family. The voting ends tomorrow, March 8. Do take a look at the logo designs, here, and vote if you have a minute.

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Speaking of theater, here’s a new one on me.

According to Edward Rothstein in the NY Times, “Passengers on ‘The Ride’ — a tour bus with floor-to-ceiling windows and nightclub-style audio — tool through Manhattan, encountering such (pre-arranged) sights as a businessman breaking into tap dance, a juggler tossing hot dogs, and a ballerina in a glowing tutu dancing around Columbus Circle.” Read more.

I’d love to look out a bus window and see a businessman breaking into a tap dance. Years ago, I knew a tap dance teacher who wanted to organize groups of “shoppers” who could suddenly break into choreographed tap routines up and down supermarket aisles. Am still looking for them.

I do have to wonder what NYC tourists expect to see when they look out bus windows. An artsy guy, my brother’s classmate, was walking down the street in Greenwich Village minding his own business one day in the sixties when someone leaned out of a bus and called, “There’s one of them now!” One of what? he wondered.

Whatever you’re looking for in New York, you can probably find it. All you have to do is believe.

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I had dinner with friends at Harvard Square’s Casablanca last night.

Hadn’t seen them in ages. Their older son is moving to New York City with his family this summer. A key attraction is an experimental “international” school opening in Chelsea in the fall. My friends’ granddaughter will start in the new middle school and their grandson in the new elementary school.

Avenues School is the brainchild of publishing whiz Chris Whittle, best known for his not-so-successful Edison Schools. He puts that experiment in a positive light on the Avenues website, saying that it helped to spark the charter school movement. My friends say that experienced and inventive educators from all over have rushed in to help with Whittle’s new global approach to education.

“Begin by thinking Avenues Beijing, Avenues London, Avenues São Paulo, Avenues Mumbai,” says the website. “Think of Avenues as one international school with 20 or more campuses. It will not be a collection of 20 different schools all pursuing different educational strategies, but rather one highly-integrated ‘learning community,’ connected and supported by a common vision, a shared curriculum, collective professional development of its faculty, the wonders of modern technology and a highly-talented headquarters team located here in New York City.”

Erik went to an international school in Wales, a United World College, and made lifelong friends from many nations. As Avenues plans to do, United World Colleges has campuses in different countries. The one in Wales is for high school, but other UWC schools are, like Avenues, preschool to 12th grade, even beyond. Kim Jong-Il’s grandson attends the one in Bosnia!

 

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When playwright Willie Reale started the 52nd Street Project in 1981 it was to meet a need. Children living in poverty in and around the Hell’s Kitchen section of New York City often had little joy in their lives. A group of theater people decided to use the art they knew best to change that.

“The mission of The 52nd Street Project is to bring together kids (ages 9 to 18) from the Hell’s Kitchen neighborhood, with theater professionals to create original theater.  The primary activity of the Project is to present free theater to a general audience. The Project’s deeper purpose is to use the art form of theater to engage the children’s imaginations, broaden their means of expression, and increase their sense of self worth, their literacy skills and their appreciation for the arts. With the addition of our expanded Clubhouse and our own theater, the Project has been able to add programming in various other art forms (such as Photography, Poetry, Theatrical Design and Dance). Additionally, the Project runs a free, after school homework help and academic mentoring program.”

In the early years, I saw some of the plays created when one child and one actor bonded and collaborated. Delightful. As Reale says, “There is no way to fast forward and know how the kids will look back on this, but I have seen the joy in their eyes and have heard it in their voices and I have watched them take a bow and come up taller.”

In this clip, kids work with adult partners on haiku.

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